Lions Gate via Everett Collection
When we last left our heroes, they had conquered all opponents in the 74th Annual Hunger Games, returned home to their newly refurbished living quarters in District 12, and fallen haplessly to the cannibalism of PTSD. And now we're back! Hitching our wagons once again to laconic Katniss Everdeen and her sweet-natured, just-for-the-camera boyfriend Peeta Mellark as they gear up for a second go at the Capitol's killing fields.
But hold your horses — there's a good hour and a half before we step back into the arena. However, the time spent with Katniss and Peeta before the announcement that they'll be competing again for the ceremonial Quarter Quell does not drag. In fact, it's got some of the film franchise's most interesting commentary about celebrity, reality television, and the media so far, well outweighing the merit of The Hunger Games' satire on the subject matter by having Katniss struggle with her responsibilities as Panem's idol. Does she abide by the command of status quo, delighting in the public's applause for her and keeping them complacently saturated with her smiles and curtsies? Or does Katniss hold three fingers high in opposition to the machine into which she has been thrown? It's a quarrel that the real Jennifer Lawrence would handle with a castigation of the media and a joke about sandwiches, or something... but her stakes are, admittedly, much lower. Harvey Weinstein isn't threatening to kill her secret boyfriend.
Through this chapter, Katniss also grapples with a more personal warfare: her devotion to Gale (despite her inability to commit to the idea of love) and her family, her complicated, moralistic affection for Peeta, her remorse over losing Rue, and her agonizing desire to flee the eye of the public and the Capitol. Oftentimes, Katniss' depression and guilty conscience transcends the bounds of sappy. Her soap opera scenes with a soot-covered Gale really push the limits, saved if only by the undeniable grace and charisma of star Lawrence at every step along the way of this film. So it's sappy, but never too sappy.
In fact, Catching Fire is a masterpiece of pushing limits as far as they'll extend before the point of diminishing returns. Director Francis Lawrence maintains an ambiance that lends to emotional investment but never imposes too much realism as to drip into territories of grit. All of Catching Fire lives in a dreamlike state, a stark contrast to Hunger Games' guttural, grimacing quality that robbed it of the life force Suzanne Collins pumped into her first novel.
Once we get to the thunderdome, our engines are effectively revved for the "fun part." Katniss, Peeta, and their array of allies and enemies traverse a nightmare course that seems perfectly suited for a videogame spin-off. At this point, we've spent just enough time with the secondary characters to grow a bit fond of them — deliberately obnoxious Finnick, jarringly provocative Johanna, offbeat geeks Beedee and Wiress — but not quite enough to dissolve the mystery surrounding any of them or their true intentions (which become more and more enigmatic as the film progresses). We only need adhere to Katniss and Peeta once tossed in the pit of doom that is the 75th Hunger Games arena, but finding real characters in the other tributes makes for a far more fun round of extreme manhunt.
But Catching Fire doesn't vie for anything particularly grand. It entertains and engages, having fun with and anchoring weight to its characters and circumstances, but stays within the expected confines of what a Hunger Games movie can be. It's a good one, but without shooting for succinctly interesting or surprising work with Katniss and her relationships or taking a stab at anything but the obvious in terms of sending up the militant tyrannical autocracy, it never even closes in on the possibility of being a great one.
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In a post-Harry Potter Avatar and Lord of the Rings world the descriptors "sci-fi" and "fantasy" conjure up particular imagery and ideas. The Hunger Games abolishes those expectations rooting its alternate universe in a familiar reality filled with human characters tangible environments and terrifying consequences. Computer graphics are a rarity in writer/director Gary Ross' slow-burn thriller wisely setting aside effects and big action to focus on star Jennifer Lawrence's character's emotional struggle as she embarks on the unthinkable: a 24-person death match on display for the entire nation's viewing pleasure. The final product is a gut-wrenching mature young adult fiction adaptation diffused by occasional meandering but with enough unexpected choices to keep audiences on their toes.
Panem a reconfigured post-apocalyptic America is sectioned off into 12 unique districts and ruled under an iron thumb by the oppressive leaders of The Capitol. To keep the districts producing their specific resources and prevent them from rebelling The Capitol created The Hunger Games an annual competition pitting two 18-or-under "tributes" from each district in a battle to the death. During the ritual tribute "Reaping " teenage Katniss (Lawrence) watches as her 12-year-old sister Primrose is chosen for battle—and quickly jumps to her aid becoming the first District 12 citizen to volunteer for the games. Joined by Peeta (Josh Hutcherson) a meek baker's son and the second tribute Effie the resident designer and Haymitch a former Hunger Games winner-turned-alcoholic-turned-mentor Katniss rides off to The Capitol to train and compete in the 74th Annual Hunger Games.
The greatest triumph of The Hunger Games is Ross' rich realization of the book's many worlds: District 12 is painted as a reminiscent Southern mining town haunting and vibrant; The Capitol is a utopian metropolis obsessed with design and flair; and The Hunger Games battleground is a sprawling forest peppered with Truman Show-esque additions that remind you it's all being controlled by overseers. The small-scale production value adds to the character-first approach and even when the story segues to larger arenas like a tickertape parade in The Capitol's grand Avenue of Tributes hall it's all about Katniss.
For fans the script hits every beat a nearly note-for-note interpretation of author Suzanne Collins' original novel—but those unfamiliar shouldn't worry about missing anything. Ross knows his way around a sharp screenplay (he's the writer of Big Pleasantville and Seabiscuit) and he's comfortable dropping us right into the action. His characters are equally as colorful as Panem Harrelson sticking out as the former tribute enlivened by the chance to coach winners. He's funny he's discreet he's shaded—a quality all the cast members share. As a director Ross employs a distinct often-grating perspective. His shaky cam style emphasizes the reality of the story but in fight scenarios—and even simple establishing shots of District 12's goings-on—the details are lost in motion blur.
But the dread of the scenario is enough to make Hunger Games an engrossing blockbuster. The lead-up to the actual competition is an uncomfortable and biting satire of reality television sports and everything that commands an audience in modern society. Katniss' brooding friend Gale tells her before she departs "What if nobody watched?" speculating that carnage might end if people could turn away. Unfortunately they can't—forcing Katniss and Peeta to become "stars" of the Hunger Games. The duo are pushed to gussy themselves up put on a show and play up their romance for better ratings. Lawrence channels her reserved Academy Award-nominated Winter's Bone character to inhabit Katniss' frustration with the system. She's great at hunting but she doesn't want to kill. She's compassionate and considerate but has no interest in bowing down to the system. She's a leader but she knows full well she's playing The Capitol's game. Even with 23 other contestants vying for the top spot—like American Idol with machetes complete with Ryan Seacrest stand-in Caesar Flickerman (the dazzling Stanley Tucci)—Katniss' greatest hurdle is internal. A brave move for a movie aimed at a young audience.
By the time the actual Games roll around (the movie clocks in at two and a half hours) there's a need to amp up the pace that never comes and The Hunger Games loses footing. Katniss' goal is to avoid the action hiding in trees and caves waiting patiently for the other tributes to off themselves—but the tactic isn't all that thrilling for those watching. Luckily Lawrence Hutcherson and the ensemble of young actors still deliver when they cross paths and particular beats pack all the punch an all-out deathwatch should. PG-13 be damned the film doesn't skimp on the bloodshed even when it comes to killing off children. The Hunger Games bites off a lot for the first film of a franchise and does so bravely and boldly. It may not make it to the end alive but it doesn't go down without a fight.
Law and Order: Trial by Jury to continue without Orbach
Bosses of crime drama Law and Order: Trial By Jury have vowed to continue the hit show, despite the death of its star Jerry Orbach. The acting veteran, 69, died on Tuesday at New York's Memorial Sloan-Kettering Cancer Center during treatment for prostate cancer. The Emmy-nominated actor played Detective Lennie Briscoe in twelve seasons of the original Law and Order series, before leaving to star in spin-off drama Law And Order: Trial By Jury, which airs next year. NBC producers released a statement on Wednesday, saying, "The producers are deeply saddened. While Jerry is irreplaceable, Law and Order: Trial by Jury is an ensemble and will continue in production. A new member will join the company. Announcements will be forthcoming." Six episodes of the show have already been taped, with Orbach starring in half of them.
Jolie's new love
Movie beauty Angelina Jolie has found love with a millionaire Italian businessman. The Tomb Raider actress has been spotted with 29-year-old playboy yacht broker Daniele Patini--and source say the single star is smitten. A pal tells American magazine Us Weekly, "Daniele has dated many beautiful women, but this time he's admitted that Angelina has him entranced." Jolie has been single since splitting from second husband Billy Bob Thornton two years ago, but is reported to have had a number of flings, with first husband Jonny Lee Miller and Alexander co-stars Colin Farrell and Jared Leto.
Johansson denies fling with Del Toro
Stunning actress Scarlett Johansson has finally spoken out about her alleged fling with Benicio Del Toro--it never happened. The pair were reported to have enjoyed a steamy tryst in an elevator at Los Angeles' Chateau Marmont hotel after this year's Academy Awards, after the Lost In Translation beauty refused to deny the rumours. But she insists it was all a big mistake: "I went home alone that night to my mom's house, but nobody cares about that. It was so embarrassing. I felt horrible about the way that portrayed Benicio Del Toro."
Kidman: 'My salary is private'
Hollywood star Nicole Kidman has lashed out at the entertainment media for speculation about her salary. The Oscar-winning actress has been paid a wide range of wages for a mix of blockbuster and low-budget film roles, including a reported $17 million for Bewitched and $500,000 for the forthcoming movie Eucalyptus. Kidman says, "(Salary stories are) intrusive. Do you ask your neighbour what are they earning for their job? Why should have to put up with it?"
Smith accused of being a diva
Hollywood star Will Smith has been accused of acting the diva on vacation in Aspen, Colorado and using his famous name to get special treatment. The actor, who is spending the festive season at the ski resort with his wife Jada Pinkett Smith, their children and family friends, reportedly reserved a hotel lounge for their party--and then failed to turn up. A source says, "Dozens of guests were immediately uprooted and sat in less desirable corners."
Pryor loses voice
Multiple sclerosis has robbed tragic comedian Richard Pryor of his voice. The funnyman has been suffering the debilitating disease since 1986, but was forced to quit acting after appearing in 1997 movie Lost Highway. Now, on a US television appearance, his sister Jennifer has revealed Pryor, 64, can no longer speak. Jennifer also said the comedian--who appeared with her--tried to kill himself during a film stunt in 1981. Pryor was thought to have set himself on fire accidentally, but Jennifer said, "No, no, it was not an accident. I think Richard wanted to take his life."
Collins: 'I'm happy to be old'
Veteran actress Joan Collins is happy to be 71--because old people are better off than the young. The former Dynasty star insists the older generation have avoided the pitfalls of modern life--and are far more free to have fun than previous and future generations. She says, "I don't envy the youth of Britain today. The boozing and the drug-taking that a great many seem to indulge in, is going to cause premature ageing and all sorts of serious ailments in later life. We over-50s are lucky; the world is now free and full of possibilities for us, more than it was for our parents. If it's true that 50 is the new 30, then it follows that 70 is the new 50. And we are no all averse to doing the things thirtysomethings do--enjoying sex , loving fashion, having fun, decorating our homes, going on lavish holidays. The list is endless and we have the disposable income with which to do it."
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