Snagging new TV gigs this week:
Molly Ringwald hits the Big Time
Molly Ringwald, America's sweetheart during the late '80s, is back -- this time on the small screen. The actress will be starring in Big Time, a show that centers on a fledging TV network in the early days of the industry.
In the show, which will air on TNT, the setting will be 1948 Manhattan, and Ringwald will play the network head's new bride, who discovers a unique opportunity for herself in the burgeoning landscape of television.
According to the Hollywood Reporter, executive producers John Wells and Carol Flint have also hired actor Dylan Baker of Happiness fame, who will play a tirelessly devoted producer and VP of programming committed to making the young network a success.
The show will be directed and co-executive produced by Paris Barclay and marks Ringwald's return to her television series roots. The actress started her screen career on the NBC comedy The Facts of Life, and moved on to bigger roles on the big screen in '80s flicks such as Sixteen Candles and Pretty in Pink.
Shaun Cassidy Signs TV deal
Former teen idol-turned-TV producer Shaun Cassidy has signed on as producer of The Agency, a CBS drama about the men and women of the CIA, Variety reports.
The former Hardy Boy has also signed on to produce a drama pilot at USA Network titled Wilder, a show which he originally created for the WB for the 2000-01 TV season.
Wilder is about a former teen idol who teams up with his younger cop brother to work as detectives. Corin Nemec (Parker Lewis Can't Lose) and Ashley Howard (Bring It On) have been cast as the leads in the pilot.
Jim Miller, USA Network's executive VP of original programming, believes the show contains the kind of subject matter that people often try to tackle, but seldom pull off successfully.
"Because [Cassidy] was there, because he understands that mind set -- the good and the bad -- the authenticity, the veracity of it all is just unmatchable,'' he tells Variety.
Culp, DuVall Make a Monster
Steven Culp (Thirteen Days) and Clea DuVall (Girl, Interrupted) will star in HBO/Cinemax's "How to Make a Monster" for writer-director George Huang (Swimming With Sharks). Production is slated to begin this week.
Monster is about a company man (Culp) who hires three ex-cons-turned-computer programmers to create a computer game, Evilution, which centers on an evil being. Whoever builds the scariest monster will win $1 million.
In their attempt to create the scariest monster, causing the computer to overload with everything that is evil, the monster comes to life.
The Hollywood Reporter adds that Tyler Mane, Jason Marsden and Karim Prince will also be featured in the project.
Tucci Tackles Groucho for CBS
Stanley Tucci, the actor-producer who won an Emmy for his portrayal of the 1950s columnist Walter Winchell, will star as Groucho Marx in Love, Groucho, a two-hour telepic for CBS produced by Alliance Atlantis.
The film is based on the book Love, Groucho: Letters From Groucho Marx to His Daughter Miriam by Miriam Marx Allen. According to the Hollywood Reporter, the movie will trace highlights of the actor's life, including the breakup of his marriage and the eventual breakup of his career.
Screenwriter Jennifer Miller has penned the script for the project, which is executive produced by Tucci, Peter Sussman, Ed Gernon, Greg Gugliotta and Sandy Gartin.
Peanut butter and jelly aren't the only things that go together for Edward Burns. The actor-writer-director can't resist casting his latest ingenues in his latest projects.
First there was Maxine Bahns in "The Brothers McMullen" and "She's the One." Then there was the interlude with Jim Carrey's ex, Lauren Holly, in "No Looking Back." Up next: current galpal Heather Graham in his new romantic comedy "Sidewalks of New York."
The indie project, set in New York (obviously), interweaves several modern love stories. Co-stars include actor-filmmaker Stanley Tucci, "Light It Up's" Rosario Dawson and "Girl, Interrupted's" Brittany Murphy. In his standard do-it-all fashion, Burns serves as the director, writer and producer.
Daily Variety reports that shooting will begin Wednesday in Gotham.
Burns, 32, and Graham, 30, began dating in 1998.
THE CONTENDERS: "The Insider's" Michael Mann may have the skinny on the director's chair for the planned big-screen Muhammad Ali biopic.
Columbia Pictures and producer Jon Peters have met with several A-listers to direct the Will Smith-toplined project. Variety says the contenders are Mann, Spike Lee and Curtis Hanson ("L.A. Confidential").
A final decision is expected soon. The studio has been looking for a candidate since "Wild Wild West" director Barry Sonnenfeld exited last fall. The story follows the pre-Ali days when the fighter was simply an up-and-coming buck named Cassius Clay.
Mann's name comes into play just days after he earned three Oscar nominations for directing, writing and producing "The Insider." Also on Mann's list of possible projects are a few other box-office heavyweights. He's met with Brad Pitt about "Shooter," a story that follows a sniper lured out of retirement and then betrayed; and he's developing a Howard Hughes biopic with Leonardo DiCaprio. (Leo's also attached to Mann's cops-and-corruption tale "The Inside Man.") Plus, there's an epic Mann's producing with Tom Hanks about Julius Caesar and Pompey the Great -- two dead Roman leader guys.
FLOATING ON 'FEATHERS': New sensation Jude Law won't be resting on that Best Supporting Actor Oscar nomination for long. Variety says "The Talented Mr. Ripley" co-star has committed to the lead role in "Four Feathers," a project that begins shooting in July.
"Elizabeth's" Shekhar Kapur will be at the helm for the Paramount/Miramax co-production. The movie's a remake of the Zoltan Korda tale about a British officer who resigns before battle and is given four white feathers by his fiancŽe and friends to remind him of his cowardice.
Law's also looking to position himself as "The Good Shepherd" in an MGM pic to be directed by Robert De Niro. The actor recently read for the Erich Roth script, about a CIA agent recruited during the agency's early World War II-era days. Over time, the responsibility of being a secret agent begins to take its toll on his family life.
"Shepherd" would preoccupy the actor's time come early 2001.