For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody & Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody & Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
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Lions Gate via Everett Collection
When we last left our heroes, they had conquered all opponents in the 74th Annual Hunger Games, returned home to their newly refurbished living quarters in District 12, and fallen haplessly to the cannibalism of PTSD. And now we're back! Hitching our wagons once again to laconic Katniss Everdeen and her sweet-natured, just-for-the-camera boyfriend Peeta Mellark as they gear up for a second go at the Capitol's killing fields.
But hold your horses — there's a good hour and a half before we step back into the arena. However, the time spent with Katniss and Peeta before the announcement that they'll be competing again for the ceremonial Quarter Quell does not drag. In fact, it's got some of the film franchise's most interesting commentary about celebrity, reality television, and the media so far, well outweighing the merit of The Hunger Games' satire on the subject matter by having Katniss struggle with her responsibilities as Panem's idol. Does she abide by the command of status quo, delighting in the public's applause for her and keeping them complacently saturated with her smiles and curtsies? Or does Katniss hold three fingers high in opposition to the machine into which she has been thrown? It's a quarrel that the real Jennifer Lawrence would handle with a castigation of the media and a joke about sandwiches, or something... but her stakes are, admittedly, much lower. Harvey Weinstein isn't threatening to kill her secret boyfriend.
Through this chapter, Katniss also grapples with a more personal warfare: her devotion to Gale (despite her inability to commit to the idea of love) and her family, her complicated, moralistic affection for Peeta, her remorse over losing Rue, and her agonizing desire to flee the eye of the public and the Capitol. Oftentimes, Katniss' depression and guilty conscience transcends the bounds of sappy. Her soap opera scenes with a soot-covered Gale really push the limits, saved if only by the undeniable grace and charisma of star Lawrence at every step along the way of this film. So it's sappy, but never too sappy.
In fact, Catching Fire is a masterpiece of pushing limits as far as they'll extend before the point of diminishing returns. Director Francis Lawrence maintains an ambiance that lends to emotional investment but never imposes too much realism as to drip into territories of grit. All of Catching Fire lives in a dreamlike state, a stark contrast to Hunger Games' guttural, grimacing quality that robbed it of the life force Suzanne Collins pumped into her first novel.
Once we get to the thunderdome, our engines are effectively revved for the "fun part." Katniss, Peeta, and their array of allies and enemies traverse a nightmare course that seems perfectly suited for a videogame spin-off. At this point, we've spent just enough time with the secondary characters to grow a bit fond of them — deliberately obnoxious Finnick, jarringly provocative Johanna, offbeat geeks Beedee and Wiress — but not quite enough to dissolve the mystery surrounding any of them or their true intentions (which become more and more enigmatic as the film progresses). We only need adhere to Katniss and Peeta once tossed in the pit of doom that is the 75th Hunger Games arena, but finding real characters in the other tributes makes for a far more fun round of extreme manhunt.
But Catching Fire doesn't vie for anything particularly grand. It entertains and engages, having fun with and anchoring weight to its characters and circumstances, but stays within the expected confines of what a Hunger Games movie can be. It's a good one, but without shooting for succinctly interesting or surprising work with Katniss and her relationships or taking a stab at anything but the obvious in terms of sending up the militant tyrannical autocracy, it never even closes in on the possibility of being a great one.
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Let's not get it twisted -- it sucks to lose. Kerry Washington was a Lead Actress in a Drama nominee for the 2013 Emmy Awards, but she went home empty-handed. Although she has many fans, we all knew that the Scandal actress was up against some fierce competition: Elisabeth Moss for Mad Men, Michelle Dockery for Downton Abbey, and Claire Danes who went on to win the Emmy for her role in Homeland. If you gotta lose an Emmy, these are probably the ladies to whom you want to lose. So in our world, Kerry is still, absolutely, without a doubt, still winning. Here are a few reasons why.
The Emmy Nomination Itself Was Historical
This year Kerry became the first black actress to be nominated for Lead Actress In A Drama Series since Cicely Tyson was nominated in 1995. Because this was such a big historical moment, she was also asked to present an award with Diahann Carroll -- another trailblazer for African-American women in television.
She's Still Married To The Sweetest Guy Ever
Kerry eloped earlier this year to a man we didn't even know she was dating -- it was epic. And the more we find out about NFL star Nnamdi Asomugha, the more we like. He's big on charity work, everyone around him seems to love him, and he's super cute. 'Nuff said.
One of the most addictive shows to ever exist is coming back to television for its highly-anticipated third season. Fans of the show will see a whole new version of Kerry Washington's beloved character Olivia Pope, because we're about to meet -- wait for it -- her dad. As her character gets a little more depth, we expect that another Emmy nomination (and a first win) is definitely on the horizon.
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If the thought of Charlie Sheen in bed with Lindsay Lohan doesn’t make you gag – or worse, laugh – then congratulations, you are the only one! That also means you’re the only person excited for Scary Movie 5, which finds Sheen and Lohan in the aforementioned bed together before a ghost/demon wreaks more havoc than Sheen on a Tiger Blood-fueled bender.
The newest trailer for the fifth installment of the Scary Movie spoofing franchise just hit the web, and along with some Sheen/Lohan loving, we also get a glimpse of a contortionist Honey Boo Boo, a Snoop Dogg (sorry, Snoop Lion) crotch kick, and a con man posing as a demon psychic.
Spoofing Paranormal Activity and Mama, a happily-married couple begins to experience some unusual activity after bringing their newborn son home from the hospital. With the help of home-surveillance cameras and a team of experts, they learn they're being stalked by a nefarious demon and must learn how to get rid of it before it’s too late.
Watch the new trailer below:
Ashley Tisdale, Terry Crews, Kate Walsh, Jerry O’Connell, Heather Locklear, Molly Shannon, Chris Elliot, Ben Cornish, Mike Tyson, Simon Rex, Jasmine Guy, Kendra Wilkinson, and Audrina Patridge round out the cast. It’s interesting to note that Scary Movie 5 is the only film in the entire franchise that does not feature any main characters from the previous films (maybe because they knew it was time to bail…).
Scary Movie 5 hits theaters April 12.
Follow Sydney on Twitter: @SydneyBucksbaum
[Photo Credit: The Weinstein Company]
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The fighter has already tried his hand at acting in Crocodile Dundee in Los Angeles, The Hangover and its sequel The Hangover II, and now he's set to star in the latest installment of the horror parody franchise.
He was spotted on set in Atlanta, Georgia on Thursday (27Sep12) with co-star Heather Locklear.
Charlie Sheen and Lindsay Lohan play lovers in the film, while Ashley Tisdale and Molly Shannon also star.
The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb director Kenneth Branagh has condensed vast Marvel mythology to make an accessible straightforward fantasy epic. Like most films of its ilk I’ve got some issues with its internal logic aesthetic and dialogue but the flaws didn’t keep me from having fun with this extra dimensional adventure.
Taking notes from fellow Avenger Iron Man the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth) son of Odin is heir to the throne but is an arrogant overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins) enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact banishes the boy to a life among the mortals of Earth leaving Asgard defenseless against the treachery of Loki his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.
Individually the make-up visual effects CGI production design and art direction are all wondrous to behold but when fused together to create larger-than-life set pieces and action sequences the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick the same can’t be said of Thor’s thunderous sound design which is amped with enough wattage to power The Avengers’ headquarters for a century.
Chock full of nods to the comics the screenplay is both a strength and weakness for the film. The story is well sequenced giving the audience enough time between action scenes to grasp the characters motivations and the plot but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic which is given lots of attention in the first act but has little effect on the outcome. In addition I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye the secret security faction just gets in the way of the movie’s momentum.
While most of the comedy crashes and burns there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists whose respective roles as love interest (Portman) friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.
Though he handles the humorous moments without a problem Hemsworth struggles with some of the more dramatic scenes in the movie; the result of over-acting and too much time spent on the Australian soap opera Home and Away. Luckily he’s surrounded by a stellar supporting cast that fills the void. Most impressive is Tom Hiddleston who gives a truly humanistic performance as the jealous Loki. His arc steeped in Shakespearean tragedy (like Thor’s) drums up genuine sympathy that one rarely has for a comic book movie villain.
My grievances with the technical aspects of the production aside Branagh has succeeded in further exploring the Marvel Universe with a film that works both as a standalone superhero flick and as the next chapter in the story of The Avengers. Thor is very much a comic book film and doesn’t hide from the reputation that its predecessors have given the sub-genre or the tropes that define it. Balanced pretty evenly between “serious” and “silly ” its scope is large enough to please fans well versed in the source material but its tone is light enough to make it a mainstream hit.
S10E9: Holy over-the-top drama. Last night was a long episode. Granted, group week is usually my favorite because it’s when everyone’s crazy starts to come out, and boy did it ever. The folks at Idol flipped the usual group week antics upside down. When students of the show got ahead of the game by forming groups during the first round of auditions, dreaming up routines and practicing whenever they could, the judges announced that this year the rules had changed. Every group would have to be part Day 1 contestants and Part Day 2 and they’d have to choose songs from a pre-set list. Well crap. Of course, tears and pandemonium ensued – as well as some serious heartlessness. Here’s a tip Idol hopefuls: you aren’t going to win the hearts of American voters if you kick a 15 year old sweetheart out of your group at midnight.
After nearly an hour of set-up, watching the groups flounder to get members, and subsequently fight for space to rehearse, the judges were finally ready to begin the judging. And away we go.
“He came out gangbusters…I think they all went off.” – Steven
Right out of the gate, the groups were shaping up to be pretty good. First up was a trio made up of Pia Toscano, Alessandra Guercio and Brielle Von Hugel singing “Grenade” by Bruno Mars. The New York natives did an adequate rendition of the song and fulfilled the choreography requirement by pretending they were in a Destiny’s Child video from 1999, but that was enough and they all made it through.
Then came the first sign of trouble after all the pre-audition drama. Jordan Dorsey, who will likely not be getting many votes after this display, ditched his group, 440, after playing prima donna all day and telling every potential new member they weren’t good enough. His new group, who changed their name to 4+1 in honor of the recent addition, also featured audience favorite Robbie Rosen and did an nice version of the Jackson 5’s “ABC” that allowed them to make it to the next round. (And even though Rosen aligned himself with the Jordan bozo, I’m still hoping he sticks around.)
Next, of course, because Idol loves the drama, was Jordan’s abandoned group 440 singing the song also known as “Fuck You.” (Take that TV sensors.) Because Idol cuts up the songs so we only see the faces they’re interested in, we saw both Adrian Michaels and Lauren Turner belt it out despite their frustrations due to the wrench Jordan’s decision threw into their routine. They were able to hold their heads high afterward because after a dramatic display of making them each step forward one by one, they all made it through.
“Oh you guys. I’m so scared of this group.” –JLo
Oh, Tiffany Rios, you nutcase. After searching tirelessly for someone, ANYONE to join her group, Tiffany had scored Jessica Yantz as her partner in crime, but no matter how hard they tried (including serenading the unwilling listeners in the auditorium) they couldn’t find a third person to meet the requirements. So they performed a duet and it was horrific. I didn’t know that “Irreplaceable” could sound so much like a horror movie. Then again, I didn’t think she’d make it past the first audition back in New Jersey, so what do I know? Buh-bye, ladies.
From “Irreplaceable” to irresponsible we go as Kevin Campos completely screws his group, Spanglish, by sleeping in until noon. Ass. The good thing about this little screw-up is that it gives Steven a chance to play the drums to pass the time while everyone waits for Kevin to get his act together. (Did anyone else think he looked like Animal from Dr. Teeth and The Electric Mayhem?) When the group finally got up there, Jovany Barreto, Jorge Gabriel and Karen Rodriguez were obviously shaken up by their teammate's dumbassery, but only Jovany and Karen managed to continue on after Steven accidentally told them they’d all make it (and after their onstage celebration made their rejected teammates cry even more). Yikes.
“You fell off the melody…” –Steven
“And forgot all the words.” –JLo
Well, you can’t argue with that; and things continued to underwhelm the judges. Lauren Alaina and her group tried something a little different: they brought Steven up onstage and sang directly to him, even getting him to sing along with them at the end. It was pretty cute. Unfortunately for everyone but Alaina, the judges were impressed with the creativity, but not the vocals. Yeah, you know that little thing that the whole competition is based on. At least Lauren’s teammates were sweet about it.
Then things started to get really, really ugly. The “Nashville Stars” featured crowd favorite Matt Dillard as well as Colton Dixon, but by the time they were done singing the judges were holding their heads in frustration it was so bad. Colton managed to hold his own amongst the muck and walked away as the only one to continue on. This bad streak continued (so brace yourself) with a string of our favorites going off key and piercing ear drums left and right. Shannon Livewell, Brianna Tyson, Janelle Arthur, and Caitlin Koch were all sent packing. Steven’s protégé, Alyson Jaydos, was also sent packing after she just couldn’t cut it (but we could have told you that after her first audition). Many of you may be surprised by Paris Tassin’s expulsion from the competition, but to be honest, her performance of “My Heart Will Go On” last week was actually kind of awful. We all want her to succeed because of her backstory, but the fact is, her voice isn’t strong enough to keep her there.
“I was bathing in your vocals” -Steven
After Ashley Sullivan faked her group out about leaving the competition at nearly 2 a.m., the performed quite well, giving them all a chance to see Ashley’s INSANE happy dance. (I’m afraid we’re going to see a lot more of that.)
Then came more rivalries! Gee, their forming quickly. “The Minors” and the “Deep Vs” are in a bit of a rift because James Durbin of the Vs is pissed about The Minors receiving help from their moms, and then there’s the whole issue of the two groups singing the same song. Too bad no amount of mama’s help could have saved the Vs from their terrible audition. Only Caleb Johnson and James Durbin made it through (although I still think his voice is just downright unpleasant, and now he’s a whiner to boot). Just like JLo predicted, Emma Henry gets swallowed up in the competition and is sent home. It’s a wonder she made it past the sudden death round, to be honest.
The Minors, who included Jalen Harris, Sarina Joi Cole and Deandre Brackensick were absolutely fantastic. I highly doubt that they suddenly gained extra pure talent in those 10 hours of rehearsal. It must suck to be Durbin and have all that whining put on national TV only to be proven wrong. Sorry, dude.
“You goin’ to hoot for us?” –Steven
Corey Levoy and Hollie Cavanaugh’s group makes it through despite half of them forgetting the words. Then one dumbass is stupid enough to ask the judges why they were sent through. DON’T LOOK A GIFT STEVEN TYLER IN THE MOUTH DUDE. It’s scary.
The next two groups braved a capella auditions. The first was pretty awful, yet Julie Zorilla from Colombia and Casey “Fraggle Rock” Abrams managed to shine and continue on. (Can I just say again how much I love Casey Abrams? Dude can really sing…dawg.) Next was Naima Adedapo’s group; she and teammate Jacob Lusk were the only fantastic ones (Lusk adding an interesting little twist to the end of the song) but they all made it through and I’m still not sure why.
“I don’t know that song.” –Jacee Badeaux
“Well, you can learn it.” –Brett Lowenstern
“The Four Non-blondes and That Guy” featured Devyn Rush (who famously lost her job after auditioning for Idol), Carson Higgins, Caleb Hawley, and Chris Medina. The only standout here was Carson Higgins who was like an awesome singing cartoon. Only Devyn was sent home and she cried about how wrong they were – and sometimes they are, but thems the breaks homeslice.
Finally, we get to the group that accepted sweet little Jacee Badeaux after his original group rejected him in the wee hours of the morning. He didn’t know the words to “Mercy” but made his own little jingle (he only had a few hours to learn it!) and the judges had mercy on the poor kid and sent him and his group members who included Denise Jackson and Brett Lowenstern who is not only an awesome singer, but one of the sweetest people in that auditorium. It just warms my heart. (Oh no, I sound like my grandma.)
Jacee’s rejectors, let by the mega-annoying Clint Jun Gamboa, have to fumble on stage while the judges grill them about screwing over the sweetest little boy, but they manage to pull out a decent performance and they all continue on. Of course, now that he has to face the problem, Scotty McCreery is all teary eyed and sorry that he didn’t stick up for Jacee. Why don’t you go apologize to him instead of CRYING INTO THE CAMERA LIKE A PRIMA DONNA.
“Can we do it like a million more times and then we’ll move on?” –Jaqueline Dunford
Last group! We made it. Thanks for sticking with me. Three’s Company was the group of couples whose plans were dashed when Nick Fink was sent home (good riddance). Chelsee Oaks and her ex Rob Bolin partnered with the abandoned girlfriend Jaqueline Dunford who quickly took over everything. By the time they reach the stage, Rob is so tired he can’t remember the words and completely gives up on the competition. Buh-bye. Something tells me that he’s totally okay with that. Maybe it’s that vacant look in his eyes. Oh well. The girls make it through, although personally I think Jaqueline’s voice is unpleasant and she should have been sent packing with her boyfriend.
Now, let’s all rest up and get prepared for tonight, when the contestants will each fend for themselves and we’ll see who gets to make it to the Idol stage.