The God of Legion secular Hollywood’s latest Biblically-inspired action flick is old-school an angry spiteful Almighty with a penchant for Old Testament theatrics. Fed up with humanity’s decadent warmongering ways He’s decided to pull the plug on the whole crazy experiment and start over from scratch.
Fortunately for us the God of Legion is also a rather lazy fellow. Instead of doing the apocalyptic work himself and wiping us out with a giant flood which worked perfectly well last time He opts to delegate the task to His army of angels — a questionable strategy that starts to fall apart when the archangel charged with leading the planned extermination Michael (Paul Bettany) refuses to comply.
Michael who unlike his boss still harbors affection for our sorry species abandons his post and descends to earth where inside the swollen belly of Charlie (Adrianne Palicki) an unwed mother-to-be working as a waitress in an out-of-the-way diner sits humanity’s lone hope for survival. Why is this particular baby so important? Is it the one destined to lead us to victory over Skynet? Heaven knows — Legion reveals little details its script devoid of actual scripture. What is clear is that God’s celestial hitmen want the kid whacked before it’s born.
But Michael won’t let humanity fall without a fight. Armed with a Waco-sized arsenal of assault weapons he hunkers down with the diner’s patrons a largely superfluous collection of thinly-sketched caricatures from various demographic groups led by Dennis Quaid as the diner’s grizzled owner Tyrese Gibson as a hip-hop hustler and Lucas Black as a simple-minded country boy.
Together they mount a heroic final stand against hordes of angels who’ve taken possession of “weak-willed” humans turning kindly old grandmas and mild-mannered ice cream vendors into snarling ravenous foul-mouthed beasts. They descend upon the ramshackle diner in a series of full-frontal assaults commanded by the archangel Gabriel (Kevin Durand) the George Pickett of End of Days generals.
Beneath its superficial religious facade Legion is really just a run-of-the-mill zombie flick a Biblical I Am Legend. Bettany an actor accustomed to smaller dramatic roles in films like A Beautiful Mind and The Da Vinci Code looks perfectly at ease in his first major action role wielding machine guns and bowie knives with equal aplomb. Conversely first-time director Scott Stewart a former visual effects artist does little to prove himself worthy of such a promotion serving up some impressive CGI work but not much else worthy of note.
It’s the story of America's youth. It's the story of outcasts who band
together with the beat serving as their common bond in a "communal
experience." It's the story of tireless rave scenesters savvy promoters
and idealistic artists. If you're part of the scene you'll see all the
familiar phenoms and faces; if you're over 30 and don't have a clue
this is a good intro course to the techno world and from now on you'll
be able to love or hate this music with a more informed opinion.
Who the hell are all these people with names such as Frankie Bones DJ
Spooky Loop Guru Moby Scanner and so on? They're the DJs and computer
nerds who make those booming beats on their Macs and turntables and
some of their stories are pretty fascinating. With their do-it-yourself
ethic and their quest to create a new music art form these folks
actually come off as real human beings (like the guy who got into
deejaying by spinning his dead father's record collection).
If you've ever been to a rave you know that there are a few
fundamentals: A darkened empty building (usually a warehouse); loud
thumping and incessant music; weird lights and images streaming across
the walls; and of course the DJ. Director Jon Reiss who used to make
videos for Nine Inch Nails brings the party to the screen without
polishing the grit to an MTV-style gloss. See it in a theater with good