You don't arrive at the Grand Budapest Hotel without your share of Wes Anderson baggage. Odds are, if you've booked a visit to this film, you've enjoyed your past trips to the Wes Indies (I promise I'll stop this extended metaphor soon), delighting especially in Rushmore, The Royal Tenenbaums, and his most recent charmer Moonrise Kingdom. On the other hand, you could be the adventurous sort — a curious diplomat who never really got Anderson's uric-toned deadpan drudgings but can't resist browsing through the brochures of his latest European getaway. First off, neither community should worry about a bias in this review — I'm a Life Aquatic devotee, equally alienating to both sides. Second, neither community should be deterred by Andersonian expectations, be they sky high or subterranean, in planned Budapest excursions. No matter who you are, this movie will charm your dandy pants off and then some.
While GBH hangs tight to the filmmaker's recognizable style, the movie is a departure for Anderson in a number of ways. The first being plot: there is one. A doozy, too. We're accustomed to spending our Wes flicks peering into the stagnant souls of pensive man-children — or children-men (Moonrise) or fox-kits (guess) — whose journeys are confined primarily to the internal. But not long into Grand Budapest, we're on a bona fide adventure with one of the director's most attractive heroes to date: the didactic Gustave H. (Ralph Fiennes mastering sympathetic comedy better than anyone could have imagined he might), who invests his heart and soul into the titular hotel, an oasis of nobility in a decaying 1930s Europe. Gustave is plucked from his sadomasochistic nirvana overseeing every cog and sprocket in the mountaintop institution and thrust into a madcap caper — reminiscent of, and not accidentally, the Hollywood comedies of the era — involving murder, framing, art theft, jailbreak, love, sex, envy, secret societies, high speed chases... believe me, I haven't given half of it away. Along the way, we rope in a courageous baker (Saoirse Ronan), a dutiful attorney (Jeff Goldblum), a hotheaded socialite (Adrien Brody) and his psychopathic henchman (Willem Dafoe), and no shortage of Anderson regulars. The director proves just as adept at the large scale as he is at the small, delivering would-be cartoon high jinks with the same tangible life that you'd find in a Billy Wilder romp or one of the better Hope/Crosby Road to movies.
Anchoring the monkey business down to a recognizable planet Earth (without sacrificing an ounce of comedy) is the throughline of Gustave's budding friendship with his lobby boy, Zero (newcomer Tony Revolori, whose performance is an unprecedented and thrilling mixture of Wes Anderson stoicism and tempered humility), the only living being who appreciates the significance of the Grand Budapest as much as Gustave does. In joining these two oddballs on their quest beyond the parameters of FDA-approved doses of zany, we appreciate it, too: the significance of holding fast to something you believe in, understand, trust, and love in a world that makes less and less sense everyday. Anderson's World War II might not be as ostensibly hard-hitting as that to which modern cinema is accustomed, but there's a chilling, somber horror story lurking beneath the surface of Grand Budapest. Behind every side-splitting laugh, cookie cutter backdrop, and otherworldly antic, there is a pulsating dread that makes it all mean something. As vivid as the worlds of Rushmore, Tenenbaums, Fantastic Mr. Fox, and Moonrise might well have been, none have had this much weight and soul.
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So it's astonishing that we're able to zip to and fro' every crevice of this haunting, misty Central Europe at top speeds, grins never waning as our hero Gustave delivers supernaturally articulate diatribes capped with physically startling profanity. So much of it is that delightfully odd, agonizingly devoted character, his unlikely camaraderie with the unflappably earnest young Zero, and his adherence to the magic that inhabits the Grand Budapest Hotel. There are few places like it on Earth, as we learn. There aren't many movies like it here either.
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Those keeping up with the continuous roll out of awards circuit nominations have, by now, come to notice a trend. Despite the wide variety of organizations offering recognition of film achievement, each year there are bound to be some mainstays: specific movies that top every venue's list.
So far, 2012's nomination championship falls in the lap of Lincoln, Steven Spielberg's beloved biopic about America's 16th president. The British Academy of Film and Television Arts has revealed its nominations, cementing Lincoln as the past year's most impressive spectacle. The historical drama earns 10 nods from BAFTA, including the top honor of Best Film. In Lincoln's company are other unsurprising entries: Les Miserables and Life of Pi each take in nine nominations (both Best Film candidates as well), and Argo ropes in seven (another top honor hopeful). Check out the full list of nominees below.
LIFE OF PI
ZERO DARK THIRTY
OUTSTANDING BRITISH FILM
THE BEST EXOTIC MARIGOLD HOTEL
OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
BART LAYTON (Director), DIMITRI DOGANIS (Producer) — The Imposter
DAVID MORRIS (Director), JACQUI MORRIS (Director/Producer) — McCullin
DEXTER FLETCHER (Director/Writer), DANNY KING (Writer) — Wild Bill
JAMES BOBIN (Director) — The Muppets
TINA GHARAVI (Director/Writer) — I Am Nasrine
FILM NOT IN THE ENGLISH LANGUAGE
RUST AND BONE
SEARCHING FOR SUGAR MAN
WEST OF MEMPHIS
MICHAEL HANEKE — Amour
BEN AFFLECK — Argo
QUENTIN TARANTINO — Django Unchained
ANG LEE — Life of Pi
KATHRYN BIGELOW — Zero Dark Thirty
AMOUR (Writer: Michael Haneke)
DJANGO UNCHAINED (Writer: Quentin Tarantino)
THE MASTER (Writer: Paul Thomas Anderson)
MOONRISE KINGDOM (Writers: Wes Anderson, Roman Coppola)
ZERO DARK THIRTY (Writer: Mark Boal)
ARGO (Writer: Chris Terrio)
BEASTS OF THE SOUTHERN WILD (Writers: Lucy Alibar, Benh Zeitlin)
LIFE OF PI (Writer: David Magee)
LINCOLN (Writer: Tony Kushner)
SILVER LININGS PLAYBOOK (Writer: David O. Russell)
BEN AFFLECK — Argo
BRADLEY COOPER — Silver Linings Playbook
DANIEL DAY-LEWIS — Lincoln
HUGH JACKMAN — Les Misérables
JOAQUIN PHOENIX — The Master
EMMANUELLE RIVA — Amour
HELEN MIRREN — Hitchcock
JENNIFER LAWRENCE — Silver Linings Playbook
JESSICA CHASTAIN — Zero Dark Thirty
MARION COTILLARD — Rust and Bone
ALAN ARKIN — Argo
CHRISTOPH WALTZ — Django Unchained
JAVIER BARDEM — Skyfall
PHILIP SEYMOUR HOFFMAN — The Master
TOMMY LEE JONES — Lincoln
AMY ADAMS — The Master
ANNE HATHAWAY — Les Misérables
HELEN HUNT — The Sessions
JUDI DENCH — Skyfall
SALLY FIELD — Lincoln
ANNA KARENINA (Dario Marianelli)
ARGO (Alexandre Desplat)
LIFE OF PI (Mychael Danna)
LINCOLN (John Williams)
SKYFALL (Thomas Newman)
ANNA KARENINA (Seamus McGarvey)
LES MISÉRABLES (Danny Cohen)
LIFE OF PI (Claudio Miranda)
LINCOLN (Janusz Kaminski)
SKYFALL (Roger Deakins)
ARGO (William Goldenberg)
DJANGO UNCHAINED (Fred Raskin)
LIFE OF PI (Tim Squyres)
SKYFALL (Stuart Baird)
ZERO DARK THIRTY (Dylan Tichenor, William Goldenberg)
ANNA KARENINA (Sarah Greenwood, Katie Spencer)
LES MISÉRABLES (Eve Stewart, Anna Lynch-Robinson)
LIFE OF PI (David Gropman, Anna Pinnock)
LINCOLN (Rick Carter, Jim Erickson)
SKYFALL (Dennis Gassner, Anna Pinnock)
ANNA KARENINA (Jacqueline Durran)
GREAT EXPECTATIONS (Beatrix Aruna Pasztor)
LES MISÉRABLES (Paco Delgado)
LINCOLN (Joanna Johnston)
SNOW WHITE AND THE HUNTSMAN (Colleen Atwood)
MAKE UP & HAIR
ANNA KARENINA (Ivana Primorac)
HITCHCOCK (Julie Hewett, Martin Samuel, Howard Berger)
THE HOBBIT: AN UNEXPECTED JOURNEY (Peter Swords King, Richard Taylor, Rick Findlater)
LES MISÉRABLES (Lisa Westcott)
LINCOLN (Lois Burwell, Kay Georgiou)
DJANGO UNCHAINED (Mark Ulano, Michael Minkler, Tony Lamberti, Wylie Stateman)
THE HOBBIT: AN UNEXPECTED JOURNEY (Tony Johnson, Christopher Boyes, Michael Hedges, Michael Semanick, Brent Burge, Chris Ward)
LES MISÉRABLES (Simon Hayes, Andy Nelson, Mark Paterson, Jonathan Allen, Lee Walpole, John Warhurst)
LIFE OF PI (Drew Kunin, Eugene Gearty, Philip Stockton, Ron Bartlett, D. M. Hemphill)
SKYFALL (Stuart Wilson, Scott Millan, Greg P. Russell, Per Hallberg, Karen Baker Landers)
SPECIAL VISUAL EFFECTS
THE DARK KNIGHT RISES (Paul Franklin, Chris Corbould, Peter Bebb, Andrew Lockley)
THE HOBBIT: AN UNEXPECTED JOURNEY (Joe Letteri, Eric Saindon, David Clayton, R. Christopher White)
LIFE OF PI (Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer)
MARVEL AVENGERS ASSEMBLE (Nominees TBC)
PROMETHEUS (Richard Stammers, Charley Henley, Trevor Wood, Paul Butterworth)
HERE TO FALL
I’M FINE THANKS
THE MAKING OF LONGBIRD
THE VOORMAN PROBLEM
Click here to read about BAFTA's Rising Star Award nominations, which include Elizabeth Olsen and Juno Temple.
[Photo Credit: David James/20th Century Fox]
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'Zero Dark Thirty', 'Lincoln', 'Argo', 'Looper' Among WGA Award Nominees
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Memorial Day weekend marks the last stretch of May, but it's only the beginning of the summer movie season. For those who spend the winter and spring months anxiously awaiting Hollywood's blockbuster playground, the time has come for three months of non-stop action. For filmgoers looking for a smaller, quieter cinematic experience, it's three months of staying cooped up inside catching up on whatever Netflix has to offer. The anxious waiting shifts.
But I'm here to tell you: the theaters still have something to offer those lacking emotional investment in the characters of comic book universes or whose interests don't involve the word "reboot." With slightly less fanfare than the common action flick, scaled back comedies and dramas continue to make their way into theaters during the summer months — one just needs to find them. To help, here's the rundown on a few of the movie alternatives that will help beat the heat and quench your movie-loving thirst. There's something for everyone!
So if you're looking for…
An Indie Comedy That Still Depicts the Apocalypse:
Seeking a Friend for the End of the World
Roland Emmerich knows how to destroy the world, but rarely do we get into the heads of the characters experiencing said destruction. Writer/Director Lorene Scarfaria hopes to take the story to the next level, pairing Steve Carrell and Keira Knightley to play out her pitch black comedic take on the end of the world. This may not be the movie for Michael Bay-lovers, but if you've ever wondered how people might handle an incoming asteroid apocalypse, this movie's for you. Seeking a Friend for the End of the World in theaters June 22.
An Auteur's Latest Whimsical Yarn:
To Rome with Love
The latest from director Woody Allen keeps his globetrotting sensibilities alive, jumping from France to the equally lovely and picturesque Italy. To Rome With Love weaves several stories of romance, all featuring A-List talent. Jesse Eisenberg, Ellen Page, Penelope Cruz, Alec Baldwin, Greta Gerwig and even Allen himself join in on the fun, a movie that looks overtly comedic in the wake of Allen's last, award-friendly effort. Arrives in theaters June 22.
A Sundance Breakout with an Epic Scale:
Beasts of the Southern Wild
The debut film from writer/director Benh Zeitlin wowed audiences at this year's Sundance Film Festival and took home a handful of awards at Cannes. Rightfully so — the story of a rough, tough girl surviving the backwaters of Louisiana (in a swampland called "The Bathtub") Beasts of the Southern Wild captures the plight of a tangible, but otherworldly society with unprecedented beauty. Read our review from Sundance, or just see this one without prior knowledge. Either way, it's primed and ready to blow audiences away. Arrives in theaters June 27.
A Family Drama They Don't Make Anymore:
People Like Us
There was a time where Hollywood actively produced modestly-budgeted feel good movies. The Help is the most recent entry in the category; a little sappy, but with solid characters, great performances and plenty of passion. That's People Like Us, a movie from the guys who brought you Transformers that couldn't be further from robot sci-fi. Chris Pine plays a down-on-his-luck salesman whose whole life is turned upside down when he discovers he has a sister he never knew, played by Elizabeth Banks. Like movies from yesteryears, People Like Us delivers laughs, tears and the right amount of saccharine. Arrives in theaters June 29.
A Reality TV Riff with Emotional Depth:
The Queen of Versailles
Another Sundance darling, Queen of Versailles is a documentary that begins in the vein of a Real Housewives spin-off. But in the wake of the economic meltdown, a family of 1%-ers fall from their castle in Florida to the world of normalcy. A riches to rags tale that's surprisingly poignant, no matter your socioeconomic status. Arrives in theaters July 6.
A Romantic Comedy with Quriky Sensibilities:
From the people who brought you Little Miss Sunshine comes a fanciful tale of a novelist (Sunshine's Paul Dano) whose perfect woman (Zoe Kazan) is conjured into reality after he wills her into existence. It's been six years since the twisted LMS broke out with the mainstream and they've re-teamed with Dano for what looks like a honest romance with magical undertones. Ruby Sparks was penned by Kazan, who is Dano's girlfriend in real life. Should help the two create some genuine moments in a season full of fluff. Arrives in theaters July 25.
The Latest Chris Rock Sequel That Doesn't Involve a Talking Zebra, Try:
2 Days in New York
A follow-up to writer/director/actress Julie Delpy's 2 Days in Paris, 2 Days in New York picks up with Delpy's Marion, who broke up with her former flame and is now living with Chris Rock's Mingus and his daughter. With her own son to care for, couple's relationship is put to the test when Marion's family arrives from Paris for an extended visit. The movie's a little corny, but Delpy has an ear and an eye for situational comedy, while Rock injects each scene with his signature brand of real world style. They're an unlikely match, but Delpy and Rock light up the screen. Arrives in theaters August 10.
A Rom-Com for the 60+ Crowd:
Summer is a slice of Hollywood's planning that's targeted directly at the 18 to 25 demographic — but occasionally, someone makes the smart move to counter program with a movie from the other end of the spectrum. Enter: Hope Springs, a dramedy starring Meryl Streep and Tommy Lee Jones as an aging couple looking to get their moo back. With Steve Carrell as their counselor, the movie looks appropriately silly and emotional, putting aside comedy's usual R-rated gags for a light-hearted examination of the later years in life. Arrives in theaters August 10.
A Fairy Tale without Battle Scenes, Try:
Odd Life of Timothy Green
A few months after Snow White and the Huntsman graces screens comes another larger-than-life tale, the story of a couple who dream of having a child and get their wish one when on mysteriously appears in their backyard. Starring Jennifer Garner and Joel Edgerton, the movie comes from the mind of Dan in Real Life writer/director Peter Hedges, whose carved out a career making medium-budgeted movies that wear their hearts on their sleeves. The fantasy element is a hook — can anything really be as easy as making a wish? — but with Hedges at the wheel, the story should be uniquely human. The Odd Life of Timothy Green arrives in theaters August 15.
Woody Allen's To Rome With Love Trailer — WATCH!
'Beasts of the Southern Wild' Trailer: Worthy of All the Buzz?
Steve Carrell, Keira Knightley Prepare for the Apocalypse in 'Seeking a Friend' Poster