Based on the award-winning book by Bernhard Schlink The Reader is an extraordinary provocative and controversial story set in post-World War II Germany. It starts when 15-year-old Michael (David Kross) becomes ill with scarlet fever and is helped home by sympathetic woman named Hanna (Kate Winslet). After his recovery he returns to thank her and is drawn into a clandestine affair with this intriguing woman more than twice his age. Their relationship grows stronger especially when he starts reading to her. But then she suddenly disappears leaving a devastated Michael who now must move on with his life. Little does he know that eight years later while he is in law school he would see Hanna again -- as one of the defendants in a court case against Nazi war criminals. Shocked at revelations about her secret past he also discovers something that will change both their lives forever. Granted Kate Winslet is one of the finest young screen actresses but her range in The Reader will astonish you. It’s an extremely tricky part that could easily lose the audience’s sympathy if done incorrectly but Winslet handles it with aplomb. She runs through the whole gamut of emotions -- aging from her 30s to 60s -- all at once sexy mysterious conflicted contrite as well as many other colors. As Michael newcomer Kross is devastatingly good the most impressive acting discovery in a long time. Although he plays 15 he was 17 at the start of filming and production had to shut down until he turned 18 for the graphic sex scenes. As the story flashes forward Ralph Fiennes takes over the role as the older Michael and does so with a touching sincerity. Lena Olin also has a strong cameo as a Holocaust survivor with definite opinions of Hanna. Although this is only acclaimed stage director Stephen Daldry’s third film he once again shows a mastery of the medium far beyond his limited cinematic resume. Like The Hours and his debut film Billy Elliot he has crafted another film to savor. The Reader isn’t necessarily the most comfortable film to watch but Daldry guides the subject matter with a delicate and steady hand giving us a complex and touching love story between the most unlikely couple. It also delves into how one generation of Germans can come to terms with the horrors of another. Daldry’s directorial restraint and power perfectly serves David Hare’s impressive screenplay and delivers a memorable movie-going experience.
Tim Dingman (Ben Stiller) and Nick Vanderpark (Jack Black) have been best friends neighbors and co-workers for many years and while the stable Tim tries his best he can't convince the dreamer Nick to give up his hare-brained get-rich-quick schemes. Good thing because one of Nick's ideas--a spray called Vapoorizer that literally makes dog poop and other kinds of excrement disappear--actually succeeds making Nick like crazy rich. Of course Tim had an opportunity to go in on the deal at inception but pooh-poohed (pun intended) the whole thing. D'oh! Tim seethes with envy as he watches his friend's wealth grow to outrageous proportions--and is fueled even further by a wildcard--an oddball drifter (Christopher Walken) Tim meets in a bar who imposes himself in the situation. Soon Tim's life (and the script) is careening wildly out of control and he has to make peace with his friend--and himself--before he can get it back on track.
There's always a risk when you combine two comic talents in the same movie--and unfortunately the Stiller/Black pairing doesn't make the cut. Granted Stiller has proven that he is good as a duo but usually only with Owen Wilson (Zoolander Starsky & Hutch) or a bevy of leading ladies including Cameron Diaz (There's Something About Mary) and Jennifer Aniston (Along Came Polly) while Black seems to be best when left to his own devices either as the supporting player (High Fidelity Orange County) or leading man (School of Rock). The actors never really get to work their particular brand of magic with Black mostly suppressing his wildly eccentric ways and Stiller nauseatingly overextending his manic ones.Envy's supporting cast fare a bit better including the always weird Walken as the wacky drifter J-Man as well as Rachel Weisz (Runaway Jury) stretching her comic wings and Saturday Night Live's Amy Poehler as Tim's wife and Nick's wife respectively.
Whenever a film has been sitting on the shelf for over two years it usually spells trouble. Based on a pitch by Curb Your Enthusiasm's Larry David (imagine that development meeting) newcomer Steve Adam's script initially hits the right notes--and under the guidance of director Barry Levinson the premise is cleverly set up. The film even has a fair share of laugh-out-loud moments including Nick's detailed observation that his hand is a "freakish sidekick"; J-Man's effort to get Tim to open up: "Let it tumble out like circus freaks"; Tim's only funny meltdown "I'm just a little man who doesn't like flan"; and the ever-present question on everyone's mind "Where does the poo go?" There is even a hilarious narrative song running throughout the film á la There's Something About Mary. But once the envious feelings reaches a fever pitch that quirkiness goes out the door. You want the ca-ca to hit the fan you expect it to but alas that is not the case. The film ends with a flush leaving a tidy bowl and you wondering why you sat through this crap.
Like the best modernist novels The Hours on the surface is a simple slice of life detailing the events that occur on one day in the lives of three women in their three respective time periods. James Joyce used the technique of compacting time as a literary device to great effect in Ulysses following his two protagonists through the streets of Dublin on one typical but memorable June day. In a similar way Woolf placed Clarissa Dalloway's life under a microscope--for just one day--in Mrs. Dalloway. Countless other 20th-century literary greats have employed this same technique in their works and by focusing the time frame so narrowly these authors could dig more deeply into seemingly ordinary moments--enabling them to excavate a character's lifetime in the space of a few hours. Their modernist undertaking comes to cinematic fruition in The Hours the story of what happens to three women on a single day in an elegant exploration of families artists lovers and sisters. In 2001 Clarissa Vaughan (Meryl Streep) is a conflicted book editor and a lesbian who like her namesake Clarissa Dalloway is planning a bittersweet party for a former love. In the 1950s Laura Brown (Julianne Moore) is a housewife and mother who's reading Mrs. Dalloway and struggling much like Woolf or Sylvia Plath to find her identity and voice in a culture that says that as a woman she shouldn't have one. In the 1920s Woolf (Nicole Kidman) is living in the English countryside with her husband Leonard writing Mrs. Dalloway occasionally sinking into madness and always restlessly pining for the intellectual stimulation of London. Adhering the three narratives is Richard Brown (Ed Harris): The talented dying misunderstood novelist in whose honor Clarissa is throwing her party. Harris' role threads its way through the '50s segment as well and he serves as the modern-day heir to Woolf's literary legacy.
In his small but crucial role Harris gives an admirable performance and if he occasionally overdoes the "suffering AIDS victim" angst it's probably The Hours' one weakness. The rest of the supporting players give marvelous color to the film particularly Allison Janney as Clarissa's partner Sally Miranda Richardson as Woolf's sister Vanessa Bell Stephen Dillane as Leonard Woolf and Toni Collette as Laura's neighbor Kitty. But it's hard to look much better than good when those around you are exceptional--and Streep Moore and Kidman give hands down the three most solid intelligent nuanced female performances of the year in The Hours. As actors they are absorbed so completely in the characters they play that they're virtually unrecognizable as celebrities. As Woolf Kidman uses a prosthetic nose in aid of this transformation while Moore's Laura is aged in the film with the help of some excellent makeup artistry (this will probably be one of many Academy Award nominations for this movie). But it's Streep who without the aid of external devices becomes her character so completely that her slightest movement is clearly Clarissa's--you can see it happening onscreen in her every reaction. It's such a sublime performance that it's almost not a performance; it seems more like we're spying on Clarissa's interior and exterior life and she doesn't even realize the camera is following her.
Director Stephen Daldry and screenwriter David Hare don't take the easy way out of the complex literary material they tackle in The Hours--and they don't let the audience off easily either. There's no omniscient narrator tying up the loose ends in a nice neat package and there's no final authority espousing what it all means; in fact the "author " Woolf is as much a character in the tales as is anyone else--both literally and figuratively. While she's one of three protagonists the memory of her life and the legacy of her novel impact the other characters significantly. Woolf is also present in more subtle ways: Hare's screenplay employs some of her perennial themes--aging illness gender politics madness death--and Daldry works delicately with several symbols that are key in her writing (particularly flowers those ambiguous blossoms that seemed equally at home at funerals and parties to the keenly observant Woolf). Through it all The Hours offers gentle insight into female consciousness and the condition of women's lives throughout the last century. "The younger generation " Woolf told T.S. Eliot has "no sense of tradition and continuity." Novelist Cunningham Daldry and Hare have proven her wrong with The Hours.
The Writers Guild of America has announced its nominations for outstanding achievement in screen in 2002.
Antwone Fisher, Bowling for Columbine, Far From Heaven, Gangs of New York and My Big Fat Greek Wedding have been nominated for the WGA's best original screenplay award.
About a Boy, About Schmidt, Adaptation, Chicago and
The Hours meanwhile will contend for best adapted screenplay.
Antwone Fisher, Written by Antwone Fisher; Fox Searchlight
Bowling for Columbine, Written by Michael Moore; United Artists/Alliance Atlantis/Salter Street Films/Dog Eat Dog Films
Far From Heaven, Written by Todd Haynes; Focus Features
Gangs of New York, Screenplay by Jay Cocks and Steven Zaillian and Kenneth Lonergan, story by Jay Cocks; Miramax Films
My Big Fat Greek Wedding, Written by Nia Vardalos; Gold Circle Films/HBO/MPH Entertainment/Playtone
About a Boy, Screenplay by Peter Hedges and Chris Weitz & Paul Weitz, based on the novel by Nick Hornby; Universal Pictures/Studio Canal/Working Title Films/Tribeca Productions
About Schmidt, Screenplay by Alexander Payne & Jim Taylor, based on the novel by Louis Begley; New Line Cinema
Adaptation, Screenplay by Charlie Kaufman and Donald Kaufman, based on the book The Orchid Thief by Susan Orlean; Columbia Pictures
Chicago, Screenplay by Bill Condon, based on the musical play, book by Bob Fosse and Fred Ebb and the play by Maurine Dallas Watkins; Miramax Films
The Hours, Screenplay by David Hare, based on the novel by Michael Cunningham; Paramount Pictures/Miramax Films
Animation--any length--one airing time (new category)
"The Bart Wants What It Wants" (The Simpsons), Written by John Frink & Don Payne; Gracie Films in association with 20th Century Fox Television; Fox
"Blame It on Lisa" (The Simpsons), Written by Bob Bendetson; Gracie Films in association with 20th Century Fox Television; Fox
"Godfellas" (Futurama), Written by Ken Keeler; 20th Century Fox Television; Fox
"Jaws Wired Shut" (The Simpsons), Written by Matt Selman; Gracie Films in association with 20th Century Fox Television; Fox
"My Own Private Rodeo" (King of the Hill), Written by Alex Gregory & Peter Huyck; 20th Century Fox Television Productions in association with Deedle-Dee Productions, Judgmental Films and 3 Arts Entertainment; Fox
Santa Baby! Written by Peter Bakalian & Suzanne Collins; Rankin/Bass; Fox
Original Long Form--over one hour--one or two parts, one or two airing times
Dor to Door, Written by William H. Macy & Steven Schachter; Turner Pages, Inc.; TNT
The Gathering Storm, Teleplay by Hugh Whitemore, Story by Larry Ramin and Hugh Whitemore; a Scott Free Production in association with HBO Films; HBO
Sins of the Father Written by John Pielmeier, based on the magazine article that appeared in Texas Monthly by Pamela Colloff; Artisan; FX
Strange Relations, Written by Tim Kazurinsky; Showtime; Granada Entertainment; Showtime
Adapted Long Form--over one hour--one or two parts, one or two airing times
"Batogne" (Band of Brothers), Written by Bruce C. McKenna, based on the book by Stephen E. Ambrose; DreamWorks/Playtone/HBO; HBO
Hysterical Blindness, Teleplay by Laura Cahill, based on the play by Laura Cahill; Hysterical Films, Inc.; HBO
Last Call, Screenplay by Henry Bromell, based on the memoir Against the Current: As I Remember F. Scott Fitzgerald by Frances Kroll Ring; Room 520/Barnstorm Films; Showtime
Mark Twain's Roughing It, Teleplay by Steven H. Berman, based on the book Roughing It by Mark Twain; Larry Levinson Productions; Hallmark Channel
Episodic Drama--any length, one airing time
"Game On" (The West Wing), Written by Aaron Sorkin & Paul Redford; John Wells Productions in association with Warner Bros. Television; NBC
"In Place of Anger" (Six Feet Under), Written by Christian Taylor; Six Feet Productions; HBO
"Nino Del Polvo" (Resurrection Boulevard), Written by Robert Eisele; Showtime; Viacom Productions, Inc.; Patagonia House; Showtime
"On the Beach" (ER), Written by John Wells; Constant C Productions; Amblin Television; Warner Bros. Television; NBC
Pilot (The Education of Max Bickford), Written by Dawn Prestwich & Nicole Yorkin; 20th Century Fox Television; CBS
"Whoever Did This" (The Sopranos), Written by Robin Green & Mitchell Burgess; Soprano Productions, Inc.; HBO
Episodic Comedy--any length, one airing time
"Change of Address" (Sex and the City), Written by Julie Rottenberg & Elisa Zuritsky; Darren Star Productions in association with HBO Original Programming; HBO
"I Heart NY" (Sex and the City), Written by Michael Patrick King; Darren Star Productions in association with HBO Original Programming; HBO
Pilot (The Bernie Mac Show), Written by Larry Wilmore; Regency Television in association with 20th Century Fox Television; FOX
"My First Day", (pilot, Scrubs), Written by Bill Lawrence; Touchstone Television Productions; NBC
"Plus One is the Loneliest Number" (Sex and the City), Written by Cindy Chupack; Darren Star Productions in association with HBO Original Programming; HBO
"Rooms With a View" (Frasier), Written by Dan O' Shannon & Lori Kirkland & Bob Daily; Grub Street Productions in association with Paramount Pictures; NBC
"The Wedding" (Ed), Written by Rob Burnett & Jon Beckerman; Viacom Productions in association with Worldwide Pants, Inc. and NBC Studios; NBC
Comedy/Variety---Music, Awards, Tributes--Specials--any length
The Kennedy Center Honors Written by Don Baer and George Stevens, Jr., Film Sequences Written by Sara Lukinson; A George Stevens Jr. Presentation - Kennedy Center Television Productions, Inc.; CBS
NBC 75th Anniversary Special, Written by Doug Abeles, James Anderson, Robert Carlock, Tina Fey, Charlie Grandy, Steve Higgins, Lorne Michaels, Paula Pell, Herb Sargent, Michael Schur, Michael Shoemaker; Broadway Video in association with NBC Studios; NBC
Comedy/Variety--(including talk) Series
Dennis Miller Live, Written by Eddie Feldmann, Jose Arroyo, Richard Dahm, David Feldman, Jim Hanna, Rob Z. Kutner, Kirsten McFarland, Dennis Miller, Jacob Sager Weinstein; Happy Family Productions; HBO
Late Night With Conan O'Brien, Written by Mike Sweeney, Chris Albers, Andy Blitz, Kevin Dorff, Jonathan Glaser, Michael Gordon, Brian Kiley, Michael Koman, Brian McCann, Guy Nicolucci, Conan O'Brien, Andrew Secunda, Allison Silverman, Robert Smigel, Brian Stack, Andrew Weinberg; Broadway Video; NBC
Mad TV, Writing Supervised by Scott King, Written by Dick Blasucci, Garry Campbell, Lauren Dombrowski, Bryan Adams, Bruce McCoy, Michael Hitchcock, Steven Cragg, Chris Cluess, John Crane, Jennifer Joyce, Tami Sagher, Devon Shepard, Rich Talarico, Jim Wise, Kal Clarke, Sultan Pepper, Bill Kelley, Maiya Williams, Dino Stamatopoulos; QDE/Girl Group; FOX
Saturday Night Live, Written by Tina Fey, Doug Abeles, Leo Allen, James Anderson, Max Brooks, James Downey, James Eagan, Hugh Fink, Charlie Grandy, Jack Handey, Steve Higgins, Erik Kenward, Dennis McNicholas, Lorne Michaels, Corwin Moore, Matt Murray, Paula Pell, Matt Piedmont, Ken Scarborough, Michael Schur, Frank Sebastiano, T. Sean Shannon, Eric Slovin, Robert Smigel, Emily Spivey, Andrew Steele, Scott Wainio, Jerry Collins, Tom David; Broadway Video in association with SNL Studios; NBC
Guiding Light, Written by Millee Taggart, Lucky Gold, Christopher Dunn, Tita Bell, Jill Lorie Hurst, Penelope Koechl, David Kreizman, Eleanor Labine, Alan Madison, Danielle Paige, A.J. Pierce, Janet Reed Ahearn, Susan Rice, David Rupel, Melissa Salmons, Eddie Sanchez, Lisa Seidman, David Smilow; Procter & Gamble; CBS
The Young and the Restless, Written by Kay Alden, Trent Jones, John F. Smith, Jerry Birn, Jim Houghton, Natalie Minardi, Janice Ferri, Eric Freiwald, Joshua McCaffrey, Michael Minnis, Rex M. Best; Columbia TriStar; CBS
Elmo's World: Happy Holidays!, Written by Christine Ferraro; Sesame Workshop; PBS
Off Season, Written by Glenn Gers; Showtime Networks, Inc.; Showtime
Our America, Teleplay by Gordon Rayfield, Based on the book "Our America: Life and Death on the South Side of Chicago" by Lealan Jones, Lloyd Newman and David Isay; Joseph Stern Productions; All Media, Inc.; Showtime
The Red Sneakers, Teleplay by Mark Saltzman, Story by Jeffrey Rubin; Lynch Entertainment, Tom Lynch Company, RS Productions, Ltd., Showtime Networks, Inc.; Showtime
Bioterror (Nova), Written by Matthew Collins; A Nova Production by the New York Times/ Granada Factuals USA and Lone Wolf Pictures, Inc., for WGBH/ Boston in association with Channel 4 Television; PBS
The Man Who Knew (Frontline), Written by Michael J. Kirk, Kirk Documentary Group; PBS
9/11, Written by Tom Forman & Greg Kandra; Goldfish Pictures, Inc.; CBS
Rollover: The Hidden Story of the SUV (Frontline), Written by Marc Shaffer & Barak Goodman; 10/20 Productions; PBS
Documentary--Other Than Current Events
America's First River, Part One, Written by Tom Spain; WNET/Educational Broadcasting Corp.; Public Affairs Television; PBS
Empire State Building Ironworker (A Day in their Lives), Written by Peter Hankoff; Termite Art Productions; History Channel; History Channel
Evolution of a Revolution (Founding Brothers), Written by Kelly McPherson and Melissa Jo Peltier & Allison MacEwan; MPH Entertainment Inc.; History Channel; History Channel
Monkey Trial (American Experience), Written by Christine Lesiak; WGBH Educational Foundation; PBS
News--Regularly Scheduled, Bulletin or Breaking Report
Attack on America Written by Jerry Cipriano, Paul Fischer, Thomas Harris, Hugh Heckman, Bruce Meyer; CBS Evening News; CBS
September 11th Controllers, Written by Jonathan W. Kaplan; CBS
Glenn Quinn, the 32-year-old actor who is best known for his recurring role on the hit TV sitcom Roseanne, was found dead in his apartment Dec. 3 in Los Angeles. WashingtonPost.com reports authorities are saying Quinn's death could possibly be attributed to a drug overdose but medical evidence is still pending. Quinn joined the cast of Roseanne in its third season as older daughter Becky Connor's boyfriend/husband Mark. He also co-starred on the TV drama Angel, a spin-off of Buffy the Vampire Slayer.
Nicole Kidman may be heading back to the London stage. After baring it all, literally, four years ago in David Hare's The Blue Room, Kidman is now in negotiations to star in Henrik Ibsen's The Lady From the Sea for director Trevor Nunn.
Veteran vintner Francis Ford Coppola will drink no wine before its time. The Godfather director will plunk down a cool $31.5 million for the Cohn Vineyard in Napa Valley, Calif., winning the bid over competitor Robert Mondavi, the San Francisco Chronicle reports. The Cohn Vineyard is renowned for its excellent conditions that create some of the world's best cabernet.
Spanish director Pedro Almodovar and his newest film Talk to Her were the big winners at the European Film Academy Awards Saturday. The film, about a man's relationship with a comatose woman, won best film with Almodovar taking the award for best director. The 15th annual awards ceremony was held in Rome, Italy.
The Talented Mr. Ripley co-stars Jude Law and Gwyneth Paltrow are set to reteam for The World of Tomorrow, a big-budget sci-fi thriller for first-time writer/director Kerry Conran. Paltrow will play a reporter and Law a pilot in the film, which is set at the turn of the 20th century and is in the same vein as Raiders of the Lost Ark, according to The Hollywood Reporter.
Alec Baldwin, who starred in 1999's Outside Providence, has decided he'd rather be inside the Rhode Island city than outside of it. He is in negotiations to co-star with Matthew Broderick in Providence, a film about a young filmmaker (Broderick) who gets funding to make a film from a mysterious source (Baldwin) on the condition he shoots the film in Providence, R.I. The filmmaker eventually discovers the "producer" is really an undercover FBI agent.
After a brawl in Munich, Germany, which forced them to cancel two shows, the British rock band Oasis returned to the stage Sunday in Wales to finish their European tour. Lead singer Liam Gallagher, who lost two teeth when he and other band members got into a fight with some Italians at a hotel bar Dec. 1, had his teeth repaired to continue the tour.
Guess Eminem is going to have to change some of his lyrics about his wife, Kim. According to PageSix.com, the bad-boy rapper's grandmother, Betty Kresin, confirmed that he and Kim are back together. "They're back together," Kresin told PageSix.com, "and I think Marshall [Eminem's real name] is very happy about it."