As we start to fill-up up our Netflix queues with classic horror flicks in preparation for Halloween, we realize the greatest villains of the genre still hold power over our adolescent selves. We still can't say Candyman in the mirror and clowns will always be scary, but what about the average joes who play the leading men in our nightmares? Sometimes it helps to disassociate and think of Freddie Krueger waiting in line at the DMV. Spurred by the recent release of Gunnar Hansen's (a.k.a Leatherface in Texas Chainsaw Massacre) memoir titled Chain Saw Confidential, we decided to "pull off the mask" of our favorite villains of horror.
Leatherface — Gunnar Hansen
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We skipped a lot of early morning classes in college, but perhaps we would've be scared straight if Leatherface was our English professor. The actor turned professor quit the biz to teach freshman English at University of Texas. Can you imagine the strapping six-foot three Hansen discussing the thematic resonance of Don Quixote? While Hansen spends most of his days in a small coastal town in Maine, he recently ventured back into acting, playing bit cameos in such classics as Hollywood Chainsaw Hookers and Texas Chainsaw 3D.
Jason Vorhees — Ari Lehman
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Ari Lehman looks like a mix of street magician and the sexy sax man — the stuff nightmares of made of. He also holds the distinct honor of playing the first Jason Vorhees in the original Friday the 13th. As it turns out, creeping out generations of children is not his only talent, as he is accomplished jazz musician and studied classical music and jazz piano at both Berklee School of Music and NYU. His passion for pounding the keys led him to tour with prominent reggae and African music groups and eventually led to him starting his own band — "First Jason," whose sound "hits you over the head with an anvil being swung at 1000 miles an hour by the metal gods."
Michael Myers — Tony Moran
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After slashing his way through a couple of teenagers as Michael Meyers in Halloween, Tony Moran found himself making mincemeat out of high mortgage rates as an actor-turned broker. He shared his passion for acting with his actress sibling, Erin Moran of Happy Days, and did a number of guest appearances in The Waltons and CHIPS and then quit at age 30. Turns out, Michael Myers had such emotional depth it required three actors to play him, including Nick Castle and Tommy Lee Wallace. Since Moran wasn't anxious to wear the Michael mask again, his footage from the first film was used again in the sequel.
Freddy Krueger — Robert Englund
Robert Englund is the Kevin Bacon of horror villains. The man has literally worked with everyone in the business and has an IMDB credit list longer than our tax return. Before he donned the striped crewneck and switchblade gloves, he was briefly considered to play the part of Han Solo in Star Wars and even had Mark Hamill bumming on his couch. After playing bit parts on various shows and a recurring role on V, he took on the role of Freddy for three consecutive films and continues to work steadily today.
Chucky — Brad Dourif
It takes a Golden Globe winner and Academy Award nominee to truly capture the demonic essence of a possessed doll. Character actor Brad Dourif has worked with some of the directing greats over the course of his career. He got his big break on One Flew Over the Cuckoo's Nest, worked with David Lynch in Dune and Blue Velvet, played a slimy villain in the Lord of The Rings trilogy and appeared in several Werner Herzog films. Like Hansen, Dourif also dabbled in teaching, leading acting and directing classes at Columbia University before becoming the voice of Chucky in all of the Child's Play films. Which leads us to wonder if there's a connection between playing psychopathic villains and academia.
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A great cast can be a powerful weapon. In the case of the new family dramedy The Oranges it's the saving grace.
The formula for a quirky suburban dissection is on full display in the feature from TV veteran Julian Farino and first-time writers Ian Helfer and Jay Reiss which follows two best friend couples Terry and Carol Ostroff (Oliver Platt and Allison Janney) and David and Paige Walling (Hugh Laurie and Catherine Keener) whose BFF relationship implodes when David strikes up a romance with the Ostroff's daughter Nina (Leighton Meester). The scandalous affair lights a fire under the well-to-do New Jersey families and when David realizes that his connection with Nina is deeper than just a one night stand their white picket fence lives completely crack.
Even with a divisive subject matter (to follow love or to stick with family?) The Oranges floats by without much edge. David and Nina's romance begins with passion but is entirely void of sexual fire. As it evolves they become complacent and boring — everything David hated about his first marriage. That would be a great twist but The Oranges isn't satire. The conflict comes with the scowling world around the unlikely pair the Ostroff's distraught over their daughter's choices Paige off exploring other options for her own now-single life and David's daughter Vanessa (Alia Shawkat) juggling her own aimless path as a furniture designer. For a risky life choice David and Nina's decision to declare their love for one another doesn't come with many repercussions even in the "squeaky clean" land of Jersey.
But the cast turns The Oranges into one to watch. Laurie has a life beyond the uptight Dr. House playing David as a compassionate conflicted acceptedly selfish man. It's easy to see why he falls for Meester's Nina who isn't simply a 20-something with an interest in older guys. They both see qualities in each other that are apparent to the audience and they play it with energy not present in the material. There's a been-there-done-that feeling to Platt and Janney in The Oranges but only because they're continually perfect as the hilarious overbearing parents. Sadly Keener goes to waste; another indie vet she spends most of the time of screen until one momentous outburst that arrives without build up.
Farino adeptly directs The Oranges and avoids the eye-rolling tropes that go hand and hand with movies of this nature (I'm looking at you head-on shots featuring Linus-like characters moping about). He knows how to let his actors play and when you have a man like Laurie in the lead that's a must. The movie never peels back the rhine to find something new to say about the 'burbs but with great actors in tow The Oranges rises above the lookalikes.