The God of Legion secular Hollywood’s latest Biblically-inspired action flick is old-school an angry spiteful Almighty with a penchant for Old Testament theatrics. Fed up with humanity’s decadent warmongering ways He’s decided to pull the plug on the whole crazy experiment and start over from scratch.
Fortunately for us the God of Legion is also a rather lazy fellow. Instead of doing the apocalyptic work himself and wiping us out with a giant flood which worked perfectly well last time He opts to delegate the task to His army of angels — a questionable strategy that starts to fall apart when the archangel charged with leading the planned extermination Michael (Paul Bettany) refuses to comply.
Michael who unlike his boss still harbors affection for our sorry species abandons his post and descends to earth where inside the swollen belly of Charlie (Adrianne Palicki) an unwed mother-to-be working as a waitress in an out-of-the-way diner sits humanity’s lone hope for survival. Why is this particular baby so important? Is it the one destined to lead us to victory over Skynet? Heaven knows — Legion reveals little details its script devoid of actual scripture. What is clear is that God’s celestial hitmen want the kid whacked before it’s born.
But Michael won’t let humanity fall without a fight. Armed with a Waco-sized arsenal of assault weapons he hunkers down with the diner’s patrons a largely superfluous collection of thinly-sketched caricatures from various demographic groups led by Dennis Quaid as the diner’s grizzled owner Tyrese Gibson as a hip-hop hustler and Lucas Black as a simple-minded country boy.
Together they mount a heroic final stand against hordes of angels who’ve taken possession of “weak-willed” humans turning kindly old grandmas and mild-mannered ice cream vendors into snarling ravenous foul-mouthed beasts. They descend upon the ramshackle diner in a series of full-frontal assaults commanded by the archangel Gabriel (Kevin Durand) the George Pickett of End of Days generals.
Beneath its superficial religious facade Legion is really just a run-of-the-mill zombie flick a Biblical I Am Legend. Bettany an actor accustomed to smaller dramatic roles in films like A Beautiful Mind and The Da Vinci Code looks perfectly at ease in his first major action role wielding machine guns and bowie knives with equal aplomb. Conversely first-time director Scott Stewart a former visual effects artist does little to prove himself worthy of such a promotion serving up some impressive CGI work but not much else worthy of note.
Sundance Film Festival officials have announced entries for dramatic, documentary and "American Spectrum" categories of the 2004 festival, which runs Jan. 15 through Jan. 25 in Park City, Utah.
According to The Hollywood Reporter, the competitive categories at this year's festival include big-name actors appearing in films by relatively unknown directors, and a record-breaking number of projects from black filmmakers and projects influenced by Sept. 11:
Actor Kevin Bacon and his wife, Kyra Sedgwick, star alongside hip-hop artist Mos Def in The Woodsman, directed by Nicole Kassel. It revolves around a convicted pedophile who returns to his hometown after 12 years in prison and tries to start a new life.
Courteney Cox Arquette stars in November, directed by Greg Harrison, about a Los Angeles photographer who struggles to put the tragic circumstances of her boyfriend's death behind her.
John Curran's Adultery, starring Mark Ruffalo, Laura Dern, Peter Krause and Naomi Watts, follows two couples who are friends and whose relationships are intertwined.
Writer/director Rodney Evans' Brother to Brother is about an 18-year-old, gay, black artist who discovers the hidden legacies of gay and lesbian subcultures within the Harlem Renaissance. The film is one of a dozen projects that center on the black experience or are by black filmmakers--the most ever on a Sundance roster, according to the Reporter.
"We have 12 features that are either about, produced by or directed by African-American filmmakers," Festival director Geoff Gilmore said. "What's good is that it indicates that there are a lot of African-American filmmakers working in the independent arena because these are works that would not have been made for studios. It's really of interest to me to see a whole range of people now trying to produce independent work."
Gilmore added that some of the entries in this year's festival are the first generation of post-Sept. 11 films. "These are films by filmmakers that were entirely conceived, developed and then produced following those events," Gilmore told the Reporter. "The insularity of America pre-Sept. 11 and the assuredness that existed in the world at that time followed by the anxiety that exists in the world we are in now. These are films about trying to find things out."
The lineup for the festival's remaining categories and the opening night film are expected to be announced later today. Short films appearing at the festival will be announced Dec. 8.
The Best Thief in the World, Jacob Kornbluth
Book of Love, Alan Brown
Brother to Brother, Rodney Evans
Chrystal, Ray McKinnon
Down to the Bone, Debra Granik
Easy, Jane Weinstock
Evergreen, Enid Zentelis
Garden State, Zach Braff
Harry and Max, Christopher Munch
Maria Full of Grace, Joshua Marston
Napoleon Dynamite, Jared Hess
November, Greg Harrison
One Point O, Jeff Renfroe, MarteinnThorsson
Primer, Shane Carruth
Adultery, John Curran
The Woodsman, Nicole Kassell
A Place of Our Own, Stanley Nelson
Born Into Brothels, Ross Kauffman, ZanaBriksi
Chisholm '72 -- Unbought & Unbossed, Shola Lynch
Dig, Ondi Timoner
Farmingville, Catherine Tambini, Carlos Sandoval
The Fight, Barak Goodman
Heir to an Execution, Ivy Meeropol
Home of the Brave, Paola di Florio
I Like Killing Flies, Matt Mahurin
Imelda, Ramona S. Diaz
In the Realms of the Unreal, Jessica Yu
Deadline, Katy Chevigny, Kirsten Johnson
Neverland: The Rise and Fall of the Symbionese Liberation Army, Robert Stone
Persons of Interest, Alison Maclean, Tobias Perse
Super Size Me, Morgan Spurlock
Word Wars, Julian Petrillo
CSA: Confederate States of America, Kevin Willmott
Dandelion, Mark Milgard
Dirty Work, David Sampliner
Everyday People, Jim McKay
Lbs., Matthew Bonifacio
Let the Church Say Amen, David Petersen
Mean Creek, Jacob Aaron Estes
Metallica: Some Kind of Monster, Joe Berlinger & Bruce Sinofsky
MVP, Harry Davis
Open Water, Chris Kentis
Second Best, Eric Weber
September Tapes, Christian Johnston
Speak, Jessica Sharzer