After posting about the recent poster and trailer for Steven Spielberg's upcoming historical epic War Horse, a reader messaged me, asking, "I didn't like Black Beauty, so why would I like this?"
For all intensive purposes, the man was right—both movies do involve horses, after all—but my defense was simple: It's Steven Spielberg.
People get on Spielberg's case for skewing on the side of sentimentality, but frankly, I look to him for a sizable injection of inspiration and heartwarming drama—but you can never fully anticipate what the master director is capable of. He's the man behind the impactful-but-sweet Schindler's List and Saving Private Ryan, but he's also the guy who made Munich. Don't doubt his dark side and I imagine that underneath the new War Horse trailer's powerful (horse)ride is a stark underbelly.
So rest assured that War Horse will be one to catch when it gallops on in to theaters. The movie, starring Jeremy Irvine, Emily Watson, David Thewlis, Tom Hiddleston, Benedict Cumbrebatch and more arrives December 25.
After garnering widespread praise (and an Oscar nomination for screenwriting) for his 2000 directorial debut You Can Count on Me Kenneth Lonergan was in-demand. In September 2005 the writer/director began production on a follow-up feature: Margaret which touted Anna Paquin Matt Damon Mark Ruffalo Matthew Broderick Allison Janney as well as legendary filmmakers Sydney Pollack and Anthony Minghella (The English Patient) as producers. The movie wrapped production in a few months time. The buzz was already growing.
Now six years later the movie is finally hitting theaters. So…what took so long?
The journey to this point hasn't been an easy one and it shows. If a film's shot footage is a block of granite and the editing process is the careful carving that turns it into a statuesque work of art Margaret feels like it was attacked by a blind man with a jackhammer. The film is a cinematic disaster a mishmash of shallow characters overwrought politics and sporadic tones. The story follows Lisa Coen (Paquin) a New York teenager who finds herself drowning in chaos after distracting a bus driver (Ruffalo) causing him to hit and kill a pedestrian (Janney). Initially Lisa tells the police it was all an accident but as time passes regret takes hold and the girl embarks on a mission to take down the man she now regards as a culprit. That's just the tip of the iceberg–along the way Lisa deals with everyday teen stuff: falling for her geometry teacher (Damon) combating her anxiety-ridden actress mother losing her virginity dabbling in drugs debating 9/11 and the Iraq War cultivating a relationship with her father in LA and more. There are about eight seasons of television stuffed into Margaret but even a two and a half hour run time can't make it all click.
For more on Margaret check out Indie Seen: Margaret the Long Lost Anna Paquin/Matt Damon Movie
There were plenty of reasons I was excited for Harry Potter and the Deathly Hallows - Part 2—the epic Hogwarts battle, the final showdown between Harry and Voldemort, the infamous epilogue sequence. But after a decade of following the characters I loved to the franchise's grand finale, I'd be kidding my romantic side if I left out the anticipation of witnessing Ron and Hermione profess their love for one another. And director David Yates nails it: after the strenuous task of destroying a horcrux with a Basilisk fang, the flirty duo finally lock lips—then run straight into battle. I can't imagine I'm alone here, but my midnight screening crowd went wild.
But like all great cinematic moments, it wasn't as easy to pull off as it looked. A neat little featurette from the upcoming Deathly Hallows - Part 2 Blu-ray reveals that Rupert Grint and Emma Watson had plenty of nerves to overcome in order to make the kiss as authentic and spontaneous as it looks on screen. As Yates puts it, "they're like brother and sister."
Take a look at the making of and look out for the Harry Potter and the Deathly Hallows - Part 2 Blu when it hits shelves November 11.
You can contact Matt Patches directly on Twitter @misterpatches and remember to follow@Hollywood_com!
"I met Matt Damon and it was ridiculous. I've met people more famous than he is and been fine. But with him I got all giggly and went red with embarrassment." Harry Potter actress Emma Watson was star-struck when she met Matt Damon.
Emma Watson, Harry Potter's resident lady friend, may be headed back to the real world for her upcoming Perks of Being a Wallflower, but that doesn't mean she's given up fantasy forever. According to Crazy, Stupid, Love producer Denise Di Novi (during an interview with ComingSoon), the actress is lined up to star in a retelling of Beauty and the Beast with go-to otherworldly director Guillermo del Toro (Pan's Labyrinth, upcoming Pacific Rim) involved. I'm running under the assumption she's not playing the beast.
Del Toro adds the movie to an ever-growing list of potential projects — so don't expect the live-action fairy tale to be right around the corner. But let's hope dreams do come true: Beauty and the Beast could be the perfect project for post-Potter Watson. A big budget spectacle combined with a lead female performance might be exactly what she needs to keep her head above the water in a sea full of up-and-coming starlets. Either she's going to follow in Natalie Portman's footsteps or fade into obscurity. Beauty and the Beast is a step in the right direction.
Previously on Harry Potter: Big bad Voldemort steals the Elder Wand from Dumbledore's grave while Harry mourns the loss of his wee elf friend Dobby and begins his search for the remaining Horcruxes.
If that recap leaves you with hazy memories of last year's Deathly Hallows - Part 1 you may want to pop in the DVD before taking on the Harry Potter franchise's grand finale Deathly Hallows - Part 2. The eighth film in the series doesn't pull any punches demanding your knowledge of the saga's previous events and crescendoing off a foundation of character and connection built over a decade of cinematic excursions. That's not a fault -- Deathly Hallows - Part 2 serves hardcore fans and dedicated patrons of the franchise alike bouncing elegantly back and forth between explosive action and emotional conclusions. At this point that's what matters.
Whereas Deathly Hallows - Part 1 took Harry Hermione and Ron on a gritty race through the real world Part 2 brings the trio back to their home base Hogwarts School of Magic and Child Death where their colleagues and professors find themselves defending it against the empowered Voldemort and his band of Death Eaters. Similarly to Transformers: Dark of the Moon Deathly Hallows - Part 2 spends most of its run time following various established characters as they navigate the epic battle. Unlike the clunky erratic action of TF3 director David Yates manages to execute the sequences in Potter with bravado making sure we give a damn every time Potter discovers a secret from the past blows a Death Eater out a window or glances upon one of his closest friends lying dead on the floor.
For all its otherworldliness Potter is and always has been a human story one that puts its characters before spectacle. But when Yates and his team of FX wizards do unleash their bag of spells on the screen they do it with a very BIG bang. Deathly Hallows - Part 2's scope is on par with the Lord of the Rings trilogy bringing everything from trolls to spiders to animate statues into the wizards' massive assault. The franchise hasn't seen action on this scale before but Yates never misses a beat or opportunity to dazzle with visual eye candy. Turning the crumbling of Hogwarts castle into a riveting poignant experience -- true magic.
Once again Daniel Radcliffe Emma Watson Rupert Grint and a cast of veteran British thespians deliver the necessary gravitas to anchor Potter's fantastical elements in reality. With everything finally on the line in Deathly Hallows - Part 2 each performance is at its best and Radcliffe steps up to the plate to make his final showdown with Voldemort one to remember. He spends most of the movie covered in dirt encrusted blood on his face and a harrowing sense of death behind his eyes. Heavy material but Radcliffe pulls it off.
Few franchises have the chance that Harry Potter has been fortunate enough to receive to follow the same familiar faces through years of ever-complicating story. Thankfully Deathly Hallows - Part 2 doesn't squander the opportunity. The saga swells with a triumphant final act one that never forgets why people love the movies in the first place. The adventure the awe the comedy the thrills the people the places the things -- those are the elements that make Harry Potter grand and they return in perfect form once more to say good-bye.
At some point in the early years of the 21st century a bunch of Hollywood executives must have gotten together and decided that animated films should be made for all audiences. The goal was perhaps to make movies that are simultaneously accessible to the older and younger sets with colorful imagery that one expects from children’s films and two levels of humor: one that’s quite literal and harmless and another that’s somewhat subversive. The criteria has resulted in cross-generational hits like Wall-E and Madagascar and though it’s nice to be able to take my nephew to the movies and be as entertained by cartoon characters as he is I can’t help but wonder what happened to unabashedly innocent animated classics like A Goofy Movie and The Land Before Time?
Disney’s Winnie The Pooh is the answer to the Shrek’s and Hoodwinked!’s of the world: a short sweet simple and lighthearted tale of friendship that doesn’t need pop-culture references or snarky dialogue to put a smile on your face. Directors Stephen J. Anderson and Don Hall found some fresh ways to deliver adorable animation while keeping the carefree spirit of A.A. Milne’s source material in tact. Their story isn’t the most original; the first part of the film finds Pooh Piglet Tigger and Owl searching for Eeyore’s tail (a common plot point in the books and past Pooh films) and hits all the predictable notes but the second half mixes things up a bit as the crew searches for a missing Christopher Robin whom they believe has been kidnapped by a forest creature known as the “Backson” (it’s really just the result of the illiterate Owl or is it?).
The beauty of hand-drawn animation all but forgotten until recently is what makes Winnie the Pooh so incredibly magnetic. There’s an inexplicable crispness to the colors and characters that CG just can’t duplicate. It’s a more personal practice for the filmmakers and should provide a refreshing experience for audiences who have become jaded with the pristine presentation of computerized imagery. The film is bookended by brief live-action shots from inside Robin’s room an interesting dynamic that plays up the simplicity of youth ties it to these beloved characters and brings you right back to memories of your own childhood.
With a just-over-an-hour run time Winnie the Pooh is short enough to hold the attention of children but won’t bore the parents who will love the film mainly for nostalgic musings. Still it’s the young’uns who will most enjoy this breezy bright and enchanting film that proves old-school characters can appeal to new moviegoers.
What is an ensemble cast? How many actors constitute one? There aren’t any guidelines that determine what qualifies as a true ensemble, but if anyone can offer some insight it would be Woody Allen, who has been getting great groups of actors together for decades now. From Manhattan and Hannah and Her Sisters to Melinda and Melinda and You Will Meet A Tall Dark Stranger, he’s always had a keen eye for casting and the stars continue to line up to work with the iconic auteur.
With the home entertainment release of his latest, fore mentioned film at hand, I thought it’d be apt to honor some of the coolest ensemble casts ever assembled. Keep in mind: this isn’t a list of the best films featuring an ensemble cast. It’s about the best rosters of talent roped in for a single production.
This under-appreciated Tony Scott action spectacle was polarizing to audiences because of its ultra-violent approach, particularly toward women. But Patricia Arquette proved herself to be one tough chick, able to take a beating a give it back in equal measure. Together with her beau-to-be Christian Slater, she embarks on an odyssey to free herself from pimp Gary Oldman and, later, his criminal overlord Christopher Walken, all while L.A. detectives Tom Sizemore and Chris Penn are hot on the trail of drugs and blood. With bonus appearances by Dennis Hopper, Val Kilmer, Brad Pitt, James Gandolfini, Michael Rapaport and more, True Romance is a twisted web of cameos and special roles filled by some of the coolest actors of the time.
The Thin Red Line
WWII films have a long history of stellar casts comprised of legions of screen legends. This 1998 genre entry continues that grand tradition with enough A-listers to make five separate movies. George Clooney, Sean Penn, Nick Nolte, Adrien Brody, Miranda Otto, John Cusack, John C. Reilly, Woody Harrelson, John Travolta, Nick Stahl, Elias Koteas and Jim Caviezel all appear in the prestigious picture at one point or another – a logistic achievement in and of itself.
This sweet rom-com gets me every time. Not just because of the cheerful dialogue and warm and fuzzy relationships, but also because of the charming cast of characters played by Hugh Grant, Emma Thompson, Alan Rickman, Laura Linney, Liam Neeson, Keira Knightley, Billy Bob Thornton, Martin Freeman, January Jones, Elisha Cuthbert, Rodrigo Santoro, Shannon Elizabeth, Andrew Lincoln, Denise Richards and the adorable Thomas Sangster. Together, there are around eight revolving, relatable romances in the film, but we wouldn’t have cared about any of them if not for the lovable cast.
In telling this sprawling tale about the intersecting lives of a handful of Angelenos, director Paul Haggis needed an international cast to represent the diverse population of the City of Angels. He got it with Don Cheadle, Sandra Bullock, Jennifer Esposito, Shaun Toub, Daniel Dae Kim, Matt Dillon, Loretta Devine, Brendan Fraser, Terrence Howard, Keith David, Ryan Phillippe, Michael Pena, Tony Danza and Thandie Newton. Though Dillon was the only actor recognized by the Academy at awards time, the triumph of the film belongs to its eclectic cast.
The Magnificent Seven
Akira Kurasawa’s epic Seven Samurai was practically begging for a Hollywood adaptation when it was released in 1954. By 1960, director John Sturges had made it a reality with a pack of screen idols including the dashing Yul Brynner, the inimitable Eli Wallach, the ultra-cool Steve McQueen, the bad-ass Charles Bronson, the slick Robert Vaughn, the cool James Coburn and the “newbie” Horst Buchholz. The septuplet of stars had a great deal of chemistry that made their on-screen antics all the more enjoyable to watch, and fifty years later their work on this classic film has become the stuff of movie mythology.
The star power packed into these popular motion pictures is astonishing. With Hollywood heavyweights like George Clooney, Matt Damon and Brad Pitt leading an army of talent - young and old - including Don Cheadle, Scott Caan, Bernie Mac, Andy Garcia, Carl Reiner, Eddie Jemison, Elliot Gould, Casey Affleck and Julia Roberts, there's no shortage of charisma throughout the film. You may be wondering why I chose Oceans Twelve over the 2001 remake of the 1960 original; it's because this hit heist pic also features the likes of Catherine Zeta-Jones, Albert Finney, Robbie Coltrane, Jared Harris, Vincent Cassel and Bruce Willis in appearances big and small. Not too shabby for a sequel...
Forget the awful 2008 remake. I implore you to give the original a chance. It’s a virtual who’s who of top Hollywood talent of the era. The premise is simple by today’s standards, but in 1939 its empowering themes were ahead of its time. Some of best actresses to ever grace the silver screen, including Norma Shearer, Joan Crawford, Joan Fontaine, Rosalind Russell, Paulette Goddard, Lucile Watson and Marjorie Main delivered the message. All of the above are Oscar winners or nominees, making this cast of female performers one of the most celebrated of all time.
I’m not sure if Francis Ford Coppola knew what he was onto when he picked his rag-tag group of actors for this kick-ass 1983 film. After all, most of the actors were relatively unknown and untested at the time (save for C. Thomas Howell, who had just starred in Steven Spielberg's E.T.), but that quickly changed in the years following its release. Patrick Swayze, Emilio Estevez, Matt Dillon, Ralph Macchio, Rob Lowe, Diane Lane and Tom Cruise all appeared in the acclaimed teen drama, leaving behind one hell of a legacy.
The 20 year old, who found fame as a child in the Harry Potter franchise, often meets acting icons on the red carpet and at award ceremonies.
Watson admits her encounter with Damon was a highlight for her - but she found herself lost for words when she came face-to-face with the Invictus star.
She tells Britain's Celebs on Sunday magazine, "It's always the weirdest people, like I got really starstruck when I met Matt Damon. I literally couldn't speak, I went bright red.
"You go to these events, and even if you've never met the other person before, they're like, 'Can we get a picture of you two together?' I'm like, 'I don't even know who this person is!' So they push you into a photo together. I just get really giggly and embarrassed. He so knew I was really embarrassed."
The former Carry On star, who recently quit her longrunning role in hit Brit drama EastEnders after 16 years, was handed the trophy for her hugely successful career.
The Best Entertainment award was handed to Simon Cowell's TV show The X Factor, while new Doctor Who Matt Smith was the winner of the Inspirational Young Talent prize.
Father-and-daughter stars Ray and Jaime Winstone were both winners - the hardman won Film Actor of the Year and his daughter picked up the Outstanding British Film Award for Made In Dagenham.
Rap trio N-Dubz took home the Recording Artist of the Year award during the ceremony at London's Grosvenor House Hotel, while Russell Watson picked up the classical prize.