It's easy to hate on the Twilight movies. They're the epitome of indulgent fan-servicing filmmaking alienating anyone on the outside of their cultish fanbase. With consistent navel-gazing screenplays by series screenwriter Melissa Rosenberg (adapted from the equally shallow source material from author Stephanie Meyers) there's little reason to think future installments could ever transcend their predecessors.
But whereas Twilight New Moon and Eclipse contently burrowed themselves under the forlorn faces and over-dramatic moping of stars Kristen Stewart Robert Pattinson and Taylor Lautner director Bill Condon (Dreamgirls Kinsey Candyman 2: Farewell to the Flesh) unearths a saving grace in The Twilight Saga: Breaking Dawn - Part 1: pure insanity from which blossoms color comedy and scares. The movie is one giant wink to the camera—and it serves the melodrama of Twilight tremendously.
The first half of the not-quite-epic Twilight conclusion kicks off with the wedding of Bella (Stewart) and Edward (Pattinson) a long-awaited event Condon manages to spin into an authentically nerve-wracking and touching sequence. Finally a Twilight movie with an obvious purpose—Bella and Edward have been waiting since Movie One to consummate their relationship (waiting until marriage) but lingering at the end of every daydream every loving gaze every sweet nothing is the gut-wrenching fact that Bella will give up her humanity. Breaking Dawn - Part 1 confronts this dead on with an overtness absent from the previous movies.
While the script is still committed to visualizing Bella Edward and Jacob's uncinematic inner monologues Condon peppers every scene with the zest of ridiculousness saving Breaking Dawn from ever dragging. Edward cracking a bed in half during his first sexual experience is just the beginning—the movie features everything from demon-fearing Brazilian housekeepers to body horror straight out of a Cronenberg film to corny CSI-esque shots of vampire venom jetting through bloodstreams. In one scene Jacob (Lautner) morphs into canine form to telepathically declare (in Lautner's brooding "tough guy" voice) that he is the true Alpha Male of the pack. The moment's hammy and trite but Condon shoots it with all the over-the-top machismo exuding from the wolfpack. Subtle no. Fun yes.
Breaking Dawn - Part 1 is far and away the best of the Twilight series. Sexy silly scary and stupid the movie's tonal balancing act amounts to an Evil Dead for tween romantics. There's gravity to the events we're witnessing on screen (Pattinson and Stewart even have a tense argument that results in an explosion of their previously-presumed non-existent emotions) but a self-reflexive lens keeps the normally-idiotic confessions of love and hushed prophetic warnings of the Cullen family in check. The operatic tale crescendos with buckets of blood and "tragedy" straight out of a high school Shakespeare production—completely in tune with the outlandish plot and a satisfying cliffhanger for Part 2. The movie is weighed down by the baggage that comes with a Twilight movie but the formula is shaken up just enough to inject the undead franchise with a little life.
Author Stephanie Meyer unleashed a phenomenon with her Twilight novels a teen vampire romance that has spurned a teen cult following. The good news is the movie is surprisingly just as potent -- a spellbinding terribly romantic hypnotic and entertaining film. At its heart are the elements that make any teen drama work; in this case it’s forbidden love. It starts with 16 year-old Bella Swan (Kristen Stewart) who relocates from her sunny Phoenix to the cold gray foreboding atmosphere of Forks Washington to live with her father. At her new high school she meets the incredibly attractive but mysterious Cullen clan including the allusive Edward (Robert Pattinson) who immediately intrigues her. What she doesn’t know yet is that Edward and his “family” are a group of vegetarian vampires who drink only animal blood and must live in the terminally cloudy region of Northwest. Edward tries to drive a determined Bella away by revealing his true identity but soon realizes she is the girl of his dreams. But as the two begin their complicated romance things get dicey when another group of um meat-lovin’ vampires target Bella. Teen Beat should clear their covers for a new group of stars sure to become huge with the female teen set -- and probably their mothers as well. Exuding a brooding reserve and air of mystery the follicley-endowed Robert Pattinson is reminiscent of James Dean and completely believable as a conflicted bloodsucker who becomes dangerously attracted to a mere mortal. His Edward’s unpredictable nature becomes irresistible for the attractive Kristen Stewart’s Bella as she grows closer to him despite his attempts to keep her at arm’s length. Not since Baby yearned for Johnny Castle in Dirty Dancing has there been such an effective pairing for the acne-challenged set. Pattinson and Stewart simmer with teen angst and desire and could be the next big thing -- especially if there are more Twilight sequels to follow. The Cullen clan led by foster parents Peter Facinelli and Elizabeth Reaser is perfectly cast with a good looking bunch of vampiric thesps including newcomers Ashley Green Kellan Lutz Jackson Rathbone and Nikki Reed. Red-headed Rachelle LeFevre as bad vamp Victoria is ideal along with Cam Gigandet and Edi Gathegi as the guys in her group of nomadic vampires. Director Catherine Hardwicke has certainly shown she understands the ever-changing moods of youth with her previous efforts (Thirteen Lords of Dogtown). But those flicks were just warm-ups for what she taps into with Twilight. She creates a wonderful creepy kind of muted dark and cloudy society with imposing camera angles and aching teen lust from her bright red-lipped hormonally charged leads. And thankfully she leaves the fangs on the cutting room floor. These vampires are actually relatable and Hardwick takes what could have been an awful juvenile programmer and lifts it into a different league creating not only a movie that should cross over beyond it’s target demo but one that makes us genuinely excited for the inevitable sequels.