I could probably come up with a better pan for Mr. Popper’s Penguins than “flightless and foul ” but that would entail expending more creative energy on the film than its makers did. Directed by Mark Waters (Ghosts of Girlfriends Past The Spiderwick Chronicles) and based on a 1938 children’s book by Richard and Florence Atwater it is so empty and artificial and formulaic that if I didn’t know better I would have pegged it as a very cynical parody or perhaps a film within a film about some desperate mafioso’s questionable money-laundering scheme.
Jim Carrey looking tired and perhaps a little embarrassed plays the title role of an arrogant self-absorbed businessman who is taught a variety of valuable life lessons by a sextet of penguins. The penguins bequeathed to Mr. Popper in his neglectful father’s last will and testament each exhibit a single personality trait which immediately makes them more emotionally complex than the film in which they appear.
They’re assigned names accordingly: there’s Captain the leader Loudy the screamer Lovey the hugger Bitey the biter Stinkey the farter and Nimrod the stumbler. I only wish this functional naming scheme were extended to the rest of the characters in the film – i.e. Clark Gregg is Nemesis Carla Gugino is Motivation Angela Lansbury is Conscience and so on. If anything it would have allowed the filmmakers to excise a healthy chunk of dialogue which in the case of Mr. Popper’s Penguins only exists to punish the brain.
The film boasts three credited screenwriters among its crew. Though I’m not privy to each writer’s specific contributions I imagine their duties were divided in roughly this fashion: 1) scrub the story of all imagination or wit; 2) remove any deviations from pat Hollywood formula; and 3) cram it with as much toilet humor as the MPAA will allow in a PG film. You’d think that a single writer could have mangled a beloved
children's book just as convincingly but you’d be wrong: This kind of
debacle requires a team effort.
Ah the unwanted guest. It’s been the subject of many a movie. You know the kind: Messy doesn’t respect your privacy stops up the toilet has sex with someone in your living room using butter and nearly burns the house down. That’s Dupree (Wilson) to a tee and for newlyweds Carl (Matt Dillon) and Molly (Kate Hudson) having Dupree in their house is downright disastrous. At first Carl is psyched to have his best man as his couch guest while Molly is less than enthused with Dupree’s well-meaning antics. But when Molly starts feeling abandoned by Carl’s workaholic tendencies—as he in turn tries to impress his demanding new father-in-law (Michael Douglas)—suddenly Dupree’s good-natured personality and carefree wisdom is comforting to Molly much to Carl’s chagrin. But don’t fret. This three’s-a-crowd scenario will work out some kind of resolution as the loveable guest shows how a little inner Dupree-“ness” might just be one of life's hidden secrets. With Dupree Wilson is attempting to break away from the buddy comedies he’s known for such as Starsky and Hutch and Wedding Crashers in which he mostly plays the pithy straight man. There are definitely moments of true Wilson brilliance in Dupree especially when he’s avoiding a building security guard by throwing “seven different kinds of smoke” at him. But playing off someone slightly wackier than himself is really Wilson’s forte and in trying to carry a whole comedy on his own he’s not nearly as successful as say Jim Carrey or even Jack Black. It also doesn’t help that Hudson and Dillon aren’t able to pick up the slack. Hudson is appealing as the beleaguered Molly and Dillon seems to be getting better looking with age—but together they are one big ball of bland especially Dillon who is sorely miscast as the straight guy. On the other hand Douglas does a nice turn as the overprotective daddy who can’t let his little girl go. Basically Dupree is Wilson’s big vanity project. As the film’s main producer the funnyman shopped the script by first-timer Mike LeSieur around and got a deal right away—no doubt based on Wilson’s previous moneymaking comedies. Directors Joe and Anthony Russo brothers best known for helming Welcome to Collinwood as well as several episodes of TV’s Arrested Development do the best they can with the Dupree material. But it’s a shame Wilson doesn’t have the same discerning tastes as his frequent collaborator director Wes Anderson (The Royal Tenenbaums). You Me and Dupree is just well ordinary and no amount of Wilson mad-cap energy and wily antics can raise it up into the comedic stratosphere.
Here is the complete list of winners:
Best Motion Picture - Drama
The Aviator WINNER!
Million Dollar Baby
Best Performance by an Actress in a Motion Picture - Drama
Scarlett Johansson, A Love Song For Bobby Long
Nicole Kidman, Birth
Imelda Staunton, Vera Drake
Hilary Swank, Million Dollar Baby WINNER!
Uma Thurman, Kill Bill Vol. 2
Best Performance by an Actor in a Motion Picture - Drama
Javier Bardem, The Sea Inside
Don Cheadle, Hotel Rwanda
Johnny Depp, Finding Neverland
Leonardo Dicaprio, The Aviator WINNER!
Liam Neeson, Kinsey
Best Motion Picture - Musical or Comedy
Eternal Sunshine of the Spotless Mind
The Phantom of the Opera
Best Performance by an Actress in a Motion Picture - Musical or Comedy
Annette Bening, Being Julia WINNER!
Ashley Judd, De-Lovely
Emmy Rossum, The Phantom of the Opera
Kate Winslet, Eternal Sunshine of the Spotless Mind
Renee Zellweger, Bridget Jones: the Edge of Reason
Best Performance by an Actor in a Motion Picture -Musical or Comedy
Jim Carrey, Eternal Sunshine of the Spotless Mind
Jamie Foxx, Ray WINNER!
Paul Giamatti, Sideways
Kevin Kline, De-Lovely
Kevin Spacey, Beyond the Sea
Best Director - Motion Picture
Clint Eastwood, Million Dollar Baby WINNER!
Marc Forster, Finding Neverland
Mike Nichols, Closer
Alexander Payne, Sideways
Martin Scorsese, The Aviator
Best Foreign Language Film
The Chorus (Les Choristes), (France)
House of Flying Daggers, (China)
The Motorcycle Diaries, (Brazil)
The Sea Inside, (Spain) WINNER!
A Very Long Engagement, (France)
Best Performance by an Actress in a Supporting Role in a Motion Picture
Cate Blanchet, The Aviator
Laura Linney, Kinsey
Virginia Madsen, Sideways
Natalie Portman, Closer WINNER!
Meryl Streep, The Manchurian Candidate
Best Performance by an Actor in a Supporting Role in a Motion Picture
David Carradine, Kill Bill Vol. 2
Thomas Haden Church, Sideways
Jamie Foxx, Collateral
Morgan Freeman, Million Dollar Baby
Clive Owen, Closer WINNER!
Best Screenplay - Motion Picture
Charlie Kaufman, Eternal Sunshine of the Spotless Mind
John Logan, The Aviator
David Magee, Finding Neverland
Patrick Marber, Closer
Alexander Payne & Jim Taylor, Sideways WINNER!
Best Original Score - Motion Picture
Clint Eastwood, Million Dollar Baby
Jan A.P. Kaczmarek, Finding Neverland
Rolfe Kent, Sideways
Howard Shore, The Aviator WINNER!
Hans Zimmer, Spanglish
Best Original Song - Motion Picture
"Accidentally In Love" -- Shrek 2
Music & Lyrics By: Adam Duritz, Dan Vickery, David Immergluck, Matthew Malley & David Bryson
"Believe" - The Polar Express
Music & Lyrics By: Glen Ballard & Alan Silvestri
"Learn To Be Lonely" - The Phantom of the Opera
Music By: Andrew Lloyd Webber
Lyrics By: Charles Hart
"Million Voices" - Hotel Rwanda
Music By: Wyclef Jean, Jerry "Wonder" Duplessis, Andrea Guerra
Lyrics By: Wyclef Jean
"Old Habits Die Hard" - Alfie
Music & Lyrics By: Mick Jagger & David A. Stewart WINNER!
Best Television Series - Drama
Nip/Tuck (FX) WINNER!
The Sopranos (HBO)
Best Performance by an Actress in a Television Series - Drama
Edie Falco, The Sopranos
Jennifer Garner, Alias
Mariska Hargitay, Law & Order: Special Victims Unit WINNER!
Christine Lahti, Jack & Bobby
Joely Richardson, Nip/Tuck
Best Performance by an Actor in a Television Series - Drama
Michael Chiklis, The Shield
Denis Leary, Rescue Me
Julian Mcmahon, Nip/Tuck
Ian McShane, Deadwood WINNER!
James Spader, Boston Legal
Best Television Series - Musical or Comedy
Arrested Development (Fox)
Desperate Housewives (ABC) WINNER!
Sex and the City (HBO)
Will & Grace (NBC)
Best Performance by an Actress in a Television Series - Musical or Comedy
Marcia Cross, Desperate Housewives
Teri Hatcher, Desperate Housewives WINNER!
Felicity Huffman, Desperate Housewives
Debra Messing, Will & Grace
Sarah Jessica Parker, Sex And The City
Best Performance by an Actor in a Television Series - Musical or Comedy
Jason Bateman, Arrested Development WINNER!
Zach Braff, Scrubs
Larry David, Curb Your Enthusiasm
Matt Leblanc, Joey
Tony Shalhoub, Monk
Charlie Sheen, Two And A Half Men
Best Mini-Series or Motion Picture Made For Television
American Family - Journey of Dreams (PBS)
Iron Jawed Angels (HBO)
The Life and Death of Peter Sellers (HBO) WINNER!
The Lion in Winter (Showtime)
Something the Lord Made (HBO)
Best Performance by an Actress in a Mini-Series or a Motion Picture Made for Television
Glenn Close, The Lion in Winter WINNER!
Blythe Danner, Back When We Were Grown Ups
Julianna Margulies, The Grid
Miranda Richardson, The Lost Prince
Hilary Swank, Iron Jawed Angels
Best Performance by an Actor in a Mini-Series or A Motion Picture Made for Television
Mos Def, Something the Lord Made
Jamie Foxx, Redemption
William H. Macy, The Wool Cap
Geoffrey Rush, The Life and Death of Peter Sellers WINNER!
Patrick Stewart, The Lion in Winter
Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television
Drea De Matteo, The Sopranos
Anjelica Huston, Iron Jawed Angels WINNER!
Nicolette Sheridan, Desperate Housewives
Charlize Theron, The Life and Death of Peter Sellers
Emily Watson, The Life and Death of Peter Sellers
Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television
Sean Hayes, Will & Grace
Michael Imperioli, The Sopranos
Jeremy Piven, Entourage
Oliver Platt, Huff
William Shatner, Boston Legal WINNER!
September 16, 2005 5:05am EST
The socially inept Elizabeth Masterson (Reese Witherspoon) is a workaholic doctor who never leaves the hospital. Her married sister Abby (Dina Waters) tries in vain to set up with a good man to no avail. But fate is about to intervene. On her way home from a long shift Elizabeth gets into a head-on collision with a semi-truck and suddenly the lines between life and death are blurred. Jumping forward we meet David Abbott (Mark Ruffalo) a guy wallowing in self-pity from the death of his wife two years earlier who to find some solitude moves into a fabulous furnished apartment. What he doesn't know is the previous tenant hasn't left not really. That's right it was Elizabeth's apartment and for whatever reason (seriously they don't entirely explain it) Elizabeth--or her spirit I guess--hasn't grasped the idea that she is in well limbo. Only David can see her of course as she yells at him for leaving sweat rings on the coffee table but Elizabeth eventually grows on him. She elicits his help in finding out what happened to her and with a little help from the eccentric Darryl (Jon Heder) a bookstore employee who has the gift for sensing spirits David and Elizabeth find that heaven and earth are not really that far apart.
As our romantic pair Witherspoon and Ruffalo do an adequate job adhering to the staid romantic comedy formula. Witherspoon is one of the more consistent comedic actresses these days and has the sweet but controlling ingénue routine down to a science. But it may be time for her to take a break from the standard fare and head back to the indies getting down and dirty like she did in Election. Ruffalo does a pretty impressive job for his second time as the romantic lead. As he did with 13 Going on 30 Ruffalo at least tries to add some quirky twists to a boring character. Still he should also probably stick to showcasing his dramatic acting talent in cool indies much like he did in You Can Count on Me. It's Heaven's side characters who have all the fun. Waters (The Haunted Mansion) does a nice turn as the caring sister who's own hectic life as a mother of two rambunctious kids always seems to interfere with what she's doing. Donal Logue (TV's Grounded For Life) as David's therapist best friend too has a fun time yuking it up. But the real standout in an otherwise dull universe is Napoleon Dynamite himself Jon Heder in his second feature film. He's still a geek but at least this time he's a mystical one who knows a thing or two about wandering spirits. Of course he also gets the best lines: "I'm 99.9 percent parched here. I need a cola." I'm going to use that one from now on.
As the director of the satirical Mean Girls and the cutesy Freaky Friday Mark Waters may be out of his element with an out and out romantic comedy. The initial idea about a women whose stuck in the spirit world until she finds the true love she never sought after in life is somewhat intriguing. But rather than play with that the film just ends up your standard romantic comedy while also stealing from other films such as Ghost and The Sixth Sense. Just Like Heaven also has some serious logistical flaws. For example seeing how Elizabeth is supposed to be a ghost--that she can't touch anything tangible and can walk through walls tables and just about anything else--she is later seen laying on top of a table. It doesn't make sense as to how she can walk through it at one moment and be on it the next. And the fact you are paying attention to these inconsistencies means you just aren't caring that much about the rest of the film.