WILLIAM SHATNER teamed up with Internet singing sensation LIN YU CHUN on late-night TV in America on Wednesday night (21Apr10) - the pair duetted on a rendition of Bonnie Tyler's Total Eclipse of the Heart on Lopez Tonight.
January 07, 2009 4:07pm EST
The Coen brothers could be adding a third Writers Guild of America Award to their impressive trophy case next month if they can nab best original screenplay for their quirky comedy Burn After Reading. The WGA, who announced their nominees today, presented Joel and Ethan Coen with best adapted screenplay last year for No Country for Old Men and best original screenplay in 1997 for Fargo.
Rounding out the contenders this year are Dustin Lance Black for Milk, Woody Allen for Vicky Cristina Barcelona, Tom McCarthy for The Visitor and Robert Siegel for The Wrestler.
The WGA’s best adapted screenplay noms include Eric Roth for The Curious Case of Benjamin Button with story by Roth and Robin Swicord; Jonathan Nolan and Christopher Nolan for The Dark Knight with story by Christopher Nolan and David S. Goyer; John Patrick Shanley for Doubt, based on the stage play; Peter Morgan for Frost/Nixon, based on his stage play; and Simon Beaufoy for Slumdog Millionaire.
WGA members will meet simultaneously in New York and Los Angeles for the award ceremony on Feb. 7.
Burn After Reading, Written by Joel Coen & Ethan Coen, Focus Features
Milk, Written by Dustin Lance Black, Focus Features
Vicky Cristina Barcelona, Written by Woody Allen, The Weinstein Company
The Visitor, Written by Tom McCarthy, Overture Films
The Wrestler, Written by Robert Siegel, Fox Searchlight Pictures
The Curious Case of Benjamin Button, Screenplay by Eric Roth; Screen Story by Eric Roth and Robin Swicord; Based on the Short Story by F. Scott Fitzgerald, Paramount Pictures and Warner Bros. Pictures
The Dark Knight, Screenplay by Jonathan Nolan and Christopher Nolan; Story by Christopher Nolan & David S. Goyer; Based on Characters Appearing in Comic Books Published by DC Comics; Batman Created by Bob Kane, Warner Bros. Pictures
Doubt, Screenplay by John Patrick Shanley, Based on his Stage Play, Miramax Films
Frost/Nixon, Screenplay by Peter Morgan, Based on his Stage Play, Universal Pictures
Slumdog Millionaire, Screenplay by Simon Beaufoy, Based on the Novel Q and A by Vikas Swarup, Fox Searchlight Pictures
Boogie Man: The Lee Atwater Story, Written by Stefan Forbes and Noland Walker, InterPositive Media
Chicago 10, Written by Brett Morgen, Roadside Attractions
Fuel, Written by Johnny O'Hara, Greenlight Theatrical / Intention Media
Gonzo: The Life and Work of Dr. Hunter S. Thompson, Screenplay by Alex Gibney, From the Words of Hunter S. Thompson, Magnolia Pictures
Waltz with Bashir, Written by Ari Folman, Sony Pictures Classics
Dramatic Series Dexter, Written by Scott Buck, Daniel Cerone, Charles H. Eglee, Adam E. Fierro, Lauren Gussis, Clyde Phillips, Scott Reynolds, Melissa Rosenberg, Tim Schlattmann; Showtime
Friday Night Lights, Written by Bridget Carpenter, Kerry Ehrin, Brent Fletcher, Jason Gavin, Carter Harris, Elizabeth Heldens, David Hudgins, Jason Katims, Patrick Massett, Aaron Rahsaan Thomas, John Zinman; NBC
Lost, Written by Carlton Cuse, Drew Goddard, Adam Horowitz, Christina M. Kim, Edward Kitsis, Damon L. Lindelof, Greggory Nations, Kyle Pennington, Elizabeth Sarnoff, Brian K. Vaughan; ABC
Mad Men, Written by Lisa Albert, Jane Anderson, Rick Cleveland, Kater Gordon, David Isaacs, Andre Jacquemetton, Maria Jacquemetton, Marti Noxon, Robin Veith, Matthew Weiner; AMC
The Wire, Written by Ed Burns, Chris Collins, David Mills, David Simon, William F. Zorzi, Richard Price, Dennis Lehane, George Pelecanos; HBO
30 Rock, Written by Jack Burditt, Kay Cannon, Robert Carlock, Tina Fey, Donald Glover, Andrew Guest, Matt Hubbard, Jon Pollack, John Riggi, Tami Sagher, Ron Weiner; NBC
Entourage, Written by Doug Ellin, Jeremy Miller, Ally Musika, Steve Pink, Rob Weiss; HBO
The Office, Written by Steve Carell, Jennifer Celotta, Greg Daniels, Lee Eisenberg, Anthony Farrell, Brent Forrester, Dan Goor, Charlie Grandy, Mindy Kaling, Ryan Koh, Lester Lewis, Paul Lieberstein, Warren Lieberstein, B.J. Novak, Michael Schur, Aaron Shure, Justin Spitzer, Gene Stupnitsky, Halsted Sullivan; NBC
The Simpsons, Written by J. Stewart Burns, Daniel Chun, Joel H. Cohen, Kevin Curran, John Frink, Tom Gammill, Valentina Garza, Stephanie Gillis, Dan Greaney, Reid Harrison, Ron Hauge, Al Jean, Brian Kelly, Billy Kimball, Rob LaZebnik, Tim Long, Ian Maxtone-Graham, David Mirkin, Bill Odenkirk, Carolyn Omine, Don Payne, Michael Price, Max Pross, Mike Reiss, Mike Scully, Matt Selman, Matt Warburton, Jeff Westbrook, Marc Wilmore, William Wright; Fox
Weeds, Written by Roberto Benabib, Mark A. Burley, Ron Fitzgerald, David Holstein, Rolin Jones, Brendan Kelly, Jenji Kohan, Victoria Morrow, Matthew Salsberg; Showtime
Breaking Bad, Written by Vince Gilligan, Peter Gould, Patty Lin, George Mastras, J Roberts; AMC
Fringe, Written by JJ Abrams, Jason Cahill, Julia Cho, David H. Goodman, Felicia Henderson, Brad Caleb Kane, Alex Kurtzman, Darin Morgan, J.R. Orci, Roberto Orci, Jeff Pinkner, Zack Whedon; Fox
In Treatment, Written by Rodrigo Garcia, Bryan Goluboff, Davey Holmes, William Meritt Johnson, Amy Lippman, Sarah Treem; HBO
Life on Mars, Written by Josh Appelbaum, Andre Nemec, Scott Rosenberg, Becky Hartman Edwards, David Wilcox, Adele Lim, Bryan Oh, Tracy McMillan, Sonny Postiglione, Phil M. Rosenberg, Meredith Averill; ABC
True Blood, Written by Alan Ball, Brian Buckner, Raelle Tucker, Alexander Woo, Nancy Oliver, Chris Offutt; HBO
Episodic Drama - any length - one airing time
“Don’t Ever Change” (House), Written by Doris Egan & Leonard Dick; Fox
“Double Booked” (Burn Notice), Written by Craig O’Neill & Jason Tracey; USA
“Gray Matter” (Breaking Bad), Written by Patty Lin; AMC
“Pilot” (Breaking Bad), Written by Vince Gilligan; AMC
“Pilot” (Eli Stone), Written by Greg Berlanti & Marc Guggenheim; ABC
“There’s Something About Harry” (Dexter), Written by Scott Reynolds; Showtime
Episodic Comedy - any length - one airing time
“Believe in the Stars” (30 Rock), Written by Robert Carlock; NBC
“Cooter” (30 Rock), Written by Tina Fey; NBC
“Crime Aid” (The Office), Written by Charlie Grandy; NBC
“Crush’d” (Ugly Betty), Written by Tracy Poust & Jon Kinnally; ABC
“Succession” (30 Rock), Written by Andrew Guest & John Riggi; NBC
“Vote for This and I Promise to Do Something Crazy at the Emmys” (My Name is Earl), Written by Greg Garcia; NBC
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Mercifully held back from advance screenings for critics the creators of Bangkok Dangerous should have gone one step further and kept it from general audiences as well. In this lame remake of their own 1999 thriller of the same name Hong Kong directors The Pang Brothers lose something in the translation as they put Nicolas Cage in the center of the action. This time Cage is an anonymous hitman who makes a beeline from a job in Prague to Thailand so he can to do in several enemies of evil crime chieftain Surat (Nirattisai Kaljaruek). Along the way he enlists a local street kid Kong (Shahkrit Yamnarm) to help out and soon finds himself teaching him the tricks of the trade. Romance also rears its ugly head when he falls for a deaf girl (Charlie Yeung) who only complicates matters for the killer when Surat takes matters a step further than our hero is anticipating. Cage seems to have lost his mojo in recent years which would be the only explanation as to why this fine Oscar-winning actor would subject himself repeatedly to the likes of dogs such as Next Ghost Rider and The Wicker Man. Now with this pointless remake of Bangkok Dangerous he’s hit rock bottom sleepwalking through the role. Cage just doesn’t have a handle on how to play this guy or engage the audience in any way which is a shame since the exotic locale and basic premise could have held promise. Instead the star is forced into silly subplots including a nonsensical romance with a pharmacist played with one expression by the lovely Yeung. It’s hard to imagine this relationship since the pair appear to have zero chemistry on screen and you have to wonder how she would ever be attracted to a guy with particularly bad hair. Yamnarm is OK in the contrived street tough role who is mentored by Cage’s assassin-for-hire. The rest of the cast mostly local actors plays it by the book. It’s not hard to figure out why the successful Pang Brothers directing team would want to revisit their own films for the American market since remakes of their other movies like The Eye and particularly Martin Scorsese’s Oscar-winning The Departed (derived from the Pang’s Infernal Affairs) have been quite successful. Unfortunately Bangkok just doesn’t work--a by-the-numbers retread that’s ill-conceived as an action vehicle for Cage. His assassin has been unwisely shoehorned into the lead role while in the original it was the deaf mute girl. Apparently no one thought it would be wise to put Cage in that scenario but by making him a standard movie hitman they have diluted what made their own original premise work in the first place. Making matters worse the technical aspects of the film are to be kind weak. Decha Srimantra’s washed-out cinematography fails to make use of the colorful locations and the major fight/chase sequences are poorly shot and executed. For a pure action film there is surprisingly little compelling action. As the film’s advertising tagline suggests “It’s all in the execution”. In this case it’s the “execution” that’s sorely lacking.
In true straightforward comic-book style TMNT starts with a brief backstory (without the laborious explanation on why four turtles and a rat become human-like in the first place) and then launches into the heart of the movie. After the defeat of their old arch nemesis The Shredder the Turtles—fun-lovin’ Michelangelo (Mikey Kelly) tech guru Donatello (Mitchell Whitfield) hotheaded Raphael (Nolan North) and pragmatic leader Leonardo (James Arnold Taylor)--have grown apart as a family. While Leo is off honing his craft the turtles no longer fight crime--except Raphael who still fights crime under the pseudonym Nightwatcher. Struggling to keep them together is their rat sensei Master Splinter (the late Mako). But strange things are brewing. Tech-industrialist Max Winters (Patrick Stewart) is amassing an army of ancient monsters to apparently take over the world. With the help of old allies April O'Neil (Sarah Michelle Gellar) and Casey Jones (Chris Evans) the Turtles finally come together as brothers to fight the good fight and once again face the mysterious Foot Clan who have put their own ninja skills behind Winters' endeavors. As opposed to hiring just A-list actors TMNT is a nice eclectic mix of veteran voice-over artists who give the Turtles their voices and regular actors such as Gellar Stewart and Evans. Crouching Tiger Hidden Dragon’s Ziyi Zhang also gets in on the action providing the voice of the Foot Clan leader Karai who was once an enemy of the Turtles but now sees the value in what they do. Of course there isn’t a Robin Williams or Ben Stiller to laugh with but Kelly is pretty funny as Michelangelo who has had to resort to entertaining kids at birthday parties as “Cowabunga Carl ” a clown-for-hire in a “fake” turtle suit. It will all depend on whether those ninja-fightin’ pizza-eatin’ giant turtles still have a monetary appeal but methinks a new TMNT movie franchise has been born. The comic book was created in 1984 by Peter Laird and Kevin Eastman as a spoof to the superhero stories and quickly took off into merchandising heaven with a toy license and then a television series. The original 1990 live-action movie used state-of-the-art animatronics but somehow felt static and fake. Since the last TMNT movie in 1993 the whole Turtle phenomenon has sort of fallen off the radar at least in the U.S. so the time was ripe for a renovation. Using the innovative CGI we know and love this new TMNT--created by a team of animators from California and Hong Kong under the watchful direction of Kevin Munroe--gives the Turtles not to mention all the otherworldly monsters they have to fight a realistic look and feel. With this kind of freedom the film can focus on the action which is the best part of the TMNT lore. Though the demographics may skew male ages 8-11 (as well as those 8-to-11-year-old boys who loved it back in the day and are now grown men) TMNT is just your basic supercharged animated fun.
Say have you heard the one about the troubled family that forsakes the trials and tribulations of city life for a bucolic new life on a rustic farm out in the middle of nowhere? It’s never a good idea to move into a house when the previous residents of said farm vanished without a trace—and it’s still not a good idea here. Soon teenager Jess (Kristen Stewart) and her three-year-old brother begin seeing ominous apparitions invisible to everyone else. When those specters become violent Jess' sanity is questioned--a double jeopardy for the tormented teen. Stewart Jodie Foster’s endangered daughter in Panic Room is appropriately moody and plucky as the terrorized teen whom no one believes. Penelope Ann Miller and Dylan McDermott are both suitably dense as Mom and Dad with twins Evan and Theodore Turner suitably spooky as the wide-eyed baby brother who can see everything. X-Files regular William B. Davis sans cigarette drops in a couple of times as the local real-estate agent and a grizzled John Corbett plays a shotgun-toting farm hand who the family hires with surprisingly little hesitation. There’s only so much the actors can do with the material and they pretty much do it. Directors Danny and Oxide Pang veterans of such popular Asian scarefests as The Eye and Ab-normal Beauty know their way around a scare and The Messengers has some decent jolts along the way. Ultimately however the peskiest of all problems – the plot – tends to get in the way. As the story pieces fall into place the film itself tends to fall apart. In addition this is yet another horror film that has been given a box-office-friendlier PG-13 rating (in the February issue of Fangoria co-star Corbett makes his displeasure known about this issue). This is the Pang brothers’ first stateside project and despite their stylistic touches there’s an unmistakable sense of selling out.
The Painted Veil is based on W. Somerset Maugham’s 1925 novel about British colonialism in China. The film's cohesion is largely helped by a user-friendly script from Ron Nyswaner (Philadelphia) who tackles amorphous movie-unfriendly themes like emotional longing. We meet Walter Fane (Edward Norton) a lovesick middle-class bacteriologist who spots Kitty (Naomi Watts) an upper-class socialite approaching the upper limits of marrying age at a party. Walter not smooth with women woos Kitty with his intensity and persuades her to join him in cholera-stricken China. With a wandering eye Kitty is soon caught in a lusty affair with a local British diplomat Charlie Townsend (Liev Schreiber) but Walter eventually forgives her but imprisons her in the desolate green south China countryside. The film's crucial problem is its setting of a Western-centric love story on top of a palette of Chinese human death and disease albeit framed beautifully and exotically. Norton and Watts take producers' credits as well. The actor pushed for years to get The Painted Veil made painstakingly and authentically co-produced with the China Film Board. These facts hint at the commitment and intelligence Oscar nominees Norton and Watts bring. Norton always impresses and surprises. Each role in his resume is tasty in its own way a wholly new creation and never derivative. In Norton's previous film The Illusionist he was a similarly powerful opaque character from a far away time and place. Although sometimes seeming she’s on autopilot Watts is also brilliantly underrated as the conflicted Kitty who doesn't love the man she married even though he loves her as much as she loves herself. Her tricky darting eyes mixed with uneasy body language tells us we don't know what to expect other than that she'll probably sabotage herself. Toby Jones--who played Truman Capote to critics' acclaim in Infamous--does a provocative turn as the mysterious opium-smoking neighbor. The Painted Veil falls short of greatness when the second half crumbles into laziness right when the emotional impact should be the strongest. Director John Curran is relatively untested ( We Don't Live Here Anymore) especially with difficult material and he stumbles a bit in this ambitious drama. Veil's storytelling meanders with a few unnecessary scenes. Lame mini-montages lapse into TV movie territory. Attention to detail however (minus Norton's highlighted hair) is superb. Four exquisite wisely picked Chinese locations were used in concert with local actors and crew to produce an internationally representative work of Chinese/American art. Interior sets are post-WWI prudish and upper-class underlying the movie's "painted " hidden ideas. Old-world rickshaws and water systems are true to the time. The haunting soundtrack feels postmodern and contemporary. But overall like last year's disappointing Memoirs of a Geisha the mish-mash of American and Asian story themes doesn't quite work.
When Professor Utonium (voiced by Tom Kane) creates Bubbles (voiced by Tara Strong) Blossom (voiced by Cathy Cavadini) and Buttercup (voiced by E. G. Daily) he's as excited and proud as any new parent. Then they start to fly around the room. From there we're treated to several scenes of "growing up Powerpuff " from their first peanut butter and jelly sandwiches (crusts cut off using infrared vision) to their first day at the Pokey Oats School (they learn to play tag and destroy the town doing it). When the townspeople see the destruction the girls have wrought they imprison the professor print nasty newspaper headlines ("Freaky Bug-Eyed Weirdo Girls Broke Everything") and vow to get those pesky kids. Disillusioned and depressed the outcast girls find solace and sympathy in an alley with a hobo named Jojo (voiced by Roger L. Jackson) who assures them in no uncertain terms that he is in the same boat. "Alas little ones " he says "I do not rock." But Jojo does have a plan: With a little help from the girls he'll build a machine that will make everything better--and the townspeople will like them again. In a life lesson on why you shouldn't talk to strangers the girls believe him and so they end up using their powers to help him achieve what is actually a diabolical goal--to take over Townsville using an army of mutant simians. Once the girls realize the error of their ways they battle Jojo (who's now calling himself "Mojo Jojo") and his army of monkeys attempting to save the world before bedtime--and to earn the trust of the townspeople.
The squeaky-clean voices of actors playing the Powerpuff Girls seem perfectly suited to the bug-eyed fin-fingered creatures; they're somehow innocent and experienced at the same time especially Daily's Buttercup. Strong's Bubbles certainly does bubble and Cavadini's Blossom imparts the steely resolve that makes her the leader of the pack. For comic punch though the monkeys really steal the show--Jackson's Jojo is supreme evil animated and he lets you know it. Kane's ability to perfectly capture the tone of a 1950s elementary school documentary voiceover should not go unnoticed either.
When Professor Utonium set out to create some little girls he didn't mean for them to have super powers. It just kind of happened when a little "Chemical X" got thrown into the mix. The same could be said of director/screenwriter Craig McCracken's final product: It's not a great film--even by kids' film standards--especially compared to the original TV show. It's slow in key places (the game of tag is interminable and the monkey battles go on and on) and kids will probably lose interest quickly as a result. But there are a few "X" factors that make it interesting for both kids and grownups as long as they can be persuaded to keep watching. First monkey jokes. The monkey army that Mojo Jojo attempts to lead is full of sneaky tricks for obliterating the town and wresting control from Jojo including baboon butt bombs the "sauce of chaos" and a barrel that rolls over things in the street including people and a dog that looks suspiciously like Snoopy. Second Planet of the Apes references. Buttercup rails at one of the chimps to "get your hands off him you darn dirty ape!" Third a mayor with an obsession for large green pickles sold from a cart: he's bizarre and slightly disturbing but nonetheless entertaining.