Tribeca Film via Everett Collection
For a film that involves a love triangle, mental illness, a Bohemian colony of free-spirits, an impending war and several important historical figures, the most exciting elements of Summer in February are the stunning shots of the English country and Cornish seaside. The rest of the film never quite lives up to the crashing waves and sun-dappled meadows that are used to bookend the scenes, as the entertaining opening never manages to coalesce into a story that lives up the the cinematography, let alone the lives of the people that inspired it.
Set in an Edwardian artist’s colony in Cornwall, Summer in February tells the story of A.J. Munnings (Dominic Cooper), who went on to become one of the most famous painters of his day and head of the Royal Academy of Art, his best friend, estate agent and part-time soldier Gilbert Evans (Dan Stevens), and the woman whom they both loved, aspiring artist Florence Carter-Wood (Emily Browning). Her marriage to Munnings was an extremely unhappy one, and she attempted suicide on their honeymoon, before killing herself in 1914. According to his journals, Gilbert and Florence were madly in love, although her marriage and his service in the army kept them apart.
When the film begins, Munnings is the center of attention in the Lamorna Artist's Colony, dramatically reciting poetry at parties and charming his way out of his bar tab while everyone around him proclaims him to be a genius. When he’s not drinking or painting, he’s riding horses with Gilbert, who has the relatively thankless task of keeping this group of Bohemians in line. Their idyllic existence is disrupted by the arrival of Florence, who has run away from her overbearing father and the fiancé he had picked out for her in order to become a painter.
Stevens and Browning both start the film solidly, with enough chemistry between them to make their infatuation interesting. He manages to give Gilbert enough dependable charm to win over both Florence and the audience, and she presents Florence as someone with enough spunk and self-possession to go after what she wants. Browning’s scenes with Munnings are equally entertaining in the first third of the film, as she can clearly see straight through all of his bravado and he is intrigued by her and how difficult she is to impress. Unfortunately, while the basis of the love triangle is well-established and entertaining, it takes a sudden turn into nothing with a surprise proposal from Munnings.
Neither the film nor Browning ever make it clear why Florence accepts his proposal, especially when they have both taken great pains to establish that she doesn’t care much for him. But once she does, the films stalls, and both Stevens and Browning spend the rest of the film doing little more than staring moodily and longingly at the people around them. The real-life Florence was plagued by depression and mental instability, but neither the film nor Browning’s performance ever manage to do more than give the subtlest hint at that darkness. On a few occasions, Browning does manage to portray a genuine anguish, but rather than producing any sympathy from the audience, it simply conjures up images of a different film, one that focused more on Florence, and the difficulties of being a woman with a mental illness at a time when both were ignored or misunderstood.
Stevens is fine, and Gilbert starts out with the same kind of good-guy appeal the won the heart of Mary Crawley and Downton Abbey fans the world over. However, once the film stalls, so does his performance, and he quickly drops everything that made the character attractive or interesting in favor of longing looks and long stretches of inactivity. He does portray a convincing amount of adoration for Florence, although that's about the only real emotion that Gilbert expresses for the vast majority of the film, and even during his love scene, he never manages to give him any amount of passion.
Cooper does his best with what he’s given, and tries his hardest to imbue the film with some substance and drama. His Munnings is by turns charming, brash, and brooding, the kind of person who has been told all of their life that they are special, and believes it. He even manages to give the character some depth, and even though he and Browning have very little chemistry, he manages to convey a genuine affection for her. It’s a shame that Munnings becomes such a deeply unlikable character, because Cooper is the only thing giving Summer in February a jolt of life – even if it comes via bursts of thinly-explained hostility. It's hard to watch just how hard he's working to connect with his co-stars and add some excitement to a lifeless script and not wish that he had a better film to show off his talents in.
Unfortunately, by the time Florence and Gilbert are finally spurred into activity, the film has dragged on for so long that you’re no longer invested in the characters, their pain, or their love story, even if you want to be. Which is the real disappointment of Summer in February; underneath the stalled plot and the relatively one-note acting, there are glimmers of a fascinating and compelling story that’s never allowed to come to the forefront.
The Rain Man legend was the subject of a Life in Pictures retrospective in London, and he became teary as he recalled struggling through his own marriage breakdown while considering a role in the 1979 divorce drama Kramer vs. Kramer.
He told the audience, "I was getting divorced (from first wife Anne Byrne), I'd been partying with drugs and it depleted me in every way."
Hoffman almost refused to meet producer Stanley Jaffe and director/writer Bob Benton because he didn't like the script - and he only joined the cast after it was rewritten.
He adds, "We finished and I got offered a writing credit and stupidly turned it down, but it was a liberating experience for me to push all the stuff I was going through out there."
The 75 year old was moved to tears once again when he later began discussing the movie's child star Justin Henry, who landed the part with no acting experience.
Hoffman explains, "I later discovered he was coming from a home that was breaking up. There was a moment during a break in the testing when I thought, this is the right kid, he's my son."
However, the mood of the evening lightened as Hoffman spoke about his 1982 cross-dressing comedy Tootsie, in which he played an unemployed actor who auditions as a woman to land a role in a soap opera.
Hoffman recalled meeting Jon Voight in a restaurant and tricking his Midnight Cowboy co-star while he was in character: "I went over to him as Dorothy and had an entire conversation about how much I liked his work and managed to fool him."
Previous honourees of the BAFTA Life In Pictures event include Will Ferrell, Kenneth Branagh, Charlize Theron and Colin Firth.
Oscars Shmoscars. The Annie Awards are where the real glory is.
In all seriousness, animation is an unappreciated medium, so the 2011 Annie Awards is a phenomenon that really deserves our attention. The nominations are in for this year's awards ceremony, celebrating the art, production, writing, directing and acting in animated projects.
As you check out the nominees below, begin to realize that you're not nearly as happy as you could be. Then, watch all of the movies listed. Problem solved.
BEST ANIMATED FEATURE
A Cat in Paris – Folimage
Arrugas (Wrinkles) – Perro Verde Films, S.L.
Arthur Christmas – Sony Pictures Animation, Aardman Animations
Cars 2 – Pixar Animation Studios
Chico & Rita – Chico & Rita Distribution Limited
Kung Fu Panda 2 – DreamWorks Animation
Puss In Boots – DreamWorks Animation
Rango – Paramount Pictures and Nickelodeon Movies present A Blind Wink/GK Films Production
Rio – Blue Sky Studios
Tintin – Amblin Entertainment, Wingnut Films and Kennedy/Marshall
BEST ANIMATED SPECIAL PRODUCTION
Adventure Time: Thank You – Cartoon Network Studios
Batman: Year One – Warner Bros. Animation
Ice Age: A Mammoth Christmas – Blue Sky Studios
Kung Fu Panda – Secrets of the Masters – DreamWorks Animation
Prey 2 –Blur Studio
Star Tours – Industrial Light & Magic
BEST ANIMATED SHORT SUBJECT
Adam and Dog – Lodge Films
I Tawt I Taw A Puddy Tat – Warner Bros. Animation
La Luna – Pixar Animation Studios
(Notes on) Biology – Ornana Films
Paths of Hate – Platige Image
Sunday – National Film Board of Canada
The Ballad of Nessie –Walt Disney Animation Studios
The Girl and the Fox – Base14
Wild Life – National Film Board of Canada and Studio GDS
BEST ANIMATED TELEVISION COMMERCIAL
Audi “Hummingbird” – The Mill
Geico “Foghorn” – Renegade Animation
McDonald’s “Apple Tree” – Duck Studios/Kompost
McDonald’s “Suzi Van Zoom” – Duck Studios/Kompost
Norton “Stuff”– Psyop
O2 “Niggles & Narks” – The Mill
Statoil “Good Night” – Studio AKA
“The Pirate” – Meindbender
Twinings “Sea” – Psyop
BEST GENERAL AUDIENCE ANIMATED TV PRODUCTION
Archer – FX Productions
Green Lantern: The Animated Series – Warner Bros. Animation
Hoops & YoYo Ruin Christmas - Hallmark
MAD – Warner Bros. Animation
Mary Shelley’s Frankenhole Season 2 – Starburns Industries, Inc.
Prep & Landing: Naughty vs. Nice – Walt Disney Animation Studios
Star Wars: The Clone Wars – Lucasfilm Animation, Ltd.
The Simpsons – Gracie Films
BEST ANIMATED TELEVISION PRODUCTION - PRESCHOOL
Chuggington – Ludorum Pictures
Disney's Jake and the Never Land Pirates – Disney Television Animation
Disney's Mickey Mouse Clubhouse – Disney Television Animation
The WotWots Season 2 – Pukeko Pictures
BEST ANIMATED TELEVISION PRODUCTION - CHILDREN
Fanboy and Chum Chum – Nickelodeon and Frederator
Kung Fu Panda – DreamWorks Animation
Penguins of Madagascar – DreamWorks Animation
The Amazing World of Gumball – Cartoon Network in Association with Dandelion Studios, Boulder Media & Studio Soi
BEST ANIMATED VIDEO GAME
Bumpy Road – Simogo
Catherine – Atlus
Gears of War 3 – Epic Games
Gesundheit – Konami Digital Entertainment
Ghost Trick: “Phantom Detective” – Capcom
Insanely Twisted Shadow Planet – Shadow Planet Productions, Gagne/Fuelcell
Ratchet and Clark: All 4 One – Insomniac
Rayman Origins – Ubisoft Montpellier
Unchartered 3: Drake’s Deception – Naughty Dog
ANIMATED EFFECTS IN AN ANIMATED PRODUCTION
Can Yuksel “Puss In Boots” DreamWorks Animation
Chase Cooper “Rango” Industrial Light & Magic
Dan Lund “Winnie The Pooh” Walt Disney Animation Studios
Dave Tidgewell “Kung Fu Panda 2” DreamWorks Animation
Eric Froemling “Cars 2” Pixar Animation Studios
Jason Mayer “Kung Fu Panda 2” DreamWorks Animation
Joel Aron “Star Wars: The Clone Wars” Lucasfilm Animation, Ltd.
Jon Reisch “Cars 2” Pixar Animation Studios
Kevin Romond “Tintin” Amblin Entertainment, Wingnut Films and Kennedy/Marshall
Willi Geiger “Rango” Industrial Light & Magic
ANIMATED EFFECTS IN A LIVE ACTION PRODUCTION
Branko Grujcic “Pirates of the Caribbean: On Stranger Tides” Industrial Light & Magic
Florent Andarra “Transformers: Dark of the Moon” Industrial Light & Magic
Gary Wu “Cowboys & Aliens” Industrial Light & Magic
Lee Uren “Cowboys & Aliens” Industrial Light & Magic
CHARACTER ANIMATION IN A TELEVISION PRODUCTION
Chad Sellers “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Michael Franceschi “Kung Fu Panda” Nickelodeon
Rebecca Wilson Bresee “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Sihanouk Mariona “Mary Shelley’s Frankenhole Season 2” Starburns Industries, Inc.
Tony Smeed “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
CHARACTER ANIMATION IN A FEATURE PRODUCTION
Andreas Deja “Winnie The Pooh” Walt Disney Animation Studios
Dan Wagner “Kung Fu Panda 2” DreamWorks Animation
Jeff Gabor “Rio” Blue Sky Studios
Mark Henn “Winnie The Pooh” Walt Disney Animation Studios
Olivier Staphylas “Puss In Boots” DreamWorks Animation
Patrik Puhala “Rio” Blue Sky Studios
Pierre Perifel “Kung Fu Panda 2” DreamWorks Animation
CHARACTER ANIMATION IN A LIVE ACTION PRODUCTION
Andy Arnett “HOP” Rhythm & Hues, Illumination Entertainment
David Lowry “Paul” Double Negative Visual Effects for Universal
Productions/Relativity Media/Working Title Films/Big Talk Productions
Eric Reynolds “Rise of the Planet of the Apes” 20th Century Fox
Mike Hull “Paul” Double Negative Visual Effects for Universal
Productions/Relativity Media/Working Title Films/Big Talk Productions
CHARACTER DESIGN IN A TELEVISION PRODUCTION
Bill Schwab “Prep & Landing” Walt Disney Animation Studios
Carl Raggio “Disney Kick Buttowski” Disney Television Animation
Chad Hurd “Archer” FX Productions
Chris Battle “Dan Vs.” Starz Film Roman
Eric Robles “Fanboy and Chum Chum” Nickelodeon & Frederator
Gordon Hammond “TUFF Puppy” Nickelodeon
Mike Dougherty “TUFF Puppy” Nickelodeon
Robert Ryan Cory “Secret Mountain Fort Awesome” Cartoon Network Studios
CHARACTER DESIGN IN A FEATURE PRODUCTION
Jay Shuster “Cars 2” Pixar Animation Studios
Mark “Crash” McCreery “Rango” Paramount Pictures and
Nickelodeon Movies present A Blind Wink/GK Films Productions
Patrick Mate “Puss In Boots” DreamWorks Animation
Peter de Seve “Arthur Christmas” Sony Pictures Animation, Aardman Animations
Sergio Pablos “Rio” Blue Sky Studios
DIRECTING IN A TELEVISION PRODUCTION
Brian Sheesley “Dan Vs.” Starz Film Roman
Chris Savino & Clay Morrow “ Disney Kick Buttowski” Disney Television Animation
Dan Riba “Ben 10 Ultimate Alien” Cartoon Network Studios
Duke Johnson “Community” 23 D Films, Inc.
Gabe Swarr “Kung Fu Panda” Nickelodeon
Ken Bruce “TUFF Puppy” Nickelodeon
Kevin Deters & Stevie Wermers-Skelton “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Matthew Nastuk “The Simpsons” Gracie Films
Mic Graves & Ben Bocquelet “The Amazing World of Gumball”
Cartoon Network Europe in association with Dandelion Studios, Boulder Media & Studio Soi
Peter Hausner “Ninjago: Masters of Spinjitzu” Wil Film
Steve Loter, Christo Stamboliev, Shaun Cashman, David Knott “Penguins of Madagascar” Nickelodeon and Technicolor
Tony Craig “Hoops & YoYo Ruin Christmas” Hallmark
DIRECTING IN A FEATURE PRODUCTION
Carlos Saldahna “Rio” Blue Sky Studios
Chris Miller “Puss In Boots” DreamWorks Animation
Don Hall & Stephen Anderson “Winnie The Pooh” Walt Disney Animation Studios
Gore Verbinski “Rango” Paramount Pictures and Nickelodeon Movies present a Blind Wink/GK Films Productions
Jennifer Yuh Nelson “Kung Fu Panda 2” DreamWorks Animation
Kelly Asbury “Gnomeo & Juliet” Touchstone Pictures
MUSIC IN A TELEVISION PRODUCTION
Adam Berry, Bob Schooley, Mark McCorkle “Penguins of Madagascar” Nickelodeon and Technicolor
Ben Locket “The Amazing World of Gumball” Cartoon Network Europe in association with Dandelion Studios, Boulder Media & Studio Soi
Frederik Wiedmann “Green Lantern The Animated Series” Warner Bros. Animation
Grace Potter, Michael Giacchino “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Joel McNeely, Brendan Milburn and Valerie Vigoda “Pixie Hollow Games” DisneyToon Studios
Kevin Kliesch “Thundercats” Warner Bros. Animation and Cartoon Network
Shawn Patterson, Zeb Wells “Robot Chicken” ShadowMachine and Stoopid Monkey in association with Adult Swim
MUSIC IN A FEATURE PRODUCTION
Henry Jackman “Puss In Boots” DreamWorks Animation
John Williams “Tintin” Amblin Entertainment, Wingnut Films and Kennedy/Marshall
Mikael Mutti, Siedah Garrett, Carlinhos Brown, Sergio Mendes, John Powell, “Rio” Blue Sky Studios
Zooey Deschannel, Kristen Anderson-Lopez, Henry Jackman, Robert Lopez “Winnie The Pooh” Walt Disney Animation Studios
PRODUCTION DESIGN IN A TELEVISION PRODUCTION
Mark Bodner, Chris Tsirgiotis, Sue Mondt and Daniel Elson “Secret Mountain Fort Awesome” Cartoon Network Studios
Peter Martin “Hoops & YoYo Ruin Christmas” Hallmark
PRODUCTION DESIGN IN A FEATURE PRODUCTION
Harley Jessup “Cars 2” Pixar Animation Studios
Paul Felix “Winnie The Pooh” Walt Disney Animation Studios
Raymond Zilbach “Kung Fu Panda 2” DreamWorks Animation
Tom Cardone, Kyle MacNaughton & Peter Chan “Rio” Blue Sky Studios
STORYBOARDING IN A TELEVISION PRODUCTION
Barry W. Johnson “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Benton Connor “Regular Show” Cartoon Network Studios
Brian Kesinger “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Dave Thomas “TUFF Puppy” Nickelodeon
Fred Gonzalez “TUFF Puppy” Nickelodeon
Joe Mateo “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Justin Nichols “Fanboy & Chum Chum” Nickelodeon & Frederator
Katie Rice “Fanboy & Chum Chum” Nickelodeon & Frederator
Rebecca Sugar “Adventure Time” Cartoon Network Studios
STORYBOARDING IN A FEATURE PRODUCTION
Bob Logan “Puss In Boots” DreamWorks Animation
David Gosman “Rango” Paramount Pictures & Nickelodeon Movies present A Blind Wink/GK Films Production
Gary Graham “Kung Fu Panda 2” DreamWorks Animation
Jeremy Spears “Winnie The Pooh” Walt Disney Animation Studios
Josh Hayes “Rango” Paramount Pictures & Nickelodeon Movies present A Blind Wink/GK Films Production
Kris Pearn “Arthur Christmas” Sony Pictures Animation, Aardman Animations
Nelson Yokota “Gnomeo and Juliet” Touchstone Pictures
Philip Craven “Kung Fu Panda 2” DreamWorks Animation
Scott Morse “Cars 2” Pixar Animation Studios
VOICE ACTING IN A TELEVISION PRODUCTION
Carlos Alazraqui as Denzel Crocker “Fairly OddParents” Nickelodeon
Dan Harmon as Jekyll “Mary Shelley’s Frankenhole Season 2” Starburns Industries, Inc.
Daran Norris as Cosmo “Fairly OddParents” Nickelodeon
Dee Bradley Baker as Obi-Wan “Star Wars: The Clone Wars” Lucasfilm Animation, Ltd.
Diedrich Bader as Batman “Batman: The Brave and the Bold” Warner Bros. Animation
H. Jon Benjamin as Sterling Archer “Archer” FX Productions
Jeff Bennett as Kowalski “Penguins of Madagascar” Nickelodeon and Technicolor
Jeff B. Davis as Victor Frankenstein “Mary Shelley’s Frankenhole Season 2” Starburns Industries, Inc.
Jessica Walter as Malory Archer “Archer” FX Productions
Judy Greer as Cheryl Tunt “Archer” FX Productions
Logan Grove as Gumball “The Amazing World of Gumball” Cartoon Network Europe in association with Dandelion Studios, Boulder Media & Studio Soi
Nika Futterman as Asajj Ventress “Star Wars: The Clone Wars” Lucasfilm Animation, Ltd.
Scott Adsit as the Creature “Mary Shelley’s Frankenhole Season 2” Starburns Industries, Inc.
Tara Strong as Timmy Turner “Fairly OddParents – Operation Dingleberg” Nickelodeon
VOICE ACTING IN A FEATURE PRODUCTION
Ashley Jensen as Bryony “Arthur Christmas” Sony Pictures Animation, Aardman Animations
Bill Nighy as Grandsanta “Arthur Christmas” Sony Pictures Animation, Aardman Animations
Gary Oldman as Shen “Kung Fu Panda 2” DreamWorks Animation
James Hong as Mr. Ping “Kung Fu Panda 2” DreamWorks Animation
Jemaine Clement as Nigel “Rio” Blue Sky Studios
Jim Cummings as Featherstone “Gnomeo and Juliet” Touchstone Pictures
Zach Galifianakis as Humpty Alexander Dumpty “Puss In Boots” DreamWorks Animation
WRITING IN A TELEVISION PRODUCTION
Blake Lemons, William Reiss, C.H. Greenblatt, Derek Evanick, Diana Lafyatis, Neil Graf “Disney Fish Hooks – Fish School Musical”
Disney Television AnimationCarolyn Omine “The Simpsons -Treehouse of Horror XXII” – Gracie Films
Dani MIchaeli, Sean Charmatz, Nate Cash, Luke Brookshier, Paul
Tibbitt “SpongeBob SquarePants - Patrick’s Staycation” Nickelodeon
Josh Weinstein “Futurama - All The President’s Heads” The Curiosity Company in association with 20th Century Fox Television
Kevin Sullivan, Will Schifrin, Ray DeLaurentis “TUFF Puppy Thunder Dog” Nickelodeon
Matt Maiellaro, Dave Willis “Agua Unit Patrol Squad 1 – The Creditor” Williams Street Studios, Adult Swim
Ray DeLaurentis, Will Schifrin “Fairly OddParents “Invasion of the Dads” Nickelodeon
Steve Wermers-Skelton, Kevin Deters “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
WRITING IN A FEATURE PRODUCTION
Andy Riley, Kevin Cecil, Mark Burton, Kathy Greenburg, Emily Cook, Rob Sprackling, John R. Smith, Kelly Asbury, Steve Hamilton “Gnomeo & Juliet” Touchstone Pictures
Brian Kesinger, Kendelle Hoyer, Don Dougherty, Clio Chang, Don Hall, Stephen Anderson “Winnie The Pooh” Walt Disney Animation Studios
John Logan, Gore Verbinski and James Byrkit “Rango” Paramount Pictures and Nickelodeon Movies present A Blind Wink/GK Films Productions
Sarah Smith, Peter Baynham “Arthur Christmas” Sony Pictures Animation, Aardman AnimationsSteve Moffat, Edgar Wright, Joe Cronish “Tintin” Amblin
Entertainment, Wingnut Films and Kennedy/Marshall
EDITING IN TELEVISION PRODUCTION
Garret Elkins “Mary Shelley’s Frankenhole Season 2” Starburn Industries, Inc.
Hugo Morales “Kung Fu Panda” Nickelodeon Jason W.A. Tucker “Star Wars: The Clone Wars” Lucasfilm Animation, Ltd.
Paul D. Calder “Futurama” The Curiosity Company in association with 20th Century Fox Television
Ted Machold, Jeff Adams, Doug Tiano, Bob Tomlin “Penguins of Madagascar” Nickelodeon and Technicolor
EDITING IN A FEATURE PRODUCTION
Clare Knight, A.C.E. “Kung Fu Panda 2” DreamWorks Animation
Craig Wood, A.C.E. “Rango” Paramount Pictures and Nickelodeon
Movies present A Blind Wink/GK Films Productions
Eric Dapkewicz “Puss In Boots” DreamWorks Animation
Michael Kahn “Tintin” Amblin Entertainment, Wingnut Films and Kennedy/Marshall
Stephen Schaffer, A.C.E. “Cars 2” Pixar Animation Studios
Winsor McCay Award – Walt Peregoy, Borge Ring, Robert Searle
June Foray – Art Leonardi
Special Achievement – Depth Analysis
It was a freaky weekend at the box office this weekend as the horror parody Scary Movie 3 helped moviegoers get into the spirit of Halloween--to the tune of $21.1 million*, making it the No. 1 film for the second consecutive week. But sandwiched between the slasher spoof Scary Movie 3 and the limb hacker pic The Texas Chainsaw Massacre, which came in third with a gory $10.9 million, was a little animated tale called Brother Bear."Brother Bear totally capitalized on a marketplace devoid of family films," Paul Dergarabedian, president of box-office tracker Exhibitor Relations told The Associated Press Sunday. "There's always an opportunity where there's a scarcity of product for a particular segment of the audience." The Disney film opened Saturday with a burly $18.4 million, an impressive debut compared to the Mouse House's recent animated features. Although Brother Bear didn't premiere as strongly as the Buena Vista/Disney and Pixar Animation Studios collaboration Finding Nemo, which netted $70.2 million when it hit theaters in May, it surpassed the openings of other Disney pics this year, including Piglet's Big Movie ($6 million) and The Jungle Book 2 ($11.4 million).The lone film to open wide this weekend, Brother Bear was also the only new addition to this week's box office Top Ten. The feel good drama Radio came in fourth with $10.2 million, while the John Grisham thriller Runaway Jury rounded out the Top Five with $6.8 million. The Human Stain, starring Anthony Hopkins and Nicole Kidman, opened in limited release with an impressive $1.2 million, while the re-release of the digitally remastered Alien: The Director's Cut, which boasts six minutes of never-before-seen footage, opened in select cities to the pulsating tune of $ 1 million. THE TOP TENDimension Films' PG-13 rated spoof Scary Movie 3 reigned in the No. 1 spot for the second week with an ESTIMATED $21.1 million (-56%) in 3,505 theaters (unchanged; $6,020 per theater). Its cume is approximately $78.6 million. Directed by David Zucker, it stars Anna Faris, Charlie Sheen, Simon Rex, Regina Hall, Queen Latifah, George Carlin and Leslie Nielsen.Buena Vista's G rated animated film Brother Bear, which opened Saturday, debuted in second place with an ESTIMATED $18.5 million in 3,028 theaters with a $6,119 per theater average--the highest of any film playing wide this week.Set against the majestic natural splendor of the Great American Northwest, the film tells the story of a boy whose life takes an unexpected turn when he is transformed into a bear.Directed by Aaron Blaise and Bob Walker, it features the voices of Joaquin Phoenix, Jeremy Suarez, D.B. Sweeney and Michael Clarke Duncan.New Line Cinema's R rated horror remake The Texas Chainsaw Massacre, slipped from second place to third in its third week with an ESTIMATED $10.9 million (-25%) in 2,970 theaters (-48 theaters; $3,670 per theater). Its cume is approximately $66.1 million.Directed by Marcus Nispel, it stars Jessica Biel, Eric Balfour, Mike Vogel, Erica Leerhsen and Andrew Bryniarski.Sony Pictures' PG-13 rated drama Radio dropped one notch to fourth place in its second week with an ESTIMATED $10.2 million (-23%) in 3,074 theaters (unchanged, $3,318 per theater). Its cume is approximately $26.8 million.Directed by Michael Tollin, it stars Cuba Gooding, Jr. and Ed Harris.Twentieth Century Fox's PG-13 rated courtroom thriller Runaway Jury fell one position to No. 5 in its third week with an ESTIMATED $6.8 million (-19%) in 2,736 theaters (-79; $2,507per theater). Its cume is approximately $33.6 million. Directed by Gary Fleder, it stars John Cusack, Gene Hackman, Dustin Hoffman and Rachel Weisz.Warner Bros.' R rated drama Mystic River fell from its No. 5 position to sixth in its fourth week with an ESTIMATED $6.2 million (-19%) in 1,551 theaters (+58 theaters; $4,046 per theater). Its cume is approximately $33.5 million.Directed by Clint Eastwood, it stars Sean Penn, Tim Robbins, Kevin Bacon, Laurence Fishburne, Laura Linney and Marcia Gay Harden.*Box office estimates provided by Exhibitor Relations, Inc.Miramax Films' R rated gory actioner Kill Bill Vol. 1, held steady in seventh place in its fourth week with an ESTIMATED $4.7 million (-26%) in 2,429 theaters (-204 theaters, $1,939 per theater). Its cume is approximately $60.9 millionDirected by Quentin Tarantino, it stars Uma Thurman, Lucy Liu, Vivica A. Fox, Michael Madsen, Daryl Hannah and David Carradine.Paramount Pictures' PG-13 rated comedy School of Rock, dropped two positions to No. 8 in its eighth week with an ESTIMATED $4.4 million (-33%) in 2,786 theaters (-165 theaters; $1,579 per theater). Its cume is approximately $69.1 million.Directed by Richard Linklater, it stars Black, Joan Cusack and Michael White.Universal Pictures' PG 13 rated romantic comedy Intolerable Cruelty held on to its No. 9 position in its fourth week with an ESTIMATED $2.6 million (-27%) in 1,661 theaters (-629 theaters, $1,600 per theater). Its cume is approximately $32 million.Produced by Ethan Coen and directed by Joel Coen, it stars George Clooney and Catherine Zeta-Jones.Screen Gems' R rated erotic thriller In the Cut expanded in its second week to place tenth with an ESTIMATED $2.3 million at 825 theaters (+819 theaters, $2,788 per theater). Its cume is approximately $2.4 million. In the film, Meg Ryan plays a self-determined NYU professor who, following the brutal murder of a young woman in her neighborhood, tests the limits of her own safety by entering into a risky sexual liaison with a detective. Directed by Jane Campion, it stars Ryan, Mark Ruffalo, Jennifer Jason Leigh and Nick Damici.OTHER OPENINGSMiramax's R rated drama The Human Stain debuted in 160 theaters with an ESTIMATED $1.1 million. Its $7,025 per theater average was the highest of any film playing this week. The film stars Anthony Hopkins as a man who, throughout his life, has been a master of deception and self-reinvention. Years later, when he becomes an esteemed professor, false accusations ruin his career.Directed by Robert Benton, it stars Hopkins, Nicole Kidman, Ed Harris, Gary Sinise and Wentworth Miller.Twentieth Century Fox's R rated sci-fi thriller Alien: The Director's Cut opened in 347 theaters with an ESTIMATED $1 million, with a $2,997 per theater average. In the film, a re-release of director Ridley Scott's 1979 film, seven crewmembers of the commercial ship Nostromo are awakened from their cryo-sleep capsules halfway through their journey home to investigate an S.O.S. distress call from an alien vessel.Directed by Scott, it stars Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm and Yaphet Kotto.WEEKEND COMPARISON The Top 12 films this weekend grossed an ESTIMATED $91.9 million, down 23.16 percent from last weekend's $119.5 million. The Top 12 movies were also down 8.94 percent from this time last year when they took in $100.9 million.Last year, Buena Vista's G rated The Santa Clause 2 debuted in the No. 1 position with $29 million in 3,350 theaters ($8,659 per theater); DreamWorks' R rated thriller The Ring stayed at No. 2 in its third week with $18.1 million in 2,808 theaters ($6,452 per theater); and Sony's PG-13 rated I Spy opened in third with $12.7 million in 3,182 theaters ($4,008 per theater).
Go to our Box Office section for recent weekend movie analysis.