Monday night (yes, Monday) was the 66th Annual Primetime Emmy Awards on NBC and millions tuned in. Late Night host Seth Meyers gracefully took on the task of hosting. While the show might have been way too long, we found quite a few enjoyable moments that made us laugh, smile, and cry.
Seth Meyer’s Opening Monologue
Hosting any awards show is tough, but Seth held his own. He didn’t need a musical number, or heavy gag-jokes, to win over the audience. Seth was his usual charming self, with great delivery when it came to a friendly jab, or two.
Beyonce Showed Up
Oh you didn’t know, Queen Bey graced our screens last night? Amy Poehler AKA Beyonce, is half the reason we even tune into these awards shows. She’s either hosting, presenting, or just being fabulous, and that’s alright by us.
Jimmy Kimmel’s Matthew McConaughey Jokes
“Matthew McConaughey doesn't even own a television. I happen to know for a fact that he traded his television for a conch shell full of weed.”
The "Billy On The Street" Skit Was Surprisingly Good
"He's the host of the #Emmys this year!" "Um, Seth Macfarlane?" Haha.
— Yes/No Films (@yesnofilms) August 26, 2014
Usually, we're not too crazy about Billy On The Street, but his pre-taped skit with the Emmys' host, asking people on the street questions about the Emmys, was pretty hysterical.
Bryan Cranston’s Mustache
The guest of honor.
This Epic Makeout Sesh
Louis C.K.’s Simple, But Sweet Acceptance Speech
Nothing long-winded, just straight to the point, yet sweet. He also made sure to point out that Sarah Baker was the star and reason he won.
Retta Live-Tweeting The Whole Night
What is happening right now?? #Emmys pic.twitter.com/s9MsTYMOrj
— Retta (@unfoRETTAble) August 26, 2014
Poehlsy!!!! #JustLikeBey #Emmys
— Retta (@unfoRETTAble) August 26, 2014
I love how Jessica Lange is killing this “Ima let these fools know I’m still helluh sexy” saunter to stage. #Emmys
— Retta (@unfoRETTAble) August 26, 2014
Retta, AKA Donna on Parks and Recreation and lover of live-tweeting, captured some of the most interesting moments from the night on Twitter.
When Joffery Confronted His Mother
When They Gave George R.R. Martin A Typewriter
And asked him to please write faster.
He was immediately on the case.
Ricky Gervais Just Being Ricky Gervais
"Now that is a television face. Not even really a television face. It's a Netflix face.” – Jimmy Kimmel
When Jimmy Fallon Seized The Day
Gwen Stefani messed up Stephen Colbert’s name, so Jimmy assumed that meant the Emmy was up for grabs. We’d all have done the same if we were there.
Billy Crystal’s Touching Robin William’s Memoriam
Which of these did you love the most? Tweet us your favorite moments from the night!
NBC Nightly News anchor Brian Williams may be over the moon about his daughter's recently announced casting as the titular character in Peter Pan Live, but, then... he's her dad. The rest of us can't help but be more than a little concerned about seeing Girls star Allison Williams take on the role. We've only really seen her as Marnie, after all, along with a couple cameos on other shows playing very similar characters. How is she going to become that scrappy, scruffy, little boy who refuses to grow up?
Well, at this point, the casting is pretty much signed, sealed, and delivered. But even so, a little speculation never hurt anyone! With that in mind, here are 8 celebrities that would make a better Peter Pan than Ms. Williams:
1. Maisie Williams
Come on, she's practically Peter already, what with Arya's androgynous look and devil-may-care attitude. Plus, she can sing, and she takes dance classes when she's not too busy filming.
2. Anna Kendrick
She's pint-sized, feisty, hilarious, and has a great set of pipes. Dang! Ah, well: she'll probably be too busy promoting Into the Woods to do it, anyway.
3. Kristen Bell
She cut her teeth as Becky Thatcher in the Broadway production of The Adventures of Tom Sawyer, and she's literally a Disney princess. She also has that impish glint in her eyes...
4. Amy Poehler
Speaking of impish... Amy Poehler certainly looks mischeivous enough for the part, and you know she'd put her infamous comedic chops to good use in the role. Hey, she (oh, and Kristen Bell, too) would also make a great Tink!
5. Emmy Rossum
She shot to fame when she starred in Phantom of the Opera when she was still in her teens. She doesn't sing as part of her gig on Shameless, but proved she still had the chops when she appeared on Conan and sang in exchange for a hot dog.
6. Cristin Milioti
Fans are itching to see more of her after her disappointingly brief appearance on How I Met Your Mother's last season. Her singing voice is absolutely gorgeous, and she's got a great belt to boot!
7. Daniel Radcliffe
Okay, I know Peter's traditionally played by a lady, but doesn't Daniel Radcliffe have that perfect boyish look for the part? Maybe if they filmed Peter Pan Live during his Harry Potter days, it could have worked out...
8. Joseph Gordon-Levitt
Also a bit on the old side, but dang: someone has to cast this guy in a musical, pronto!
Getty Images/Cindy Ord
Allison Williams was surely blushing last night when her father, reporter Brian Williams, made this incredibly sweet announcement on the news. Williams will play Peter Pan in an upcoming NBC production, and her father's sharing of this news was perfect:
You almost can't tell they're related (kudos to Papa Williams for keeping it so professional), but that baby picture proved that he's just like dads everywhere—just itching for a moment to both gush about and embarrass his child in front of the world.
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Actress Allison Williams has been tapped to star as Peter Pan in a much-anticipated live TV special. The Girls star will appear alongside Christopher Walken, who will play villain Captain Hook, in the live TV event, which will air in December (14).
The daughter of revered U.S. newsman Brian Williams says, “I have wanted to play Peter Pan since I was about three years old, so this is a dream come true.
“It's such an honour to be a part of this adventure, and I'm very excited to get to work with this extraordinarily talented team. And besides, what could go wrong in a live televised production with simultaneous flying, sword fighting and singing?”
Kristen Bell was previously approached to take on the role, but had to decline it due to a scheduling conflict.
Peter Pan Live! follows on from last year's (13) TV special The Sound of Music, which featured Carrie Underwood as singing nun Maria and True Blood's Stephen Moyer.
Newlywed R&B star Kelly Rowland has confirmed rumours she is pregnant with her first child. The former Destiny's Child singer sparked speculation she was hiding a baby bump on Saturday (07Jun14), when she performed at a concert in Oklahoma wearing an uncharacteristically over-sized outfit.
She has since gone public with her pregnancy secret by taking to Instagram.com on Tuesday (10Jun14) to share a photo of her man's Air Jordan sneakers, alongside a matching infant-sized pair. In the accompanying caption, she writes, "I'll be stuntin (sic) like my daddy..."
The news comes a month after Rowland married her manager Tim Witherspoon in a private ceremony in Costa Rica, which was attended by her former bandmates Beyonce and Michelle Williams.
Rowland's kid will be the second Destiny's Child baby - Beyonce is mother to two-year-old daughter Blue Ivy.
For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody & Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody & Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
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Girls star Allison Williams is engaged to her boyfriend of three years. Ricky Van Veen, the co-founder of comedy website CollegeHumor.com, recently proposed to the actress - and she said yes, her representative confirms to People.com.
The engagement news comes just days after the beauty, the daughter of U.S. news anchor Brian Williams, admitted she would be happy to quit her TV career to start a family.
The 25 year old told Glamour magazine, "I'd love to be a mum - and not have to bring my kids into my trailer... Or a balance (of both). But you've (got to) call it on the fly to a certain extent."
The much-hyped late shift finally happened this week when The Tonight Show Starring Jimmy Fallon debuted on Monday night. The people have spoken and the verdict was Jimmy Fallon's first week was a resounding succcess. Catch the highlights of Fallon's first week as host of The Tonight Show, as well as a few memorable moments from the rest of the late night shows down below.
Dough Stacks McGeePayday, as well as a walking caravan of celebrities, arrived a little early on Fallon's debut night. Thanks to an alleged bet made to "a buddy," Fallon made over $1,000 in just a few minutes. Oh, the perks of hosting The Tonight Show.
On Origin of Hip-HopWatch Will Smith and Fallon go through all the hip-hop dances throughout the years – and realize why the "cabbage patch" and "stanky leg" have gone the way of the dinosaur.
Hashtag Things Out@jimmyfallon @JonahHill #ridiculous #talktoomuch #hashtag2
The First Lady of the "Ew!"-S-AFirst Lady Michelle Obama paid a visit to the teenage show "Ew!" And although this is stating the obvious, Will Ferrell makes one ugly woman.
Anchor's DelightOnce again, Fallon spliced together clips of NBC newsman Brian Williams to sound like he's rapping and it's the best one yet.
The Luger Who Cried WolfJimmy Kimmel fooled everyone again, with a little bit of help from American luger Kate Hansen.
Go FigureWatching Will Ferrell skip and prance as a figure skater in black tights is something nobody can unsee. But it's still better than him dressed in drag.
The Hug CamBy slowing down sports footage, Jimmy Kimmel proves that most sports are just excuses for men to hug other men.
Rapping Up the WeekFallon saved Friday night for his unofficial guest host, Justin Timberlake, and they taught everyone a valuable history lesson on rap.
Tribeca Film via Everett Collection
For a film that involves a love triangle, mental illness, a Bohemian colony of free-spirits, an impending war and several important historical figures, the most exciting elements of Summer in February are the stunning shots of the English country and Cornish seaside. The rest of the film never quite lives up to the crashing waves and sun-dappled meadows that are used to bookend the scenes, as the entertaining opening never manages to coalesce into a story that lives up the the cinematography, let alone the lives of the people that inspired it.
Set in an Edwardian artist’s colony in Cornwall, Summer in February tells the story of A.J. Munnings (Dominic Cooper), who went on to become one of the most famous painters of his day and head of the Royal Academy of Art, his best friend, estate agent and part-time soldier Gilbert Evans (Dan Stevens), and the woman whom they both loved, aspiring artist Florence Carter-Wood (Emily Browning). Her marriage to Munnings was an extremely unhappy one, and she attempted suicide on their honeymoon, before killing herself in 1914. According to his journals, Gilbert and Florence were madly in love, although her marriage and his service in the army kept them apart.
When the film begins, Munnings is the center of attention in the Lamorna Artist's Colony, dramatically reciting poetry at parties and charming his way out of his bar tab while everyone around him proclaims him to be a genius. When he’s not drinking or painting, he’s riding horses with Gilbert, who has the relatively thankless task of keeping this group of Bohemians in line. Their idyllic existence is disrupted by the arrival of Florence, who has run away from her overbearing father and the fiancé he had picked out for her in order to become a painter.
Stevens and Browning both start the film solidly, with enough chemistry between them to make their infatuation interesting. He manages to give Gilbert enough dependable charm to win over both Florence and the audience, and she presents Florence as someone with enough spunk and self-possession to go after what she wants. Browning’s scenes with Munnings are equally entertaining in the first third of the film, as she can clearly see straight through all of his bravado and he is intrigued by her and how difficult she is to impress. Unfortunately, while the basis of the love triangle is well-established and entertaining, it takes a sudden turn into nothing with a surprise proposal from Munnings.
Neither the film nor Browning ever make it clear why Florence accepts his proposal, especially when they have both taken great pains to establish that she doesn’t care much for him. But once she does, the films stalls, and both Stevens and Browning spend the rest of the film doing little more than staring moodily and longingly at the people around them. The real-life Florence was plagued by depression and mental instability, but neither the film nor Browning’s performance ever manage to do more than give the subtlest hint at that darkness. On a few occasions, Browning does manage to portray a genuine anguish, but rather than producing any sympathy from the audience, it simply conjures up images of a different film, one that focused more on Florence, and the difficulties of being a woman with a mental illness at a time when both were ignored or misunderstood.
Stevens is fine, and Gilbert starts out with the same kind of good-guy appeal the won the heart of Mary Crawley and Downton Abbey fans the world over. However, once the film stalls, so does his performance, and he quickly drops everything that made the character attractive or interesting in favor of longing looks and long stretches of inactivity. He does portray a convincing amount of adoration for Florence, although that's about the only real emotion that Gilbert expresses for the vast majority of the film, and even during his love scene, he never manages to give him any amount of passion.
Cooper does his best with what he’s given, and tries his hardest to imbue the film with some substance and drama. His Munnings is by turns charming, brash, and brooding, the kind of person who has been told all of their life that they are special, and believes it. He even manages to give the character some depth, and even though he and Browning have very little chemistry, he manages to convey a genuine affection for her. It’s a shame that Munnings becomes such a deeply unlikable character, because Cooper is the only thing giving Summer in February a jolt of life – even if it comes via bursts of thinly-explained hostility. It's hard to watch just how hard he's working to connect with his co-stars and add some excitement to a lifeless script and not wish that he had a better film to show off his talents in.
Unfortunately, by the time Florence and Gilbert are finally spurred into activity, the film has dragged on for so long that you’re no longer invested in the characters, their pain, or their love story, even if you want to be. Which is the real disappointment of Summer in February; underneath the stalled plot and the relatively one-note acting, there are glimmers of a fascinating and compelling story that’s never allowed to come to the forefront.
Paramount via Everett Collection
So the holiday season isn't over, but you've already exhausted your holiday entertainment library. What to do? First, watch Love Actually a second time. (Hugh Grant and the Pointer Sisters, guys.) Then turn to these regular old movies that just happen to host some of the best Christmas scenes in film. Finally, congratulate yourself for being so gosh darn resourceful.
The guys show up to a post-heist Christmas party with new coupes and gals draped in furs. Jimmy is not pleased. "Are you stupid or somethin'? What's the matter with you?" Sounds like the holidays to us.
The Cutting Edge
The deliciously '90s and saxophone-drenched New Year's Eve scene may be flashier, but we prefer this understated gift exchange between the figure skater and the hockey player. Kate, because she's insufferable, gives Doug an unwieldy copy of Great Expectations. Doug, because he's falling in love with her anyway, gives her his lucky jersey.
Featuring Christan Bale in novelty reindeer antlers; a pot-bellied pig named Snowball; and a very PC Reese Witherspoon telling everyone to have a "Merry X-Mas!"
The Plastics perform a sexy dance for their school's holiday show; Amy Poehler still manages to steal the scene.
Harry Potter and the Sorcerer's Stone
Who wouldn't want to pull on a Weasley sweater and spend Christmas at Hogwarts? The Great Hall looks even more magical than usual and a festive John Williams score follows everyone around. Plus, Harry getting his very first presents from his new friends gets us every time.
Not a scene, perhaps, but we can't snub a cameo by Peter Jackson as a demented Father Christmas.
Life of Brian
Brian is just Brian, so this scene may not actually count as a Christmas one. But the Monty Python classic is one of the most hilarious movies of all time, so we actually may not care.
Lady and the Tramp