Widening the thematic scope without sacrificing too much of the claustrophobia that made the original 1979 Alien universally spooky Prometheus takes the trophy for this summer's most adult-oriented blockbuster entertainment. The movie will leave your mouth agape for its entire runtime first with its majestic exploration of an alien planet and conjectures on the origins of the human race second with its gross-out body horror that leaves no spilled gut to the imagination. Thin characters feel more like pawns in Scott's sci-fi prequel but stunning visuals shocking turns and grand questions more than make up for the shallow ensemble. "Epic" comes in many forms. Prometheus sports all of them.
Based on their discovery of a series of cave drawings all sharing a similar painted design Elizabeth (Noomi Rapace) and Charlie (Logan Marshall-Green) are recruited by Weyland to head a mission to another planet one they believe holds the answers to the creation of life on Earth. Along for the journey are Vickers (Charlize Theron) the ruthless Weyland proxy Janek (Idris Elba) a blue collar captain a slew of faceless scientists and David (Michael Fassbender) HAL 9000-esque resident android who awakens the crew of spaceship Prometheus when they arrive to their destination. Immediately upon descent there's a discovery: a giant mound that's anything but natural. The crew immediately prepares to scope out the scene zipping up high-tech spacesuits jumping in futuristic humvees and heading out to the site. What they discover are the awe-inspiring creations of another race. What they bring back to the ship is what they realize may kill their own.
The first half of Prometheus could be easily mistaken for Steven Spielberg's Alien a sense of wonder glowing from every frame not too unlike Close Encounters. Scott takes full advantage of his fictional settings and imbues them with a reality that makes them even more tantalizing. He shoots the vistas of space and the alien planet like National Geographic porn and savors the interior moments on board the Prometheus full of hologram maps sleeping pods and do-it-yourself surgery modules with the same attention. Prometheus is beautiful shot in immersive 3D that never dampers Dariusz Wolski's sharp photography. Scott's direction seems less interested in the run-or-die scenario set up in the latter half of the film but the film maintains tension and mood from beginning to end. It all just gets a bit…bloodier.
Jon Spaihts' and Damon Lindelof's script doesn't do the performers any favors shuffling them to and fro between the ship and the alien construction without much room for development. Reveals are shoehorned in without much setup (one involving Theron's Vickers that's shockingly mishandled) but for the most part the ensemble is ready to chomp into the script's bigger picture conceits. Rapace is a physical performer capable of pulling off a grisly scene involving an alien some sharp objects and a painful procedure (sure to be the scene of the blockbuster season. Among the rest of the crew Fassbender's David stands out as the film's revelatory performance delivering a digestible ambiguity to his mechanical man that playfully toys with expectations from his first entrance. The creature effects in Prometheus will wow you but even Fassbender's smallest gesture can send the mind spinning. The power of his smile packs more of a punch than any facehugger.
Much like Lindelof's Lost Prometheus aims to explore the idea of asking questions and seeking answers and on Scott's scale it's a tremendous unexpected ride. A few ideas introduced to spur action fall to the way side in the logic department but with a clear mission and end point Prometheus works as a sweeping sci-fi that doesn't require choppy editing or endless explosions to keep us on the edge of our seats. Prometheus isn't too far off from the Alien xenomorphs: born from existing DNA of another creature the movie breaks out as its own beast. And it's wilder than ever.
How would you like to spend a night shopping with the stars? It's all possible thanks to the ever-intimidating Anna Wintour! The Vogue editor-in-chief came up with an idea in 2009 where retailers in NYC would stay open past their normal hours and offer in-store events to promote shopping and help stimulate the struggling economy. She called the night Fashion's Night Out, and it always takes place the Thursday before New York's fashion week begins.
FNO has become such a phenomenon that celebrities even take part in the festivities. From performances to guest appearances, A-listers are stepping out to support this stylish shopping extravaganza. And so in case you plan to participate, here is a list of where you can go tonight (in New York, Los Angeles, Miami and Chicago) to rub elbows with some of your favorite Hollywood stars.
NEW YORK CITY
Bloomingdales (1000 Third Avenue New York NY 10022): Actor Eddie Cibrian (6-8 p.m.), star stylist Rachel Zoe (6:30-7:30 p.m.)
Bottega Veneta (699 Fifth Avenue New York NY 10022): Actress Rose Byrne (6-11 p.m.)
Coach (595 Madison Avenue New York NY 10022): Saturday Night Live's Seth Myers (7-9 p.m.)
Completely Bare (25 Bond Street NYC NY 10012): RHONY's Cindy Barshop (6:30-10:30 p.m.)
DASH (119 Spring Street New York NY 10012): Kim and Kourtney Kardashian, Jersey Shore's DJ Pauly D (6-8 p.m.)
David Yurman (712 Madison Avenue New York NY 10065): Camilla Belle (6-11 p.m.)
Dolce & Gabbana (825 Madison Avenue New York NY 10065): Justin Bieber (6-11 p.m.)
Giorgio Armani (760 Madison Avenue New York NY 10065): Samuel L. Jackson and Angela Bassett (8-10 p.m.)
Jeffrey New York (449 West 14th Street New York NY 10014): Harry Potter's Daniel Radcliffe (6-11 p.m.)
Kiehl's (109 Third Avenue New York NY 10003): AJ Maclean of the Backstreet Boys (6-11 p.m.)
Lord & Taylor (424 Fifth Avenue New York NY 10018): Solange Knowles (6-9 p.m.) and Ivanka Trump (6:30-7:30 p.m.)
Lucky Brand (535 Broadway New York NY 10012): Project Runway star Tim Gunn (6-11 p.m.)
Macy's Herald Square (151 West 34th Street New York NY 10001): Tommy Hilfiger (5:30 p.m.), celeb DJ Samantha Ronson (6-7 p.m.), Kelly Rowland (7-8 p.m.), Pretty Little Liars actress Shay Mitchell (8-9 p.m.)
MAC Cosmetics (109 Spring Street New York NY 10012): Beth Ditto (8-9 p.m.)
Manolo Blahnik (31 West 54th Street New York NY 10019): Sarah Jessica Parker (6-11 p.m.)
Marc by Marc Jacobs Men's (382 Bleecker Street New York NY 10014): Bar Refaeli (6-10 p.m.)
Marc Jacobs (163 Mercer Street New York NY 10012): Dakota Fanning (6-10 p.m.)
Michael Kors (610 Fifth Avenue New York NY 10020): Michael Kors (6-11 p.m.)
New York & Company (715 Lexington Avenue New York NY 10022): Real Housewives of NY cast mates Countess LuAnn de Lesseps, Kelly Killoren Bensimon and Ramona Singer (6-10 p.m.)
Payless Shoe Source (716 Lexington Avenue at 58th Street New York NY 10022): Designer Christian Siriano (7:30-9 p.m.)
QVC (428 Broadway at Howard Street New York NY 10013): Kris Jenner, Heidi Klum, Donald Trump (6-11 p.m.)
Rag & Bone (119 Mercer Street New York NY 10012): Stars of Lala's Full Court Life Carmelo Anthony and La La Vazquez (6-11 p.m.)
Saks Fifth Avenue (611 Fifth Avenue New York NY 10022): Kris Humphries (6:30-10 p.m.), Ne-Yo (8-9 p.m.)
Sephora Times Square (200 West 42nd Street New York NY 10036): True Blood's Kristin Bauer, Kat Von D, Kate Walsh (6-11 p.m.)
Stuart Weitzman (625 Madison Avenue New York NY 10022): Michelle Trachtenberg and Hayden Panettiere (6:30-10 p.m.)
Ted Gibson Salon (184 5th Avenue 2nd Floor New York NY 10010): Twilight star Ashley Greene (8-10 p.m.)
Tiffany & Co (727 Fifth Avenue New York NY 10022): Leighton Meester (8 p.m.)
Versace (647 Fifth Avenue New York NY 10022): DRAKE (7-10 p.m.)
Victoria's Secrets (591-593 Broadway New York NY 10012): Angels Adriana Lima, Alessandra Ambrosio, Erin Heatherton and Lily Aldridge (7-10 p.m.)
The Beverly Center (Beverly Blvd lvd, Los Angeles, CA 90048): Nicole Richie (5-11 p.m.)
The Grove (189 The Grove Dr Los Angeles, CA 90036): Lauren Conrad (7-8 p.m.)
Westfield Topandga Canyon (6600 Topanga Canyon Blvd, Canoga Park, CA 91303, USA): Tori Spelling (6:30 p.m.)
900 Shops (900 North Michigan Avenue Chicago IL 60611): Bravo fashion guru Brad Goreski (6-9 p.m.)
Macy's State Street (111 North State Street Chicago IL 60602): Kelly Osbourne (6-8:30 p.m.)
Macy's Aventura (19535 Biscayne Boulevard Aventura Miami FL 33180): Real Housewives of Miami's Alexia Echevarria (6-7 p.m.), Real Housewives of NY's Jill Zarin (6:30-7:30 p.m.)
The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.
Gabriel Byrne, Eddie Izzard and James Spader will be among the stars fighting for a Best Drama Actor honor at the Emmy Awards, while a pregnant Minnie Driver and Sally Field are favorites for the Best Actress prize.
The quintet has been selected among the 20 semi-finalists on a shortlist.
Driver and Izzard are shortlisted for The Riches, while Byrne gets a nod for playing a psychiatrist on In Treatment. Boston Public gave Spader the chance to fight for an Emmy.
Other actors on the top 10 list include Patrick Dempsey (Grey's Anatomy), Michael C. Hall (Dexter) and Hugh Laurie (House).
As well as Driver and Field, Patricia Arquette (Medium), Glenn Close (Damages), Mariska Hargitay (Law and Order: Special Victims Unit) and Holly Hunter (Saving Grace) are among those under consideration for Best Actress.
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