This Rubanesque character player with a heart-shaped face and child-like features began her career as a leading producer and performer of Germany's alternative theater/cabaret scene. The eclectic back...
Had featured role in Volker Schlondorff's "The Ogre"
TV debut as Mrs. Sanchez (Mrs. Sancho Panza) in Percy Adlon's "Monsieur Kischott"
Created the cabaret revue "Talzewurm"
First leading film role in "Sugarbaby/Zuckerbaby", directed by Adlon
Played supporting role of heroine's mother in "Left Luggage", directed by Jeroen Krabbe
Portrayed a wife whose husaband was constantly trying to kill her in the black comedy "Mona Must Die"
Co-starred in the US-produced "The War of the Roses"
Screen acting debut in Adlon's "The Swing"
Moved to Munich at age 16
Managed "Spinnradl" cabaret-revue group in Starnberg with husband
Worked as assistant to neuro-psychiatrist
Assistant photography editor of COLORS magazine
Trained as medical lab assistant
First English-language film, "Bagdad Cafe", also directed by Adlon
Played a German maid who marries her Jewish employer in "Martha and I"
Had lead in Adlon's "Rosalie Goes Shoppping"
Produced and performed with cabaret/revue group "Opera Curiosa"; appeared on TV and at State Theater in Munich
Raised in Bachhausen
Managed artists' meeting place, "Mutti Brau"
Spotted playing a prostitute in "Adele Spitzeder" in Munich by Percy Adlon
This Rubanesque character player with a heart-shaped face and child-like features began her career as a leading producer and performer of Germany's alternative theater/cabaret scene. The eclectic background of Marianne Sagebrecht included stints as a medical lab assistant and magazine assistant editor before she found her calling in show business. Claiming to be inspired by Bavaria's mad King Ludwig II, she became known as the "mother of Munich's sub-culture" as producer and performer of avant-garde theater and cabaret revues, particularly with her troupe Opera Curiosa. Spotted by director Percy Adlon in a 1977 production of "Adele Spitzeder" in which she essayed the role of a delicate prostitute, Sagebrecht was cast as Madame Sanchez/Mrs. Sancho Panza in Adlon's TV special "Herr Kischott" (1979), a spin on "Don Quixote". The director put her in his 1983 feature "The Swing" in a small role and then created the leading role of Marianne, an overweight mortician in love with a subway conductor, in "Sugarbaby" (1985) especially for her.
American films beckoned as well and Sagebrecht was often cast in roles tailored to her unique abilities. Paul Mazursky reworked the part of a Teutonic masseuse for her in "Moon Over Parador" (1988) while Danny De Vito tailored the part of the German housekeeper for a divorcing couple in "The War of the Roses" (1989). Returning to Germany, she shone as the timid maid in the 1930s who marries her Jewish employer for convenience then falls in love in "Martha and I" (1990; released in the USA in 1995). Sagebrecht headlined the black comedy as an unhappy wife whose straying husband plots her death in "Mona Must Die" (1994) and had small supporting parts in "The Ogre" (1996) and "Lost Luggage" (1998).
married in 1964; divorced in 1975
killed during WWII in April 1945
born in 1967
"I think people like the idea that I'm happy with who and what I am. What I am: it is round. ANd they are saying, 'Thank God, we are allowed to meet a real human being in the movies.'" --Marianne Sagebrecht to THE NEW YORK TIMES, March 13, 1990