Charlton Heston, call your agent. Twentieth Century Fox's long-anticipated "Planet of the Apes" remake is not extinct. And ditto for -- Warner Bros.' new-look "Superman" movie may fly after all.
Word comes today from the Hollywood Reporter that these big-budget sci-fi and super-hero projects -- two of the most highly anticipated movies of the 1990s that never came to pass -- may soon be salvaged from development hell after years of on-again, off-again directors and aborted screenplays.
Fox could reportedly seal a deal with Tim Burton before the end of the week to direct its "Apes" remake, while Warner officials are said to be pleased with a new "Superman" screenplay from Bill Wisher, who co-wrote "Terminator 2: Judgment Day" with James Cameron.
Fox's announcement that Burton is in talks to direct "Apes" should come as a welcome surprise for sci-fi aficionados. The project, which was first announced back in 1993, has been associated with the likes of Oliver Stone, Cameron, Chris Columbus and Arnold Schwarzenegger in the past.
Although the trade newspaper didn't cite its sources, the Burton rumor seems to fit -- at least if you believe recent whisperings. In January, movie rumor Websites such as Ain't It Cool News (www.aint-it-cool-news.com) posted information, purportedly from people close to the project, stating that a new story treatment was recently written by Andrew Kevin Walker. Walker also wrote "Sleepy Hollow," Burton's recent gothic horror hit that grossed $96 million for Paramount.
The original "Planet of the Apes" (1968), directed by Franklin J. Schaffner, was based on a book by French writer Pierre Boulle. The flick starred Heston as Taylor, a time-traveling astronaut who crash-lands on a barren planet ruled by a society of apes, who regard humans as mere savage slaves. It also starred Roddy McDowall and Kim Hunter as the sympathetic chimpanzees Cornelius and Zira. Such was the popularity of the "Apes" franchise that it spawned four sequels, a live-action TV series and even a cartoon.
Fox commissioned an "Apes" script in the mid-1990's by Sam Hamm (who penned the stories for Burton's "Batman" and "Batman Returns") that reportedly deviated markedly from the original film, with a race of intergalactic apes dispatching a virus to the Earth, and a group of human heroes venturing to the ape planet to send the bio-agent back.
Columbus ("Mrs. Doubtfire," "Bicentennial Man") was to direct the project and Schwarzenegger was to play an updated version of Heston's role. Later, Cameron was rumored to be unofficially attached to the project as a producer and writer.
According to Ain't It Cool News, Walker's rumored treatment is a modified version of Hamm's screenplay. In it, a civilization of apes living in the Earth's core dispatches a killer virus to the surface, and two scientists must travel to the center of the planet and stop the apes from wiping out humanity.
The Hollywood Reporter says the new "Planet of the Apes" will get the A-list treatment, with a big budget and elaborate special effects (remember the cool ape make-up from the original?). No word yet, however, whether Burton will let frequent leading man Johnny Depp utter that classic line: "Get yer stinkin' paws off me, ya damn dirty ape!"
Meanwhile, no director is working on Warner's long-awaited "Superman" update -- alternately known in its past lives as "Superman Lives" and "Superman Reborn" -- although Burton was attached to the film circa 1997-98. Other screenwriters who have worked on the film prior to Wisher include Kevin Smith ("Clerks") and Dan Gilroy ("Freejack").
CHAINSAW REVISITED: First "Star Wars," now "The Texas Chainsaw Massacre."
Unapix Films, which purchased the sequel rights to the grisly horror franchise about a year ago, announced this week that it will produce a "Chainsaw" prequel, simply titled "Ed Gein."
For the uninformed, Gein was the real-life serial murderer who terrorized Wisconsin in the 1950s, kidnapping women, skinning them alive and making lampshades out of their skin. He is said to be the inspiration for "Psycho" and "Silence of the Lambs," as well as the original "Texas Chainsaw Massacre" (1974), which was directed by Tobe Hooper, who later made "Poltergeist."
According to the Hollywood Reporter, the new film will be directed by Martin Kunert ("Campfire Tales") and written by Kunert and Eric Manes. Kunert and Manes' other credits include "Hindenburg," a movie now in development at Fox with Jan DeBont directing, and "Dare," a TV game show now in development at MTV.
For the record, this will be the fifth movie in the "Chainsaw" series, which chronicles the exploits of a sadistic family of cannibals, led by the patriarch "Grandpa" (who, in one installment, runs a successful chili con carne business --- with human flesh as his main ingredient, of course) and his son Leatherface, a chainsaw-wielding freak. The most recent was "Return of the Texas Chainsaw Massacre" a k a "Texas Chainsaw Massacre: The Next Generation" (1994) which featured Renee Zellweger and Matthew McConaughey in pre-stardom roles.
AND YET ANOTHER REMAKE: The Hollywood recycling program continues unabated, as Variety reports that Columbia Pictures has announced a remake of the 1971 thriller "See No Evil" (a k a "The Blind Terror") for a planned 2001 release. Martin Ransohoff, who produced the original version, also will oversee the remake and screenwriter Tony Jaswinski, who recently sold a spec script to New Line, will write it. In the original movie, Mia Farrow played a blind girl who moved into her aunt and uncle's English countryside home. Everyone else in the house is silently murdered, leaving the poor Farrow to be stalked and terrorized by the assailant. Columbia officials say the new version will be "modernized." Can you say "The Haunting"?
DIGITAL PLANET: Director Mike Figgis ("Leaving Las Vegas") will see his unconventional digital-video flick "Time Code 2000" premiere at an appropriately unconventional venue -- the first-ever Online Film Festival, March 22-23 in Los Angeles.
Backed by Yahoo! Internet Life magazine, the fest showcases movies that are either backed by Web-based companies or include Internet-themed plotlines.
Starring Salma Hayek, Jeanne Tripplehorn, Kyle MacLachlan and Holly Hunter, "Time Code 2000" was shot on digital video and is being billed as something of a free-spirited innovation. Figgis reportedly had four roving video cameras independently shooting four separate 93-minute stories, all four of which are shown at once on the big screen. The movie was totally improvised -- there was no script -- and totally caveman-esque -- there are no special effects, no sound dubbing, no editing and not even make-up for the actors.
Screenings for the Online Film Festival are scheduled for the Directors Guild of America headquarters in Los Angeles. The event's lineup includes six feature films -- three of which are world premieres -- and 24 shorts. The short films will be viewable in streaming video format at www.onlinefilmfestival.com .
SANTA MONICA, Calif., Feb. 7, 2000 -- At long last, an awards show that's dedicated solely to the people who are truly indispensable to Hollywood: makeup artists and hairstylists.
Yes, you heard right -- one entire awards ceremony, with all the necessary trimmings and accoutrements, has sprung up to give special notice to industry makeup artists and hairstylists ... and no one else. (Don't worry, plastic surgeons of America, you'll probably get your nods soon enough).
Nominations for the 1st Annual Hollywood Makeup Artists and Hair Stylist Guild Awards, honoring outstanding makeup and hair achievements in film and TV, were announced today. The nominees in the 17 categories were chosen by 1,100 active members of the International Alliance of Theatrical Stage Employees Local 706. Guild members will vote for the winners. Balloting begins Tuesday, with awards to be handed out March 19 at the Beverly Hilton Hotel.
If all this sounds terribly serious stuff -- it is, according to guild committee member Marvin Westmore, scion of George Westmore, who started the first makeup and hair department at the Selig studio in 1917, and for whom the Lifetime Achievement Award is named after.
"It's very difficult to get the makeup and hair artists recognized in a proper manner. In the makeup field, as in the hair field, there're a number of categories that are never considered," Westmore said today. "We've got a category on contemporary makeup and hair, historical makeup and hair ... and about 15 other categories that address other specialties. We feel that it's important to give all the industry hair and makeup artists their proper due and not just simply lump their achievements together."
Celeb presenters who will dignify the event include Christina Applegate, Annette Bening, Ellen Burstyn, Kim Delaney, Brendan Fraser, Ed Harris, Holly Hunter and Rob Lowe.
Here's the complete list of nominees:
Best Contemporary Makeup -- Feature
Debbie Zoller, James MacKinnon and Jill Cady for "Goodbye Lover" (Regency/Warner Bros.)
Ronnie Specter for "The Story of Us" (Castle Rock/Universal)
Allan Apone, Donald Mowat, Ron Snyder and Adam Brandy for "Three Kings" (Warner Bros.)
Toni G and Will Huff for "The General's Daughter" (Neufeld/Rehme Productions/Paramount)
Best Period Makeup -- Feature
Leonard Engleman for "Tea With Mussolini" (Universal/MGM)
Patty York, Cheryl Nick, Michele Burke and Steve Artmont for "Austin Powers: The Spy Who Shagged Me" (New Line)
Ronnie Specter for "A Midsummer Night's Dream" (Fox Searchlight)
Best Character Makeup -- Feature
Sheryl Leight Ptak for "Man on the Moon" (Jersey Films/Universal)
Cheri Minns for "Bicentennial Man" (Columbia/Touchstone)
Kevin Yagher, Peter Owen, Elizabeth Tag and Paul Gooch for "Sleepy Hollow" (Paramount)
Best Special Effects Makeup -- Feature
Michele Burke, Kenny Myers, Will Huff and Kevin Haney for Mike Myers as Austin Powers and Dr. Evil, and Vernon Troyer as Mini Me in "Austin Powers: The Spy Who Shagged Me" (New Line)
Greg Cannom and Wesley Wofford for "Bicentennial Man" (Columbia/Touchstone) Stan Winston and Mike Smithson for Mike Myers as Fat Bastard in "Austin Powers: The Spy Who Shagged Me" (New Line)
Best Contemporary Hair Styling -- Feature
Enzo Angileri for "The Thomas Crown Affair" (MGM)
Cydney Cornell for "American Beauty" (DreamWorks)
Paul LeBlanc for "Anywhere But Here" (Fox 2000 Pictures) Frances Mathais for "Simpatico" (Emotion Pictures/Canal Plus/King's Gate/Fine Line)
Best Period Hair Styling - Feature
Peter Tothpal, Janet McDonald and Angie Cameron for "The 13th Warrior" (Touchstone)
Candy Walken, Jeri Baker-Sadler, Jennifer O'Halloran and Toni-Ann Walker for "Austin Powers: The Spy Who Shagged Me" (New Line)
Vivian McAteer for "Tea With Mussolini" (Universal/MGM)
Best Contemporary Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Patty Bunch Leisure and Cynthia Bachman for "Big Brother Is Coming," "Will & Grace" (NBC)
Cynthia Bachman and Patty Bunch Leisure for "I Never Promised You An Olive Garden," "Will & Grace" (NBC)
James MacKinnon and Stephanie Fowler for "Thank You Providence," "Providence" (NBC)
Best Period Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Cheri Montesanto-Medcalf, Kevin Westmore and LaVerne Basham for "Triangle," "The X-Files" (Fox)
Marie DelPrete fpr "Between a Rock Star and Hard Place," "Rude Awakenings" (Showtime/Mandalay TV/Columbia/TriStar TV)
Lisa Layman, David Syner and Joseph Regina for "Pilot," "Freaks & Geeks" (NBC)
James MacKinnon and Stephanie Fowler for "He's Come Undone," "Providence" (NBC)
Best Character Makeup - Television
Jennifer Aspinall, Felicia Linsky and Ed French for Episode #505, "Mad TV" (Fox)
Jennifer Aspinall, Felicia Linsky and Ed French for Episode #507, "Mad TV" (Fox)
Cheri Montesanto-Medcatf and Kevin Westmore for "Two Fathers/One Son," "The X-Files" (Fox)
Best Special Effects Makeup - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Michael Westmore, Scott Wheeler, James Rohland and Ellis Burman for "Dark Frontiers," "Star Trek Voyager" (UPN/Paramount)
Todd A. McIntosh, Robin Beauxchesne, Douglas Noe and Brigette Myre-Ellis for "Living Conditions," "Buffy The Vampire Slayer" (Fox/WB)
Bill Corso and Douglas Noe for "Just Duet," "L.A. Doctors" (CBS)
Best Period Makeup - Television (For a Mini-Series or Movie of the Week)
June Brickman and Tammy Ashmore for "The 60's" (NBC/Trimark)
Sue Cabel, Matthew Mungle and Joe Hailey for "And The Beat Goes On: The Sonny and Cher Story" (ABC) Marvin Westmore,
June Westmore and John Jackson for "Lansky" (HBO)
Best Character Makeup --Television (For a Mini-Series or Movie of the Week)
June Brickman and Tammy Ashmore for "The 60's" (NBC/Trimark)
Douglas Noe for "A Lesson Before Dying" (HBO)
Best Contemporary Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Ken Nelson and Suzanne Kontonickas for "The Devil's Music," "Charmed" (Spelling Television/WB)
Tim Burke for "Homo For The Holidays," "Will & Grace" (NBC)
Darrell Fielder, Jonathan Hanousak and Joy Zapata for "The Final Frontier," "Mad About You" (NBC/Columbia TriStar TV)
Best Period Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Stacy K. Black and Shana Fruman for "He's Come Undone," "Providence" (NBC)
Lana Heying for Episode #592 "Lataya, Letisha and Lanesha," "All That" (Nickelodeon)
Garbillera Pollina for "Prom Night," "That 70's Show" (Fox/Carsey-Werner)
Best Character Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime)
Dugg Krikpatrick and Judith Teidemann for "Episode #511, "Mad TV" (Fox)
Josee Normand, Charlotte Parker and Gloria Montemeyor for "Bride of Chaotica," "Star Trek Voyager" (Paramount/UPN)
Judith Teidemann, Dugg Krikpatrick and Chris Curry for "Who Wants To Be A Millionaire," "Mad TV" (Fox)
Best Innovative Hair Styling - Television (For a Single Episode of a Regular Series - Sitcom, Drama or Daytime) Dugg Krikpatrick for "Episode #505," "Mad TV" (Fox)
Josee Normand, Charlotte Parker and Gloria Montemeyor for "Dragon's Teeth," "Star Trek Voyager" (Paramount/UPN)
Stacy K. Black and Shana Fruman for "He's Come Undone," "Providence" (NBC)
Best Period Hair Styling - Television (For a Mini-Series or Movie o the Week)
Vickey Phillips, Gerald Coke-Riley, Patricia Gunlock and Michael White for "Purgatory" (TNT)
Matthew Kasten, Natascha Ladek and Mishell Chandler for "Annie" (Walt Disney Television/ABC)
Marlene Williams and Tim Jones for "And The Beat Goes On: The Sonny & Cher Story" (ABC/Larry Thompson)
George Westmore Lifetime Achievement Award