Because Will Smith's last foray into the Western genre was so successful, he just has to strap on cowboy boots and six-shooters once again, doesn't he? Anyone who saw Wild Wild West (or heard the song) knows that's sarcasm. The Wrap reports that the After Earth star is in talks with Warner Bros. to star in their remake of The Wild Bunch, Sam Peckinpah's brutal 1969 classic. Smith will also likely serve as a producer through this Overbrook Entertainment company. Until his suicide last year, Tony Scott had been developing the remake from a script by Oscar-winner Brian Helgeland (L.A. Confidential).
The new Wild Bunch will be decidedly different from the original, a rapidly-edited, explosively violent elegy to the Old West in which aging outlaws try to hit paydirt one last time along the U.S.-Mexico border before the West they know disappears forever. Weintraub and Warner Bros. plan something far more radical, though: they want their Wild Bunch remake to be set in the present day and following a disgraced DEA agent (Smith) as he assembles a posse to cross the border and apprehend a Mexican drug lord. Meaning that it's basically an entirely different film.
No release date has been set, and representatives for Smith and Weintraub didn't immediately return requests for comment.
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Matt Damon has been no stranger to ecological causes. So it shouldn't be much of a surprise that the former Jason Bourne has just committed to appearing in an eight-part docuseries on climate change to air on Showtime, according to The Hollywood Reporter.. Representatives for the premium cable network couldn't be reached for comment or confirmation regarding Damon's participation.
James Cameron (Avatar) and Jerry Weintraub (Nashville, The Karate Kid) are producing the series, which will focus on the man-made aspects of global warming. 60 Minutes producers David Gelber and Joel Bach are also attached to the project, which remains without financing or a set airdate.
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Here's the situation -- when we think of our lovable, ab-obsessed Jersey Shore star, Mike 'The Situation' Sorrentino, the words classy and formal don't really come to mind, but apparently one tuxedo company thinks differently. A New York-based formal wear manufacturer is confident that the reality star will be good for business. Reportedly, Sorrentino just signed on to a six-figure deal with FLOW Formal to develop a line of tuxedos and formal wear "for a younger demographic." According to the company’s CEO, Brian Weintraub, “[Tuxedos have] become an old man thing." If they wanted to bring sexy back to tuxedos they should have called Justin Timberlake, not a guy who spends more time with his shirts off than on.
Regardless, the company hopes the celeb's worldwide popularity will help boost the appeal to the tuxedo industry. The line will become available in February 2012 and includes tuxes, slim fit shirts, and accessories (place your bets if you think these will end up being tear-away tuxes). What will the new line be called? Yes, it's what you feared -- the line will indeed be called The Situation. How fitting.
Of course, Sorrentino is no stranger to this business. He already has a line of t-shirts, workout videos, a liquor sponsorship, and a book deal. And now apparently tuxedos are his forte. The only thing more ridiculous than this would be if Snooki started making prom dresses.
"OCEAN'S FOUR?" The 1960 Frank Sinatra/Rat Pack heist comedy "Ocean's Eleven," about former military guys who reunite to rob a bunch of Vegas casinos, isn't exactly a National Film Registry-bound oeuvre destined for the Pantheon of Cinema Classics. No matter.
Although it's the new millennium, Hollywood still knows no shame in venturing where no others dare in scavenging for material. Thus, we have on the boards plans for a remake of "Ocean's Eleven," courtesy of Warner Bros. and producer Jerry Weintraub, with George Clooney -- as Danny Ocean -- so far the only star firmed for the megastar cast of 11 partying felons.
Problem is, this "Ocean's" could be heading for a Titanic-like iceberg of a budget. For starters, Clooney pockets about $10 million per pic. Already mentioned to co-star with him are Brad Pitt (about $17.5 mil per pic), Johnny Depp ($11 million), Julia Roberts ($20 mil) and Mike Myers ($20 mil).
Now these are only mentions, but we know this is a Star Vehicle. So hypothetically going with the aforementioned and pulling out our pocket calculator, the new "Ocean's Eleven" has already sucked up about $78.5 million (this before at least five more major roles are to be cast and a motion picture to be shot, edited and marketed).
Fortunately, all-new "Ocean's Eleven" director Steven Soderbergh is known for attracting big-name talent willing to forgo normal fees for a chance to work with him. The film is scheduled for a January 2001 start but, according to Jerry Weintraub's office, he and Warner Bros. are still noodling over the budget as they continue to cast.
Our suggestion: Cut Clooney's pack from 11 to four or five and go fake Vegas in Canada.
ISN'T CANADA GREAT? Two of this past weekend's openers had nothing to do with French Canada -- except that they were shot there.
The Ashley Judd / Ewan McGregor thriller "Eye of the Beholder," with a story that jumps all over the U.S., including key scenes in Washington, San Francisco and New York, used a mostly Canadian crew on mostly Canadian locations. The pic, which debuted in le numero uno position on the box-office chart Monday, marked the distribution bow of L.A.-based Destination Films.
And the Bette Midler-starrer, "Isn't She Great," the biopic of best-selling trash authoress Jacqueline Susann and her slavishly supportive husband Irving Mansfield, took place all over New York and was shot all over Montreal. Perhaps the biggest insult to Gothamites is that even Broadway's legendary restaurant hangout Lindy's was recreated up north.
And, of course, "The Hurricane," which just may earn Denzel Washington that Oscar, did lots of its lensing in Canada.
THE NEVERENDED STORY? Speaking of "Eye of the Beholder," did the producers leave the ending of the film at the Canadian border?
Those Who Have Seen say the film's plot, about a maybe-psychopath who is stalking a maybe-serial killer in what just may be a dream or maybe the delusions of a severely demented or maybe severely depressed individual, is never resolved. Panting for that "Sixth Sense" type of mind-blowing ending that knocks the popcorn out of its holder, filmgoers merely got an end credit roll.
Watch "Eye" close sooner than anyone expected.
As for the un-great opening weekend of "Isn't She Great," Those Who Have Seen wonder why a film about such an over-the-top character like the fame-crazed, pooch-crazed and Pucci-crazed Susann, who wrote such over-the-top potboilers like "Valley of the Dolls," was given such over-the-top treatment. Call the filmmakers' broad (no pun intended) approach a philosophical miscalculation. Or maybe Susann and her incredible success as a writer are subjects that are too insubstantial for successful adaptation to the big screen. End of story.
... Less Stratospheric: New York-based Stratosphere Entertainment, money guy Carl Icahn's four-year-old specialized production and distribution entity, is undergoing growing -- or should we say shrinking -- pains. The staff was decimated last week as a result of restructuring that, when the deal closes, will have Stratosphere and Samuel Goldwyn Films sharing an umbrella under Vancouver-based CanWest, a partner of U.S.-based Seven Arts. CanWest hopes to make the two entities their "classics" picture division. Insiders said that the slice 'n' dice of Stratosphere is part of CanWest's strategy to combine the overheads of Stratosphere and Goldwyn by creating one sales department and one set of cashiers and bookers. Stratosphere, which recently released actress Joan Chen's directorial debut "Xiu Xiu," has scheduled for this summer the Sharon Stone-starrer, "Beautiful Joe," which marks the distrib's first in-house production ...
Why Lawyers Get Rich, Part X: A California-based company called C3 Entertainment, which owns rights to The Three Stooges trademarks, filed suit against New Line Cinema over use of less than 30 seconds of a clip from a Stooges short that was seen on a TV in the background in a scene in New Line's "The Long Kiss Goodnight." The wheels of justice do turn slowly, but a district court has finally dismissed the suit.