Scottish singer Emeli Sande was the toast of Britain's prestigious Ivor Novello awards on Thursday (16May13) after scooping two top honours. The star's hit track Next To Me saw off competition from Bat for Lashes' Laura and Two Fingers by Jake Bugg to be named Best Song Musically and Lyrically, and the tune also landed the PRS for Music Most Performed Work prize, which featured Coldplay and Olly Murs on the shortlist.
It was also a big day for DJ Calvin Harris as he was named Songwriter of the Year at the bash, and for Noel Gallagher, who was the recipient of the Outstanding Song Collection nod.
During the ceremony, held at London's Grosvenor House hotel, The Maccabees landed Best Contemporary Song for their hit Pelican, and the Album Award went to Alt-J for An Awesome Wave.
Keira Knightley's Anna Karenina was also honoured - the period drama bagged the Best Original Film Score over Dr Seuss's The Lorax and Plan-B's gritty drama Ill Manors, while Best Television Soundtrack went to Lucian Freud: Painted Life.
Special awards went to Bush star Gavin Rossdale (International Achievement), Marc Almond (The Ivors Inspiration Award), Randy Newman (PRS for Music Special International Award), and Errollyn Wallen MBE (The Ivors Classical Music Award), while Moody Blues founder Justin Hayward was named the recipient of the PRS for Music Award for Outstanding Achievement.
Scottish singer Emeli Sande will be among the competitors at Britain's prestigious Ivor Novello awards next month (May13) after receiving two top nominations. The star's track Next To Me is up for Best Song Musically and Lyrically at the 58th annual ceremony, alongside Bat for Lashes (Laura) and Jake Bugg (Two Fingers).
The song will also compete in the Most Performed Work category with stiff competition from Coldplay's Paradise and Dance With Me Tonight by British pop star Olly Murs.
Mercury Prize winners Alt-J and hip-hop star Plan B have also racked up a pair of nominations each at this year's (13) Ivor Novellos, which recognise excellence in British and Irish songwriting and composing.
The trophies will be handed out in London on 16 May (13).
The year is 1914. Milo Thatch (voiced by Michael J. Fox) is a lowly museum cartographer and linguistics expert who knows the whereabouts of Atlantis. He isn't taken seriously however until an eccentric billionaire (voiced by Fraiser's John Mahoney) funds an expedition based on Milo's late grandfather's journal about the lost city. Milo joins a motley group of mercenaries led by Commander Rourke (voiced by James Garner) on a dangerous trip through the ocean where they discover a thriving civilization ruled by the King (voiced by Leonard Nimoy) and his beautiful warrior daughter Princess Kida (voiced by Cree Summer). It's Atlantis and it's been kept alive by a crystal energy hidden deep within the city which thrills Commander Rourke--his evil plan is to steal the crystals. Now it's up to Milo and the others to save the city from certain doom.
Once again Disney has gathered a talented cast to lend their voices to the characters. Fox easily handles the hapless hero Milo and the animators capture Fox's essence especially in Milo's oh-so-familiar hand gestures. Garner's fairly menacing vocal quality in the evil Commander Rourke is equaled only by the majesty of Nimoy's Atlantean King. However it's the team of explorers each with their own special abilities that really make Atlantis fun. There's demolition expert Vinny voiced in a monotone by the hilarious Don Novello; creepy geologist Mole voiced by Corey Burton in a combination of French and Peter Lorre-ish speak; and Cookie the expedition's lard-lovin' cook voiced by the late Jim Varney. Together they represent the collective "sidekick character" Disney films love but this time it's done with a surprising and delightful twist.
The creators of Atlantis decided try a different approach to the Disney animated formula. Instead of the usual hero-must-find-his/her-way-in-the-world-and-get-the-girl/boy directors Kirk Wise and Gary Trousdale went for the pure adrenaline of an action-adventure story paying tribute to the great Disney adventure movies of the '50s. Also conspicuously absent are the songs so common in recent Disney films. Some die-hard Disney fans may not like that but it's actually a refreshing change of pace. The one thing however that detracts from the film slightly is its look. The animators were going for a particular style--merging computer-generated imagery with traditional animation and giving the film a flat dark comic-book look. This works well for some scenes but when the audience gets to Atlantis that lush Disney look we've seen in films like Tarzan and The Lion King needed to be there.