Last week’s episode of The Bible ended on a cliffhanger. Jesus recruited the first of his disciples, Simon Peter, as if he were heading up the Fellowship of the Ring. The implication was that once the team is in place his Ministry will have officially begun. Well, The Bible decided not to show him recruiting anybody else — except for the tax collector, Matthew — in its fourth two-hour installment, the night of Palm Sunday. It took us on a whirlwind tour of Jesus' greatest hits, a rapid succession of miracles, then showed how it all came crashing down because of a measly 30 pieces of silver — and the temptation of Obama Satan. Yes, Obama Satan returned! But for a blink-or-miss-it cameo as the Pharisees’ troops closed in on Jesus in the Garden of Gethsemane. You’d think History might have cut him out after the furor last week, but no. He lives. He glowers. And he will tempt you all with the sweet sinfulness of socialism.
Except that it was actually Jesus who was preaching the socialist message in the Bible (and The Bible). He gave people free healthcare by making the lame walk and the blind see. He even healed lepers, people who definitely don’t have insurance! He also started going around saying that he could forgive sins — a big no-no for the Pharisees who believed that only God can forgive sins and that rigid adherence to Talmudic law is the only way to please God. Jesus then really pissed them off by welcoming a tax collector, Matthew, into his fold. His “Parable of the Pharisee and the Tax Collector,” about a rabbi who prays bombastically for everyone to hear in his temple and a tax collector who prays humbly and never even raises his eyes toward heaven, is pretty much Jesus’ critique, some 2000 years in advance, of televangelism. Self-consciously parlaying your faith into the pursuit of fame is pretty crass. Or, as He would put it, “Anyone who praises himself will be humbled, and anyone who humbles himself will be praised.” Maybe Mark Burnett should have thought of that before he cast his wife Roma Downey as Mother Mary.
It’s a testament to just how sexless The Bible is that we don’t ever get a sense of Mary Magdalene’s life of whoredom before encountering Jesus. She’s just there, already a part of Jesus’ flock when the episode opened. I mean, come on! One of the many, many cool things about Jesus is that he was friends with hookers! I’m not saying I was looking for full-on Barbara Hershey in The Last Temptation of Christ action. It’s just that Jesus’ association with her reveals so much about his acceptance of all people, even those traditionally ostracized. We got none of that here. And just a week after we were denied a sexy dance from Salome! Also, what was up with this sexless Mary Magdalene’s British accent?
We got some big helicopter shots of Jesus and the disciples walking single-file, Fellowship-style, across the Judean landscape. One by one, Burnett rattled off Jesus’ greatest moments: the Sermon on the Mount, asking the men who want to stone an adulteress who among them is without sin, walking on water to rescue a doubting Peter from stormy CGI waves. And, of course, his greatest act of socialism: creating an endless supply of fish and bread to feed the unwashed masses. When he returned to Nazareth to read from the Torah on Shabbat, he declared that he had fulfilled the prophecy of the Messiah. From the look on Roma Downey’s face as Old Mary, you knew that he had ruffled so many feathers because of this that it was just one step further toward his demise.
NEXT: Pontius Pilate is about as much of a bamf as he could be without being portrayed by Ving Rhames.
Speaking of the forces in Jerusalem that would conspire against him, we got our first glimpse of Pontius Pilate. Only Ving Rhames’ Pilate in Djesus Uncrossed could possibly out-badass this guy. He even fights gladiators with sword and shield just so he can hone his skill! When a rebellion broke out among the Jews because Temple funds were being appropriated by the Romans to build an aqueduct, he had the rebels slaughtered. With anyone who’s anyone in Judaism converging on Jerusalem for Passover, it could be a powderkeg. The Sanhedrin, the high council of Pharisees, wanted to tread very lightly as far as the Romans were concerned. Could this Jesus be inciting a rebellion of his own that could lead to even more bloodshed? Sanhedrin member Nicodemus was concerned, its leader, Caiphas, less so. “Nothing important ever came from Galilee,” he said. Famous last words.
Jesus resurrected Lazarus, then hopped a donkey for a one-way trip to Jerusalem. Once at the city gates he was hailed with palm fronds. Rebel leader Barabbas stopped Jesus to say a version of “This is my town, muhf***a.” Or, sorry, Muhf***a. Jesus made it clear, though, that he wasn’t here to encourage any kind of revolt. That meant he was stuck between a rock and a hard place: the Romans and Sanhedrin will think he’s a threat, the rebels will think he’s a collaborator. He’ll need to call upon his disciples in the midst of all this. Hopefully they're a unified front and not easily lured by the intoxicating power of silver.
Jesus made even more enemies, and really started to make the Romans and Sanhedrin think he’s a threat, by bringing his socialist agenda to Herod’s Temple. He overturned the tables of the money changers who had set up business there, declared you can’t serve God and money, and delivered the immortal screed against the 1%, “It’s easier for a camel to pass through the eye of a needle than a rich man to enter the Kingdom of God.” Call it Occupy Herod’s Temple. He then said, to a child and in a vaguely menacing tone, “Do you see all these great buildings? Not one stone—not one stone—will be left standing.” At the time it seemed like a threat, but he was really alluding to how the Romans would destroy the Temple within the next 30 years. Still, this kinda made people think he was the first century equivalent of Bane.
Caiaphas was losing his s*** at this point. Luckily for him, he was able to appeal to Judas’ love of silver to get a personal audience with Jesus. And by “personal audience” we mean have the Messiah sent before him in chains. Caiaphas now really believed that this one “peasant” had to die, in order to preserve the future of “God’s nation.” The funny thing about calling Jesus a “peasant” is that, yes, he was a carpenter, but people forget he was also descended from the House of David, meaning that he really did have royal blood, in addition to divine blood, in his veins. Shame Caiaphas didn’t know that.
It was time to break challah for the Passover seder known as the Last Supper. Judas was mulling over his actions, while Jesus promoted symbolic cannibalism via the First Communion. Afterwards, Jesus went to pray in Gethsemane and Judas saw Obama Satan in the streets. There was some nice crosscutting between Christ’s prayer in the garden, the Pharisees' prayer, and also a prayer led by a Vestal Virgin in a Roman Temple. Caiaphas’ soldiers attacked Jesus and the disciples where they prayed and Peter even cut off one centurion’s ear with his sword. Jesus promptly healed the guy’s ear then told Peter, “He who lives by the sword, shall die by the sword.” He’s a pacifist too! We keep finding out this Jesus is more of a hippie than we ever thought.
In chains, Jesus was taken to the Sanhedrin, where they pronounced him guilty of blasphemy and incitement and sentenced him to death. Meaning that they’d have to turn him over to Pilate, because only the Romans could carry out the death penalty. Harsh stuff. But I do applaud this version for showing what a terrible bind Caiaphas was in. One false move, and the Romans would kill everyone. Better to play it safe by offering up this one guy as a sacrifice, even if he was the Messiah. And in his own way, Caiphas played a role in the divine plan that had been ordained since before Jesus’ birth. Jesus had to die not only to show everyone how to live but to convey the promise of everlasting life. Obama Satan would have won if Jesus had recanted his message and avoided his suffering. The hard path, the path of suffering, was the righteous path in the end.
So this week’s episode of The Bible definitely toned down the crazy as opposed to the Old Testament stuff. Next week, we’ve got History Channel’s riff on The Passion of the Christ. Stay tuned.
Follow Christian Blauvelt on Twitter @Ctblauvelt
[Photo Credit: History Channel]
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Just the other day, my young nephew Jake* and I were perusing the Internet for upcoming Blu-ray releases that he might enjoy. We happened upon a particular title that sparked his interest—a 1974 crime-drama starring a prime Jack Nicholson and a dynamic Faye Dunaway. However, I quickly took note of the R-rating. Thus, despite my young nephew's countless pleas to order the new release, I was forced to say, "Forget it, Jake. It's Chinatown."
The main thing to take away from this is the fact that Chinatown is, in fact, releasing on Blu-ray. Roman Polanski's scathing illustration at a mysterious murder case is a celebrated classic, and will now be available with a pretty ample set of special features, which you can check out below.
The Blu-ray will be available Apr. 3.
Commentary with Robert Towne and David Fincher— Towne and Fincher offer unique insights into this classic film. No matter how many times you’ve watched Chinatown, this commentary will open your eyes to a whole new experience.
Water and Power (HD)— In this three-part documentary, Robert Towne visits sites along the original Los Angeles Aqueduct for the first time. He is informed of the social and environmental impacts and given insight into the major issues around the creation and ongoing operation of the aqueduct.
The Aqueduct (HD)— The City of Los Angeles completed the 233-mile gravity-fed aqueduct from the Owens Valley in 1913, under the leadership of a self-taught engineer named William Mulholland. L.A. Department of Water and Power representatives along with Catherine Mulholland, granddaughter of the engineer, discuss the development of the aqueduct and its contribution to the growth of the nation’s second-largest city.
The Aftermath (HD)— For decades a large rural community was desiccated under the management of water rights by the City of Los Angeles over a vast area of the Owens Valley. Legal victories beginning in the 1970’s lead to successful reductions in environmental damages and the restoration of some natural habitats. Historians, local ranchers and activists discuss the up-to-date impacts of the aqueduct and struggle to maintain a stable environment and community.
The River & Beyond (HD)— Prior to the building of the first aqueduct a century ago Los Angeles relied solely on its own local water supply: the Los Angeles River and its aquifer. Today the river as a water resource is largely forgotten. Currently there are plans to re-develop the river to reduce L.A.’s dependence on imported water, reducing the environmental impact on distant communities, while creating parks and open spaces for the city.
Chinatown: An Appreciation— Chinatown has been hailed as a perfect film.
Robert Towne’s cynical labyrinth of secrets and sin, Roman Polanski at the top of his form, Jack Nicholson in all his glory, Faye Dunaway at her sexiest and most mysterious, John Huston as one of the creepiest and most unrepentant villains of all time, the great cinematography, the wonderful score, the bandage on the nose…
In this featurette, prominent filmmakers express their personal admiration for the film:
Steven Soderbergh – Director – Traffic
James Newton Howard – Composer – The Dark Knight
Kimberly Peirce – Writer/Director – Boys Don’t Cry
Roger Deakins – Cinematographer – No Country For Old Men
Chinatown: The Beginning and the End
Chinatown: The Legacy
Theatrical Trailer (HD)
*Actual person...although the rest of the story is completely fabricated for the sake of a completely not-worth-it joke.
Within screenwriting circles, Robert Towne is considered a god despite the fact that his name ends with an -e. His work on Roman Polanski's Chinatown not only won him an Oscar for Best Screenplay, but it’s actually considered by many to be the "perfect" screenplay. Myself, I think it’s lacking in aliens/ninjas/robots/farts, but I digress.
Anyway, Towne is still writing and his latest project is a miniseries taking place in Pompeii during the eruption of Mount Vesuvius. Should be... explosive. He’ll be adapting the story from Robert Harris' 2003 novel, titled cryptically Pompeii. The story follows the adventures of a young Roman engineer working on a massive aqueduct that has to survive the massive explosion. Seems like Towne can’t really get away from water issues despite traveling back about 2000 years.
As long as it continues the trend (i.e. boobs) of recent ancient historical television shows (Rome, Spartacus, The Tudors, The Borgias, etc.) I’ll be happy.
Oscar-winning director Roman Polanski is set to bring Robert Harris' bestseller Pompeii to the big screen.
The dramatic thriller is set against the backdrop of Mt. Vesuvius just before and during its eruption.
The movie's budget is projected to be in the $130 million range, making it Polanski's most expensive film by a wide margin.
Harris will be writing the script himself and shooting will begin in Italy this summer.
The movie features a young engineer who has to repair an enormous aqueduct whose destruction threatens the Roman Empire.
The film takes place over three days and the final act features the volcanic eruption and destruction of the aqueduct, which serves hundreds of thousands of people.
Polanski explains, "I got seduced by the writing. In general terms, when someone tells me to make a movie set in ancient times, I say it's not my cup of tea. But I liked that it was a thriller."
The Pianist director adds, "It will be very dependent on visual effects. It's always challenging to do something a little different, but that's what keeps me going."
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