20th Century Fox via Everett Collection
There are certain songs that transport you back to movie scenes as soon as you hear them. Sometimes that makes you feel warm inside, sometimes it inspires you, and other times it gives you the willies. We're taking a look at the songs that we can't help but associate with the big screen, toucing on the greatest inspirational songs in films and the creepiest uses of pop songs in movies. Here, though, we take a look at the songs in movie scenes that touched our romantic hearts.
"Unchained Melody" in Ghost
"Oh, my love... My darling… I've hungered for your touch..." The song was a hit for The Righteous Brothers long before the movie was made, but ever since that opening line and Bobby Hatfield's falsetto can only mean one thing… Demi Moore, Patrick Swayze and a pottery wheel.
"Must've Been Love" in Pretty Woman
Roxette's hit from the Julia Roberts film still calls to mind a tangle of red curls looking hopefully out of the back window of a limousine and a sadly dapper Richard Gere looking forlornly from his balcony.
"You Make My Dreams" in (500) Days of Summer
It wasn't the first time that Hall & Oates song was used in a movie, but just try playing it now without thinking about Joseph Gordon-Levitt happily dancing down the street after his hook-up with Zooey Deschanel.
"Can You Feel the Love Tonight" in The Lion King
Yes, it's a Disney movie, but it's also Elton John. The song is so linked to the image of lions falling in love that Sir Elton frequently plays the animated clip on screen when he sings it in concert.
"Falling Slowly" in Once
Even if it hadn't subsequently become the centerpiece of the Tony-winning Broadway musical version, the duet by Glen Hansard and Markéta Irglová in John Carney's movie would still be just as sweet.
"Iris" in City of Angels
The movie about Nicolas Cage's angel who falls in love with Meg Ryan's mortal would probably have faded from memory entirely if not for John Rzeznik's plaintive voice on The Goo Goo Dolls hit.
"When You Say Nothing at All" in Notting Hill
Hugh Grant and Julia Roberts climb over a fence to wander in an English garden. As they share a moment, Ronan Keating's version of the country song plays and suddenly they're the only two people in the world.
"(I've Had) The Time of My Life" in Dirty Dancing
When Jennifer Warren sang with Joe Cocker for An Officer and a Gentleman, only the instrumental version of their "Up Where We Belong" played over the climactic scene (similar to Celine Dion's "My Heart Will Go On" from Titanic). In Dirty Dancing, however, Warren's duet with Bill Medley is front and center as Swayze pulls Jennifer Grey's Baby out of the corner.
"I Will Always Love You" in The Bodyguard
Regardless of what you think of her acting, Whitney Houston could sing. We're not sure that we would stop a plane to go kiss Kevin Costner, but we'll watch it all day if we can hear the song and Houston's amazing voice again.
"In Your Eyes" in Say Anything…
According to both parties, John Cusack lobbied director Cameron Crowe to have a Fishbone song playing as his lovesick Lloyd Dobler held his boombox aloft to get Ione Skye's attention. Thankfully, Crowe opted to keep the Peter Gabriel classic.
ABC Television Network
Mission BriefingWhew that was a doozy! Episodes upon episodes of languorous table-setting has finally led to this: definitively, the most engaging episode of Agents of S.H.I.E.L.D. yet. The show's recent shift into high gear is probably thanks to the upcoming Marvel flick Captain America: The Winter Soldier, which promises to have game changing consequences for the S.H.I.E.L.D. organization.
The newly-minted cyborg Deathlok (formerly Mike Peterson) begins attacking S.H.I.E.L.D. agents in classified locations, which means one thing: S.H.I.E.L.D. is getting close and the Clairvoyant is getting nervous. The agency has narrowed the Clairvoyant's possible identity to 13 gifted individuals, but as is always the case, things aren't quite what they seem.
The AgentsAll of the usual subjects are geared up for this mission, plus a big cast of supporting agents, including Agents Victoria Hand, John Garrett, Blake Felix, Jasper Sitwell, and Antoine Triplett. This is the most agent-heavy episode of the series yet.
Mission FalloutS.H.I.E.L.D. decides to have a big pow wow on the bus to discuss the best ways to finally close in on the could-be psychic. Skye gets promoted to a full-fledged S.H.I.E.L.D. agent thanks to her skills and her ability to get shot, and is able to narrow down the most likely Clairvoyant subjects down to three.The agents decide to split up into groups of two, in order to go after each subject, with Skye running backup via laptop. The duo of May and Blake draw the proverbial short straw, and get attacked by a upgraded Deathlok, who's now sporting a fancy new gauntlet equipped with missiles. Blake is nearly killed, and May is momentarily incapacitated by one of Deathlok's rockets. S.H.I.E.L.D. wrestles up a tactical team to go after Deathlok and suspect Thomas Nash after it's discovered that Blake was able to implant a tracker into Deathlok. The team tracks down the signal to Florida, and move in on Nash. After dodging Deathlok, Coulson and Garrett locate Nash, who proclaims himself to be the Clairvoyant. Nash states that a unknown force is coming after Coulson and Skye, and that Skye will die giving the force something they want. Ward shoots Nash and kills him after being pushed to far, and is apprehended by S.H.I.E.L.D.
After the mission, Coulson has doubts that Nash was really the Clairvoyant. Coulson and Skye puzzle out that The Clairvoyant's knowledge of S.H.I.E.L.D.'s movements and intel must make him higher up in the S.H.I.E.L.D. organization. Coulson confronts Ward, thinking he's working for the Clairvoyant. Meanwhile, Fitz discovers the encrypted line that May used to communicate with her handler at the end of the last episode. May discovers Fitz snooping around and gives chase. Coulson finds May, and the two engage in a classic Mexican standoff with Skye pulling her own gun on May. Coulson demands the identity of the real Clairvoyant before the jet is rerouted via Victoria Hand, who commands her agents to kill everyone on board when it touches down. Could Hand is the Clairvoyant? I guess we'll have to wait and see.
The Most Valuable Agent AwardWe're giving agent Felix Blake the honor this week for getting stomped on by Deathlok and having the sense of mind to implant Deathlok with a tracker. Good going Blake.
Mission Highlights and Other Observations- We really enjoyed the banter between Coulson and Garrett this episode. It really gave the characters a sense of shared history.- Simmons and Triplett continue to throw googly eyes at each other, but their attraction feels rather forced.- We’re not totally convinced that Victoria Hand is the real mastermind behind the Clairvoyant. There’s still a handful of episodes for S.H.I.E.L.D. to throw acurve ball or two our way, and it will be interesting to see where everyone’s allegiances lay once the dust settles. - Judging by the snippet of Captain America: The Winter Solder shown at the end of the episode, we're guessing the events of the film will play a large part in the next episode. You might want to try to catch the film before next Tuesday in order to be all caught up. It's nice that we’re finally seeing some more connective tissue between the television show and the films.
20th Century Fox Film via Everett Collection
Kissing is as much a part of movies as car chases and sarcastic best friends. All kinds of kisses have been captured on film, but there are some more than others that make us swoon as lovers lips join together.
We're taking a look at the most memorable kisses in film from the '80s on, including the Worst Kisses and the Most Perplexing Kisses. Here, however, are the kisses that made our hearts flutter.
Anna and Kristoff, Frozen
"I could kiss you," Kristoff says as he gleefully picks Anna up in the air. We watched the animated pair bond over an adventure to save her sister, Elsa, from the wrath of hostile villagers. The comment leads to a peck on the check that morphs into an embrace. Disney princesses always get their big kiss, but few are as well earned as Anna's.
Sandra Bullock and Bill Pullman, While You Were Sleeping
You would expect a couple to have kissed — really kissed, not an under-the-mistletoe peck — prior to getting engaged, but such was not the case for Bullock's Lucy and her true love, Pullman's Jack. Falling in love while she pretended to be the fiancée of his in-a-coma brother, the pair skipped right to the ring after Jack (and his family) realized they couldn't live without Lucy. Sealing a marriage proposal with a kiss has never been sweeter.
Matt Damon and Emily Blunt, The Adjustment Bureau
The movie, about a shadow agency that controls everyone's lives, is a bit of a mess. What can't be denied, however, is the crazy chemistry that exists between Damon's politician and Blunt's mystery woman. Blunt follows Damon into the men's room at the Waldorf Astoria and strikes up a conversation about crashing a wedding. How does that lead to a passionate kiss? Well, what else were they going to do in the bathroom?
Jamie Foxx and Kerry Washington, Django Unchained
Quentin Tarantino is not known for romance, but in his Western epic, Foxx's Django is driven by only one thing: the desire to save his wife, played by Washington, from the clutches of a nefarious slaveowner. When Foxx finally tracks her down, trapped on a plantation owned by Leonardo DiCaprio's bad guy, we're treated to a slow, sweet, reverberating moment as Washington gradually realizes that her love has come for her. The kiss begins within a chilling silhouette until the camera turns to show the passion of lovers reunited.
Michael Cera and Kat Dennings, Nick and Norah's Infinite Playlist
Cera and Dennings' mixed-up teens actually kiss moments after meeting one another, as Dennings asks him to be her boyfriend for "five minutes" so that she can dupe a rival (who happens to be Cera's ex) into believing she isn't dateless. The real kiss, though, comes later on, as Dennings' Norah takes guitar aficionado Nick to see Electric Lady Studios. One thing leads to another and soon Dennings' impossibly full red lips are working overtime.
Heath Ledger and Jake Gyllenhaal, Brokeback Mountain
Much has been made over the years about the love scenes shared between Ledger and Gyllenhaal, even leading to a hilarious Jonah Hill rant in Knocked Up about the lack of explicitness. The duo brought a palpable passion to the movie in full, but there is something special about the urgency of the scene wherein Ledger's Ennis sees Gyllenhaal's Jack Twist from his apartment window and rushes to embrace him. As Ennis pushes Jack into a stairwell, the two attack each other like a pair of hungry wolves, throwing caution to the wind. Nearly 10 years later, the scene has lost none of its original impact.
John Cusack and Ione Skye, Say Anything...
Few teen romances have been as influential as Cameron Crowe's story of a high-achiever falling for the earnest slacker that dares to ask her out. As you would expect, there are multiple kisses throughout as the duo fall head over heels, including a particularly sweet embrace in the rain. It's when Skye's Diane Court realizes that she needs Cusack's Lloyd Dobler that takes the cake, though. The fact that she kind of distracted him during a sparring session, causing him to get his nose bashed in by Don "The Dragon" Wilson moments before only adds to the tenderness.
Leondardo DiCaprio and Kate Winslet, Titanic
Back in 1997, seemingly every woman on the planet wanted to trade places with Winslet's Rose. The romance aboard the doomed ship left movie audiences teary-eyed long after the credits rolled. In the iconic scene, DiCaprio's Jack takes Rose to the railing of the ship and extends her arms outward, making her feel as though she's... well, why not let her famous line tell the story. "I'm flying, Jack!" Rose exclaims, before Winslet turns backwards to let her lips meet DiCaprio's. No matter what happened after, thanks to Celine Dion, we're always assured that their hearts will go on.
Cary Ewles and Robin Wright, The Princess Bride
"Since the invention of the kiss," Peter Falk's narrarator intones in Rob Reiner's much-loved fantasy, "There have been five kisses that were rated the most passionate, the most pure. This one left them all behind." Such is the power of the happy ending smooch that Ewles' Westley lays on Wright's Buttercup. For a guy that was "nearly dead" not long before, and a woman almost forced to marry a prince — not to mention that trip through the fire swamp — that seems like a fitting reward.
Molly Ringwald and Michael Schoeffling, Sixteen Candles
Ringwald's Sam had an epically bad birthday. Her family, preoccupied by her sister's impending wedding, forgets that it's even happening and the geeky Farmer Ted (Anthony Michael Hall) has parlayed a pair of her panties into a money-making venture. Worse, she's hopelessly in love with Schoeffling's senior dreamboat, Jake Ryan. As she exits her sister's nuptials and the crowd parts, there is Jake leaning against his sportscar waiting for her. As teen fantasies go, it's a hard one to top. Sam finally gets a birthday cake with the namesake candles and a sweet kiss from Jake to boot. It may have been a bit of a fire hazard, but it sure was romantic.
Mission BriefingThat conniving ne'er-do-well, Ian Quinn is up to no good once again, so it's time for the S.H.I.E.L.D. team to put a stop his plans in their tracks, and maybe catching Quinn will get Coulson that much closer to finding the Clairvoyant. The team goes undercover on a passenger train traveling through the Italian countryside, in order to intercept a costly package that Ian has ordered from a tech firm called Cybertek, the belief being that Quinn wouldn't pay a whopping 10 million dollars for something that didn't do something super evil.
The AgentsEveryone's on deck for this week's mission. Each member of the team infiltrates the train with a different alias: Fitz and Skye are backpackers making their way through europe on couch at at time (Instead of both sticking to their respective nationalities, they both try on terrible accents, before deciding in favor of Fitz's awful John Wayne impression over Skye's Lucky Charms rendition of a Scottish accent), Ward and May are lovers (oh, that's a little uncomfortable), and Coulson and Simmons are an estranged father and daughter, whose relationship was broken due to distance, infidelity, and many, many prostitutes.
Mission FalloutThe S.H.I.E.L.D. team boards the train with their new undercover identities, and begin working to locate the package which is encased in a black box and guarded by a security detail, but things go south quickly when it's revealed that the Italian authorities that gave S.H.I.E.L.D. the intel are in Quinn's pocket. In a bit of narrative trickery, the story ping pongs back to the moment where things go wrong for each group of the team, and shows the mission from their perspective. Ward dresses up as a conductor to infiltrate the train and find the package, but is made by the guards. He bumps into Coulson, and both go tumbling out of the train, but not before getting hit with a fancy grenade that uses the same technology as the night night gun. May traverses to the top of the train to track the package, but has to bail when one of the guards start shooting at her. Once on the ground, she finds a frozen Ward and Coulson. She tries to help, but is captured by the corrupt Italians.
Meanwhile, Fitz and Skye hide out in a deserted luggage car to run communications, but are caught in a shootout that ends with Simmons getting hit with the same grenade that hits Coulson and Ward earlier on. Skye and Fitz track down the package to Quinn's hideout. Skye infiltrates Quinn's compound where she finds none other than Mike Peterson in a hyperbolic chamber. The Cybertek package turns out to be a fancy cybernetic limb that replaces Mike Peterson's missing leg. Peterson has been tasked by the Clairvoyant to kill someone, and goes off to slaughter the Cybertek agents. Meanwhile, Quinn, doubtlessly tired of S.H.I.E.L.D. meddling in his plans, shoots Skye twice in the stomach with a pistol. The rest of S.H.I.E.L.D. team finds an injured Skye at the compound. She's clinging to life, but just barely, and agent Ward is looking to blame Coulson for what happened. Why is an untrained hacker doing field missions in the first place?
The Most Valuable Agent AwardSkye gets the Most Valuable Agent Award this week for taking two bullets for the team. We're sure she'll survive but getting shot is nothing to sneeze at.
Mission Highlights and Other Observations — For an undercover mission, the team seems to be doing a lot of talking about the fact that they're on an undercover mission at full volume on the train. No wonder they were made. — Simmons' elaborate backstory for her undercover alias should be it's own Lifetime movie called My Dad and His Prostitutes. — Mike Peterson is now officially the Marvel villain called Deathlok.
Ladies and gentlemen of the Internet, it's that time again: TV tidbits time! Your favorite time of day, I know! Tonight's edition brings a bevy of casting news for shows new and old. 2013 is shaping up to be the year of the Guest Star already, it seems! Let's dig right on into the good stuff, shall we?
Attractive Men to Join The New Normal: Well, well, well, Ryan Murphy sure does seem to have a thing for very attractive dudes he's worked with before, because he's bringing on suave yogurt salesman John Stamos and husband of Kelly Ripa, Mark Consuelos to The New Normal. Apparently one of them sets off gran's gaydar in an episode titled just that ("Gaydar") coming out in early 2013. [EW]
Jason Schwartzmann to Be Kind, Rewind on Parks and Recreation: Have we come to a consensus as a nation yet that Parks and Rec is the greatest show on television? No? Well, we should get on that. Perhaps the addition of indie favorite Jason Schwartzmann will entice you? Turns out Schwartzmann is set to play Dennis Lerpiss, the owner of Pawnee VideoDome, the only indie movie rental place in Pawnee, about to go under. Enter: Leslie Knope and her knope-we-can attitude to save that very place: the two join forces to get the VideoDome historical landmark designation. The episode is set to air in 2013.[The Huffington Post]
Rose McGowan to Flashback on Once Upon a Time: Talk about spot-on casting: these two could be mother and daughter! Rose McGowan is returning to the supernatural world of fantasy television, and will guest star in an origin story episode of Once Upon a Time. McGowan will play a young version of the Evil Queen’s equally-as-evil mom Cora (Barbara Hershey) in a flashback. [Deadline]
Joss Whedon Sets Sights on Skye for S.H.I.E.L.D.: Recurring Nashville guest star Chloe Bennet as a character named Skye. Skye is a confident, nerdy obsessive who loves superhero culture and all the shadow organizations that exist within its realm. So basically, she's playing every female fan of superheroes/comic books ever? Apparently she's edgy and unflappable, though the word is still out on what that totally means in this instance. There really were an endless amount of wordplay jokes I could've made just now, so you're welcome for not. [THR]
[Photo Credit: DailyCeleb]
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Brace yourself Dr. Laura. This clueless teen queen (Natasha Lyonne) has it all: good looks a football captain boyfriend and a popular pair of pom-poms. But her candy-colored world crumbles when her panicked parents stage an intervention after finding a Melissa Etheridge poster that leads them to conclude she's a friend of Ellen. After being carted off to an anti-gay rehab camp for teens the perky princess must choose between the straight and narrow-minded or the love that dare not speak its name.
The quirky ensemble casting is half this film's fun. Lyonne is charming as the pepster tempted by T&A and she sparks onscreen with swanky and sexy co-star Clea DuVall who plays the butch femme fatale suitor (alarmingly reminiscent of Nancy McKeon's Jo from "The Facts of Life.") Drag queen supreme RuPaul is unrecognizable out of his high heels and even higher blond wig wearing a "Straight is Great" T-shirt as a macho militant ex-gay counselor. Cathy Moriaty is sweetly sinister as the homophobic headmistress and Mink Stole steals scenes as the uptight upright meddling mom.
Kudos to Jamie Babbit for tackling this hot-potato topic but this well-intentioned film too often misses its mark turning potentially comical scenes into unbearably awkward moments. Babbit fouls when tugging at the heartstrings but hits home runs when the humor is at its broadest.