J.K. Rowling, one of the most brilliant imaginations of our time and a self-made millionaire to boot, is supposed to be an inspiration for women and girls the world over. And, with an empire under her belt and the title "Most Influential Woman in the U.K" tacked on, her name has become synonymous with success — a powerful message for little girls with big dreams. But, as we learned this weekend, Rowling dropped her famous name for a new crime thriller released in April — and with it, her status as a feminist role model.
The Sunday Times of London confirmed Sunday that Rowling is the author of The Cuckoo's Calling, a detective novel written by an alleged first-time author working under the pseudonym Robert Galbraith. The novel, which has sold 1,500 copies to date, may not have been a commercial success, but it did garner critical praise, the New York Times reports.
According to the Times, Rowling confessed to her deception in a statement, saying, "I had hoped to keep this secret a little longer, because being Robert Galbraith has been such a liberating experience. It has been wonderful to publish without hype or expectation, and pure pleasure to get feedback under a different name."
After the heavy scrutiny she faced when Rowling released her first non-Harry Potter novel, The Casual Vacancy, in September 2012, it's easy to see why it would be appealing to take on a new name. It must be freeing, as Rowling says, to escape any expectations of which one might fall short. The problem with Rowling's sneaky move is not that she chose a nom de plume, but that she chose a male one.
Women writers (women in practically every field, really) have long faced a stigma. Considered too fragile, too sensitive, or not intelligent enough to create anything of substance, women writers have been looked down upon for centuries. And as such, women often chose to write under male names. The Bronte sisters, Charlotte, Emily, and Anne, were guilty of this — first publishing under the names Currer, Ellis, and Acton Bell because, Charlotte once said, "authoresses are liable to be looked on with prejudice."
And this prejudice, unfortunately, was not relegated to the 19th century. In fact, the reason Rowling chose to use her initials instead of her first name, Joanne, is because her publisher believed boys would not buy a book written by a woman, the BBC reports.
But then, Rowling wrote one of the most popular book series of all time. A face was soon paired with her name, and everyone knew the truth: Harry Potter was created by a woman. And guess what? People still bought the books. They bought them by the millions and billions. And then they shelled out $15 a pop to see her stories brought to life on the big screen. And they flocked to an amusement park in Florida to pay $100 to experience her world as part of their own.
But now, Rowling has taken a step back. Sure, I understand that she wanted to write without the added pressure her name attracts. I get that she wanted honest feedback, reviews without the caveat "written by the author of Harry Potter." But couldn't she pick a lady's name? With The Cuckoo's Calling, Rowling attracted praise to a supposed newcomer — wouldn't it have been more interesting, and more beneficial for other women writing genre fiction, if that newcomer was female?
Crime fiction is dominated by male voices — the likes of P.D. James (another initials user!), Patricia Cornwell, Ruth Rendell, and a few others stand out from the pack of men in their rarity. Which is why it's especially upsetting that Rowling would pass up the opportunity to throw another woman's name into the mix. Is Rowling still under the impression that readers don't want to buy books by female writers? Or, even worse, is it true that the general public — and men in particular — still won't buy books written by female writers?
If that's the case, the only way to dispel the victorian myth that women can't write is to prove, again and again, that they can. In publishing under a male name, Rowling passed up the opportunity to do just that.
Follow Abbey On Twitter @Abbeystone | Follow Hollywood.Com On Twitter @Hollywood_Com
More:Should 'The Casual Vacancy' Really Be Banned? The Casual Vacancy': Should It Become a Blockbuster Adaptation? Reviews Prove 'The Casual Vacancy' Is Tearing Us Apart
From Our PartnersStars Pose Naked for 'Allure' (Celebuzz)20 Grisliest TV Deaths of 2012-2013 (Vulture)
Punk icon Patti Smith made a pilgrimage to a historic town in England last week (ends21Apr13) to visit the home of literary greats, the Bronte sisters. The Because the Night hitmaker travelled to Howarth to tour the parsonage-turned-museum where Charlotte, Emily and Anne Bronte wrote their masterpieces.
Smith reveals she planned the trip as a treat for her own sister, Linda, as they bonded over their shared love of the Brontes' books.
She tells BBC News, "I was introduced to the sisters through my sister Linda, and we're very close - she's one year younger than I. When I married, I moved quite a bit away (sic) and we kept almost daily correspondence by reading all of Charlotte's books. I promised my sister when she turned 65 that I would bring her here, so I planned this little trip.
"I find proximity very moving... to walk on the floorboards where Charlotte walked, or sit at the chair that she sat or be in a room in the atmosphere where so much happened."
On Friday (19Apr13), Smith also played an intimate concert for just 125 fans in the school where Charlotte used to teach. The singer is donating the gig's proceeds to The Bronte Society.
A rare Charlotte Bronte poem, titled I've Been Wandering in the Greenwoods, has sold for over $144,000 (GBP90,000) at auction in London. The poem, which was written when Bronte was just 13, was expected to go under the hammer for up to $72,000 (GBP45,000).
The newly discovered notes were purchased by executives of The Bronte Society at Sotheby's auction house in London on Wednesday (12Dec12).
The six letters, written between 1832 and 1853, will now be returned to the Bronte sisters' former home in Haworth, northern England, which houses a museum dedicated to the works of the literary family.
Ann Dinsdale, collections manager at the museum, says, "These are amongst the most significant Bronte letters to come to light in decades.
"They belong in Haworth and we are delighted that both scholars and members of the public will now have the opportunity to study and enjoy them, either here at the Bronte Parsonage Museum, or through our online resources."
An unpublished manuscript by Bronte went under the hammer for $1.1 million (£690,850) last year (11).
The literary icon wrote The Young Men's Magazine, Number 2 in 1830 at the age of 14 and it was expected to fetch between $320,000 and $480,000 (£200,000 and £300,000) when it went under the hammer at Sotheby's auction house in London on Thursday (15Dec11).
But the Jane Eyre novelist's early work sold for more than double its estimate, setting a new sale record for the writer and any work by the Bronte sisters.
The average actor earns peanuts compared to what the following group of Hollywood hot shots make, though their bloated salaries are not just handouts. Each and every person on the list below got where they are because of dedication to and love of their craft. Sure, luck plays an integral part, but without the drive to succeed they’d all be yesterdays news instead of next years busiest entertainers. Read on to see who you’ll be seeing a lot of in 2011.
*Note: This list is comprehensive, but not necessarily "complete" as there are many working actors in the business who have just as many, if not more, films in production. The individuals were selected because of their status in current pop-culture and the size of the films in which they appear. That is why someone like Ray Wise, who has 10 films in various stages of production, was excluded while others with less were included.*
Had I made this list last year, or the year before that, Rogen probably would’ve found himself on it. Since becoming a household name in 2007 with Knocked Up and Superbad (among others), the funny man has had more work than he knows what to do with. He starts 2011 with the eagerly awaited release of his 3D superhero flick The Green Hornet, but his cancer dramedy Live With It could hit the festival circuit around the same time. March will see his long-gestating collaboration with Simon Pegg/Nick Frost Paul hit theaters (in which he voices an adorable alien) followed by the May release of Kung Fu Panda 2. Somewhere in the middle of that will be another dramedy, Take This Waltz, in which he co-stars with Sarah Silverman and Michelle Williams. Add that up and Rogen’s got a very lucrative year ahead of him.
Stone is poised to become the starlet of tomorrow with a leading role in Sony’s new Spider Man film, but that’s a ways off. Next year will see her build momentum towards that coming blockbuster with four releases, including a role in Relativity Media’s massive untitled ensemble comedy (which may now be titled Movie 43) and a reunion with her Easy A director Will Gluck in the Mila Kunis/Justin Timberlake rom-com Friends With Benefits. However, what I’m looking forward to most is The Help, an adaptation of Kathryn Stockett’s beloved novel in which she plays a leading role and Crazy, Stupid, Love, the new dramedy from I Love You Phillip Morris directors Glenn Ficarra and John Requa in which she plays daughter to Steve Carell. There’s enough quality here to ensure that Stone becomes a major player in her own right in the new decade and I can’t wait to see what she does with all that star power in the coming years.
The king of all media is back in full force next year, bringing no less than seven major motion pictures to global audiences in addition to one eagerly awaited new network TV show (Terra Nova – due May 2011). First up is the D.J. Caruso-helmed sci-fi actioner I Am Number Four followed by J.J. Abrams’ homage to the famed filmmaker’s early work with Super 8 (Spielberg serves as executive producer on both). The huge summer season continues with Transformers: Dark of the Moon and the very buzzy Cowboys & Aliens before he unveils the Shawn Levy-directed robot boxing drama Real Steel. Then, around Christmastime, we’ll get a double dose of his directorial efforts with the WWI epic War Horse and the motion captured franchise starter The Adventures of Tintin: The Secret of the Unicorn. That is the mark of a true mogul – releasing a pair of big films just days apart. Small potatoes for Mr. Spielberg, of course.
Captain Jack attacks the world of entertainment on all fronts next year as actor, producer and director. He’ll be seen in two films, including the long-delayed The Rum Diary and Pirates of the Caribbean: On Stranger Tides, and heard in a third – Gore Verbinski’s animated Rango. He serves as producer on Martin Scorsese’s 3D live action Hugo Cabret and a foreign film called Cool Water (which may or may not end up shooting early next year). Additionally, he should finally release his untitled Keith Richards documentary, which has been in post-production for a long time now. It’s one of the most diverse schedules that anyone in the business can boast next year and I’m very excited to see how it all turns out for EW’s most recent Entertainer of the Decade.
Like Ms. Stone’s upcoming slate of films, Craig’s is comprised of higher quality than quantity. After a lengthy absence from the silver screen, the British bad ass releases four big movies from four big directors. He starts his domination of the second half of 2011 with Jon Favreau’s Cowboys and Aliens and segues into Jim Sheridan’s new thriller Dream House. After that, he’ll release back to back December blockbusters with the fore mentioned Adventures of Tintin: The Secret of the Unicorn and the mega-hyped English language adaptation of Stieg Larsson’s The Girl With The Dragon Tattoo. All together, Craig is looking at an easy billion-dollar year before he begins work on his third Bond film, due in 2012.
As I was compiling this list I realized that I wasn’t showing enough love to the producers that make filmmaking possible. There are hundreds of financiers and producers out there making movies, but none is quite as prolific today (and tomorrow) as Ryan Kavanaugh. The CEO of Relativity Media puts out a number of titles next year, some of which I’ve already mentioned (including that huge ensemble comedy, Cowboys and Aliens and Rogen’s Live With It). Additionally, he releases Neil Burger’s Limitless (formerly titled The Dark Fields), the James Cameron-produced Sanctum, Steven Soderbergh’s Haywire and Tarsem Singh’s Immortals. He’ll also be active in the realm of production as his company gears up for principle photography on The Town That Dreaded Sundown and The Crow remake. Like most big companies, Relativity could easily acquire a number of films for distribution throughout the year, which would just add to its already stellar slate in 2011.
The “It” Boy of the new decade is ready to take Hollywood by storm (again) next year. He’ll first appear in Ron Howard’s relationship comedy The Dilemma on January 14th before hitting Sundance in his third collaboration with director Dito Montiel with Son of No One. In February, his long delayed swords-and-sandals actioner The Eagle opens, while April will see Haywire finally blast its way into theaters. Tatum will only take very short breaks to promote these films as he’ll be working on a variety of projects including the ensemble drama Ten Year, the period espionage thriller Love and Honor and Sony’s 21 Jump Street reboot, ensuring that his It Boy status will remain intact for many years to come.
Here’s a guy that you wouldn’t think would end up on a list like this, but Koechner’s comedic abilities have made him a must have for productions big and small. The major studio’s called upon him for films like Paul, Final Destination 5 and This Means War (all set to bow in 2011) in addition to indies like Wish Wizard, Wedding Day and Fully Loaded, in which he apparently plays himself. It’s a big moment for the comedian, so I hope he and his fans drink it in.
The Sons Of Anarchy star gets his big-screen due next year with a whopping six (possibly seven) releases. He invades the first frame of 2011 with Season of the Witch and will play father to the Barbarian in Lionsgate’s Conan reboot in August. A number of other independent and studio releases will drop throughout the year as well, including Nicolas Winding Refn’s Drive, the dramatic thriller Crave and a film called Frankie Goes Boom that will reunite him with his SoA co-star Charlie Hunnam (Chris Noth, Lizzy Caplan and Whitney Cummings co-star). Perlman also joins Universal’s Mummy/Scorpion King franchise with the direct to DVD Scorpion King: Rise of the Dead. If it begins production on time, he could also release the action thriller The Riot, which presents a practical take on the survival horror genre. Factor in the tentative summer start of his old friend Guillermo del Toro’s At the Mountains of Madness (in which he plays Larson) and Perlman, at 60, is busier than ever.
In between financial and psychological meltdowns Nicolas Cage manages to get some work done. The Oscar winning A-lister will appear in a quartet of films next year, starting with Season of the Witch and continuing on with Roger Donaldson’s The Hungry Rabbit Jumps, Patrick Lussier’s Drive Angry 3D and Joel Schumacher’s Trespass. In addition, he produced the family comedy A Thousand Words, which was developed as a starring vehicle but was passed off to Eddie Murphy shortly before production began in 2008. He’ll continue to shoot his Ghost Rider sequel through the first quarter of 2011 and may end up filming a third National Treasure at some point as well.
He’s made a name for himself in films like 300 and Inglourious Basterds but Fassbender has yet to really breakout. Next year, he should do just that with four films locked and a handful of others gearing up for production. First is Cary Fukunaga’s adaptation of Charlotte Bronte’s literary staple Jane Eyre followed soon after by Steven Soderbergh’s Haywire. On June 3rd, he joins the X-Men franchise as a young Erik Lensherr/Magneto in X-Men: First Class, which could turn into a career-within-a-career in itself. Additionally, David Cronenberg’s highly anticipated A Dangerous Method should hit the festival circuit at some point in 2011, possibly leading to awards buzz. If you don’t think that is enough of a schedule to balance, try to figure out when/how he’ll shoot two new dramas (Brendan Gleeson’s At Swim-Two-Birds and Steve McQueen’s Shame) amidst all that promotional work? Staggering, isn’t it.
Did I miss something in high school English when we were reading Jane Eyre? I mean, I know I fell asleep everyday in that class (it was really warm and the teacher had the most sonorous voice) but I still read everything (well, most everything) and I do NOT remember Charlotte Bronte being this hardcore. Ghosts? Spirits? When did Bronte become Frank Miller? I used to be afraid of reading these books (fear of being bored to death, high five!), but now I can see I should’ve actually been afraid.
I’m just glad they are able to still throw in the staples of corsets, fancy frilly language, and socio-economic politics of the lower class during the Victorian era (HELL YEAH SERVANTS TALKING BACK TO THEIR GUV’NERS!).
Also: Imogen Poots. Can we all just agree to laugh at this? Let’s not hide it. No reason to be ashamed. Her name is Imogen. Poots. I would’ve killed for that kind of name in elementary school.
The acting newcomer, who will soon grace cinema screens as Alice in Burton's adaptation of Alice in Wonderland, is in talks to join 300 star Michael Fassbender in a new version of the Charlotte Bronte classic, reports Daily Variety.
The last movie adaptation of Jane Eyre was released in 1996, starring Charlotte Gainsbourg and William Hurt.
The upcoming film will be directed by Cary Fukunaga.