In the cinematic desert that is the January-February movie-release schedule one gains a greater appreciation for mere competence. And that’s precisely what you’ll get with Man on a Ledge a mid-budget thriller with modest aspirations and genuine popcorn appeal. Sam Worthington (Avatar Clash of the Titans) stars as Nick Cassidy a former New York City cop wrongly convicted for the theft of a prized diamond. After exhausting all judicial avenues for exoneration he takes the unusual and seemingly desperate next step of planting himself on a ledge outside the penthouse of midtown’s Roosevelt Hotel and threatening to jump. An NYPD psychologist (Elizabeth Banks) is summoned to talk him down unaware that Nick harbors an ulterior motive. From his perch above midtown he is secretly orchestrating a scheme to take revenge against the corrupt corporate chieftain (Ed Harris) who engineered his demise and prove his innocence once and for all.
Director Asger Leth making his U.S. feature-film debut with Man on a Ledge keeps the pace brisk and never allows the tone to stray into self-seriousness which is crucial for a movie whose premise is so devoutly ridiculous. The script from Pablo F. Fenjves provides enough feints and twists to keep us engaged. Jamie Bell and Genesis Rodriguez aren’t the most believable of couples but there’s a screwball charm to their comic routine as amateur thieves charged with aiding Nick’s scheme. (Leth can’t resist inserting an entirely superfluous – but nonetheless greatly appreciated – scene of the criminally gorgeous Rodriguez stripping down to a thong in the middle of a heist.) Worthington makes for a likable populist protagonist even if his Australian accent betrays him on copious occasions and Harris’ disturbingly emaciated frame lends an added menace to his devious plutocrat villain.
The Producers Guild of America will give out awards tonight, with the teams behind A Beautiful Mind, Moulin Rouge and Shrek among those in contention for its top honor. The producers of Harry Potter and the Sorcerer's Stone and Lord of the Rings: The Fellowship of the Ring are also in the running for the Darryl F. Zanuck Producer of the Year Award.
The honor is similar to the motion picture academy's best picture prize, and the winner is considered a near shoo-in for Oscar gold. The 1,500-member Producers Guild has correctly predicted the best picture Oscar winner 10 out
of the last 13 years.
A Beautiful Mind, Lord of the Rings and Moulin Rouge are
nominated for both the PGA award and best picture Oscar. But the guild opted for box office hits Shrek and Harry Potter for its other two slots,
while the Academy chose the indie critic faves In the Bedroom and Gosford Park.
The Producers Guild will also hand out awards in three television categories, with such shows as The West Wing and The Sopranos among those in the running.
The teams behind CSI: Crime Scene Investigation, Law & Order, Six Feet Under, The Sopranos and The West Wing are nominated for the Norman Felton Producer of the Year Award in episodic television-drama.
Contenders for the Danny Thomas Producer of the Year Award in episodic television-comedy are Frasier, Friends, Malcolm in the Middle, Sex and the City and Will & Grace.
The nominated producers of Frasier include the late David Angell, who was aboard one of the hijacked planes that crashed on Sept. 11.
Among the David L. Wolper Producer of the Year Award in longform television nominees are some well-known names--Billy Crystal for HBO's 61*, and Tom Hanks and Steven Spielberg for HBO's Band of Brothers.
Husband-and-wife actors Bradley Whitford of The West Wing and Jane Kaczmarek of Malcolm in the Middle will host the guild's 13th annual ceremony at the Century Plaza Hotel & Spa.
Formed in 1950, the Producers Guild has about 500 active members and 1,000 affiliated members.
Here is the full list of nominees:
Darryl F. Zanuck Theatrical Motion Picture Producer of the Year Award in Motion Pictures
A Beautiful Mind, Brian Grazer and Ron Howard
Harry Potter and the Sorcerer's Stone, David Heyman
Lord of the Rings: Fellowship of the Ring, Barrie M. Osborne, Peter Jackson and Fran Walsh
Moulin Rouge, Martin Brown, Baz Luhrmann and Fred Baron
Shrek, Aron Warner, John H. William and Jeffrey Katzenberg
Norman Felton Producer of the Year in Episodic Television-Drama
CSI Crime Scene Investigation, Jerry Bruckheimer, Ann M. Donahue, Carol Mendelsohn, Anthony Zuiker, Jonathan Littman, Sam Strangis, Danny
Cannon, Cynthia Chvatal and William Petersen
Law & Order, Dick Wolf, Barry Schindel, Jeffrey L. Hayes, Lewis H. Gould and Kati Johnston
Six Feet Under, Alan Ball, Robert Greenblatt, David Janollari and Alan Poul
The Sopranos, David Chase, Brad Grey, Mitchell Burgess, Robin Green, Ilene S. Landress and Terence Winter
The West Wing, John Wells, Aaron Sorkin, Thomas Schlamme, Llewellyn Wells, Christopher Misiano, Alex Graves and Michael Hissrich
Danny Thomas Producer of the Year Award in Episodic Television-Comedy
Frasier, David Angell, Peter Casey, Kelsey Grammer, David Lee, Dan O'Shannon, Mark Reisman and Maggie Blanc
Friends, Kevin S Bright, Marta Kauffman, David Crane, Shana Goldberg-Meehan, Scott Silveri, Andrew Reich, Ted Cohen and Todd Stevens
Malcolm in the Middle, Linwood Boomer and James S. Simons
Sex and the City, Michael Patrick King, Cindy Chupack, John P. Melfi and Sarah Jessica Parker
Will & Grace, James Burrows, Jeff Greenstein, Max Mutchnick, David Kohan and Tim Kaiser
David L. Wolper Producer of the Year Award in Longform Television
61*, Billy Crystal and Ross Greenburg
Anne Frank, Hans Proppe and David R. Kappes
Band of Brothers, Tom Hanks, Steven Spielberg and Tony To
Life With Judy Garland: Me and My Shadows, Craig Zadan, Neil Meron, Robert Allan Ackerman and Lorna Luft
Wit, Cary Brokaw
It's shaping up as one of the greatest battles in the history of monster movies, right up there with "Frankenstein vs. the Wolf Man," "King Kong vs. Godzilla" and even the yet-unfilmed "Freddy vs. Jason." Coming soon to a courtroom near you (via Court TV, natch): "Forry vs. Ferry," with cameos by Stephen King, Ray Bradbury, Hugh Hefner and others.
The "Forry" in question is Forrest J. Ackerman, founder of Famous Monsters of Filmland magazine and a guru to sci-fi and horror movie geeks all over the world (including Hollywood directors Joe Dante, Sam Raimi and Frank Darabont). "Ferry" is one Ray Ferry, the magazine's current publisher, and the target of a $1 million lawsuit in which Ackerman seeks to regain control of his creature-feature legacy.
"I hope future generations of fans will remember me as the preserver and promoter of the imagi-movie genre, and the original Famous Monsters of Filmland as the bible according to Saint Forry," the 83-year-old Ackerman tells Hollywood.com.
Famous Monsters of Filmland Ackerman produced Famous Monsters (or "FM" as readers know it) from 1958 to 1982. FM was the first magazine of its kind, a ritual read for lovers of horror galore -- from the good stuff (Karloff, Lugosi, Christopher Lee) to the bad (like "Reptilicus" and "The Hideous Sun Demon"). Every issue overflowed with huge photographs, and there was lots of cool stuff to buy (like monster masks and model kits) via old-school mail order. But what made it unique was Ackerman's inimitable, pun-prone prose. ("Hello boils and ghouls! I'm looking forryward to Mummorial Day! Hope your horrordays are everything you scream of!" Etc.)
Ferry, a filmmaker, photographer and Forry fan, revived the mag in 1993 and retained Ackerman as editor. The two men parted ways around 1995, with Ackerman exiting the magazine and Ferry continuing to publish it.
Now Ackerman says Ferry drove a Dracula-sized stake through his heart. Not only does Ackerman's suit say that he wasn't paid for work he did on the mag, it alleges that Ferry stole the monstermeister's vernacular, downplayed his role in producing the magazine and publicly demeaned his abilities as a writer and editor.
Forrest J. Ackerman (right) with Vincent Price To help defend his rightful place in horrordom, Ackerman plans to summon a few friends to the witness stand when the case goes to trial April 11 in a San Fernando Valley, Calif., court. Among them are authors King and Bradbury (both former clients from Ackerman's days as a literary agent), director John Landis ("Twilight Zone: The Movie"), Playboy mogul Hefner, Sara Karloff (daughter of Boris) and Gene Simmons, the blood-spitting, fire-breathing rocker from KISS.
A point of contention for the Ackerman camp is that, after all these years, FM still looks and reads pretty much the same as it did 30 years ago. The horror mogul says that his pen name ("Dr. Acula") and all the catchphrases he created -- like "Fang Mail," "You Axed For It!" and "Beast Witches" -- belong to him. But Ferry and his lawyer say it's a matter of intellectual property rights; since Ackerman created his "Forryisms" for FM, they remain property of the magazine and, therefore, they have the right to them -- and Ackerman doesn't.
"We think the complaint is preposterous," says Ferry's attorney, Thomas Brackey. "We try a lot of cases, and this one is really from left field."
As in any decent monster vs. monster movie, it's not always easy to tell the "good" creature from the "evil" one.
Brackey says his client never ripped off Ackerman, and there are canceled checks to prove it. Moreover, Ferry has filed a $25 million countersuit, alleging that Ackerman issued death threats, harassed him by posting a stir-up-the-fans message on the Internet and sent him hundreds of faxes at all hours. Ferry also says the windows of his home have been shot out.
"I don't think we're worried so much about Mr. Ackerman coming out and doing something [to Ferry], but he has a lot of supporters who are dedicated to his cause, and some of these guys are going around shooting out windows," Brackey says. "There's a little bit of a mob mentality out there in monster fandom."
Ackerman retorts: "I have never threatened Ferry over the Internet or anywhere, even verbally or mentally."
At the trial, Ferry plans to summon iconic science-fiction writer Harlan Ellison as his star witness. Ellison went to court last year seeking a restraining order against Ackerman, saying he was similarly harassed with faxes.
Ackerman, who coined the term "sci-fi" in the 1950s, is also one of the world's biggest collectors of sci-fi books, movie props and other memorabilia. He has an estimated 300,000 items (such as Lon Chaney's teeth and hat from 1927's "London After Midnight" and a vampire cape worn by Bela Lugosi), all housed at his creepy home, "The Ackermansion," in the Hollywood Hills.
The collection is also at issue in the lawsuit. Ackerman once gave Ferry the right to purchase part of it for a mere $2,500 after his own death, but now Ackerman wants to rescind that agreement so he'll be free to sell or donate his memorabilia.
Ackerman, who gives his version of events on his Web site (http://www.best.com/~4forry/), has solicited contributions from friends to help pay his legal bills, and some high-profile sci-fi aficionados have reportedly answered the call.
As John Landis once said: "It's amazing how many lives [Ackerman has] touched in his weird, bizarre way. He's a touchstone for all those crazy people out there."