The other day, we got a look at the list of competitors in the upcoming Sundance Film Festival. But we've also got ourselves a fair share of promising premieres, with a slew of stars and directors alike that we're sure to get excited over.
Some of the big names we'll be seeing at this year's Sundance include Bradley Cooper, Zoe Saldana, Olivia Wilde and Jeremy Irons in The Words, Bruce Willis and Catherine Zeta-Jones in Lay the Favorite, Kirsten Dunst, Isla Fisher, Lizzy Caplan and Adam Scott in Bachelorette, Julie Delpy and Chris Rock in the Delpy-directed 2 Days in New York, Rashida Jones, Andy Samberg and Elijah Wood in Celeste and Jesse Forever (co-written by Jones) and Josh Radnor, starring against Elizabeth Olsen, in Liberal Arts, which he wrote and directed.
2 Days in New York / France (Director: Julie Delpy, Screenwriters: Julie Delpy, Alexia Landeau) — Marion has broken up with Jack and now lives in New York with their child. A visit from her family, the different cultural background of her new boyfriend, her sister’s ex-boyfriend, and her upcoming photo exhibition make for an explosive mix. Cast: Julie Delpy, Chris Rock, Albert Delpy, Alexia Landeau, Alex Nahon.
Arbitrage / U.S.A. (Director and screenwriter: Nicholas Jarecki) — A hedge-fund magnate is in over his head, desperately trying to complete the sale of his trading empire before the depths of his fraud are revealed. An unexpected, bloody error forces him to turn to the most unlikely corner for help. Cast: Richard Gere, Susan Sarandon, Tim Roth, Brit Marling, Laetitia Casta.
Bachelorette / U.S.A. (Director and screenwriter: Leslye Headland) — Unresolved issues between four high school friends come roaring back to life when the least popular of them gets engaged to one of the most eligible bachelors in New York City and asks the others to be bridesmaids in her wedding. Cast: Kirsten Dunst, Isla Fisher, Lizzy Caplan, James Marsden, Adam Scott, Kyle Bornheimer.
Celeste and Jesse Forever / U.S.A. (Director: Lee Toland Krieger, Screenwriters: Rashida Jones, Will McCormack) — Celeste and Jesse met in high school, married young, and at 30, decide to get divorced but remain best friends while pursuing other relationships. Cast: Rashida Jones, Andy Samberg, Ari Graynor, Chris Messina, Elijah Wood, Emma Roberts.
For A Good Time, Call... / U.S.A. (Director: Jamie Travis, Screenwriters: Katie Anne Naylon & Lauren Anne Miller) — Lauren and Katie move in together after a loss of a relationship and a loss of a rent controlled home, respectively. When Lauren learns what Katie does for a living the two enter into a wildly unconventional business venture. Cast: Ari Graynor, Lauren Anne Miller, Justin Long, Mark Webber, James Wolk.
GOATS / U.S.A. (Director: Christopher Neil, Screenwriter: Mark Jude Poirier) — Ellis leaves his unconventional desert home to attend the disciplined and structured Gates Academy. There, he re-connects with his estranged father and for the first time questions the family dynamics. Cast: David Duchovny, Vera Farmiga, Graham Phillips, Justin Kirk, Ty Burrell.
Lay The Favorite / U.S.A. (Director: Stephen Frears, Screenwriter: D.V. Devincintis) — An adventurous young woman gets involved with a group of geeky older men who have found a way to work the sportsbook system in Las Vegas to their advantage. Cast: Bruce Willis, Catherine Zeta-Jones, Rebecca Hall.
Liberal Arts / U.S.A. (Director and screenwriter: Josh Radnor) — When 30-something Jesse is invited back to his alma mater, he falls for a 19-year-old college student and is faced with the powerful attraction that springs up between them. Cast: Josh Radnor, Elizabeth Olsen, Richard Jenkins, Allison Janney, John Magaro, Elizabeth Reaser.
Price Check / U.S.A. (Director and screenwriter: Michael Walker) — Pete is having trouble resolving a happy marriage and family life with rising debt and a job he hates. When his new boss pulls him into the maelstrom that is her life, money and opportunities come his way, but at what price? Cast: Parker Posey, Eric Mabius, Annie Parisse, Josh Pais, Cheyenne Jackson.
Red Hook Summer / U.S.A. (Director: Spike Lee, Screenwriters: James McBride, Spike Lee) — A young Atlanta boy spends his summer in Brooklyn with his grandfather, who he's never seen before. Cast: Clark Peters, Jules Brown, Toni Lysaith, James Ransone, Thomas Jefferson Byrd.
Robot and Frank / U.S.A. (Director: Jake Schreier, Screenwriter: Christopher Ford) — A curmudgeonly older dad’s grown kids install a robot as his caretaker. Cast: Frank Langella, Susan Sarandon, James Marsden, Liv Tyler. SALT LAKE CITY GALA FILM
Shadow Dancer / United Kingdom (Director: James Marsh, Screenwriter: Tom Brady) — Widowed mother-turned-terrorist Colette McVeigh has high-ranking brothers in the IRA. When she’s arrested in an aborted bomb plot she must make hard choices, testing family loyalties. Cast: Andrea Riseborough, Aiden Gillen, Domhnall Gleeson, with Gillian Anderson and Clive Owen.
The Words / U.S.A. (Directors and screenwriters: Brian Klugman, Lee Sternthal) — Aspiring writer Rory Jansen finds another man's haunting memories in a collection of lost stories and claims them as his own, propelling him to literary stardom. Cast: Bradley Cooper, Jeremy Irons, Dennis Quaid, Olivia Wilde with Zoe Saldana. CLOSING NIGHT FILM
13 Notes: Paul Simon's Graceland Journey / U.S.A. (Director: Joe Berlinger) — Paul Simon returns to South Africa to explore the incredible journey of his historic Graceland album, including the political backlash he sparked for allegedly breaking the UN cultural boycott of South Africa, designed to end Apartheid.
About Face / U.S.A. (Director: Timothy Greenfield-Sanders) — An exploration of beauty and aging through the stories of the original supermodels. Participants including Isabella Rossellini, Christie Brinkley, Beverly Johnson, Carmen Dell'Orefice, Paulina Porizkova, Jerry Hall and Christy Turlington weigh in on the fashion industry and how they reassess and redefine their own sense of beauty as their careers progress.
A Fierce Green Fire / U.S.A. (Director: Mark Kitchell) — A definitive history of one of the most important movements of the 20th century, A Fierce Green Fire chronicles the environmental movement’s fascinating evolution from the 1960s to the present.
Bones Brigade / U.S.A. (Director: Stacy Peralta) — When six teenage boys came together as a skateboarding team in the 1980s, they reinvented not only their chosen sport but themselves too – as they evolved from insecure outsiders to the most influential athletes in the field.
The D Word: Understanding Dyslexia / U.S.A. (Director: James Redford) — While following a Dyslexic high school senior struggling to achieve his dream of getting into a competitive college, The D Word exposes myths about Dyslexia and reveals cutting edge research to elucidate this widely misunderstood condition.
Ethel / U.S.A. (Director: Rory Kennedy) — This intimate, surprising portrait of Ethel Kennedy provides an insider's view of a political dynasty, including Ethel’s life with Robert F. Kennedy and the years following his death when she raised their eleven children on her own.
Something From Nothing: The Art Of Rap / United Kingdom (Director: Ice-T, Co-Director: Andy Baybutt) — Through conversations with Rap’s most influential artists – among them Chuck D, Snoop Dogg, Dr. Dre, Eminem, MC Lyte, Mos Def, and Kanye West – Ice-T explores the roots and history of Rap and reveals the creative process behind this now dominant art form.
West of Memphis / U.S.A. (Director: Amy Berg) — Three teenage boys are incarcerated for the murders of three 8-year-old boys in West Memphis, Arkansas. 19 years later, new evidence calls into question the convictions and raises issues of judicial, prosecutorial and jury misconduct – showing that the first casualty of a corrupt justice system is the truth.
WHAT'S IT ABOUT?
Jennifer Check and Anita "Needy" Lesnicky are lifelong best friends and high school students in tiny Devil's Kettle Minnesota. Needy is the practical bookish counterpart to small-town sexpot cheerleader Jennifer who controls most everyone around her — Needy included — with knowing relish using her hypnotic good looks. After Jennifer and Needy escape a grisly fire at the local dive bar Jennifer is whisked away in a creeper van by the band that was playing there despite Needy's pleas not to. In a "sell your soul for rock and roll"-style move the fame-hungry indie rockers Low Shoulder kill Jennifer in an occult virgin sacrifice ceremony which goes awry because Jennifer isn't one. After being left for dead Jennifer shows up at Needy's house covered in blood spewing black bile and grinning wickedly.
The next day amidst the fire tragedy aftermath Devil's Kettle's star football player is found disemboweled and half-eaten in the woods adjacent to the school. Jennifer of course did it and after the vixen kills a sweet emo boy she confesses to Needy (after a too-brief girl-on-girl makeout session complete with heavy tongue close-ups) that the botched sacrifice turned her into a demon and that she becomes happier and more beautiful — and thus deadlier — after she feasts on the blood of horny high school boys. Needy does some research in the occult section of the high school library and discovers her best friend is indeed a pawn of the devil. Needy warns her boyfriend Chip to watch out for Jennifer and consequently finds herself covered in bile with Chip dead in her arms at the prom because he doesn't. Then she seeks revenge.
WHO'S IN IT?
The ever enjoyable Amanda Seyfried takes the lead as plain jane Needy and Johnny Simmons is her sweet doting boyfriend Chip. Adam Brody doing a spot-on Brandon Flowers impression is the killer front man of Low Shoulder. Amy Sedaris makes a too-brief cameo as Needy's mom and Juno's dad J.K. Simmons is a high school teacher with an unexplained hook for a hand. Megan Fox is in it too.
Diablo Cody's script is smart funny and infinitely more interesting than the typical teen slasher swill. The movie revels in its gory moments without being gratuitous and employs a healthy amount of sex without coming off like it's pandering to horny teens. Rather Jennifer's Body is the perfect template for the incomparably hot Megan Fox to use her looks as a plot-forwarding mechanism. This is a professionally signficant departure from her eye candy turns in the Transformers movies and lets Fox prove that she can actually act. There's no one else in Hollywood right now better suited to this role. Fox's performance is unhinged and charming and she makes good use of all the Diablo Cody-isms ("You need a mani bad. You should find a Chinese chick to buff your situation.") that devil-may-care Jennifer gets to utter. The love/hate best friend relationship is interesting and there's a load of good-girl-gone-wrong catharsis in Seyfried's revenge-fueled rampage. Cody and director Karyn Kusama are adept in skillfully if a bit condescendingly creating a convincing depiction of a small Midwestern town which serves as the perfect ultra-real backdrop for the story.
Cody's unique style adds the perfect quirk factor to what could otherwise be run-of-the-mill cinematic garbage.The Cody-isms however sometimes come off as cloying when they aren't being uttered by Fox. Also hopeful Fox worshippers might be disappointed that the sexually radiant actress despite her character's penchant for using sex to lure her victims doesn't actually bare anything that necessitates the film's R-rating.
With its surprising plot twists a snarky bff vs. bff subplot and Cody's flair for linguistics Jennifer's Body is a smart horror flick for anyone who enjoys jolly gore or Megan Fox in a mini-skirt.
Justine Last (Jennifer Aniston) lives the kind of life that rarely makes the big screen. She spends her days giving makeovers at the Retail Rodeo and her nights watching her house painter husband of seven years Phil (John C. Reilly) and his best friend Bubba (Tim Blake Nelson) sit on her couch and get high. All of that changes though when she meets Holden (Jake Gyllenhaal) the new cashier. The eager yet troubled young poet/screenwriter/novelist-to-be captures her imagination and eventually becomes her lover. In classic moments of small-Southern-town trysting he takes her to his room in his parents' house and arranges meetings outside the Chuck E. Cheese's. They shack up in a motel at the edge of town; they rendezvous at a lake in the country. Throughout the affair though Justine is torn and guilty wanting to be a "good girl " but finding herself a hateful woman--a self-proclaimed adulteress and a liar. This is no whitewashed fantasy of a romantic affair between an older woman and a younger man. This affair is your sister's your brother's your husband's your wife's. It's real it's gritty and it's painful. Ultimately Holden's love for Justine becomes morbid and obsessive causing her to realize that the man she thought would change her life was in fact "at best a child and at worst--a demon." Justine is then forced to choose: this obsessive love and the excitement it brings or a stable--if boring--life with her husband.
Aniston proves her mettle at last in a role that finally allows her to do so; no one who sees this film will ever again accidentally call her "Rachel" (her character on the ubiquitous sitcom Friends). Her performance perfectly captures the tension of wanting to be a "good girl" yet secretly yearning to be selfish. You know she's dueling with herself as she makes decision after decision that leads inexorably to the film's tragic ending and you feel her pain. Justine is flawed like all the rest of us and Aniston brings this humanity to the forefront creating one of the most realistic heroines in recent history. Gyllenhaal too is perfectly cast as the brooding intense Holden. He captures the duality screenwriter Mike White writes into nearly all the characters in this movie: You want to snuggle Holden one minute; the next you wish he'd just go away. Reilly and Nelson also demonstrate a not inconsiderable subtlety in roles that could easily have become caricatures; instead the tension between what these guys wanted from life and what they ultimately ended up with accentuates Justine's turmoil and deepens the film's theme. On the film's lighter side White puts in a hilariously dark turn as Corny the Bible-thumping security guard at Retail Rodeo and Zooey Deschanel is excellent as the classic employee with an attitude hurling insults at Retail Rodeo customers over the loudspeaker as she announces the latest bargain on aisle eight.
The Good Girl doesn't look like much. Darkness and shadows invade every corner of the screen at one point or another the sets are fairly commonplace and the costumes are simple: Lee jeans smocks plaid shirts and painter's pants. Even Aniston's pink bathrobe is dull and washed out. The Good Girl is a smart delicately ironic and insightful partnership between a brilliant screenwriter (White) and a director (Miguel Arteta) who know exactly how to bring words to life on the screen. And The Good Girl does come to life in a well-paced funny quirky package that leaves you thinking that above all what you have seen is a slice of truth in a mixed-up crazy world.