United Artists via Everett Collection
It all starts with a mullet and an attitude. By the time that Patrick Swayze appeared as the legendary bouncer (or cooler) Dalton in 1989's Road House, he was two years removed from his star making turn in Dirty Dancing. Audiences already knew that he could dance, but nobody knew that he could rip a guy's throat out with his bare hands.
In the 25 years since its release, Road House has become a cult classic, both for its over-the-top fight scenes and Swayze's mock-philosophical dialogue and awesome hair. With its frequent appearances on cable television, it's never out of sight for very long, but we've compiled some fun facts to help you enjoy the greatest bad movie ever the next time you find yourself drawn in by the majesty of Swayze. Just remember the immortal words of Dalton: "I want you to be nice, until it's time not to be nice."
1. Although the film is set in the town of Jasper, Missouri, the exterior of the film's infamous bar The Double Deuce was built strictly for the filming on location in California and then was torn down. Some of the interiors were shot, however, in a real bar in Anaheim that has since closed.
2. Screenwriter David Lee Henry has said that Dalton was named after the town of Dalton, Georgia. He stopped at a bar there during a road trip and it ended up serving in part as the inspiration for his script.
3. Dalton is shown reading Jim Harrison's Legends of the Fall, which is the basis for the 1994 Brad Pitt-Anthony Hopkins movie of the same name.
4. Movie trailers frequently feature parts that are subsequently cut before a film is released, but Road House has the unofficial record for the most occurrences of deleted scenes. The original trailer had at least five different clips that don't appear in the finished version.
5. The Jeff Healey Band, which serves as the house band of The Double Deuce, had their biggest hit "Angel Eyes" on the charts while Road House was still in theaters, but the song isn't from the movie. Healey, the blind Canadian guitarist, and his group recorded their album See the Light concurrently with the movie soundtrack.
6. In a sad coincidence, both Swayze and Ben Gazzara, who played Dalton's nemesis Brad Wesley, both died of pancreatic cancer… Swayze in 2009 and Gazzara in 2012.
7. As awesome as Swayze's mullet was, the actor himself didn't like it. In the book One Last Dance, Swayze's biographer Wendy Leigh quoted the actor as calling the Road House hair style the "bane of my existence."
8. Red West, who played the owner of the auto parts store (also named Red), was a high school friend of Elvis Presley. West was a charter member of Presley's "Memphis Mafia" and functioned as one of the singer's bodyguards into the 1970s.
9. Even though Dalton famously says that "Pain don't hurt," the axiom didn't apply to Swayze. Among the various ways he was banged up during shooting was when Marshall Teague, who played Jimmy (the bad guy who gets his throat ripped out), hit Swayze with what he thought was a prop log... only to find out that it was actual hard wood.
10. One of the fired bartenders from The Double Deuce was played by John Doe, better known to music fans as the founder of the punk band X.
11. Kevin Tighe, who played Dalton's boss, bar owner Frank Tilghman, was better known for his work on television. He was one of the stars of the '70s hit Emergency! and later played Locke's father on Lost.
12. Even though Swayze is shown practicing t'ai chi, Dalton never actually uses that particular style of martial arts in the movie's fight scenes. Instead he uses moves from various sources, including the Korean discipline of hapkido.
13. Annette Bening was originally cast as "Doc," the ER doctor played by Kelly Lynch.
14. Lynch said in an interview with The AV Club that Bill Murray and his brothers like to call her husband, screenwriter Mitch Glazer (Scrooged), every time that they see Road House on TV to remind him about her steamy sex scenes with Swayze.
15. Lynch reportedly spent a month hanging around a real emergency room to prepare for her role. She learned the proper way to sew a medical stitch… but then the script was changed so that she never got to showcase her new skill.
16. Dalton had a thing for Buicks. Before he leaves for Missouri the "beater" car that he drives to protect his prized Mercedes is a 1964 Buick Riviera. Once he gets to Jasper, he buys the 1965 edition of the same car model.
17. Just as he had with Dirty Dancing, Swayze sings on the soundtrack and his song "Cliff's Edge" is heard on a radio in the film.
18. The Otis Redding song "These Arms of Mine" is used during one of the love scenes between Swayze and Lynch. In Dirty Dancing, the same song is used during the initial love scene between Swayze and Jennifer Grey.
19. Kitschy stage director Timothy Haskell did an off-Broadway retelling of Road House in 2003 titled Road House: The Stage Version of the Cinema Classic That Starred Patrick Swayze Except This One Stars Taimak from the '80s Cult Classic 'The Last Dragon' Wearing a Blonde Mullet Wig.Try saying that three times fast.
20. Road House has been a running gag on both Mystery Science Theater 3000, where it was Crow's favorite movie, and in Family Guy, where Peter punctuates every fight by name-checking the film. Not to be outdone, teammates of Cincinnati Bengals' quarterback Andy Dalton call him "Road House" thanks to his surname.
The genesis of Universal's 47 Ronin is almost as tragic as the actual history that the movie is culling from. As the story goes, Universal saw the sprigs of talent sprouting from fresh faced director Carl Rinsch, whose previous experience was limited to just a couple of commercials and a nifty short film. The studio decided to ease the new director into feature filmmaking by cutting him what amounts to virtually a blank check, and giving him charge over a multi-national samurai fantasy epic. Almost impossibly, the film isn't a complete disaster. It's just a minor one.
47 Ronin follows the classic story of the titular team of warriors, a group of disgraced samurai who band together to seek revenge against a merciless warlord that betrayed and killed their master. But this isn't your grandfather's version of the story. 47 Ronin is an international affair, and it's covered with a veneer of Japanese mysticism and a thick coating of Hollywood lacquer, but east meets west rather uncomfortably, and it's mostly due to Keanu Reeves. Reeves' character is clearly crowbarred into the story that has no room for him, and it's plainly obvious where the seams of the story were stretched in order to patch him into the narrative. Reeves plays Kai, a half Japanese, half English orphan who is adopted by the samurai clan. His character serves no real purpose beyond being white, slicing things until they die, and playing the male lead of the most superfluous love story of the year. Rinsch simply can't make the inclusion of the character feel organic in any way, and "Kai" ends up feeling like a calculated studio move. It's a shame that the film spends so much time on Reeves when the real star is clearly Hiroyuki Sanada, who plays off the stoic samurai most believably among the rest of the cast.
It's also shame that with all the mysticism pumped into the story, there's no magic in the actual center of the film, the ronin themselves. The only personality trait a samurai is allowed to possess seems to be unerring stoicism, and between all 47 ronin, there are probably only three distinct samurai with any discernible character traits beyond an intense need to brood, and you'll probably only remember those three by the time the credits roll, only to promptly forget about them only a few hours later. Thankfully, Rinko Kikuchi's slinky and treacherous witch adds some much needed camp and personality to the mostly forgettable human characters.
And that's the issue with 47 Ronin. It's largely forgettable. When your film takes on a historical legend like the tale of the 47 ronin, a story that has been told and told again ad nauseum over the years, you really need to justify your own version. There are reels and reels of film dedicated to this story, and 47 Ronin doesn't manage to add anything significant to the canon. It promises to weld myth and history together, but does so clumsily, and while some of the action scenes are exciting, especially a particularly inspired set piece that involves the ronin noiselessly breaking into a heavily guarded fortress, the film is a bore when it's not clanking swords together.
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47 Ronin is a film with many stories. As much as it is a tale about the revenge of four dozen masterless samurai, it's also the tale of an inexperienced filmmaker swallowed up by the enormity of blockbuster filmmaking. Most of all though, It's proof that you shouldn't cram Keanu Reeves into a movie that doesn't really need Keanu Reeves. What you're left with is a dull and bloated samurai epic that has its moments, but feels largely unnecessary.
The Amazing Spider-Man would prefer if you didn't call it the fourth Spider-Man movie. See this ain't the Spider-Man your older brother knew from ten years ago — it's a reboot. The latest adventure to feature the comic book webslinger throws three movies worth of established mythology straight out the window swapping the original cast with an ensemble of fresh faces and resetting the franchise with a spiffy new origin story. "New" in the loosest sense of the word — the highlights of ASM mainly a sleek new design and spunky reinterpretation of Peter Parker (Andrew Garfield) and gal pal Gwen Stacey (Emma Stone) are weighed down by overpowering sense of familiarity. Nearly a beat for beat replica of the 2002 original with some irksome twists of mystery thrown in Amazing Spider-Man fails to evolve its hero or his quarrels. The film has a great sense of cinematic power but little responsibility in making it interesting.
We're first introduced to Peter Parker as a young boy watching as his parents rush out of the house in response to a hidden danger. Mr. and Mrs. Parker leave their son in the care of his Aunt May (Sally Fields) and Uncle Ben (Martin Sheen) who raise him into Andrew Garfield's geeky cool spin on the character. Parker's a science whiz but faces the challenges of every day life — passing classes talking to girls the occasional jock with aggression issues — but all of life's woes are put on hold when the teen discovers a new clue in the mystery behind his parents' disappearance. The discovery of his dad's old briefcase and notes leads Peter to Dr. Curt Connors (Rhys Ifans) a scientist working for mega-conglomerate Oscorp and his Dad's old partner. When they cross paths Connors instantly takes a liking to the wunderkind and loops him into the work he started with his father: replicating the regeneration abilities of lizards in amputee humans (Connors is driven to reform his own missing arm). But when Parker wanders into Oscorp's room full of spiders (a sloppily explained this-needs-to-be-here-for-this-to-happen device) he receives his legendary spider bite that transforms him into the hero we know.
Director Marc Webb (500 Days of Summer) desperately wants Amazing Spider-Man to work as a high school relationship movie but with the burden of massive amounts of plot and mythology to introduce the movie sags under the sheer volume of stuff. Stone turns Parker's object of affection Gwen Stacey into a three-dimensional character. Whenever they happen upon each other an awkward exchange in the hallway a flirtatious back-and-forth in the Oscorp lab (where Stacey is head…intern) or when the two finally begin a romantic relationship the two stars shine. They're vivid characters chopped to bits in the editing room diluted by boring franchise-building plot threads and routine action sequences. Seriously Amazing Spider-Man another mad scientist villain who uses himself as a test subject only to become a monster? And another bridge rescue scene? Amazing Spider-Man desperately wants to disconnect from the original trilogy but it's trapped in an inescapable shadow and does nothing radical to shake things up. Instead it settles for the same old same old while preparing for inevitable sequels instead of investing in its dynamic duo.
There's a sweet spot where the film really hits his stride. After discovering his spider-abilities Peter hits the streets for the first time. He's superhuman but still a headstrong teen full of obnoxious quips and close calls with shiv-wielding thugs. The action is slick small and playful Webb showing us something new by melding his indie sensibilities with big scale action. If only it lasted — the introduction of Ifans reptilian half The Lizard implodes Amazing Spider-Man into incomprehensible blockbuster chaos. A gargantuan beast wreaking havoc around New York City promises King Kong-like escapades for the friendly neighborhood Spider-Man but the lizard man has other plans: to rule the world! Or something. Whatever it takes to get Lizard and Spider-Man fighting on the top of a skyscraper over a doomsday machine — logic be damned.
Amazing Spider-Man peppers its banal foundation with great talent from Denis Leary as Gwen's wickedly funny dad and the police captain hunting down Spider-Man to Fields and Sheen as two loving adults in Peter's life to Garfield and Stone whose chemistry demands a follow-up for the sake of seeing them reunited. But it's all at the cost of putting on the most expensive recreation of all time with new demands imposed by the success Marvel's other properties (except that franchise teasing worked). Amazing Spider-Man introduces too many ideas that go nowhere undermining the actual threat at hand. No one wants to be unfulfilled but that's the overriding difference between the original movie and the update. You need to pay for the sequel to know what the heck is going on in this one.
NBC recently announced its lineup of shows for the 2012-2013 season, and now ABC is unveiling its nine new shows getting the green light. The shows, which are set to air on the Walt Disney Company's network, include everything from a comedy starring Reba McEntire to a drama series from The Shield's Shawn Ryan. Here is a rundown of what you can expect.
Malibu Country Starring Reba McEntire
Sounding very similar to her 2001 CW series, Reba, Malibu Country stars Reba McEntire who is left to raise her kids after her husband turns out to be cheating on her. In the ABC comedy, she leaves behind her hometown of Nashville and takes her kids and her mom, played by Lily Tomlin, to California where she will attempt to resurrect her signing career. McEntire is executive producer of the series which also features Sara Rue, Julietta Angelo, Justin Prentice, Jai Rodriguez, and Owen Teague.
Last Resort Starring Andre Braugher
From The Shield's Shawn Ryan comes a nuclear drama series about a U.S. submarine crew who are on the run after refusing orders to launch their missiles. The team takes refuge on an island where they try to declare themselves as a nuclear nation. Felicity's Scott Speedman, Autumn Reeser, Daisy Betts, and Daniel Lissing also star.
How to Live With Your Parents for the Rest of Your Life Starring Sarah Chalke
In a show that should have been called TMI, Sarah Chalke plays the lead in the comedy about a recently divorced single mom who moves back home to live with her mother and father — two people who don't know the definition of the word boundaries. The series is based on the life of creator Claudia Lonow (of Accidentally on Purpose) and features Elizabeth Perkins and Brad Garrett as Polly's parents.
Nashville Starring Connie Britton
Not to be confused with Malibu Country, this hour-long series centers on Connie Britton, who plays a Nashville music star whose career is on the decline, and Heroes' Hayden Panettiere as an up-and-coming singer. The two battle it out on and off the stage in a series of schemes and backstabbing so cruel it would make Taylor Swift cry. Eric Close, Powers Boothe, Jonathan Jackson, Robert Wisdom, Sam Palladio, Charles Esten, and Clare Bowen also star.
Family Tools Starring Kyle Bornheimer
In Family Tools (previously Comeback Jack, Red Van Man, White Van Man) Kyle Bornheimer plays Jack Shea, the unluckiest guy you'll ever meet. After a string of failed careers — he left the Army after accidentally shooting someone, and left the Police Academy after accidentally shooting himself — Shea heads home to take over the family handyman business after his dad is diagnosed with a heart condition and forced to hang up his tool belt. Offering advice from a safe distance is his Aunt Terry (played by Leah Remini). The ensemble comedy is from Bobby Bowman (Raising Hope, My Name Is Earl, Year Dear, Family Guy) and Mark Gordon (Grey's Anatomy, Criminal Minds).
Zero Hour Starring Anthony Edwards
ER's Anthony Edwards returns to the small screen to star as Hank Foley in this thrilling series. He plays a man who spent 20 years solving conspiracies as the editor of Modern Skeptic magazine, only to find himself in the middle of one of the most intriguing conspiracies in human history. His wife — who gets the drama started when she is kidnapped from her antique clock shop — is played by The Real World's Jacinda Barrett.
666 Park Ave.
Based on the book by Gabriella Pierce, this sci-fi drama takes place in an apartment building most New Yorkers would die for. Though careful what you wish for. This Upper East Side building features a string of real-life characters, played by Dave Annable, Rachael Taylor, Lost's Terry O'Quinn, and Vanessa Williams — as well as a cast of supernatural forces, which endanger the lives of everyone in the building. This sure-to-scare series is from Alloy Entertainment (The Vampire Diaries, Pretty Little Liars, Gossip Girl).
In a new twist on The Sopranos, Red Widow (previously Penoza) features an ordinary California housewife (played by Radha Mitchell) who enters the family business of organized crime after her husband is brutally assassinated. No longer able to deny what her family does for a living, she delves head-first into the risky business in order to protect her family. The hour-long thriller is penned by Melissa Rosenberg, screenwriter of the Twilight franchise.
Everyone's neighbors are a little weird, but the residents of this gated New Jersey community are out of this world. Literally. When the Weavers (played by Jami Gertz and Lenny Venito) move their three kids to an exclusive part of town, they quickly realize that their fellow residents are actually aliens. This new comedy costars Isabella Cramp, Clara Mamet, and Max Charles.
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Photo Credit: WENN.com
This was no college like I ever attended! Take three typical high-school seniors--the nerd (Kevin Covais) the good-looking Regular Guy (Drake Bell) and the hell-for-leather go-for-broke Horny Fat Guy (Andy Caldwell)--and let them loose during freshman orientation at fictional Fieldmont University. Just add beer marijuana and wild sex and you’ve got what may well be a new Frat House Classic one that adheres studiously to the tenets of the teen-comedy genre which also includes defying authority and destruction of public property. When it comes to the so-called “guilty pleasures” of 2008 this makes the Dean’s List. Like any good college hangover you’ll hate yourself in the morning--but you’ll still be laughing. Credit an enthusiastic cast and a refreshing (but quite appropriate) disregard for the rules. Drake Bell (of Nickelodeon’s Drake and Josh fame) who looks far too old to be contemplating a college career is ostensibly the leading man here. Yet the principal selling point of the film is the onscreen camaraderie between he and co-stars Caldwell who plays it full-tilt a la John Belushi and Chris Farley (and that is meant as a compliment) but holds back enough when the ensemble demands require and Covais who all but steals the film with a smart shrewd take on the big-screen geek. A good deal of the film’s energy can be traced directly to them. The whole show is the three boys and they have a great easy rapport that transcends many of the worst trappings of a film like this. They feel like friends and that goes a very long way in a film that in some ways doesn’t deserve so rich an effort but benefits from it nonetheless. College marks the feature debut of director Deb Hagan who manages at times to give the film a fresh visual perspective while maintaining a relaxed but steady momentum. College is neither original nor good but it is enjoyable (far more so than would be expected) and it is fast-paced. It also delivers exactly what it promises. If it’s bang for the buck you want it’s bang for the buck you got when you enroll in College.