Theatrics slapstick and cheer are cinematic qualities you rarely find outside the realm of animation. Disney perfected it with their pantheon of cartoon classics mixing music humor spectacle and light-hearted drama that swept up children while still capturing the imaginations and hearts of their parents. But these days even reinterpretations of fairy tales get the gritty make-over leaving little room for silliness and unfiltered glee. Emerging through that dark cloud is Mirror Mirror a film that achieves every bit of imagination crafted by its two-dimensional predecessors and then some. Under the eye of master visualist Tarsem Singh (The Fall Immortals) Mirror Mirror's heightened realism imbues it with the power to pull off anything — and the movie never skimps on the anything.
Like its animated counterparts Mirror Mirror stays faithful to its source material but twists it just enough to feel unique. When Snow White (Lily Collins) was a little girl her father the King ventured into a nearby dark forest to do battle with an evil creature and was never seen or heard from again. The kingdom was inherited by The Queen (Julia Roberts) Snow's evil stepmother and the fair-skinned beauty lived locked up in the castle until her 18th birthday. Grown up and tired of her wicked parental substitute White sneaks out of the castle to the village for the first time. There she witnesses the economic horrors The Queen has imposed upon the people of her land all to fuel her expensive beautification. Along the way Snow also meets Prince Alcott (Armie Hammer) who is suffering from his own money troubles — mainly being robbed by a band of stilt-wearing dwarves. When the Queen catches wind of the secret excursion she casts Snow out of the castle to be murdered by her assistant Brighton (Nathan Lane).
Fairy tales take flack for rejecting the idea of women being capable but even with its flighty presentation and dedication to the old school Disney method Mirror Mirror empowers its Snow White in a genuine way thanks to Collins' snappy charming performance. After being set free by Brighton Snow crosses paths with the thieving dwarves and quickly takes a role on their pilfering team (which she helps turn in to a Robin Hooding business). Tarsem wisely mines a spectrum of personalities out of the seven dwarves instead of simply playing them for one note comedy. Sure there's plenty of slapstick and pun humor (purposefully and wonderfully corny) but each member of the septet stands out as a warm compassionate companion to Snow even in the fantasy world.
Mirror Mirror is richly designed and executed in true Tarsem-fashion with breathtaking costumes (everything from ball gowns to the dwarf expando-stilts to ridiculous pirate ship hats with working canons) whimsical sets and a pitch-perfect score by Disney-mainstay Alan Menken. The world is a storybook and even its monsters look like illustrations rather than photo-real creations. But what makes it all click is the actors. Collins holds her own against the legendary Julia Roberts who relishes in the fun she's having playing someone despicable. She delivers every word with playful bite and her rapport with Lane is off-the-wall fun. Armie Hammer riffs on his own Prince Charming physique as Alcott. The only real misgiving of the film is the undercooked relationship between him and Snow. We know they'll get together but the journey's half the fun and Mirror Mirror serves that portion undercooked.
Children will swoon for Mirror Mirror but there's plenty here for adults — dialogue peppered with sharp wisecracks and a visual style ripped from an elegant tapestry. The movie wears its heart on its sleeve and rarely do we get a picture where both the heart and the sleeve feel truly magical.
Last year director Garry Marshall hit upon a devilishly canny approach to the romantic comedy. A more polished refinement of Hal Needham’s experimental Cannonball Run method it called for assembling a gaggle of famous faces from across the demographic spectrum and pairing them with a shallow day-in-the-life narrative packed with gobs of gooey sentiment. A cynical strategy to be sure but one that paid handsome dividends: Valentine’s Day earned over $56 million in its opening weekend surpassing even the rosiest of forecasts. Buoyed by the success Marshall and his screenwriter Katherine Fugate hastily retreated to the bowels of Hades to apply their lucrative formula to another holiday historically steeped in romantic significance and New Year’s Eve was born.
Set in Manhattan on the last day of the year New Year’s Eve crams together a dozen or so canned scenarios into one bloated barely coherent mass of cliches. As before Marshall’s recruited an impressive ensemble of minions to do his unholy bidding including Oscar winners Hilary Swank Halle Berry and Robert De Niro the latter luxuriating in a role that didn’t require him to get out of bed. High School Musical’s Zac Efron is paired up with ‘80s icon Michelle Pfeiffer – giving teenage girls and their fathers something to bond over – while Glee’s Lea Michele meets cute with a pajama-clad Ashton Kutcher. There’s Katherine Heigl in a familiar jilted-fiance role Sarah Jessica Parker as a fretful single mom and Chris “Ludacris” Bridges as the most laid-back cop in New York. Sofia Vergara and Hector Elizondo mine for cheap laughs with thick accents – his fake and hers real – and Jessica Biel and Josh Duhamel deftly mix beauty with blandness. Fans of awful music will delight in the sounds of Jon Bon Jovi straining against type to play a relevant pop musician.
The task of interweaving the various storylines is too great for Marshall and New Year’s Eve bears the distinct scent and stain of an editing-room bloodbath with plot holes so gaping that not even the brightest of celebrity smiles can obscure them. But that’s not the point – it never was. You should know better than to expect logic from a film that portrays 24-year-old Efron and 46-year-old Parker as brother-and-sister without bothering to explain how such an apparent scientific miracle might have come to pass. Marshall wagers that by the time the ball drops and the film’s last melodramatic sequence has ended prior transgressions will be absolved and moviegoers will be content to bask in New Year's Eve's artificial glow. The gambit worked for Valentine's Day; this time he may not be so fortunate.
Barkin has remained close to the Stigmata star since their divorce in 1999 and she reveals he was overcome with emotion when he joined her backstage to help celebrate her critically-acclaimed performance in The Normal Heart, a Broadway revival of Larry Kramer's semi-autobiographical play.
She tells the New York Post, "He was there opening night, in (my) dressing room, crying his eyes out, as I was when he did Moon for the Misbegotten."
The Ocean's Thirteen actress, who has two children with Byrne, admits she's grateful to still have the unwavering support of her ex, 12 years after their split.
She says, "When you fall in love with someone, there are reasons - they don't disappear. Gabriel Byrne is an extraordinary human being. We have two extraordinary kids and we work at it. We were always friends. He stuck by me through very hard times, and I hope he'd say the same about me."
Barkin went on to marry businessman Ronald Perelman, although their relationship ended in a messy divorce in 2006 after six years as man and wife.
But the star is refusing to rule out the idea of walking down the aisle again, because she loves having someone to fuss over.
She adds, "I like being married. I like taking care of people, having someone to make dinner for..."
The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.
Don't have the heart to sit through the three hour broadcast? That's fine, but you're no better than those of us that do (even if your name was written in the sky today). In the event you still care who won, I've bolded the winners of each category as soon as they were announced. If there's no bold name in a category, it means the award hasn't been given out yet, but be sure and check back later to see who took home the prize.
Outstanding Supporting Actor In A Comedy SeriesJesse Tyler Ferguson, Modern FamilyChris Colfer, GleeJon Cryer, Two And A Half MenTy Burrell, Modern FamilyEric Stonestreet, Modern FamilyNeil Patrick Harris, How I Met Your Mother Outstanding Supporting Actress In A Comedy SeriesJane Lynch, GleeJane Krakowski, 30 RockKristen Wiig, Saturday Night LiveSofia Vergara, Modern FamilyJulie Bowen, Modern FamilyHolland Taylor, Two And A Half Men Outstanding Actor In A Comedy Series Larry David, Curb Your Enthusiasm Tony Shaloub, Monk Steve Carell, The Office, Alec Baldwin, 30 Rock Jim Parsons, The Big Bang Theory Outstanding Actress In A Comedy Series Amy Poehler, Parks and Recreation Julia Louis-Dreyfuss, The New Adventures Of Old Christine Tina Fey, 30 Rock Edie Falco, Nurse Jackie Toni Collette, The United States of Tara Lea Michele, Glee Outstanding Reality-Competition Program American Idol Dancing With The Stars The Amazing Race Project Runway Top Chef Outstanding Supporting Actor In A Drama Series John Slattery, Mad MenMartin Short, DamagesAaron Paul, Breaking BadTery O'Quinn, LostAndre Braugher, Men Of A Certain AgeMichael Emerson, Lost Outstanding Supporting Actress In A Drama SeriesChristina Hendricks, Mad MenRose Byrne, DamagesArchie Panjabi, The Good WifeSharon Gless, Burn NoticeElisabeth Moss, Mad MenChristine Baranski, The Good Wife
Outstanding Actor In A Drama Series Jon Hamm, Mad Men Hugh Laurie, House Bryan Cranston, Breaking Bad Kyle Chandler, Friday Night Lights Michael C. Hall, Dexter Matthew Fox, Lost Outstanding Actress In A Drama Series January Jones, Mad Men Kyra Sedgwick, The Closer Mariska Hargitay, Law & Order: SVU Glenn Close, Damages Julianna Margulies, The Good Wife Connie Britton, Friday Night Lights
Outstanding Variety, Music Or Comedy Series The Tonight Show with Conan O'BrienThe Daily Show with Jon StewartThe Colbert Report with Stephen ColbertSaturday Night LiveReal Time with Bill Maher Outstanding Actress In A Miniseries Or Movie Dame Judi Dench, Return To Cranford Hope Davis, The Special Relationship Claire Danes, Temple Grandin Joan Allen, Georga O'Keeffe Maggie Smith, Capturing Mary Outstanding Actor In A Miniseries Or Movie Sir Ian McKellen, The Prisoner Dennis Quaid, The Special Relationship Jeff Bridges, A Dog Year Al Pacino, You Don't Know Jack Michael Sheen, The Special Relationship Outstanding Made For Television Movie Endgame Moonshot Temple Grandin Georga O'Keeffe The Special Relationship You Don't Know Jack Outstanding Drama Series True Blood Dexter Mad Men The Good Wife Lost Breaking Bad Outstanding Comedy Series Curb Your Enthusiasm Modern Family The Office 30 Rock Glee
The comedy, about a group of high school students in a choir club, will fight for the Outstanding TV Comedy prize against Curb Your Enthusiasm, Modern Family, Nurse Jackie, The Office and 30 Rock, which has taken home the title for the last three years.
Glee's leading stars Matthew Morrison and Lea Michele have been nominated in the male and female categories for the outstanding comedy actor awards, while their co-star Chris Colfer has received a best supporting actor nomination.
Morrison faces competition from Larry David (Curb Your Enthusiasm), Jim Parson (The Big Bang Theory), Tony Shalhoub (Monk), Steve Carell (The Office) and last year's winner Alec Baldwin (30 Rock).
Meanwhile Michele will face off with Julia Louis-Dreyfus (The New Adventures of Old Christine), Edie Falco (Nurse Jackie), Amy Poehler (Parks and Recreation), Tina Fey (30 Rock) and Toni Collette (The United States of Tara), who took home the statue last year (09).
Producers of cable network HBO's gritty World War II drama The Pacific will also hope for a triumphant night after receiving 24 nominations, including Outstanding Miniseries.
The 62nd Annual Primetime Emmy Awards will be handed out on 29 August (10) at a ceremony in Los Angeles' Nokia Theatre and will be presented by comedian Jimmy Fallon.
The main list of nominees is as follows:
Outstanding Drama Series: Breaking Bad, Dexter, The Good Wife, Lost, Mad Men, True Blood.
Outstanding Comedy Series: Curb Your Enthusiasm, Glee, Modern Family, Nurse Jackie, The Office, 30 Rock.
Outstanding Lead Actor, Drama: Bryan Cranston (Breaking Bad), Michael C. Hall (Dexter), Kyle Chandler (Friday Night Lights), Hugh Laurie (House), Matthew Fox (Lost), Jon Hamm (Mad Men).
Outstanding Lead Actress, Drama: Kyra Sedgwick (The Closer), Glenn Close (Damages), Connie Britton (Friday Night Lights), Julianna Margulies (The Good Wife), Mariska Hargitay (Law & Order: Special Victims Unit), January Jones (Mad Men).
Outstanding Lead Actor, Comedy: Jim Parsons (The Big Bang Theory), Larry David (Curb Your Enthusiasm), Matthew Morrison (Glee), Tony Shalhoub (Monk), Steve Carell (The Office), Alec Baldwin (30 Rock).
Outstanding Lead Actress, Comedy: Lea Michele (Glee), Julia Louis-Dreyfus (The New Adventures of Old Christine), Edie Falco (Nurse Jackie), Amy Poehler (Parks and Recreation), Tina Fey (30 Rock), Toni Collette (The United States of Tara).
Supporting Actor In A Drama Series: John Slattery (Mad Men), Aaron Paul (Breaking Bad), Martin Short (Damages), Terry O'Quinn (Lost), Andre Braugher (Men of a Certain Age), Michael Emerson (Lost).
Supporting Actress In A Drama Series: Rose Byrne (Damages), Christina Hendricks (Mad Men), Archie Panjabi (The Good Wife), Sharon Gless (Burn Notice), Elisabeth Moss (Mad Men), Christine Baranski (The Good Wife).
Supporting Actor In A Comedy Series: Jesse Tyler Ferguson (Modern Family), Chris Colfer (Glee), Jon Cryer (Two and a Half Men), Ty Burrell (Modern Family), Eric Stonestreet (Modern Family), Neil Patrick Harris (How I Met Your Mother).
Supporting Actress In A Comedy Series: Jane Lynch (Glee), Jane Krakowski (30 Rock), Kristen Wiig (Saturday Night Live), Sofia Vergara (Modern Family), Julie Bowen (Modern Family), Holland Taylor (Two and a Half Men).
Guest Actor In A Drama Series: Robert Morse (Mad Men), Alan Cumming (The Good Wife), John Lithgow (Dexter), Ted Danson (Damages), Gregory Itzin (24), Dylan Baker (The Good Wife), Beau Bridges (The Closer)
Guest Actress In A Drama Series: Mary Kay Place (Big Love), Lily Tomlin (Damages), Sissy Spacek (Big Love), Elizabeth Mitchell (Lost), Ann-Margret (Law & Order: SVU), Shirley Jones (The Cleaner).
Guest Actor In A Comedy Series: Mike O'Malley (Glee), Fred Willard (Modern Family), Eli Wallach (Nurse Jackie), Jon Hamm (30 Rock), Neil Patrick Harris (Glee), Will Arnett (30 Rock).
Guest Actress In A Comedy Series: Kristin Chenoweth (Glee), Tina Fey (Saturday Night Live), Jane Lynch (Two And A Half Men), Kathryn Joosten (Desperate Housewives), Christine Baranski (The Big Bang Theory), Betty White (Saturday Night Live), Elaine Stritch (30 Rock).
Reality Series: Antiques Roadshow, MythBusters, Undercover Boss, Kathy Griffin: My Life on the D-List, Dirty Jobs, Jamie Oliver's Food Revolution.
On Emmy night the only place filled with more glittery winged statuettes than the trophy room at the ceremony was HBO’s annual after party, thanks to a series of sweeping victories – 26 in all – by the pay cable network’s programming, including the miniseies John Adams, the telepic Recount, the drama In Treatment and the comedy Entourage.
West Hollywood’s Pacific Design Center served as the epicenter for HBO’s bash, converted into a swanky, sprawling blue-green Brazillian-themed party palace as a sea of stretch limos deposited an increasingly starry contingent of Emmy-toting actors, writers, directors and producers, as well a dozens of famous faces from film and television.
Appropriately for a glitzy blowout filled with free-flowing champagne and low-cut gowns, the gang from Entourage led the party pack: Adrian Grenier greeted In Treatment star Gabriel Byrne at the door and congratulated him on his Emmy victory effusively, along with Curb Your Enthusiasm’s Ted Danson and Mary Steenburgen; Kevin Dillon and Jerry Ferrara huddled up with the show’s upcoming guest star Jamie-Lynn Sigler, the only member of The Sopranos family on hand; Kevin Connelly belied up to the bar alongside Stacy Keibler; and dapper Jeremy Piven worked the room with a stogie in one hand and an Emmy in the other before DJ RAVIDRUMS invited him to the platform high above the dance floor to play the drums for an appreciative crowd of stars that included the show’s sexiest guests, Emmanuelle Chriqui, Malin Akerman and Carla Gugino who swayed to the Piv’s beat.
The octogenarian “Mr. Warmth” himself, Don Rickles, held court at a table by the door alongside his shiny Emmy, circled by a crowd filled with HBO’s comedy superstars Larry David, Bill Maher, Cynthia Nixon, Jeff Garlin and Flight of the Conchords' Jemaine Clement and Brett McKenzie. Baby mama Amy Poehler parked her pregnant frame in a nook near the outdoor patio overlooking a specially created candlelit “pond” while hubby Will Arnett fetched food for her.
John Adams executive producer Tom Hanks and his wife Rita Wilson cruised in with the latest addition to his already impressive trophy mantle, and Hanks told Hollywood.com that even with his abundance of awards each honor had special significance to him. Looking at each honor, “you go back and remember all of the people that were working on it with you,” Hanks said.
The Hanks fam slipped out early, just missing the miniseries’ Emmy-winning stars Paul Giamatti and Laura Linney, and as the night wore on the celebrity wattage only increased, with appearances by Jamie Foxx, Kevin Spacey, Teri Hatcher, Felicity Huffman, Michael C Hall, Susan Sarandon and Tim Robbins, Tina Fey, Denis Leary, Mary-Louise Parker, John Krasinski, Hayden Panettiere, Sally Field and Lost-ies Daniel Dae Kim, Harold Perrineau, Jr. and Michael Emerson.
The party raged on into the wee hours – even Los Angeles Mayor Antonio Villaragosa took a turn on the drums! – and even after spending hours squeezed into her Christian Laboutin shoes all day, Kate Walsh danced the night away as long as she could. “I’ve gotta work tomorrow,” she lamented, “but not too early.”
"Sleepy Hollow" director Tim Burton is suing a man whom he claims stole some of his artwork back in 1991, the Associated Press reports.
According to the lawsuit filed by Burton, the accused - one David Bontempo - had allegedly lifted the titular box, which contained sketches, drawings and paintings, from the apartment that Burton once owned.
Bontempo allegedly refused to return the art and "stated that he had made certain arrangements to auction the stolen artwork in his possession at Christie's in New York," court documents obtained by AP stated.
Burton has just finishing shooting the remake of "Planet of the Apes."
HONORS: President Clinton and Michael Jackson were among the folks honored Thursday for their work to fight cancer at a high-wattage dinner held in New York.
Hosted by talk-show guy Larry King, the elbow-rubbing bash aimed to raise $4 million for the cause and featured appearances by such actors as Jane Seymour, Gabriel Byrne and Joan Collins.