Jesse Tyler Ferguson and Sutton Foster took the stage together. No, they haven't teamed up for a Broadway show, a new television series, or a Modern Family/Bunheads crossover (which would be awesome). But the theater-loving stars came together Tuesday to announce the nominations for the 2013 Tony Awards. (They are the hosts for this year's show, after all, so it only made sense that these two would have the honors of making the big announcement.)
Check out which plays and actors are nominated for Tony Awards for their work on the stage this year.
2013 Tony Awards Nominations:
Best Play:The Assembled PartyLucky GuyThe Testament of MaryVanya and Sonia and Masha and Spike
Best Musical:Bring It On: The MusicalKinky BootsMatilda The MusicalA Christmas Story, The Musical
Best Book of a Musical:A Christmas Story, The MusicalKinky BootsMatilda The MusicalRodgers + Hammerstein's Cinderella
Best Revival of a Play:Golden BoyOrphans The Trip to BountifulWho's Afraid of Virginia Woolf?
Best Revival of a Musical: AnnieThe Mystery of Edwin DroodPippinRodgers + Hammerstein's Cinderella
Best Performance by an Actress in a Leading Role in a Play: Laurie Metcalf, The Other PlaceAmy Morton, Who's Afraid of Virginia Woolf?Kristine Nielsen, Vanya and Sonia and Masha and SpikeHolland Taylor, AnnCicely Tyson, The Trip to Bountiful
Best Performance by an Actor in a Leading Role in a Play: Tom Hanks, Lucky GuyNathan Lane, The NanceTracy Letts, Who's Afraid of Virginia Woolf?David Hyde Pierce, Vanya and Sonia and Masha and SpikeTom Sturridge, Orphans
Best Original Score (Music and/or Lyrics) Written for the Theatre: A Christmas Story, The Musical Music and Lyrics: Benj Pasek and Justin Paul Hands on a Hardbody Music: Trey Anastasio and Amanda Green Lyrics: Amanda Green Kinky Boots Music & Lyrics: Cyndi Lauper Matilda The Musical Music & Lyrics: Tim Minchin
Best Performance by an Actress in a Leading Role in a Musical: Stephanie J. Block, The Mystery of Edwin Drood Carolee Carmello, Scandalous Valisia LeKae, Motown The Musical Patina Miller, Pippin Laura Osnes, Rodgers + Hammerstein’s Cinderella
Best Performance by an Actor in a Leading Role in a Musical: Bertie Carvel, Matilda The Musical Santino Fontana, Rodgers + Hammerstein’s Cinderella Rob McClure, Chaplin Billy Porter, Kinky Boots Stark Sands, Kinky Boots
Best Performance by an Actress in a Featured Role in a Play: Carrie Coon, Who’s Afraid of Virginia Woolf? Shalita Grant, Vanya and Sonia and Masha and Spike Judith Ivey, The Heiress Judith Light, The Assembled Parties Condola Rashad, The Trip to Bountiful
Best Performance by an Actor in a Featured Role in a Play:Danny Burstein, Golden Boy Richard Kind, The Big Knife Billy Magnussen, Vanya and Sonia and Masha and Spike Tony Shalhoub, Golden Boy Courtney B. Vance, Lucky Guy
Best Performance by an Actress in a Featured Role in a Musical:Annaleigh Ashford, Kinky Boots Victoria Clark, Rodgers + Hammerstein’s Cinderella Andrea Martin, Pippin Keala Settle, Hands on a Hardbody
Best Performance by an Actor in a Featured Role in a Musical:Charl Brown, Motown The Musical Keith Carradine, Hands on a Hardbody Will Chase, The Mystery of Edwin Drood Gabriel Ebert, Matilda The Musical Terrence Mann, Pippin
Best Costume Design of a Play: Soutra Gilmour, Cyrano de Bergerac Ann Roth, The Nance Albert Wolsky, The Heiress Catherine Zuber, Golden Boy
Best Costume Design of a Musical: Gregg Barnes, Kinky Boots Rob Howell, Matilda The Musical Dominique Lemieux, Pippin William Ivey Long, Rodgers + Hammerstein’s Cinderella
Best Direction of a Play:Pam MacKinnon, Who’s Afraid of Virginia Woolf? Nicholas Martin, Vanya and Sonia and Masha and Spike Bartlett Sher, Golden Boy George C. Wolfe, Lucky Guy
Best Direction of a Musical:Scott Ellis, The Mystery of Edwin Drood Jerry Mitchell, Kinky Boots Diane Paulus, Pippin Matthew Warchus, Matilda The Musical
Best Choreography:Andy Blankenbuehler, Bring It On: The Musical Peter Darling, Matilda The Musical Jerry Mitchell, Kinky Boots Chet Walker, Pippin
Best Orchestrations:Chris Nightingale, Matilda The Musical Stephen Oremus, Kinky Boots Ethan Popp & Bryan Crook, Motown The Musical Danny Troob, Rodgers + Hammerstein’s Cinderella
Best Scenic Design of a Play:John Lee Beatty, The Nance Santo Loquasto, The Assembled Parties David Rockwell, Lucky Guy Michael Yeargan, Golden Boy
Best Scenic Design of a Musical:Rob Howell, Matilda The Musical Anna Louizos, The Mystery of Edwin Drood Scott Pask, Pippin David Rockwell, Kinky Boots
Best Lighting Design of a Play: Jules Fisher & Peggy Eisenhauer, Lucky Guy Donald Holder, Golden Boy Jennifer Tipton, The Testament of Mary Japhy Weideman, The Nance
Best Lighting Design of a Musical:Kenneth Posner, Kinky Boots Kenneth Posner, Pippin Kenneth Posner, Rodgers + Hammerstein’s Cinderella Hugh Vanstone, Matilda The Musical
Best Sound Design of a Play:John Gromada, The Trip to Bountiful Mel Mercier, The Testament of Mary Leon Rothenberg, The Nance Peter John Still and Marc Salzberg, Golden Boy
Best Sound Design of a Musical:Jonathan Deans & Garth Helm, Pippin Peter Hylenski, Motown The Musical John Shivers, Kinky Boots Nevin Steinberg, Rodgers + Hammerstein’s Cinderella
Special Tony Award for Lifetime Achievement in the Theatre:Bernard GerstenPaul LibinMing Cho Lee
Regional Theatre Award:Huntington Theatre Company, Boston, MA
Isabelle Stevenson Award:Larry Kramer
Tony Honors for Excellence in the Theatre:Career Trainsition For DancersWilliam CraverPeter LawrenceThe Lost ColonyThe four actresses who created the title role of Matilda The Musical on Broadway: Sophia Gennusa, Oona Laurence, Bailey Ryon, and Milly Shapiro
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The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.
Seven days, seven chances to attain sweet, sweet television nirvana. In this week's Best of Seven, we give you every excuse to sit on the couch and veg out while you patiently await the Friday opening of director Christopher Nolan's much-anticipated (and already critically-praised) Inception - this summer's Twilight: Eclipse for adults and other people with brains.
7PM-9PM: Tosh.0, Comedy Central. Comedian Daniel Tosh's sarcasm-laden celebration of viral videos, YouTube celebrities, and other pop-culture ephemera has become one of the highest-rated shows in its time slot, reportedly nabbing almost 2.5 million viewers last week, surpassing both Jon Stewart and Stephen Colbert's ratings. It's America's Funniest Home Videos for the Twitter generation, and it's not too late to jump on the bandwagon: you can catch four Tosh.0 episodes in a row Monday night, right before another 2-hour block (9PM-11PM) of It's Always Sunny in Philadelphia (including the hilarious two-part 'The Gang Gets Whacked' episode and 'Dennis Looks Like a Registered Sex Offender').
8PM: Ratatouille, Disney Channel. If gross-out humor (Tosh.0 and It's Always Sunny) isn't your thing, enjoy Disney/Pixar's charming 2007 computer-animated story of a rat who dreams of cooking in a Parisian restaurant. Won an Academy Award for Best Animated Feature.
8:30PM: R. Kelly's Trapped in the Closet, IFC. Did you know that singer-songwriter R. Kelly wrote a heartbreaking, 22-part rock-opera in 2005 and 2007, about the perils of one-night stands and the difficulties of keeping it real? Well, he did, and it's sort of kind of brilliant in it's own bizarre way. Start watching this and I guarantee you'll find yourself weirdly mesmerized by R. Kelly's operatic tale, much of which takes place in a closet, natch.
10PM: Curb Your Enthusiasm, TV Guide Channel. In 'The Shrimp Incident,' Larry David (Seinfeld creator Larry David) suspects that HBO executive Allan Wasserman has stolen some shrimp out of his Chinese food.
6PM - Midnight: This is not an endorsement, but if you're interested, apparently the Discovery Health channel has all baby-related programming for a whole six-hour block. Seriously. Hour after hour of Big Babies, and I Didn't Know I Was Pregnant, and so on. A bit of research revealed that this is not, in fact, a singular phenomenon, but a relatively frequent occurrence on Discovery Health and TLC (this Wednesday). Who on Earth is watching this much baby-based programming? Possibly the same people who are watching Say Yes to the Dress in four hour blocks.
8PM: Chappelle's Show, Comedy Central. 2 episodes chock-full of Dave Chappelle's signature combination of wit, gross-out humor, and biting social commentary back-to-back.
8PM: The Departed, FX. Director Martin Scorsese directs the hell out of this South-Boston set tale of one cop's questionable loyalties (Matt Damon) and another's blurring identity (Leonardo DiCaprio), centered around an organized crime gang led by Jack Nicholson. Inspired by the popular 2002 Hong Kong crime film Infernal Affairs. Won four Academy Awards, including Best Director and Best Picture.
6:25: Annie Hall, IFC. By far one of Woody Allen's best films, this 1977 comedy-drama stars the writer-director and Diane Keaton. The Best Picture winner follows the ups and downs of a long-term relationship between two mismatched New York neurotics.
9PM: Futurama, Comedy Central. A 3-hour Futurama comedy block!
11PM: Weird Science, VH1. The former music - now 80s nostalgia channel is airing the thoroughly odd (seriously, watch this movie while actually thinking about what is going on - notice the subtle racism and perverse sexual themes) 1985 John Hughes flick. Two high-school nerds computer-generate a hot babe to teach them how to meet girls, as well as have uncomfortable three-person showers. With Anthony Michael Hall.
6PM: Law and Order, TNT. Law and Order may be over, but it will be in syndication forever. Remember the halcyon days with a classic episode from 2004. In 'Fixed,' Fontana and Green reluctantly investigate after a motorist strikes a child-murderer and leaves him for dead, and the evidence they uncover leads McCoy to a startling discovery.
11PM: The Glades, A&E. The pilot episode of A&E's new Florida-based crime drama The Glades re-airs at 11, if you missed the original premiere. The LA Times calls it "an accomplished if occasionally vexing affair," so take that as you will.
Other: Inception comes out tonight!
6PM: Avoid watching the HBO special 'Inception: HBO First Look.' Don't watch it! You won't want any spoilers when you enjoy Inception yourself, for the first or second time, on Saturday night. There is nothing else on TV tonight. Don't even look. Just go watch this movie.
Sunday nights are the reason to buy HBO, plain and simple.
9PM: True Blood, HBO. Alcide and Sookie (Anna Paquin) turn to a packmaster for advice on wow to deal with Russell's minions; Tara considers a proposal from Ranklin; Joe Lee breaks his promise to Sam and Tommy; Jason meets a mysterious girl; an heirloom reminds Eric of his past.
10PM: Hung, HBO. Ray tries to prove to Darby and Damon that he is not an insensitive ex-jock; Tanya turns to Charlie for advice; Jessica feels the pinch of the economic downturn.
10:30PM: Entourage, HBO. Eric and Phil try to convince Drama that he has talent on the sitcom front; Ari (Jeremy Piven) resists Barbara's urgings to have Lizzie promoted; Turtle is intrigued by a business proposal from Alex; Scott Lavin continues to ingratiate himself with Vince.
Sean "Puffy" Combs apparently has time to mix business with charges.
While attending the Grammys last week, prosecutors accused the rapper/mogul of trying to bribe his driver into taking the fall for a gun found in his vehicle after a New York club shooting in December. (He pleaded not guilty Tuesday to the bribery charges -- just as he had refuted gun possession charges in January.)
Though Combs' exact involvement in the incident is still in dispute, he's definitely hoping to be involved in the indie comedy "Made."
The Hollywood Reporter says he's in final negotiations to play the head of a New York-based syndicate. The fish-out-of-water tale marks the directing debut of actor-writer Jon Favreau. The story has Favreau and "Swingers" comrade Vince Vaughn playing boxers and lifelong pals who get involved in a money-laundering scheme. Combs will be the gun-toting, money-waving heavy (sound familiar?) to whom the boys owe a rather large debt.
"Made" would be Comb's big-screen debut. The entrepreneur was supposed to star in Oliver Stone's gridiron drama "Any Given Sunday," but dropped out due to other professional commitments (although the rumor mill ranges from conflicts with Stone to questions about Puffy's acting ability). His role as a self-centered, controversial quarterback eventually went to less-controversial Jamie Foxx.
Favreau wrote the script for "Made," and will produce with Vaughn. Filming is scheduled to begin next month -- in time for a mid-shoot break for Combs' next court appearance May 16.
BOMBS AWAY? "Armageddon" alum Ben Affleck is in talks to join the uber-producer's latest uber-production, "Pearl Harbor," today's Hollywood Reporter says. Affleck would be the biggest star yet to join Hollywood's biggest-ever budgeted flick.
DENZEL IN 'TRAINING': Denzel Washington, currently in the Best Actor Oscar race for playing boxer Rubin "Hurricane" Carter in "The Hurricane," will hit the streets again in the Warner Bros.' drama "Training Day." According to trade paper reports, Washington's in serious talks to play a corrupt veteran cop who's assigned to train a rookie on his first day with the LAPD's undercover narcotics unit.
'UNBREAKABLE' PENN: Robin Wright Penn has the right instinct for "The Sixth Sense's" M. Night Shyamalan. The actress is in talks to play the female lead in the writer-director's follow-up project "Unbreakable." Previously, Julianne Moore had made sense until she dropped out to (reportedly) replace Jodie Foster in "Hannibal."
ONE OF THE 'GUYS': Ten years later, "China Beach" Emmy winner Dana Delany has found her way back to the small screen. She's getting set to star in the pilot for the NBC crime drama "Good Guys/Bad Guys."
The series, from "Homicide" creators Tom Fontana and Barry Levinson, has been in development for two years. Daily Variety reports that Delany might be paired off with ex-"Homicide" co-star Jon Seda. The pilot involves an FBI agent (Delany) in pursuit of a dangerous Hispanic crime lord (Seda). Shooting's set to begin in Miami next week.
YO NORTON! Art Carney, aka Ed Norton from "The Honeymooners," will take on his beloved alter ego once again in a series of promo spots for cable's TV Land. The hat, the white T-shirt, the vest and of course the 81-year-old Carney himself -- the whole package is set to appear the week of March 13 as part of the network's celebration of the classic series. In the spots, Carney's Norton will dispense advice on everything from finding good Chinese food to getting a job in television.