For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody & Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody & Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
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Forget actors for once. Sunday night marked the night of awards season when we got to focus on the best musical artists of the year. That's right — it was the 55th annual Grammy Awards! And it was one hell of a show. From Adele to Mumford & Sons to Frank Ocean, the best of the best in the industry walked away with awards.
Check out the full list of winners below!
RELATED: Kim Kashkashian Wins A Grammy?!
Winners Announced Live:
1. Best Pop Solo Performance: "Set Fire To The Rain [Live]," Track from: Live At The Royal Albert Hall, Adele
2. Best Country Solo Performance: "Blown Away," Track from: Blown Away, Carrie Underwood
3. Song Of The Year: "We Are Young," Track from: Some Nights, Jack Antonoff, Jeff Bhasker, Andrew Dost, and Nate Ruess, songwriters (Fun. Featuring Janelle Monáe)
4. Best Urban Contemporary Album: Channel Orange, Frank Ocean
5. Best Rock Performance: "Lonely Boy," Track from: El Camino, The Black Keys
6. Best Pop Vocal Album: Stronger, Kelly Clarkson
7. Best Rap/Sung Collabortion: "No Church In The Wild," Track from: Watch The Throne, Jay-Z and Kanye West Featuring Frank Ocean and The-Dream
8. Best Country Album: Uncaged, Zac Brown Band
9. Best New Artist: fun.
10. Record Of The Year: "Somebody That I Used To Know," Track from: Making Mirrors, Gotye Featuring Kimbra
11. Album Of The Year: Babel, Mumford & Sons
1. Best Pop Duo/Group Performance: Gotye Featuring Kimbra, Track from: Making Mirrors
2. Best Pop Instrumental Album: Impressions, Chris Botti
3. Best Dance Recording: "Bangarang," Track from: Bangarang, Skrillrex Featuring Sirah
4. Best Dance/Electric Album: Bangarang, Skrillex
5. Best Traditional Pop Vocal Album: Kisses On The Bottom, Paul McCartney
6. Best Hard Rock/Metal Performance: "Love Bites (So Do I)," Track from: The Strange Case Of..., Halestorm
7. Best Rock Song: "Lonely Boy," Track from: El Camino, Dan Auerbach, Brian Burton, and Patrick Carney, songwriters (The Black Keys)
8. Best Rock Album: El Camino, The Black Keys
9. Best Alternative Music Album: Making Mirrors, Gotye
10. Best R&B Performance: "Climax," Track from: Looking 4 Myself, Usher
11. Best Traditional R&B Performance: "Love On Top," Track from: 4, Beyonce
12. Best R&B Song: "Adorn," Miguel Pimentel
13. Best R&B Album: Black Radio, Robert Glasper Experiment
14. Best Rap Performance: "N****s In Paris," Track from: Watch The Throne, Jay-Z and Kanye West
15. Best Rap Song: "N****s In Paris," Track from: Watch The Throne, Shawn Carter, Mike Dean, Chauncey Hollis, and Kanye West, songwriters (W.A. Donaldson, songwriter) (Jay-Z & Kanye West)
16. Best Rap Album: Take Care, Drake
17. Best Country Duo/Group Performance: "Pontoon," Little Big Town
18. Best Country Song: "Blown Away," Blown Away, Josh Kear and Chris Tompkins, songwriters (Carrie Underwood)
19. Best New Age Album: Echoes Of Love, Omar Akram
20. Best Improvised Jazz Solo: "Hot House," Track from: Hot House, Gary Burton and Chick Corea
21. Best Jazz Vocal Album: Radio Music Society, Esperanza Spalding
22. Best Jazz Instrumental Album: Unity Band, Pat Metheny Unity Band
23. Best Large Jazz Ensemble Album: Dear Diz (Everyday I Think Of You), Arturo Sandoval
24. Best Latin Jazz Album: ¡Ritmo!, The Clare Fischer Latin Jazz Big Band
25. Best Gospel/Contemporary Christian Music Performance: "10,000 Reasons (Bless The Lord," Track from: 10,000 Reasons, Matt Redman
26. Best Gospel Song: "Go Get It," Erica Campbell, Tina Campbell, and Warryn Campbell, songwriters (Mary Mary)
27. Best Contemporary Christian Music Song: "10,000 Reasons (Bless The Lord)," Track from: 10,000 Reasons, Jonas Myrin and Matt Redman, songwriters (Matt Redman)
28. Best Gospel Album: Gravity, Lecrae
29. Best Contemporary Christian Music Album: Eye On It, TobyMac
30. Best Latin Pop Album: MTV Unplugged Deluxe Edition, Juanes
31. Best Latin Album, Urban Or Alternative Album: Imaginaries, Quetzal
32. Best Regional Mexican Music Album (Including Tejano): Pecados Y Milagros, Lila Downs
33. Best Tropical Latin Album: Retro, Marlow Rosado Y La Riquena
34. Best Americana Album: Slipstream, Bonnie Raitt
35. Best Bluegrass Album: Nobody Knows You, Steep Canyon Rangers
36. Best Blues Album: Locked Down, Dr. John
37. Best Folk Album: The Goat Rodeo Sessions, Yo-Yo Ma, Stuart Duncan, Edgar Meyer, and Chris Thile
38. Best Regional Roots Music Album: The Band Courtbouillon, Wayne Toups, Steve Riley, and Wilson Savoy
39. Best Reggae Album: Rebirth, Jimmy Cliff
40. Best World Music Album: The Living Room Sessions Part 1, Ravi Shankar
41. Best Children's Album: Can You Canoe?, The Okee Dokee Brothers
42. Best Spoken World Album: Society's Child: My Autobiography, Janis Ian
43. Best Comedy Album: Blow Your Pants Off, Jimmy Fallon
44. Best Musical Theater Album: Once: A New Musical, Steve Kazee and Cristin Milioti, principal soloists; Steven Epstein and Martin Lowe, producers (Glen Hansard and Marketa Irglova, composers/lyricists) (Original Broadway Cast With Steve Kazee, Cristin Milioti, and Others)
45. Best Compilation Soundtrack For Visual Media: Midnight In Paris, Various Artists
46. Best Score Soundtrack For Visual Media: The Girl With The Dragon Tattoo, Trent Reznor & Atticus Ross, composers
47. Best Song Written For Visual Media: Safe & Sound (From The Hunger Games), T Bone Burnett, Taylor Swift, John Paul White, and Joy Williams, songwriters (Taylor Swift Featuring The Civil Wars)
48. Best Instrumental Composition: "Mozart Goes Dancing," Track from: Hot House, Chick Corea
49. Best Instrumental Arrangement: "How About You," Track from: Centennial - Newly Discovered Works Of Gil Evans, Gil Evans, arranger (Gil Evans Project)
50. Best Instrumental Arrangement Accompanying Vocalist(s): "City Of Roses," Track from: Radio Music Society, Thara Memory and Esperanza Spalding, arrangers (Esperanza Spalding)
51. Best Recording Package: Biophilia, Michael Amzalag and Mathias Augustyniak, art directors (Björk)
52. Best Boxed Or Special Limited Edition Package: Woody At 100: The Woody Guthrie Centennial Collection, Fritz Klaetke, art director (Woody Guthrie)
53. Best Album Notes: Singular Genius: The Complete ABC Singles, Billy Vera, album notes writer (Ray Charles)
54. Best Historical Album: The Smile Sessions (Deluxe Box Set), Alan Boyd, Mark Linett, Brian Wilson, and Dennis Wolfe, compilation producers; Mark Linett, mastering engineer (The Beach Boys)
55. Best Engineered Album, Non-Classical: The Goat Rodeo Sessions, Richard King, engineer; Richard King, mastering engineer (Yo-Yo Ma, Stuart Duncan, Edgar Meyer & Chris Thile)
56. Producer Of The Year, Non-Classical: Dan Auerbach, El Camino (The Black Keys), Locked Down (Dr. John), Savage (Hacienda), Shakedown (Hacienda)
57. Best Remixed Recording, Non-Classical: "Promises (Skrillex & Nero Remix)," Skrillex, remixer (Nero), Joseph Ray, Skrillex, and Daniel Stephens, remixers
58. Best Surround Soung Album: Modern Cool, Jim Anderson, surround mix engineer; Darcy Proper, surround mastering engineer; Michael Friedman, surround producer (Patricia Barber)
59. Best Engineered Album, Classical: Life & Breath - Choral Works By René Clausen, Tom Caulfield and John Newton, engineers; Mark Donahue, mastering engineer (Charles Bruffy and Kansas City Chorale)
60. Producer Of The Year: Blanton Alspaugh, Chamber Symphonies (Gregory Wolynec & Gateway Chamber Orchestra), Davis: Río De Sangre (Joseph Rescigno, Vale Rideout, Ava Pine, John Duykers, Kerry Walsh, Guido LeBron, The Florentine Opera Company & Milwaukee Symphony Orchestra), Gjeilo: Northern Lights (Charles Bruffy & Phoenix Chorale), In Paradisum (Brian A. Schmidt & South Dakota Chorale), Life & Breath - Choral Works By René Clausen (Charles Bruffy & Kansas City Chorale), Music For A Time Of War (Carlos Kalmar & The Oregon Symphony, Musto: The Inspector (Glen Cortese & Wolf Trap Opera Company)
61. Best Orchestral Performance: "Adams: Harmonielehre & Short Ride In A Fast Machine," Michael Tilson Thomas, conductor (San Francisco Symphony)
62. Best Opera Recording: "Wagner: Der Ring Des Nibelungen," James Levine and Fabio Luisi, conductors; Hans-Peter König, Jay Hunter Morris, Bryn Terfel and Deborah Voigt; Jay David Saks, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
63. Best Choral Performance: "Life & Breath - Choral Works By René Clausen," Charles Bruffy, conductor (Matthew Gladden, Lindsey Lang, Rebecca Lloyd, Sarah Tannehill, and Pamela Williamson; Kansas City Chorale)
64. Best Chamber Music/Small Ensemble Performance: "Meanwhile," Eighth Blackbird
65. Best Classical Instrumental Solo: "Kurtág & Ligeti: Music For Viola," Kim Kashkashian
66. Best Classical Vocal Solo: "Poèmes," Renée Fleming (Alan Gilbert and Seiji Ozawa; Orchestre National De France & Orchestre Philharmonique De Radio France)
67. Best Classical Compendium: "Penderecki: Fonogrammi; Horn Concerto; Partita; The Awakening Of Jacob; Anaklasis," Antoni Wit, conductor; Aleksandra Nagórko and Andrzej Sasin, producers
68. Best Contemporary Classical Composition: "Hartke, Stephen: Meanwhile - Incidental Music To Imaginary Puppet Plays," Track from: Meanwhile, Stephen Hartke, composer (Eighth Blackbird)
69. Best Short Form Music Video: "We Found Love," Rihanna Featuring Calvin Harris
70. Best Long Form Music Video: "Big Easy Express," Mumford & Sons
Follow Lindsey on Twitter @LDiMat.
[Photo Credit: Kevork Djansezian/Getty Images]
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Sean Penn is in talks to star in Genius, the story of famed literary editor Max Perkins, according to The Hollywood Reporter. Although the project has had several false starts over the years - including one incarnation that had Michael London producing and Lawrence Kasdan (Wyatt Earp) directing - the current involvement of director Bill Pohlad and friend Sean Penn puts the project on surer ground.
While Penn has not yet officially signed on for Genius, he and Pohlad have a long history of working together. Pohlad produced and helped finance Penn's Into the Wild in 2007, and is set to executive produce on Fair Game and Tree of Life - two upcoming movies that star the actor.
John Logan's script is an adaptation of National Book Award-winning author A. Scott Berg's 2008 biography "Max Perkins: Editor of Genius," which centers around the career of the titular eccentric editor-in-chief of New York publishing house Scribner, who published the works of F. Scott Fitzgerald, Earnest Hemingway, and other literary luminaries. The film adaptation would focus on the relationship between the fedora-clad Perkins and a young Thomas Wolfe.
Although Pohlad himself hasn't directed a feature film since 1990, sticking to corporate gigs and documentaries of late, his company River Road has been instrumental in producing movies like Brokeback Mountain and The Runaways.
It was a maverick kind of morning as the nominations for the 2006 Independent Spirit Awards were announced, honoring some of this year’s most affecting, avant garde and anti-studio independent film offerings.
Actress Laura Linney teamed up with Mark Ruffalo--the two co-starred in the acclaimed indie You Can Count On Me in 2000--to announce the nominees at Beverly Hills’ Le Meridian hotel, and despite some challenging tongue-twisting names on the list, they made it through admirably. Linney was rewarded for her trip in from New York with her own nomination as Best Female Lead in The Squid and the Whale.
Ruffalo, meanwhile, seemed to anxiously await his own name being called in the Lead Male and Supporting Male categories, but after he came up empty he suddenly realized: “Oh, I wasn’t in any independent movies this year.”
Several of Linney’s collaborators on The Squid and the Whale, about the painful, messy split of a couple with two sons, fared very well, with nominations going to writer-director Noah Baumbach (Best Director, Best Screenplay), co-stars Jeff Daniels (Best Male Lead) and Jesse Eisenberg (Best Supporting Male) and the film itself was nominated as Best Feature. The film led all nominations with a total of six.
Linney told Hollywood.com that she knew from the moment she finished the screenplay that the project was something extra special: “Noah gave me the script about five years ago, and it took a long time to get it made,” Linney said. “That’s one thing about independent films: you connect yourself to these projects and you don’t know how long it’s going to take to get them made. So when they finally DO get made, and you have to make them under difficult circumstances, always--because the budget is low, you don’t have the time--and then they reach their potential, and then they’re as good as you think they were going to be, as good as your instinct tells you they will be. And then you have a day like today, where there’s nominations and blah, blah, blah. It strengthens your faith in what you do.”
Other high-profile indies scoring multiple noms included stylish, historic look at journalistic principles Good Night and Good Luck (Best Feature, Best Cinematography, George Clooney for Best Director and David Strathairn for Best Male Lead), the gay themed Brokeback Mountain (Best Feature, Ang Lee for Best Director, Michelle Williams for Best Supporting Female and Heath Ledger as Best Lead Male), the insightful biopic Capote (Best Feature, Best Screenplay, Best Cinematography, Philip Seymour Hoffman for Best Male Lead), the Tommy Lee Jones-directed The Three Burials of Melquiades Estrada (Best Feature, Best Screenplay, Best Cinematography and Barry Pepper for Best Supporting Male) and the gender-bending Transamerica (Best First Feature, Best First Screenplay and Felicity Huffman for Best Female Lead)
“It’s really nice for morale,” Linney said of the nominations for all of the indies honored, especially because many of them only get made through perseverance, ingenuity, and commitment--and typically without the big bucks that fuel most studio films.
“Independent film is great fun, but making an independent movie is tough and hard,” she explained. “The hours are rough, the resources are low, you work really, really hard, and so when you hear of a fun, glitzy thing to go to where all of us can celebrate and hoot and holler, it’s really, really nice. It’s also terrific for awareness of these kinds of films, so audiences can be aware of this sort of genre.”
Linney said that those who work in independent film share a bond and welcome any opportunity to meet, bond and share their experiences. “It is a community of people, it really is,” the actress said. “You can look at award shows from a business perspective, but then you can look at them from a community perspective. There is a reason for them other than just acknowledgement of merit for business. There’s also a community of people coming together and being able to run up to the director of the movie that you saw that loved and be able to go ‘Oh my God, you’re amazing.’ And that’s important--and very nice.”
The full list of nominees:
The Squid and the Whale
Good Night, and Good Luck
The Three Burials of Melquiades Estrada
Best Male Lead:
Jeff Daniels, The Squid and the Whale
Philip Seymour Hoffman, Capote
Terrence Howard, Hustle & Flow
Heath Ledger, Brokeback Mountain
David Strathairn, Good Night, and Good Luck
Best Female Lead:
Laura Linney, The Squid and the Whale
Felicity Huffman, Transamerica
Dina Korzun, Forty Shades of Blue
S. Epatha Merkerson, Lackawanna Blues
Cyndi Williams, Room
Best Supporting Male:
Firdous Bamji, The War Within
Matt Dillon, Crash
Jesse Eisenberg, The Squid and the Whale
Barry Pepper, The Three Burials of Melquiades Estrada
Jeffrey Wright, Broken Flowers
Best Supporting Female:
Amy Adams, Junebug
Maggie Gyllenhaal, Happy Endings
Allison Janney, Our Very Own
Michelle Williams, Brokeback Mountain
Robin Wright Penn, Nine Lives
Ang Lee, Brokeback Mountain
George Clooney, Good Night, and Good Luck
Noah Baumbach, The Squid and the Whale
Gregg Araki, Mysterious Skin
Rodrigo Garcia, Nine Lives
Best First Feature:
Paul Haggis, Crash
George C. Wolfe, Lackawanna Blues
Miranda July, Me and You and Everyone We Know
Mike Mills, Thumbsucker
Duncan Tucker, Transamerica
John Cassavetes Award (feature made for less than $500,000):
The Puffy Chair
Ayad Akhtar, Joseph Castelo and Tom Glynn, The War Within
Guillermo Arriaga, The Three Burials of Melquiades Estrada
Noah Baumbach, The Squid and the Whale
Dan Futterman, Capote
Rodrigo Garcia, Nine Lives
Best First Screenplay:
Kenneth Hanes, Fixing Frank
Miranda July, Me and You and Everyone We Know
Angus MacLachlan, Junebug
Sabina Murray, The Beautiful Country
Duncan Tucker, Transamerica
Robert Elswit, Good Night, and Good Luck
John Foster, Keane
Adam Kimmel, Capote
Chris Menges, The Three Burials of Melquiades Estrada
Harris Savides, Last Days
Best Foreign Film:
The Death of Mr. Lazarescu (Romania)
Duck Season (Mexico)
Paradise Now (Palestine/Netherlands/Germany/France)
Tony Takitani (Japan)
Enron: The Smartest Guys in the Room
Sir! No Sir!