After Dark Films
It seems a bit odd to take on a movie review of Courtney Solomon's Getaway, as only in the loosest terms is Getaway actually a movie. We begin without questions — other than a vague and frustrating "What the hell is going on?" — and end without answers, watching Ethan Hawke drive his car into things (and people) for the hour and a half in between. We learn very little along the way, probed to engage in the mystery of the journey. But we don't, because there's no reason to.
There's not a single reason to wonder about any of the things that happen to Hawke's former racecar driver/reformed criminal — forced to carry out a series of felonious commands by a mysterious stranger who is holding his wife hostage — because there doesn't seem to be a single ounce of thought poured into him beyond what he see. We learn, via exposition delivered by him to gun-toting computer whiz Selena Gomez, that he "did some bad things" before meeting the love of his life and deciding to put that all behind him. Then, we stop learning. We stop thinking. We start crashing into police cars and Christmas trees and power plants.
Why is Selena Gomez along for the ride? Well, the beginnings of her involvement are defensible: Hawke is carrying out his slew of vehicular crimes in a stolen car. It's her car. And she's on a rampage to get it back. But unaware of what she's getting herself into, Gomez confronts an idling Hawke with a gun, is yanked into the automobile, and forced to sit shotgun while the rest of the driver's "assignments" are carried out. But her willingness to stick by Hawke after hearing his story is ludicrous. Their immediate bickering falls closer to catty sexual tension than it does to genuine derision and fear (you know, the sort of feelings you'd have for someone who held you up or forced you into accessorizing a buffet of life-threatening crimes).
After Dark Films
The "gradual" reversal of their relationship is treated like something we should root for. But with so little meat packed into either character, the interwoven scenes of Hawke and Gomez warming up to each other and becoming a team in the quest to save the former's wife serve more than anything else as a breather from all the grotesque, impatient, deliberately unappealing scenes of city wreckage.
And as far as consolidating the mystery, the film isn't interested in that either, as evidenced by its final moments. Instead of pressing focus on the answers to whatever questions we may have, the movie's ultimate reveal is so weak, unsubstantial, and entirely disconnected to the story entirely, that it seems almost offensive to whatever semblance of a film might exist here to go out on this note. Offensive to the idea of film and story in general, as a matter of fact. But Getaway isn't concerned with these notions. Not with story, character, logic, or humanity. It just wants to show us a bunch of car crashes and explosions. So you'd think it might have at least made those look a little better.
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A kids’ movie without the cheeky jokes for adults is like a big juicy BLT without the B… or the T. Madagascar 3: Europe’s Most Wanted may have a title that sounds like it was made up in a cartoon sequel laboratory but when it comes to serving up laughs just think of the film as a BLT with enough extra bacon to satisfy even the wildest of animals — or even a parent with a gaggle of tots in tow. Yes even with that whole "Afro Circus" nonsense.
It’s not often that we find exhaustively franchised films like the Madagascar set that still work after almost seven years. Despite being spun off into TV shows and Christmas specials in addition to its big screen adventures the series has not only maintained its momentum it has maintained the part we were pleasantly surprised by the first time around: great jokes.
In this third installment of the series – the trilogy-maker if you will – directing duo Eric Darnell and Tom McGrath add Conrad Vernon (director Monsters Vs. Aliens) to the helm as our trusty gang swings back into action. Alex the lion (Ben Stiller) Marty the zebra (Chris Rock) Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stuck in Africa after the hullaballoo of Madagascar 2 and they’ll do anything to get back to their beloved New York. Just a hop skip and a jump away in Monte Carlo the penguins are doing their usual greedy schtick but the zoo animals catch up with them just in time to catch the eye of the sinister animal control stickler Captain Dubois (Frances McDormand). And just like that the practically super human captain is chasing them through Monte Carlo and the rest of Europe in hopes of planting Alex’s perfectly coifed lion head on her wall of prized animals.
Luckily for pint-sized viewers Dubois’ terrifying presence is balanced out by her sheer inhuman strength uncanny guiles and Stretch Armstrong flexibility (ah the wonder of cartoons) as well as Alex’s escape plan: the New Yorkers run away with the European circus. While Dubois’ terrifying Doberman-like presence looms over the entire film a sense of levity (which is a word the kiddies might learn from Stiller’s eloquent lion) comes from the plan for salvation in which the circus animals and the zoo animals band together to revamp the circus and catch the eye of a big-time American agent. Sure the pacing throughout the first act is practically nonexistent running like a stampede through the jungle but by the time we're palling around under the big top the film finds its footing.
The visual splendor of the film (and man is there a champion size serving of it) the magnificent danger and suspense is enhanced to great effect by the addition of 3D technology – and not once is there a gratuitous beverage or desperate Crocodile Dundee knife waved in our faces to prove its worth. The caveat is that the soundtrack employs a certain infectious Katy Perry ditty at the height of the 3D spectacular so parents get ready to hear that on repeat until the leaves turn yellow.
But visual delights and adventurous zoo animals aside Madagascar 3’s real strength is in its script. With the addition of Noah Baumbach (Greenberg The Squid and the Whale) to the screenwriting team the script is infused with a heightened level of almost sarcastic gravitas – a welcome addition to the characteristically adult-friendly reference-heavy humor of the other Madagascar films. To bring the script to life Paramount enlisted three more than able actors: Vitaly the Siberian tiger (Bryan Cranston) Gia the Leopard (Jessica Chastain) and Stefano the Italian Sealion (Martin Short). With all three actors draped in European accents it might take viewers a minute to realize that the cantankerous tiger is one and the same as the man who plays an Albuquerque drug lord on Breaking Bad but that makes it that much sweeter to hear him utter slant-curse words like “Bolshevik” with his usual gusto.
Between the laughs the terror of McDormand’s Captain Dubois and the breathtaking virtual European tour the Zoosters’ accidental vacation is one worth taking. Madagascar 3 is by no means an insta-classic but it’s a perfectly suited for your Summer-at-the-movies oasis.
They ride together. They die together. They conquer the box office together.
The buddy sequel Bad Boys II proved a formidable opponent for an angst-y teen girl, a ship of cursed pirates and a bumbling secret agent at the box office weekend. The shoot 'em up actioner gunned down the competition with a lawful *$46.7 million, defeating the espionage spoof Johnny English, which snuck in at fourth place with a furtive $9.3 million, and the adolescent drama How To Deal, which opened in eighth position with a meager $5.8 million.
Bad Boys II also trounced last week's box office topper, Pirates of the Caribbean: The Curse of the Black Pearl. The swashbuckling tale, however, did not experience the typical second week drop off and continued to sail smoothly with an impressive $33.3 million--down only 29 percent from last week.
But while moviegoers demonstrated they hadn't had their fill of pirates just yet, they certainly weren't interested in learning how to deal. How To Deal failed to strike a chord with teen audiences, and it looks as though star Mandy Moore will find out what happens when the box office "gets turned upside down."
Rounding out the Top Five were the period thriller The League of Extraordinary Gentlemen, which came in third with $10.1 million, and the sci-fi actioner Terminator 3: Rise of the Machines, which landed in fifth place with $9.1 million.
THE TOP TEN
Sony Picture's R rated buddy actioner Bad Boys II premiered at the top of the box office with an ESTIMATED take of $46.7 million at 3,186 theaters. Its $14,658 per theater average was the highest of any film playing wide this weekend.
In the sequel, Miami narcotics detectives Mike Lowrey and Marcus Burnett become part of a high-tech task force assigned to stem the flow of designer ecstasy into the city and inadvertently uncover a deadly conspiracy involving a ruthless drug lord.
Directed by Michael Bay, it stars Will Smith, Martin Lawrence, Jordi Molla, Gabrielle Union and Peter Stormare.
Buena Vista Pictures' PG-13 rated fantasy actioner Pirates of the Caribbean: The Curse of the Black Pearl, last week's box office champ, came in second in its second week with an ESTIMATED $33.3 million (-29%) at 3,359 theaters (+90 theaters; $9,914 per theater). Its cume is $132.2 million.
Directed by Gore Verbinski and produced by Jerry Bruckheimer, it stars Johnny Depp, Geoffrey Rush, Orlando Bloom and Keira Knightley.
Twentieth Century Fox's PG-13 rated period thriller The League of Extraordinary Gentlemen fell one spot to third place in its second week with an ESTIMATED $10.1 million (-56%) at 3,002 theaters (unchanged; $3,364 per theater). Its cume is approximately $42.4 million.
Directed by Stephen Norrington, it stars Sean Connery, Naseeruddin Shah, Peta Wilson, Tony Curran, Stuart Townsend, Shane West and Jason Flemyng.
Universal Pictures' PG rated spy spoof Johnny English took fourth place with an ESTIMATED $9.3 million at 2,236 theaters with a $4,159 per theater average.
In the film, the British Secret Service calls upon bumbling secret agent Johnny English when a plan to filch the monarchy's Crown Jewels comes to their attention.
Directed by Peter Howitt, it stars Rowan Atkinson, Natalie Imbruglia, Ben Miller and John Malkovich.
Warner Bros.' R rated sci-fi actioner Terminator 3: Rise of the Machines dropped two places to No. 5 in its third week with an ESTIMATED $9.1 million (-53%) at 3,404 theaters (-100; $2,701 per theater). Its cume is approximately $127.7 million.
Directed by Jonathan Mostow, it stars Arnold Schwarzenegger, Nick Stahl, Claire Danes and Kristanna Loken.
Buena Vista/Disney and Pixar Animation Studios' G rated computer-animated feature Finding Nemo fell only one spot in its eighth week to sixth place with an ESTIMATED $7.3 million (-14%) at 2,408 theaters (-163 theaters; $2,944 per theater). Its cume is approximately $303.8 million.
Directed and co-written by Pixar veteran Andrew Stanton, it features the voices of Albert Brooks, Ellen DeGeneres, Alexander Gould, Willem Dafoe and Brad Garrett.
*Box office estimates provided by Exhibitor Relations, Inc.
MGM's PG-13 rated Legally Blonde 2: Red, White & Blonde fell three rungs to seventh in its third week with an ESTIMATED $6.1 million (-49%) at 3,205 theaters (-170 theaters; $1,903 per theater). Its cume is approximately $75.4 million.
Directed by Charles Herman-Wurmfeld, it stars Reese Witherspoon, Sally Field, Regina King, Bob Newhart and Jennifer Coolidge.
New Line Cinema's PG-13 rated drama How To Deal debuted disappointingly in eighth place with an ESTIMATED $2.5 million at 2,319 theaters with a $2,501 per theater average.
Based on a combination of two young adult romance novels by Sarah Dessen (Someone Like You and That Summer), the film revolves around a teenage girl who doesn't believe in storybook romance--until she meets the right guy.
Directed by Clare Kilner, it stars Mandy Moore, Trent Ford, Alexandra Holden, Allison Janney and Peter Gallagher.
Sony Picture's PG-13 rated Charlie's Angels: Full Throttle dropped three places to ninth in its fourth week with an ESTIMATED $3.7 million (-48%) at 2,261 theaters (-941 theaters; $1,636 per theater). Its cume is approximately $89.1 million.
Directed by McG, it stars Drew Barrymore, Cameron Diaz, Lucy Liu and Bernie Mac.
Fox Searchlight's R rated sci-fi thriller 28 Days Later dropped one place to round out the Top Ten in its fourth week with an ESTIMATED $2.5 million (-40%) at 1,310 theaters (-86 theaters; $1,947 per theater). Its cume is approximately $33.4 million.
Directed by Danny Boyle, it stars Cillian Murphy, Naomi Harris, Brendan Gleeson and Megan Burns.
Miramax's R rated crime drama Dirty Pretty Things opened in five theaters this weekend and took in an ESTIMATED $101,000 with a strong $20,200 per theater average.
In the film, a kind-hearted Nigerian doctor who works at a seedy West London hotel finds a human heart in one of the toilets and uncovers something far more sinister than just a common crime.
Directed by Stephen Frears, it stars Chewitil Ejiofor, Sergi Lopez and AudreyTautou.
Fox Searchlight's R rated musical comedy Garage Days, meanwhile, opened in 23 theaters and took in an ESTIMATED $21,160 with a $920 per theater average.
The film is a coming-of-age comedy about a young Sydney band trying to get a foothold in the competitive world of rock n' roll.
Directed by Alex Proyas, it stars Kick Gurry, Maya Stange, Pia Miranda and Chris Sadrinna.
The Top 12 films this weekend grossed an ESTIMATED $137.6 million, up a whopping 33.63 percent from last year's take of $102.9 million. The Top 12 films were also up .58 percent from last weekend when they grossed $136.8 million.
Last year, DreamWorks' R rated drama Road to Perdition topped the box office in its second week of release with $15.4 million at 2,159 theaters (+326 theaters; $7,139 per theater average), Sony's G rated Stuart Little 2 debuted in the No. 2 position with $15.1 million at 3,225 theaters with a $4,644 per theater average and Sony's PG-13 rated Men in Black II followed in third place in its third week with $14.5 million at 3,641 theaters ((+30; $3,997 per theater).
Hollywood types hope their best work will be remembered when that other awards show announces its nominees Tuesday. But unfortunately, their worst work won't be forgotten either, not if the Golden Raspberry Awards Foundation has anything to say about it.
At least "Wild Wild West" knows it won't walk away honor-less. Last summer's Will Smith stinker, along with the blockbuster "Star Wars: Episode I -- The Phantom Menace", topped the nominations for the 20th Annual Razzie Awards, announced today.
"Wild Wild West" and "Phantom Menace" are up for eight Razzies each. The digs at "West" include nods for Worst Picture, Worst Actor (Kevin Kline), Worst Screen Couple (Kline and Smith), Worst Director (Barry Sonnenfeld), Worst Supporting Actor (Kenneth Branagh) and two nods for Worst Supporting Actress (Salma Hayek and Kline as a prostitute).
The flick will duke it out for Worst Picture dishonors with "Phantom Menace," as well as "Big Daddy," "The Haunting" and "The Blair Witch Project.".
The Golden Raspberrys also announced nominations for the worst actor and actress of the entire blinkin' 20th century. The uncoveted races will pit the likes of Kevin Costner against Pauly Shore, and Madonna against Brooke Shields.
Past multiple Razzie winners "Striptease," "Showgirls," "Hudson Hawk," "An Alan Smithee Film: Burn, Hollywood, Burn!" and "The Postman" are all in contention for the title worst picture of the 1990s.
Some of today's picks reveal the Razzies' "pet" performers. Consider the Sofia Coppola worst supporting actress nomination for "Episode I." (Blink and you missed her as one of Queen Amidala's handmaidens. And what were her lines, other than, say, "Yes, your Majesty"?) And what about Sylvester Stallone's nomination for Worst Actor of the Century -- noting he deserves the nod for "99.5% of Everything He's Ever Done." (Ouch.)
The most curious dig: Madonna's nomination for Worst Actress of the Century. According to the Razzies, her bad-movie resume includes 1980's "Endless Love." But, was she even in the film? (No comment yet from the Razzies on that apparent typo.)
Oh well: Like Madonna would show up to the ceremonies, which, for the record, are scheduled for March 25 -- 24 hours before the real-deal Academy Awards -- at the Hollywood Roosevelt Hotel.
The actual award, a gold-spray-painted plastic raspberry atop a mangled Super 8 film reel, reportedly is worth about $4.27.
Here's the complete nominee list for the 20th Annual Razzie Awards:
"Big Daddy" "The Blair Witch Project" "The Haunting" "Star Wars: Episode I -- The Phantom Menace" "Wild Wild West"
Kevin Costner, "For Love of the Game" and "Message in a Bottle" Kevin Kline, "Wild Wild West" Adam Sandler, "Big Daddy" Arnold Schwarzenegger, "End Of Days" Robin Williams, "Bicentennial Man" and "Jakob The Liar"
Heather Donahue, "The Blair Witch Project" Melanie Griffith, "Crazy in Alabama" Milla Jovovich, "The Messenger: The Story of Joan of Arc" Sharon Stone, "Gloria" Catherine Zeta-Jones, "Entrapment" and "The Haunting"
Worst Screen Couple
Pierce Brosnan and Denise Richards, "The World Is Not Enough" Sean Connery and Catherine Zeta-Jones, "Entrapment" Kevin Kline and Will Smith, "Wild Wild West" Jake Lloyd and Natalie Portman, "Star Wars: Episode I -- The Phantom Menace" Lili Taylor and Catherine Zeta-Jones, "The Haunting"
Worst Supporting Actress
Sofia Coppola, "Star Wars: Episode I -- The Phantom Menace" Salma Hayek, "Dogma" and "Wild Wild West" Kevin Kline (as a prostitute), "Wild Wild West" Juliette Lewis, "The Other Sister" Denise Richards, "The World Is Not Enough"
Worst Supporting Actor
Jar Jar Binks (voice by Ahmed Best), "Star Wars: Episode I -- The Phantom Menace" Kenneth Branagh, "Wild Wild West" Gabriel Byrne, "End of Days" and "Stigmata" Jake Lloyd, "Star Wars: Episode I -- The Phantom Menace" Rob Schneider, "Big Daddy"
Jan DeBont, "The Haunting" Dennis Dugan, "Big Daddy" Peter Hyams, "End Of Days" George Lucas, "Star Wars: Episode I -- The Phantom Menace" Barry Sonnenfeld, "Wild Wild West"
"Big Daddy" "The Haunting" "The Mod Squad" "Star Wars: Episode I -- The Phantom Menace" "Wild Wild West"
Worst Actor of the Century
Kevin Costner The Artist Formerly Known As Prince William Shatner Pauly Shore Sylvester Stallone
Worst Actress of the Century
Elizabeth Berkley Bo Derek Madonna Brooke Shields Pia Zadora
Worst Picture of the Decade
"An Alan Smithee Film: Burn, Hollywood, Burn!" "Hudson Hawk" "The Postman" "Showgirls" "Striptease"
Worst New Star of the Decade
Elizabeth Berkley Jar Jar Binks (voiced by Ahmed Best) Sofia Coppola, "The Godfather Part III," "Star Wars: Episode I -- The Phantom Menace" Dennis Rodman, "Double Team" and "Simon Sez" Pauly Shore