A kids’ movie without the cheeky jokes for adults is like a big juicy BLT without the B… or the T. Madagascar 3: Europe’s Most Wanted may have a title that sounds like it was made up in a cartoon sequel laboratory but when it comes to serving up laughs just think of the film as a BLT with enough extra bacon to satisfy even the wildest of animals — or even a parent with a gaggle of tots in tow. Yes even with that whole "Afro Circus" nonsense.
It’s not often that we find exhaustively franchised films like the Madagascar set that still work after almost seven years. Despite being spun off into TV shows and Christmas specials in addition to its big screen adventures the series has not only maintained its momentum it has maintained the part we were pleasantly surprised by the first time around: great jokes.
In this third installment of the series – the trilogy-maker if you will – directing duo Eric Darnell and Tom McGrath add Conrad Vernon (director Monsters Vs. Aliens) to the helm as our trusty gang swings back into action. Alex the lion (Ben Stiller) Marty the zebra (Chris Rock) Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stuck in Africa after the hullaballoo of Madagascar 2 and they’ll do anything to get back to their beloved New York. Just a hop skip and a jump away in Monte Carlo the penguins are doing their usual greedy schtick but the zoo animals catch up with them just in time to catch the eye of the sinister animal control stickler Captain Dubois (Frances McDormand). And just like that the practically super human captain is chasing them through Monte Carlo and the rest of Europe in hopes of planting Alex’s perfectly coifed lion head on her wall of prized animals.
Luckily for pint-sized viewers Dubois’ terrifying presence is balanced out by her sheer inhuman strength uncanny guiles and Stretch Armstrong flexibility (ah the wonder of cartoons) as well as Alex’s escape plan: the New Yorkers run away with the European circus. While Dubois’ terrifying Doberman-like presence looms over the entire film a sense of levity (which is a word the kiddies might learn from Stiller’s eloquent lion) comes from the plan for salvation in which the circus animals and the zoo animals band together to revamp the circus and catch the eye of a big-time American agent. Sure the pacing throughout the first act is practically nonexistent running like a stampede through the jungle but by the time we're palling around under the big top the film finds its footing.
The visual splendor of the film (and man is there a champion size serving of it) the magnificent danger and suspense is enhanced to great effect by the addition of 3D technology – and not once is there a gratuitous beverage or desperate Crocodile Dundee knife waved in our faces to prove its worth. The caveat is that the soundtrack employs a certain infectious Katy Perry ditty at the height of the 3D spectacular so parents get ready to hear that on repeat until the leaves turn yellow.
But visual delights and adventurous zoo animals aside Madagascar 3’s real strength is in its script. With the addition of Noah Baumbach (Greenberg The Squid and the Whale) to the screenwriting team the script is infused with a heightened level of almost sarcastic gravitas – a welcome addition to the characteristically adult-friendly reference-heavy humor of the other Madagascar films. To bring the script to life Paramount enlisted three more than able actors: Vitaly the Siberian tiger (Bryan Cranston) Gia the Leopard (Jessica Chastain) and Stefano the Italian Sealion (Martin Short). With all three actors draped in European accents it might take viewers a minute to realize that the cantankerous tiger is one and the same as the man who plays an Albuquerque drug lord on Breaking Bad but that makes it that much sweeter to hear him utter slant-curse words like “Bolshevik” with his usual gusto.
Between the laughs the terror of McDormand’s Captain Dubois and the breathtaking virtual European tour the Zoosters’ accidental vacation is one worth taking. Madagascar 3 is by no means an insta-classic but it’s a perfectly suited for your Summer-at-the-movies oasis.
The magician popped the question to Sandra Gonzalez during a vacation in Cabo San Lucas, Mexico earlier this month (Sep11), reports People.com.
The couple met on the set of Angel's TV show Mindfreak.
The marriage will be Angel's second - he divorced his first wife, JoAnn, in 2005.
When X-Men: First Class hits theaters on June 3rd, you may notice that the blockbuster series has changed a bit. The costumes and setting are different, as are the actors playing lead characters Charles Xavier and Eric Lensherr/Magneto. But the most noticeable departure for the franchise is its super-powered roster. The A-team of Cyclops, Storm, Jean Grey and Wolverine are gone, along with heroes-in-training like Ice Man, Rogue and Kitty Pride. And though you’ll hear a few familiar names like Mystique and Beast, you won’t recognize their faces. Filling in for these future fighters are a new batch of mutants who join Xavier in actually founding the X-Men, and a young and talented cast of newcomers who you’ll be seeing a lot of in the coming years. Let’s take a look at the new mutants (well, not THOSE New Mutants…).
Emma Frost/The White Queen
Played by: January Jones
First Comic Book Appearance: X-Men #129 (1979)
Mutant Abilities: Various telepathic powers, including mind reading, mind control, mental sedation and psionic force bolts. In addition, she can transform her skin and hair into a diamond-like substance, rendering her nearly invulnerable.
Emma was born into a wealthy Boston family, but shunned its success and instead wished to make it in the world on her own. Guided by her ambition, intelligence and charm (not to mention her telepathic powers), she climbed the corporate ladder of big business and became the majority stockholder of a multi-billion dollar conglomerate principally involved in electronics and transportation. Her success caught the attention of the Hellfire Club, an elite secret society bent on global domination led by Sebastian Shaw, which is at the center of the conflict in X-Men: First Class. From there, she became one of the Club’s most respected members, and eventually its White Queen.
Played by: Kevin Bacon
First Comic Book Appearance: Uncanny X-Men #129 (1979)
Mutant Abilities: Can absorb kinetic energy and re-channel it into superhuman strength, speed and durability. He also has minor telepathic capabilities.
It’s no wonder that Frost and Shaw hit it off so well; they come from different sides of the same coin. Born to a poor family in Pittsburgh, Shaw turned his fortunes around by his mid-twenties with Shaw Industries, a company he built from the ground-up. He was quickly invited to join the Hellfire Club, and rose it ranks to become the Black King with relative ease. At this point, he planned to use its political and economic resources to further his own goals of global domination, but the X-Men surely had something to say about that…
Played by: Jason Flemyng
First Comic Book Appearance: Uncanny X-Men #428 (2003)
Mutant Abilities: Like the video game Portal? If so, this is the mutant for you. He can teleport by opening portals from one dimension to another. He can also concentrate this portal energy to conjure devastating blasts. Additionally, he shares a mental link with all of his offspring.
Believe it or not, mutants have been around since biblical times (Jesus? Maybe?). Azazel is one of the oldest, and he’s a pretty bad dude. As ruler of the Neyaphem (demon-like mutants from the old days), he believes that Earth and everything in it belongs to him, which kind of puts him at odds with the X-Men. It’s quite strange, then, that one of his children would turn out to be one of them! That’s right: Nightcrawler, the blue teleporter from X2, is the son of this evildoer, though I wouldn’t expect him to bring that up in First Class.
Played by: Zoe Kravitz
First Comic Book Appearance: New X-Men #118 (2001)
Mutant Abilities: They’re quite icky, actually. Angel possesses a few abilities akin to that of a common housefly. Aside from having a pair of wings that allow her to both fly and create a deafening ultrasonic sound by vibrating them, she has an insect like reproductive system that lets her lay eggs that can hatch after just five days. If that’s not weird enough for you, she can spit up an acidic bile-like substance that’s probably not too good for your skin.
Not to be confused with Ben Foster’s winged character from The Last Stand, Angel comes from a very different background than Warren Worthington III. Her abusive stepfather drove her out of her home, forcing her to sleep in the woods where her mutant abilities kicked in a formed a cocoon around her. When she woke up, she had her wings and ran into Wolverine, who took her to Xavier’s mansion. On an interesting side note, actress Zoe Kravitz, who plays Salvadore in First Class, briefly dated the fore mentioned Foster, bringing the cinematic mutant universe back full circle in a sense.
Played by: Lucas Till
First Comic Book Appearance: X-Men #54 (1969)
Mutant Abilities: Havok can absorb cosmic energy into the cells of his body, transform it in an unknown manner and release it as waves of energy that heat the air in their path enough to turn it into plasma, which is a super-heated state of matter consisting of charged subatomic particles.
This is where things get tricky for the chronology of the mutant universe. You see, Alex is the younger brother of Scott Summers a.k.a Cyclops. When we catch up with him in First Class circa 1963, he’s well into his teens already. How, then, can Scott the elder brother be in his early thirties in 2000s X-Men while Alex, the younger is 16 in the sixties? I really hope that director Matthew Vaughn and his army of writers address this fallacy, because it actually has kept me up at night.
Anyway, after a tumultuous upbringing in an orphanage followed by foster care, Havok joined the X-Men and fell in love with Lorna Dane, a.k.a Polaris (who is noticeably missing from the roster). After time spent abroad together doing research, he later would rejoin the X-Men and eventually lead the second iteration of the government sponsored mutant fighting force known as X-Factor.
Played by: Edi Gathegi
First Comic Book Appearance: X-Men Deadly Genesis #2 (2006)
Mutant Abilities: As his moniker would suggest, Darwin’s game is adaptivity. If he’s trapped in a burning building, his skin becomes fireproof. If he’s deep underwater, he grows gills to let him breathe. Get it? Unfortunately, he has no control over his powers; they are purely the result of an instinctual response. However, they have increased his intellect to near genius level.
Darwin is a relatively new addition to Marvel’s mutant universe, but no less important. His story begins in a 2006 run of comics in which he’s born to a father who rejects him and a mother who resents him. However, his intelligence got him a full scholarship to a prestigious boarding school, where he was bullied because of his wraithlike appearance. At 15, his latent abilities kicked in and he used them to fight back. It was then that he was sent to Dr. Moira MacTaggert, a renowned geneticist and friend of Charles Xavier. Eventually, all of MacTaggert’s students joined Xavier’s growing band of freedom-fighting peacekeepers known as the X-Men.
Played by: Caleb Landry Jones
First Comic Book Appearance: X-Men #28 (1967)
Mutant Abilities: Sean’s got a powerful set of pipes; thanks to his superhuman lungs, he can produce a sonic scream for various effects. First off, he can stun, disorient or knock someone out with his deafening shriek. He could generate sonic blasts that strike with tremendous concussive force, liquefying or outright disintegrating targets at his highest levels of power. He can even concentrate the sound waves to enable himself to fly.
Cassidy belongs to a noble line of Irishmen that dates back before recorded history. Born into a happy home where as a youngster he dreamed of heroic acts, he discovered his mutant abilities as a teen but concealed them at first, fearing for his own safety. He frequently clashed with his mutant cousin Black Tom, and the two had a longtime feud over a local girl who Sean ended up marrying. After a career in law enforcement with Interpol, Sean teamed with the X-Men to take on the rising mutant subversive organization Factor Three and, following their defeat, joining the team full time. In First Class, Cassidy will be one of the younger team members, but in comic book lore he’s actually of the same age as Charles Xavier and became a close confidante of the leader.
Played by: Alex Gonzalez
First Comic Book Appearance: Uncanny X-Men #210 (1986)
Mutant Abilities: Riptide can spin his body at incredible speeds, creating a vacuous suction that draws in nearby objects and allows him to throw objects at equally powerful velocities; chief amongst them calcified “daggers” which he grows from his own body.
Another villain who has clashed with the X-Men on numerous occasions, in the comics Riptide is a member of the mutant collective the Marauders who serve Mr. Sinister. In the film, he’s one of Sebastian Shaw’s henchmen and in all likelihood a low-ranking member of the Hellfire Club.
The God of Legion secular Hollywood’s latest Biblically-inspired action flick is old-school an angry spiteful Almighty with a penchant for Old Testament theatrics. Fed up with humanity’s decadent warmongering ways He’s decided to pull the plug on the whole crazy experiment and start over from scratch.
Fortunately for us the God of Legion is also a rather lazy fellow. Instead of doing the apocalyptic work himself and wiping us out with a giant flood which worked perfectly well last time He opts to delegate the task to His army of angels — a questionable strategy that starts to fall apart when the archangel charged with leading the planned extermination Michael (Paul Bettany) refuses to comply.
Michael who unlike his boss still harbors affection for our sorry species abandons his post and descends to earth where inside the swollen belly of Charlie (Adrianne Palicki) an unwed mother-to-be working as a waitress in an out-of-the-way diner sits humanity’s lone hope for survival. Why is this particular baby so important? Is it the one destined to lead us to victory over Skynet? Heaven knows — Legion reveals little details its script devoid of actual scripture. What is clear is that God’s celestial hitmen want the kid whacked before it’s born.
But Michael won’t let humanity fall without a fight. Armed with a Waco-sized arsenal of assault weapons he hunkers down with the diner’s patrons a largely superfluous collection of thinly-sketched caricatures from various demographic groups led by Dennis Quaid as the diner’s grizzled owner Tyrese Gibson as a hip-hop hustler and Lucas Black as a simple-minded country boy.
Together they mount a heroic final stand against hordes of angels who’ve taken possession of “weak-willed” humans turning kindly old grandmas and mild-mannered ice cream vendors into snarling ravenous foul-mouthed beasts. They descend upon the ramshackle diner in a series of full-frontal assaults commanded by the archangel Gabriel (Kevin Durand) the George Pickett of End of Days generals.
Beneath its superficial religious facade Legion is really just a run-of-the-mill zombie flick a Biblical I Am Legend. Bettany an actor accustomed to smaller dramatic roles in films like A Beautiful Mind and The Da Vinci Code looks perfectly at ease in his first major action role wielding machine guns and bowie knives with equal aplomb. Conversely first-time director Scott Stewart a former visual effects artist does little to prove himself worthy of such a promotion serving up some impressive CGI work but not much else worthy of note.
What do you get when a small-time crook gets whacked at the exact same time his baby boy’s born? Yes yet another crime story that’s driven by a quest for vengeance. A straight-A student living in a swanky Connecticut suburb Wilson De Leon Jr. (Rick Gonzalez) knows nothing about his late father. Nor for that fact does he ever wonder why his widowed mother Millie (Wanda De Jesus) insists on moving his family from one town to another at a moment’s notice. Unbeknownst to Wilson and his younger brother Millie’s been on the run since her husband died a bloody death for reasons left unsaid until Illegal Tender’s last bullet is fired. After she’s spotted by one of her pursuers Millie rushes home to pack her family’s bags. Only this time Wilson wants to know what’s going on. Then he decides to stand his ground. Which he does—at least until he comes to his senses and realizes that he’s putting himself and his girlfriend (Dania Ramirez) in harm’s way. Still Wilson’s not ready to let his loved ones be terrorized forever. Despite Millie’s protests Wilson heads off to Puerto Rico to take care of matters once and for all. And Illegal Tender quickly goes from vaguely interesting to boneheaded as soon as Wilson arrives in Puerto Rico. Oh and producer John Singleton deserves to be reprimanded for allowing writer/director Franc Reyes to rip off his own revenge saga Four Brothers. Guess Singleton thought what worked once would work again. How wrong he is. One look at Rick Gonzalez (Coach Carter) and it’s hard to believe he could punch a timecard let alone a thug willing to snap the skinny kid in two. He makes Shia LaBeouf look like Harrison Ford. Then again Gonzalez’s playing a scrawny little momma’s boy who’s all brains and no brawn—at least until Millie’s past catches up with her. So it makes no difference that Gonzalez isn’t physically imposing. The problem is that Gonzalez never comes across as book smart as his character is supposed be. Nor does he display much in the way of street smarts especially when Wilson starts to get his hands dirty. It hardly comes as a surprise to learn that Wilson never questioned how his mother always had huge amounts of cash at her disposal even though she rarely held down a job. And thanks to Gonzalez you never get the sense that Wilson’s ever one step ahead of his father’s killers. On the other hand the tough-as-nails Wanda De Jesus is such a commanding presence that you know immediately she’s capable of breaking the neck of anyone who tries to harm her family. If Quentin Tarantino ever needs another no-nonsense cougar to bust a few skulls he should look no further than De Jesus. Dania Ramirez (The Sopranos) also looks like she could beat the snot out of Gonzalez but all she gets to do is express concern for Wilson’s safety. In his film debut Puerto Rican rapper Tego Calderón lends a little edge to the proceedings as a gangster who stands between Wilson and his quarry. Illegal Tender wants us to believe that Wilson has what it takes to go all Four Brothers on his father’s killers. That would be fine if Illegal Tender took its time transforming Wilson from naïve college student to angel of vengeance. Instead it’s taken for granted that Wilson’s his father’s son that all it takes is a couple of practice shots at some glass bottles to turn a boy into a man. Even then Wilson’s not much of a threat to anyone. This could be overlooked if director Franc Reyes at least gave Illegal Tender some vim and vigor. Instead Illegal Tender lacks urgency even when Millie and her family are fleeing for their lives. Everything falls apart once Reyes unnecessarily shifts the action to Puerto Rico. You expect Wilson to at least jump a few hurdles in his bid to find his father’s killers. But that’s not the case. Doors open quickly and easily for Wilson. Where’s the suspense in that? The motive behind the murder is not revealed until the end but it only will make you shrug your shoulders in apathy. Also after raising the moral implications of living off illegal gains Reyes conveniently brushes aside such a weighty matter in favor of sending mother and son into battle together. Yes Illegal Tender is filled with such warmhearted Mommy and Me moments of bonding. “Sometimes you’ve got to play the only chips you’ve got ” Wilson’s father says minutes before he’s killed. With Illegal Tender Reyes makes a real bad bet with the precious few chips he has and comes up a big loser.