Sift through comments on franchise sequel announcements and you'll find many crying afoul to Hollywood's insistence of resurfacing every last brand in their bank of titles. The desire for original content is reasonable but occasionally a cinematic follow-up does have the potential to be rich and rewarding. Revisiting characters who've seen time pass in their own lives is worthy of exploration — Peter Bogdanovich's Texasville Richard Linklater's Before Sunset and even A Very Harold & Kumar Christmas prove that theory. American Reunion reaches for that same dramatic arc reentering the lives of its core cast eight years after American Wedding. But instead of mixing comedy with any weighty issues the movie only tickles the nostalgia bone (and without f**king one pie in the process) — a hurdle that keeps American Reunion from being nearly as riotous as the original.
Life hits a wall for Jim (Jason Biggs) in 2012. He's a happily married man a father and a moderately successful employee of a faceless company. But after catching his wife Michelle (Alyson Hannigan) enjoying the company of a shower head it dawns on Jim that he's in need of a shake-up. Perfect timing: Jim packs up the family and heads to his hometown for his 13th high school reunion (sure why not) where he reunites with the old gang: Kevin (Thomas Ian Nicholas) currently whipped into submission by his girlfriend Finch (Eddie Kaye Thomas) back from a trip around the world Oz (Chris Klein) now a superstar sportscaster fresh off a celebrity dance show stint and Steve Stifler (Seann William Scott) a law firm temp who continues to turn women into his own personal squeeze toys. The high school buddies devolve quickly into their old habits alcoholic antics and potty-mouthed rants by the red solo cupful. Good fun for Jim no fun for Michelle.
Instead of digging deep into its well-founded characters (which I swear is allowed in a raunchy R-rated comedy) American Reunion sticks to the familiar goofball scenarios of its predecessors. Which is passable because the core group who stuck through all three movies — Biggs Nicholas Thomas and Scott — make poop-infused pranks and slapstick shtick like a scene in which Jim and co. must get a drunken naked eighteen-year-old back into her parents' house without looking like total creepsters highly entertaining. Scott once again proves him an underused comedic talent making Stifler one of the few characters who can rattle off colorful cuss words while showing a glimmer of humanity. Same goes for Eugene Levy as Jim's Dad who finds his role beefed up now that he's once again single. Grieving for years over his wife's death Jim helps his advice-dealing pop hit the dating scene and Levy spins gold out of the silliest of situations.
The problem with American Reunion is everyone else. Chris Klein never clicks with the rest of the group (that's what he gets for skipping out on Jim's wedding) while the rest of the ensemble feel ham-fisted for cameo purposes rather than complimenting the storyline. Tara Reid and Mena Suvari return to the franchise to stand around and react to the ineptitude of their male counterparts. Natasha Lyonne is in and out faster than Jim's first time. Other brief character appearances are like bigfoot sightings. The idea of bringing the entire cast of the original back for more seems perfect but without proper pacing from writers/directors Jon Hurwitz and Hayden Schlossberg (Harold & Kumar Escape from Guantanamo Bay) there's never a moment to enjoy it.
American Reunion is a flaccid entry servicing fans while coming through with enough laugh out loud moments to make one scream (In one scene Jim takes a page out of Michael Fassbender's Shame that will elicit audible reactions). If these were fresh characters we'd brush it off — but at the film's core is a lovable familiar bunch of knuckleheads that can't be ignored. And if Stifler wants to party you party.
WHAT IT’S ABOUT?
When all-American girl Susan Murphy is inadvertently hit by a falling meteor on her wedding day she grows to be nearly 50 feet tall. The U.S. military gets wind of this renames her Ginormica and locks her away with a slacker group of other “monsters” in a top-secret compound. But when a mysterious alien robot lands on Earth and begins wreaking havoc these good-hearted but inept creatures are called into action by the President and must band together as a team to save the world from certain catastrophe.
WHO’S IN IT?
As usual Dreamworks has assembled a stellar A-list voice cast led by Reese Witherspoon as Susan/Ginormica. Playing one of the rare female animated heroes Witherspoon’s sweet/confused demeanor — in light of her highly unusual status as a fearsome freakazoid — hits just the right tone generously letting her zanier colleagues steal scenes from right under her (a long way down by the way). Chief among these are a not-so-bright gelatinous blue mass named B.O.B. hilariously voiced by Seth Rogen; the genius Dr. Cockroach Ph.D in the capable hands of House doc Hugh Laurie; and Will Arnett’s half-ape half-fish The Missing Link. In the human roles there’s Stephen Colbert as the idiotic U.S. President Kiefer Sutherland as the monster’s prison guardian Paul Rudd as the ego-driven weatherman fiancé of Susan; and a deliciously villainous Rainn Wilson as Galaxhar the alien determined to take over Earth.
Superb 3-D effects aren’t overdone and add immeasurably to the ginormous fun of the film but even seeing it in theaters that only show it in regular 2-D doesn’t spoil the pure joy of this cartoonish War of the Worlds. Throw in parodies of every cheap '50s sci-fi movie you can think of and you have the ingredients for a silly monster mash sure to appeal to just about anyone who wants to laugh. Despite the impressive production elements it’s the smart and clever script that really sets it apart from its competitors — and that even includes the similar Monsters Inc. from Pixar.
Like any kid-oriented comic ‘toon today the action can be a bit too frenetic and Monsters vs. Aliens piles a lot of it on in its trim 95 minutes. Still the lovable characters carry the day and somehow make it all palatable.
When Susan now Ginormica brings her new friends home to meet her parents chaos ensues and so do the laughs. Also impressive are the large action scenes that make fine use of CGI animation breakthroughs.
BEST SUPPORTING BLOB:
It's easily the one-eyed lame-brained blue lug of a people hugger named B.O.B. perfectly matched to the talents of Rogen. He rolls away with the movie and inevitably the merchandise tie-ins.