Actors Orlando Bloom, Matthew Mcconaughey and pop star Katy Perry will all unveil stars on the Hollywood Walk of Fame in 2014. The honour will also go to Sally Field, Liam Neeson, Jessica Lange, Kaley Cuoco, Claire Danes and Cheryl Hines from the world of movies and TV, while rockers Jeff Lynne and Rick Springfield will also land spots on Los Angeles' famous sidewalk.
Rapper Tupac Shakur and comedian Phil Hartman are two late icons who will be recognised posthumously, while Tom Sherak, former president of the Academy of Motion Picture Arts and Sciences, will also be feted.
David Green, chairman of the Walk of Fame selection committee, says, "We have a great mix of celebrities and industry executives who have made Hollywood what it is today - one of the greatest entertainment destinations in the world.
"The new selections will bring great joy and fond memories for those millions who visit Hollywood each year!"
This week (20Jun13), it was Jennifer Lopez's time to shine - the singer/actress fought back tears as she unveiled the sidewalk's 2,500th star, with fans and former colleagues Pitbull and Jane Fonda in attendance at her special ceremony.
Beloved American character actor Laurence Haddon has died at the age of 90. He passed away on 10 May (13) in Santa Monica, California due to complications from Lewy body dementia, his daughter-in-law Eilene Vila Schmidt has confirmed.
Haddon got his start in the 1950s performing on stage and TV, and he went on to co-star with Larry Hagman and Julie Harris in the 1959 Broadway play The Warm Peninsula.
He also had a landmark role as a gay man on the 1970s soap opera parody Mary Hartman, Mary Hartman, and his character even shared a same-sex kiss in one 1976 episode.
Haddon had a recurring role in Dallas, playing J.R. Ewing's banker Franklin Horner, and racked up dozens of small-screen credits in shows such as Knots Landing, Lou Grant, Columbo, Hill Street Blues, Kojak, Mission: Impossible, The Flying Nun and Murder, She Wrote.
His last film role was Infinity with Matthew Broderick in 1996.
Plenty of solid shows will be competing for top honors at this year's Emmy awards, but (as is always the case), there will also be plenty of solid shows that won't be competing.
That's how the cookie crumbles: with countless channels airing countless programs, there will always be quality television that slips under the Academy's radar. But over the course of TV history, there have been a few actors and shows that haven't been simply fallen to the wayside of the Emmys, they've been straight up glossed over. Snubbed.
As we approach this Sunday's ceremony, we took a look back at some of the bigger disappointments in Emmy history, the highlights of sitcoms and dramas that, for whatever reason, never earned their deserved statues.
Homicide Life on the Street/The Wire
Writer/Producer David Simon must have done something horrible in a past life. That seems like the only explanation for a man who's contributed to the world some of the best television of the past twenty years and has rarely seen love from the Academy of Television Arts & Sciences.
Simon's 1993 show Homicide: Life on the Street set a new tone for crime procedurals and only acquired a few supporting cast nods in its six year run. His HBO show The Wire is often referred to as the greatest TV show of all time and not once did it garner a nomination for Best Drama. His latest Treme is only in its second season, but from the get-go had critics raving.
So far, no love. Will Simon's series forever feel the cold backhand of Emmy snubs?
Sarah Michelle Gellar for Buffy
Trumpets are sounding for the return of Sarah Michelle Gellar to primetime television (her new show Ringer debuted last night), but it's not because of her starring roles in The Grudge or Scooby Doo 2: Monsters Unleashed. When Joss Whedon decided to to turn his mildly successful horror movie Buffy into a weekly TV show, he found the perfect hero in Geller, equal parts teen drama beauty and rough, vampire butt-kicker. Geller's performance combined with Whedon's snappy dialogue and imaginative plots helped Buffy transcend its home at the WB. Unfortunately, to Emmy voters, it would always be a "show for teenagers"—Whedon picked up nod once in seven season, while Geller never managed a nomination.
Former Letterman and Larry Sanders Show writer Paul Sims assembled a dream cast for his broadcast-centric office sitcom, but few would have known that at the time: Dave Foley (Kids in the Hall), Maura Tierney, Stephen Root, Andy Dick, Joe Rogen, Phil Hartman—the talent was in its infancy, but it was there. NewsRadio took a classic format and gave it a youthful edge. The result was five seasons of evolving characters, shorelines and humor, put to an untimely end by the death of Phil Hartman. Sadly, the show only earned one comedy nomination in its five season run: a posthumous, supporting nod for Hartman.
An American Family
The Emmy award for Outstanding Reality Program was only adopted by the Academy in 2001 and has since honored shows like The Osbournes, Queer Eye for the Straight Guy and Kathy Griffin: My Life on the D-List. But without 1971's An American Family, the idea of docudramas television—or even guilty pleasure trashy reality TV—may never have come to fruition. The show's premise was simple: document a family's life for six months. The show was cut into 12 revolutionary episodes, spawning spin-off series and the cinematic adaptation Cinema Verite, which aired on HBO this past year.
How many Emmys was it nominated for? Zip.
Desi Arnaz for I Love Lucy
Lucille Ball dominated the '50s sitcom scene with her tour-de-force performance of physical comedy, nabbing five Emmy nominations over the six year run of I Love Lucy. But while Ball's Chaplin-esque antics stand-out decades later, would she really be the legendary star she was without her co-star and then-husband Desi Arnaz?
Arnaz was the Michael Bluth of his time, the straight man counterpart to Ball's whacked out troublemaker. He's best known for throwing his hands in the air, crying "Luuuuccyyyyy!" and stirring up the occasional "Babalu" musical number, but even Arnaz was prone to jumping into Ball's crazy plots. He was a rock of the sitcom block, yet not once in his lengthy career did Arnaz find himself on the Emmy's list of contenders.
Josh Holloway for LOST
Until the final season, it was looking like none of LOST's "lead" actors would see love from the Emmys. That is, until star Matthew Fox squeezed one out as the mind-bending drama crossed the finish line.
LOST has been the object of The Emmys' affection in all categories, but with talent, it's been severely unappreciative. Case in point: Josh Holloway, James "Sawyer" Ford, never picking up a nod. While Fox's nomination was deserved, Holloway was the show's perfect foil and his work in Season Three, when his relationships with Jack and Kate really evolve, helped turn Sawyer into a three-dimensional character that mostly actors can rarely achieve.
Any chance we can go back and just throw him an Emmy after the fact?
Ed O'Neill and Katey Segal for Married with Children
On the opposite end of the brilliant performance spectrum lies Ed O'Neill and Katey Segal as the crass (but lovable) couple Al and Peggy from Married with Children. The show was the debut sitcom when Fox launched in 1987 and helped define the network as a…a youth-centric alternative to the stuffy mainstream channels. That probably didn't help Married with Children round up award nominations (after 11 seasons, it only gained technical noms), but history will forever have a place for Al and Peggy. At that point, audiences hadn't seen anything that filthy, that wrong—which makes O'Neill and Segal selling it one of the bigger snubs in Emmy history.
Lauren Graham for Gilmore Girls
Another case where the Academy can't look past the marketing of a show. Gilmore Girls was another WB/CW comedy pegged by most as a small screen interpretation of the "chick flick," light, fluffy and stale. Quite unfortunate, as Gilmore Girls had one of the sharpest wits on TV thanks to the lightning-fast writing of creator Amy Sherman and a charming lead performance by Lauren Graham. The actress' character Lorelai could have been another comedy mom, but Graham elevated her above Reba-style, surface level caricature to dimensional (but funny!) human being. In an era where Desperate Housewives and Sex in the City were dominating the lead actress category year after year, Graham remains one of the hardest working and underappreciated performers of the 2000s.
Taking genre television seriously has never been the Emmys' strong suit, but when a sci-fi show takes itself seriously enough, people start listening…and watching. Syfy's Battlestar Galactica felt like a breath of fresh air amidst a sea of cornball, syndicated genre crap, diving head first into heady character drama and political intrigue with a few robots thrown in for good measure. The talent gained plenty of critical response—most notably the stand out performance by Katee Sackoff as the tough, female pilot Starbuck—but, alas, Battlestar was confined (like its sci-fi drama predecessors) to a lifetime of technical awards. Yes, the special effects were dazzling—but so was the riveting drama. The show (and the genre as a whole) could have used the Emmy love.
Nick Offerman for Parks & Recreation
As the NBC comedy Parks and Recreation prepares for its fourth season (with destiny unknown), we have an important message for the Academy of Television Arts & Sciences: don't you dare let Nick Offerman be a permanent staple on this list.
Offerman's Ron Swanson is P&R's head grump, the yin to Amy Poehler's hyper-enthusiastic Leslie Knope yang. While they can often be found butting heads, their continued friendship is the glue that keeps Pawnee, Indiana's Parks Department (and the show) together. Offerman paints Ron with a perpetual frown, usually clouded by his sizable mustache. But once in awhile Ron slips a smile (or, even rarer, a drunken tiny hat dance) and in those few seconds Offerman pulls off a complete 180 and warms audiences' hearts. Parks and Recreation began in the shadow of The Office, but thanks to guys like Ron Swanson, has become the more fulfilling of the two shows.
The Coen brothers could be adding a third Writers Guild of America Award to their impressive trophy case next month if they can nab best original screenplay for their quirky comedy Burn After Reading. The WGA, who announced their nominees today, presented Joel and Ethan Coen with best adapted screenplay last year for No Country for Old Men and best original screenplay in 1997 for Fargo.
Rounding out the contenders this year are Dustin Lance Black for Milk, Woody Allen for Vicky Cristina Barcelona, Tom McCarthy for The Visitor and Robert Siegel for The Wrestler.
The WGA’s best adapted screenplay noms include Eric Roth for The Curious Case of Benjamin Button with story by Roth and Robin Swicord; Jonathan Nolan and Christopher Nolan for The Dark Knight with story by Christopher Nolan and David S. Goyer; John Patrick Shanley for Doubt, based on the stage play; Peter Morgan for Frost/Nixon, based on his stage play; and Simon Beaufoy for Slumdog Millionaire.
WGA members will meet simultaneously in New York and Los Angeles for the award ceremony on Feb. 7.
Burn After Reading, Written by Joel Coen & Ethan Coen, Focus Features
Milk, Written by Dustin Lance Black, Focus Features
Vicky Cristina Barcelona, Written by Woody Allen, The Weinstein Company
The Visitor, Written by Tom McCarthy, Overture Films
The Wrestler, Written by Robert Siegel, Fox Searchlight Pictures
The Curious Case of Benjamin Button, Screenplay by Eric Roth; Screen Story by Eric Roth and Robin Swicord; Based on the Short Story by F. Scott Fitzgerald, Paramount Pictures and Warner Bros. Pictures
The Dark Knight, Screenplay by Jonathan Nolan and Christopher Nolan; Story by Christopher Nolan & David S. Goyer; Based on Characters Appearing in Comic Books Published by DC Comics; Batman Created by Bob Kane, Warner Bros. Pictures
Doubt, Screenplay by John Patrick Shanley, Based on his Stage Play, Miramax Films
Frost/Nixon, Screenplay by Peter Morgan, Based on his Stage Play, Universal Pictures
Slumdog Millionaire, Screenplay by Simon Beaufoy, Based on the Novel Q and A by Vikas Swarup, Fox Searchlight Pictures
Boogie Man: The Lee Atwater Story, Written by Stefan Forbes and Noland Walker, InterPositive Media
Chicago 10, Written by Brett Morgen, Roadside Attractions
Fuel, Written by Johnny O'Hara, Greenlight Theatrical / Intention Media
Gonzo: The Life and Work of Dr. Hunter S. Thompson, Screenplay by Alex Gibney, From the Words of Hunter S. Thompson, Magnolia Pictures
Waltz with Bashir, Written by Ari Folman, Sony Pictures Classics
Dramatic Series Dexter, Written by Scott Buck, Daniel Cerone, Charles H. Eglee, Adam E. Fierro, Lauren Gussis, Clyde Phillips, Scott Reynolds, Melissa Rosenberg, Tim Schlattmann; Showtime
Friday Night Lights, Written by Bridget Carpenter, Kerry Ehrin, Brent Fletcher, Jason Gavin, Carter Harris, Elizabeth Heldens, David Hudgins, Jason Katims, Patrick Massett, Aaron Rahsaan Thomas, John Zinman; NBC
Lost, Written by Carlton Cuse, Drew Goddard, Adam Horowitz, Christina M. Kim, Edward Kitsis, Damon L. Lindelof, Greggory Nations, Kyle Pennington, Elizabeth Sarnoff, Brian K. Vaughan; ABC
Mad Men, Written by Lisa Albert, Jane Anderson, Rick Cleveland, Kater Gordon, David Isaacs, Andre Jacquemetton, Maria Jacquemetton, Marti Noxon, Robin Veith, Matthew Weiner; AMC
The Wire, Written by Ed Burns, Chris Collins, David Mills, David Simon, William F. Zorzi, Richard Price, Dennis Lehane, George Pelecanos; HBO
30 Rock, Written by Jack Burditt, Kay Cannon, Robert Carlock, Tina Fey, Donald Glover, Andrew Guest, Matt Hubbard, Jon Pollack, John Riggi, Tami Sagher, Ron Weiner; NBC
Entourage, Written by Doug Ellin, Jeremy Miller, Ally Musika, Steve Pink, Rob Weiss; HBO
The Office, Written by Steve Carell, Jennifer Celotta, Greg Daniels, Lee Eisenberg, Anthony Farrell, Brent Forrester, Dan Goor, Charlie Grandy, Mindy Kaling, Ryan Koh, Lester Lewis, Paul Lieberstein, Warren Lieberstein, B.J. Novak, Michael Schur, Aaron Shure, Justin Spitzer, Gene Stupnitsky, Halsted Sullivan; NBC
The Simpsons, Written by J. Stewart Burns, Daniel Chun, Joel H. Cohen, Kevin Curran, John Frink, Tom Gammill, Valentina Garza, Stephanie Gillis, Dan Greaney, Reid Harrison, Ron Hauge, Al Jean, Brian Kelly, Billy Kimball, Rob LaZebnik, Tim Long, Ian Maxtone-Graham, David Mirkin, Bill Odenkirk, Carolyn Omine, Don Payne, Michael Price, Max Pross, Mike Reiss, Mike Scully, Matt Selman, Matt Warburton, Jeff Westbrook, Marc Wilmore, William Wright; Fox
Weeds, Written by Roberto Benabib, Mark A. Burley, Ron Fitzgerald, David Holstein, Rolin Jones, Brendan Kelly, Jenji Kohan, Victoria Morrow, Matthew Salsberg; Showtime
Breaking Bad, Written by Vince Gilligan, Peter Gould, Patty Lin, George Mastras, J Roberts; AMC
Fringe, Written by JJ Abrams, Jason Cahill, Julia Cho, David H. Goodman, Felicia Henderson, Brad Caleb Kane, Alex Kurtzman, Darin Morgan, J.R. Orci, Roberto Orci, Jeff Pinkner, Zack Whedon; Fox
In Treatment, Written by Rodrigo Garcia, Bryan Goluboff, Davey Holmes, William Meritt Johnson, Amy Lippman, Sarah Treem; HBO
Life on Mars, Written by Josh Appelbaum, Andre Nemec, Scott Rosenberg, Becky Hartman Edwards, David Wilcox, Adele Lim, Bryan Oh, Tracy McMillan, Sonny Postiglione, Phil M. Rosenberg, Meredith Averill; ABC
True Blood, Written by Alan Ball, Brian Buckner, Raelle Tucker, Alexander Woo, Nancy Oliver, Chris Offutt; HBO
Episodic Drama - any length - one airing time
“Don’t Ever Change” (House), Written by Doris Egan & Leonard Dick; Fox
“Double Booked” (Burn Notice), Written by Craig O’Neill & Jason Tracey; USA
“Gray Matter” (Breaking Bad), Written by Patty Lin; AMC
“Pilot” (Breaking Bad), Written by Vince Gilligan; AMC
“Pilot” (Eli Stone), Written by Greg Berlanti & Marc Guggenheim; ABC
“There’s Something About Harry” (Dexter), Written by Scott Reynolds; Showtime
Episodic Comedy - any length - one airing time
“Believe in the Stars” (30 Rock), Written by Robert Carlock; NBC
“Cooter” (30 Rock), Written by Tina Fey; NBC
“Crime Aid” (The Office), Written by Charlie Grandy; NBC
“Crush’d” (Ugly Betty), Written by Tracy Poust & Jon Kinnally; ABC
“Succession” (30 Rock), Written by Andrew Guest & John Riggi; NBC
“Vote for This and I Promise to Do Something Crazy at the Emmys” (My Name is Earl), Written by Greg Garcia; NBC
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