Liv (Kate Hudson) and Emma (Anne Hathaway) are lifelong best friends obsessed with getting married -- and more importantly having the perfect wedding at New York’s Plaza Hotel. Except there’s a glitch: Their June weddings get scheduled for the same Saturday and no other date is available for three years! When neither agrees to move to a different venue the battle is on. And the pranks: There’s Emma’s disastrous trip to a tanning salon where her skin becomes solid orange and Liv’s appointment at a beauty salon where her blonde locks are turned mysteriously blue.
Adding this to her recent list of dumb comedies like My Best Friend's Girl and Fool's Gold Hudson is in need of a serious career intervention. Her character here a supposedly smart lawyer who will sink to ANY depths to get married and have a dream wedding just doesn’t mesh. It’s SO 50 years ago that feminists watching these two engage in a knock-down drag-out fight over a hotel ballroom will recoil in horror. And after all that acclaim for Rachel Getting Married Hathaway should just find a place to hide – though to be fair in one or two scenes she does manage to find a shred of believability. Too bad it’s not nearly enough. Although it starts out with a bit of promise director Gary Winick clearly just sat back as the proceedings spun out of control with one ridiculous scene after another. Of course he isn’t given much help by Greg DePaul CaseyWilson and June Diane Raphael’s waaaaaaay over-the-top screenplay which reduces these two apparent friends into babbling morons. Those interested in witnessing two women demean themselves for 90 minutes should have a lot of fun.
You may not have heard of George Jung before this but you quickly learn that whoever was doing coke in the '70s and '80s (and according to this movie who wasn't) was probably sniffing his stuff. This biopic tracks Jung's travails from his troubled poor boyhood to his pot-dealing days in California to his life as a millionaire cocaine trafficker for the Colombian Medellin cartel. The party has to end sometime and for Jung it does when he's repeatedly busted eventually loses his family and ultimately destroys his life.
Johnny Depp might just get an Oscar nod next year for his performance as a regular guy who turns into the foremost drug distributor in U.S. history. But in all honesty he's startlingly one-note (couldn't he change his facial expression just once? A millionaire drug dealer must have had fun sometime). Ray Liotta and Rachel Griffiths are terribly miscast as his parents (which one is Depp supposed to take after?) although Liotta is quite good as Jung's heartbroken but accepting father. Penélope Cruz goes overboard as Jung's hateful wife and clunks her way through her lines; her bad wigs make it even worse. Now an open plea to casting directors everywhere: Please put Paul Reubens in your next movie. Without overdoing it he's great as a femme hairdresser who becomes the first to introduce Jung to his life of crime.
After the schmaltzy beginning showing Jung's childhood the movie cruises into high gear using nifty camerawork and freeze-frames to convey his thrilling rise to trafficking stardom. Then a little over the halfway point the film loses a lot of steam and starts exuding sap. Maybe it's the subject matter maybe it's the direction but the tear-jerking last half hour doesn't support its snappy carefree start. Depp looks as intense celebrating his birthday as he does when his family leaves him; moreover Jung seems to have had no moral concern for his actions (except where it affected him). So while you do feel sorry for the guy you aren't as sorry as the film implies you should be. The movie tugs unrelentingly at the heartstrings the coup de grace a full-screen mug shot of the wretched real-life inmate Jung.