We all know Adolf Hitler did not die as a result of an organized assassination plot against him but this fact does not hinder the enjoyment of watching how that attempt by members of his own Nazi command plays out. Reminiscent of great ‘60s WWII conspiracy thrillers such as 36 Hours and Night of the Generals this film centers on the actions of Colonel Claus von Stauffenberg (Tom Cruise) a loyal German officer who nevertheless is horrified by what he sees Hitler doing to his country and is determined to find a way to stop him. In 1942 he tries to persuade senior commanders to overthrow Hitler and later in 1943 while recovering from combat injuries he joins the German Resistance a secretive anti-Hitler group comprised of several men in the highest ranks on the inside. Using Hitler’s own contingency plan labeled Operation Valkyrie to prop up the government should he die this group puts their assassination and take over plan in motion. As the eye patch-wearing SS colonel Tom Cruise is excellent. He comfortably manages to get to the heart of Stauffenberg and portray a man who clearly loves his country and feels it’s a patriotic duty to stop the madness. Wisely Cruise (who produced through his United Artists studio) surrounds himself with actors of the first stripe. Among those supporting the mission are: Kenneth Branagh in a relatively brief turn as an German officer; Bill Nighy as one of von Stauffenberg’s closest allies in the venture; and Eddie Izzard as a communications specialist charged with cutting Hitler’s contact to the rest of Germany. There’s also superb work from Terence Stamp as another high-ranking conspirator and the always great Tom Wilkinson as career officer Fredrick Fromm who seems to be playing all sides despite appearing to be a stern supporter of the Fuhrer. And as Stauffenberg’s loyal wife Carice van Houten (Black Book) looks lovely and hits just the right notes as her husband’s sounding board. Although he has guided big popcorn pictures such as Superman Returns and X-Mens director Bryan Singer has also given us intense thrillers like the Oscar winning Usual Suspects and Apt Pupil. So the command he shows in turning out this nifty thriller should come as no surprise. Clearly Singer knows how to grab hold of an audience and keep them on the edge of their seats -- no easy trick here since the outcome is never in doubt. He keeps this going like a speeding train ratcheting up the suspense at every turn and focusing his camera directly into the eyes and sweat of these courageous conspirators. Valkyrie is a pulse-pounding heart-racing excitement from start to finish.
Life’s never exactly been a walk in the park for Rooster (Antwan Patton) and Percival (Andre Benjamin) even when they were childhood best friends but things are about to get real messy. Now grown up and living in the 1930s South--Idlewild Georgia to be exact--they remain close and even work together. Rooster the more flamboyant of the two is the emcee and Percy the piano player at a place called Church which is “anything but.” Church is a speakeasy beloved by locals but after a gangster (Terrence Howard) forcibly removes the club’s former owner (Faizon Love) the new regime is considerably tighter especially for Rooster who has to answer to the new guy in charge. Rooster is all about business and is concerned about keeping Church in operation. Percy meanwhile is torn between love for a woman (Paula Patton) and allegiance for his widower dad (Ben Vereen). But nothing will get resolved before the gunpowder settles. As Outkast Benjamin (a.k.a. Andre 3000) and Patton (a.k.a. Big Boi) have set pop music on fire while maintaining hip-hop cred. In Idlewild they try to continue that along with taking over a new medium; the results are mixed. Patton the one with seemingly no aspirations of movie stardom actually gives the stronger performance of the two. This is just his second film yet he coolly slides right into this role one that should’ve entailed more dialogue and less rapping. For Benjamin he has certainly displayed acting chops before but his wounded puppy dog Percy does not suit the actor at all. A role with more external drama would seem optimal for him. Benjamin does seem deeply committed to acting though so there’s reason to have faith. But it’s Howard yet again who absolutely pilfers the show making everyone look like mere rappers trying to cross over. His Hustle and Flow hype now calmed Howard proves that he is anything but a one-hit wonder. Bryan Barber is Outkast’s go-to music-video director who’s making his feature debut with Idlewild; both of those facts speak volumes about his writing/directing effort here. As such the film is loaded with bright spots usually consisting of the dance sequences and the overall style and major cinematic blemishes as can be expected for a first-timer. In other words the core elements--i.e. the script and direction--are a mess but the peripheral elements--i.e. the look and sound--are dazzling. Part of the problem is the timing of the release: This film is supposed to do too many things from launching Benjamin into movie stardom to coinciding with the actual Outkast album/soundtrack release and that ambition is a microcosm of the flaws. But most of all there is simply too much going on here. Anachronisms run rampant where they shouldn’t and the same can be said for some of the songs--the vulgar rap played against the film’s Southern themes doesn’t always quite work as the intended contrast is sometimes overbearing.