The inspirational real-life story of Seabiscuit is a history lesson worth being taught. During the height of the Depression this too-small unruly glue factory-bound racehorse triumphed over great odds to win races--and the heart of a nation. He eventually beat the Triple Crown winner of the day War Admiral in a 1938 match race heard by millions nationwide on the radio. Yet in addition to the horse itself Seabiscuit revolves around the three men who groom train and care for the animal--three men who are each wounded souls in their own right. There's owner Charles Howard (Jeff Bridges) a born salesman with a kind heart who makes a fortune selling Buicks in Northern Calif. but it means nothing after he loses his son in a tragic accident; there's trainer Tom Smith (Chris Cooper) an obsolete cowboy whose world of wide open plains is slowly vanishing under barbed wire train tracks and roads; and jockey John "Red" Pollard (Tobey Maguire) a young man who is torn from his impoverished family at the beginning of the Depression and lives a hard life as a part-time jockey part-time boxer. They're all beaten but somehow when the four come together--it's magic. Even though the film suffers from the you-know-how-this-is-going-to-turn-out syndrome as well as venturing a bit much into the melodramatic Seabiscuit still lifts your spirit and shows how despite a time of great suffering the underdogs gave hope that the American Dream could be possible again.
The talented trio handles their tasks admirably. Bridges harkens back to his performance as the idealistic car inventor Preston Tucker in the 1988 film Tucker; Howard like Tucker is a dreamer successful in his endeavors great at public relations but perhaps a little too trusting of others. Bridges fits comfortably into this role but digs deeper this time showing Howard's pain--and his ultimate salvation in his winning horse. Maguire is also well suited as the lanky Red but the poor guy sure takes a beating playing the role. It's gut-wrenching watching the downtrodden Red starve himself so he can still be considered for jockey jobs or getting the snot kicked out of him in a boxing match which ultimately results in him losing sight in one eye. Then to top it off Red shatters his leg in a riding accident weeks away from the big race against War Admiral. It's tough being Red but Maguire doesn't shy away. As for Cooper he shines once again. After winning an Oscar for his turn in Adaptation the underrated actor shows how good he really is by giving another exquisite performance as the horse whisperer-like trainer. It's the quiet moments that work best; when Smith is sitting whittling outside Seabiscuit's stall letting the horse get some rest--with barely a trace of a smile on his lips as he ignores the swarm of reporters around the stable. And in wonderful moments of hilarity William H. Macy gives a great performance as "Tick-Tock" McGlaughlin a conglomerate of those colorful radio announcers who gave the craving public blow-by-blow accounts of the horse races during the Depression. Macy gets out-loud laughs every time he shows up.
Seabiscuit is a labor of love--a love for anything to do with horses and horse racing which may not necessarily be exciting to all although the movie's message will speak to everyone. Based on Lauren Hillenbrand's best-selling novel of the same name writer/director Gary Ross (Pleasantville) plunges headlong into the story of this inspirational horse carefully setting up the history surrounding his rise to stardom. The cinematography is extraordinary. Ross expertly blends archive footage within in the movie where at times you feel like you are watching another well-made documentary á la Ken Burns. One particular moment where this works best is when at the start of the race between War Admiral and Seabiscuit Ross switches to archive images of real folk listening to the race on the radio as you hear the real-life commentators giving the details. Of course showing the final stretch of the race is the payoff and though you know who is going to win you're on the edge of your seat anyway. It's after this however where the film begins to lose its momentum and lapses into clichéd sap. Seabiscuit hurts his leg too and is deemed never to race again. He convalesces with Red on Howard's farm until they both miraculously heal well enough to race one more time. It's almost too much to believe even though it is still a true story. Seriously how much can one man and his horse take?
As the opening song belts out fast cars champagne and caviar are what professional basketball player Jamal Jeffries (played by Miguel A. Nunez Jr.) is all about. In fact Jeffries is so taken by his own success that he doesn't sign autographs but uses a stamp. His Dennis Rodman-style antics however reach a breaking point when he strips during a game in front of millions of fans and flings his jock strap into the seats. The stunt gets him thrown out of the league and before he can say "slam-dunk " Jeffries loses his house his cars and his girlfriend. Desperate to work again at the one thing he does best Jeffries comes up with the mother of all schemes: He shaves his legs dabs on mascara and tries out for the women's league--and it works. But as he builds friendships and gains the trust of the women on his team he feels torn between his obligation to his team the Banshees and his need to return to a normal life. If you've seen the 1982 comedy Tootsie you know exactly how this film plays out. Surprisingly Juwanna Mann is not crammed with bad slapstick humor but is an entertaining twist on an old classic with a delightfully sweet storyline.
Nunez (Nutty Professor II: The Klumps) not only pulls off the Jamal/Juwanna character with ease but he pretty much steals the show here. His character comes off as endearing rather than obnoxious because he takes his role as a woman seriously and is never condescending about playing in the women's league. Nunez also delivers some great one-liners the best being when he is fighting off advances from the gold-toothed Puff Smokey Smoke. Vivica A. Fox (Two Can Play That Game) plays Michelle a fellow player whom Jeffries develops feelings for. Although it's hard to buy the sweet and almost delicate Fox in such an athletic role she pulls it off--but there is not all that much chemistry between her and Nunez. As Jeffries' crass sports agent Lorne Daniels Kevin Pollak (3000 Miles to Graceland) is seedy with just the right touch of humanity so his character is not completely despicable. The most cartoonish and unlikable character is Tommy Davidson's (Bamboozled) Puff Smokey Smoke. He has some funny lines but is too far-fetched to be believable.
Jesse Vaughan who directed a season of In Living Color makes his directorial debut with Juwanna Mann. Judging from the trailer I thought the film would be a low-brow comedy with a lot of overdone men-in-heels humor. I was instead pleasantly surprised by the film's storyline which--although it is a complete take on Tootsie--is short sweet and non-offensive. While some characters like Puff Smokey Smoke are a bit over the top Nunez's Jamal/Juwanna character is never clownish and well developed enough that you can't help but feel for his/her predicament. Some scenes appear to have a Klumps influence like the scene in which Jeffries is playing cards with his aunt and a gang of her senior friends but the overall effect is a moderately funny film peppered with some slightly funnier moments. Newcomer Bradley Allenstein had the sense to deliver a sweet comedy screenplay that was short enough and knew when to quit.