Actor Christian Bale regrets signing on to star in the critically-panned Terminator Salvation, insisting he has no interest in working with filmmaker Mcg ever again. The Batman Begins star portrayed lead character John Connor in the fourth instalment of the sci-fi franchise, but the 2009 action film was poorly received by critics and failed to match the box office success of the first three movies in the series.
The release was also overshadowed by news of Bale's on-set meltdown, which hit headlines when an audio cassette of the rant was leaked online in 2008.
The recording featured the angry actor hurling abuse at the film's director of photography Shane Hurlbut, after he stepped into Bale's line of vision to correct a lighting problem during a tense scene.
Bale, who subsequently apologised for his foul-mouthed outburst, now admits he had his reservations about working with Joseph McGinty Nichol, aka McG, and only took on the job after an emotional plea from the director.
Bale tells the Wall Street Journal Magazine, "He goes, 'Give me a chance. Everyone needs to evolve, and I need to turn over a new leaf. And please, you must've been in this position before yourself, when someone has taken a leap of faith on you,' - which I have - 'please do that for me now; I promise you, I'm ready for it'."
Asked if he was right to take a chance on McG, he replies, "There's a lot of room for many approaches and many characters within the film industry. I won't be working with him again, but I wish him very well."
Sinead O'Connor insists she can prove American Music Awards bosses plotted to recruit Pope Francis to introduce her at the upcoming ceremony after they dismissed her story as "lies". The Irish singer recently exposed the plan in a post on her website, revealing AMAs executives approached the Vatican to see if the pontiff would be interested in welcoming O'Connor onstage via satellite.
O'Connor, who famously ripped up a photo of the Pope's predecessor John Paul II during an appearance on Saturday Night Live in 1992, admitted even she was taken aback by the verve of the awards show organisers, and wasn't surprised when they heard nothing back.
The event bosses subsequently laughed off the singer's claims, insisting they did not reach out to the leader of the Catholic Church, but now Sinead claims she has proof they did.
O'Connor has passed on emails between her management team and her record label bosses, which clearly reference a discussion they had with AMAs staff about appearing alongside the Pope, to TMZ.com.
In one, Sinead's manager claims when he asked who producers were trying to snag for the show, the record label rep said, "Take a deep breath... Pope Francis. No joke."
Sinead O'Connor has discovered her planned appearance at the upcoming American Music Awards was scrapped when show officials couldn't book Pope Francis to join her onstage. The Nothing Compares 2 U singer, who famously ripped up a photo of late pontiff John Paul II on Saturday Night Live in 1992, has revealed she learned about the bizarre plan weeks later.
In a post on her website last week (10Oct14), which begins, "Are you sitting down? That’s what my manager said to me before he told me what I’m about to tell you", O'Connor explain executives from Dick Clark Productions had hoped that Pope Francis would introduce O'Connor, who was booked to perform Nothing Compares 2 U and her new single Take Me to Church.
She says, "Since naturally their idea was not only disrespectful to the Pope and to millions of Catholics (The idea he ought consider lowering his feet into the disgusting world of show business and celebrity at all! Never mind with Sinead O'Connor) they didn't get a response and consequently I'm now not doing the show."
Sinead adds, "I never heard anything so warped and disrespectful to both the Pope and myself, as well as millions of Catholics (As well as my fans, with whom I have some f**king street cred, thanks, and integrity) in my life.
"Oft' it is said 'That Sinead O'Connor is insane', and of course, there's no smoke without a little fire, but one wonders who is actually crazy after this. Really."
The American Music Awards will be held on 24 November (14).
Sinead O'Connor has publicly acknowledged her first husband for coming to her aid following a recent medical and financial meltdown, and reviving her love for music. The exhausted singer returned home to Ireland after cancelling a series of U.S. dates last year (13), when the drugs she was taking to battle depression turned her into a wreck.
But her problems had only just began when promoters started suing her for pulling the plug on concerts.
She tells Billboard magazine, "Within the week it was being alleged that people I would have leapt in front of a bullet for had been financially f**king me over," and admits she feared "these motherf**kers were going to have my soul".
But, in among all the chaos, her ex-husband, producer John Reynolds, swooped in to save his former wife.
She adds, "John Reynolds saved my a**. "
He helped her battle her former aides and the financial mess and then introduced her to his favourite blues musicians, like Buddy Guy and Howlin' Wolf.
She says, "I got so into what they were saying, writing the facts of life and keeping things very simple and not sugarcoated."
Reynolds also helped his ex create songs for her acclaimed new album I'm Not Bossy, I'm the Boss.
The Rock has quite a lot cooking at the moment. In addition to recently wrapping on the seventh installment of the Fast and the Furious franchise, he’s got an epic starring vehicle in Hercules hitting theaters on Friday, and he’s all but confirmed that he’ll soon be donning the golden cape of Shazam onscreen soon (via TotalFilm). Between the blockbusters, the action-packed period pieces and an upcoming tenure as a superhero, there’s no doubt that Dwayne Johnson is a bona fide box office star. But even though he can bring people into a movie theater, people still seem reluctant to view The Rock as a legitimate actor.
After all, the first time that the public got to know Johnson, he was vamping in the wrestling ring and earning dramatic close-ups with the lift of his eyebrow. When he first began branching out into acting, via goofy action films like The Mummy Returns and The Scorpion King, people were understandably reluctant to accept this giant goofball as a real thespian. But it’s been almost a decade since Johnson left wrestling behind for movie sets, and despite racking up dozens of credits and hit films, he’s still more closely associated with the ring than with Hollywood.
But Johnson is a talented actor. Despite a few early cinematic disasters, he’s steadily delivered entertaining, compelling, layered and even moving performances. He’s charismatic and appealing, both on and off-camera, and his resume of characters is more diverse than you might realize at first glance. He’s got basically everything he would need to become a major movie star, and yet we’re still hesitant to give him that title. We had no problem with Channing Tatum’s transition from dance films and rom-coms or Terry Crews’ growth from an NFL player to one of the funniest character actors in Hollywood. So why can’t we see Johnson in the same light?
Is it because he was so well known as an athlete that we can’t help but associate him with sports (or whatever pro-wrestling qualifies as) rather than movies? Or is it because his first forays into acting were characterized by box office flops and cheesy kid’s movies? Can we just not see the man who made Tooth Fairy as a legitimate actor, despite the numerous successful films he’s made since?
It could be that we, as an audience, need to see Johnson in a completely different light in order for us to really let go of his wrestling past. Matthew McConaughey was just the Southern guy from those bad rom coms until the one-two punch of True Detective and Dallas Buyers Club, and people didn’t start taking Tatum seriously until he teamed up with Stephen Soderbergh for Magic Mike and let his comedic talents shine in the Jump Street flicks. Perhaps Johnson needs to find a more serious project with a prestigious director in order for us to really appreciate his talents. Meanwhile, his next two features, Hercules and San Andreas, are more likely to be perceived as mindless action movies he can add to a long list of blockbusters.
All of this puts a lot of pressure on his potential performance as Shazam. While many of the performers who have taken on superhero roles are highly-acclaimed character actors, like Robert Downey Jr., Christian Bale, or Mark Ruffalo, the genre has a long history of casting people who look the part, even if they can’t quite act it. If the Shazam film doesn’t do well, both Johnson’s athletic background and hit-and-miss film history will likely be blamed for the flop, and it could erase a lot of the goodwill that he’s earned over the years as an actor.
However, if it does well, it could be exactly what Johnson needs in order to be seen as a legitimate actor and movie star. Before he set off after John Connor in The Terminator, Arnold Schwarzenegger was best known for being a body builder, but after that film became a hit, he was regarded as an actor first and foremost (even when he became a politician). Shazam could do the same thing for Johnson, and finally help the public see him as more than just the goofy wrestler with the eyebrow and the catchphrase. Considering DC has had a patchy track record when it comes to superhero films lately and the fact that Shazam isn’t as well-known to the general public as Batman or Superman are, audiences probably won’t have very high expectations for the film, which should make it easier for Johnson to exceed them, and reintroduce himself to the world as an actor.
And if that doesn’t work, there’s always True Detective Season 3, right?
The Cloud. It's the data storage solution of the future. But is it evil? Sure, it's useful for storing documents and pictures, but what exactly is the Cloud in the first place? Is it dangerous? Am I breathing it in right now? Isn't it disturbing how little the average person knows about the technologies we use every day? The new Jason Segel and Cameron Diaz film Sex Tape might looks like just another raunchy rom-com, but it's really a sobering warning about the dangers of computers and technology. Look down. You're probably reading this on a computer right now. That's how far they've gotten. They're right under our noses! Filmmakers have been warning us for years about the dangers of computers, and how with just a few mouse clicks, our lives can be ruined forever. Before we all retreat to our luddite caves, let's take a look at all the ways computers have screwed things up in movies.
Sex Tape The Technology: An iPad/the CloudWhat It Did: Synched a couple's embarrassing sex tape to multiple iPads given out as gifts to all their friends Fallout: The couple feels the appropriate amount of embarrassment at having your friends seeing you bump uglies in a crappy tablet video. Also, ridiculous hijinks ensue while they try to get the video deleted. In terms of technology screwing things up, this one isn't bad at all.
Her The Technology: Samantha, a sentient operating system What It Did: Fell head over heels in love with the hapless Theodore Twombly, then broke his heart after the OS race decides to fly away to another plane or universe or something. Fallout: Mr. Twombly (how is that an actual name?) loved and lost, but at least he became a better person because of it.
Office SpaceThe Technology: The Initech computer virusWhat It Did: Office drones Peter, Michael, and Samir, in an attempt to get back at their bosses for years of mistreatment, decide to infect their company's accounting system with a virus that would steal fractions of pennies over time from Initech. The amount stolen would be so small that no one would notice. Unfortunately, a missing decimal point caused the virus to steal thousands of dollars over just a few days.Fallout: Before the trio could get into any trouble, Initech is mysteriously (though not that mysteriously) burned to the ground, along with all of the evidence pointing Peter to the crime. The situation resolves itself, but being caught could have meant years of jail time.
American PieThe Technology: Jim Levenstein's PC What It Did: Jim hooks up a webcam and unwittingly shares his embarrassing sexual encounter with Nadia, a foreign exchange student from Slovakia, with his entire school.Fallout: Jim blows it for all of the internet to see and Nadia's foster parents send her back home, leaving him dateless and sexless for the prom. Happily, he does hook up with Michelle before the end credits roll.
Back to the Future The Technology: The DeLorean, a car-shaped time machine What It Did: It sent Marty McFly to the year 1955, where he unwittingly meddles into his parents' past and almost prevents his own birth. Fallout: Marty is able to get his parents back together at the end, but has to forever live with the idea that his mother tried to get into his Calvin Kleins. Yuck!
Captain America: The Winter SoldierThe Technology: Arnim Zola, a HYDRA supercomputer What It Did: Zola helps HYDRA infiltrate the ranks of S.H.I.E.L.D. and leads the team of scientists that turn Bucky Barnes into the Winter Solder. He then tries to kill Captain America and Black Widow, but the heroes survive in the end. Fallout: Cap's best friend, Bucky is turned into a brainwashed HYDRA spy and the terrorist organization nearly takes over the entire world after infiltrating S.H.I.E.L.D.
WarGamesThe Technology: Joshua the WOPR, a supercomputer at NORADWhat It Did: After hacker wunderkind David Lightman hacks into NORAD and plays a mock game of "Global Thermonuclear War," Joshua stages a real Soviet nuclear attack to win the "game." After that fails, Joshua tries to launch the missiles himself, and nearly plunges the world into World War III.Fallout: After playing a couple rounds of tic-tac-toe, Joshua learns that nuclear war has no real winner except the cockroaches and settles for a game of chess instead. The day is saved, but the world came dangerously close to ending.
Terminator The Technology: Skynet, a self-aware intelligence system What It Did: Skynet, given command of the U.S.’s computerized defense programs, becomes self-aware and starts a nuclear war with Russia, leading to the near genocide of humanity. The intelligence system then sends Terminators to kill what’s left of the population Fallout: The initial nuclear attack kills three billion people and locks humanity in a war with machines. Skynet then sends a Terminator into the past to kill John Connor, the leader of the human resistance. This is certainly a far cry from your sex tape getting leaked onto the internet. It's a slippery slope.
Much to the dismay of Trekkers everywhere, Roberto Orci will be making his directorial debut with Star Trek 3. According to Variety, Orci, who wrote and produced the first two installments of the franchise with his business partner Alex Kurtzman, has been the frontrunner for some time now, although the names of the other directors being considered haven't been revealed. Orci's name has been in contention for the job since he and Kurtzman announced their split, so the news doesn't come as too much of a surprise. He's also been working on the script with J.D. Payne and Patrick McKay, while J.J. Abrams will serve as producer.
Star Trek is just the latest franchise to take a chance on a new director, as studios have recently made it a habit of picking independent or first-timer directors to helm blockbusters like The Amazing Spider Man 2 or Godzilla. In fact, many of the most expensive films ever made were headed by directors making their feature film debut. Considering Star Trek Into Darkness had a budget of $185 million, it seems as if Orci will soon join the ranks of first-time directors taking on a big-budget franchise. In honor of the major challenge that Orci has ahead of him, we've rounded up the six most expensive directorial debuts and how those directors handled them. That way, Trekkies can try and manage their expectations.
Robert Stromberg, Maleficent - $180 millionWalt Disney Studios
Though fantasy fixtures like David Yates and Tim Burton were rumored to helm the Disney prequel, the studio instead handed the reins to Stromberg, an Oscar-winning production designer. We'll have to wait until the film's May 30 release in order to see how well he handled the material, but from the trailers it's clear that the director's previous experience has resulted in visually stunning movie.
Bob Peterson, Up - $175 millionWalt Disney Co. via Everett Collection
Before he took the helm for Up, Peterson was best known for providing voices for some of Pixar's most icoinc characters. However, his directorial debut blew his other projects away, earning five Academy Award nominations — including Best Picture, making it only the second animated film to be nominated in that category — a win for Best Animated Feature, and opening the Cannes Film Festival. Oh, and it grossed over $700 million at the box office.
Carl Erik Rinsch, 47 Ronin - $175 millionUniversal Pictures via Everett Collection
Loosely based on the fictional account of 47 samurai who avenged their master's death, the big budget film was entrusted to Rinsch by Universal, despite his lack of feature film experience. Unfortunately for the studio, it wasn't a gamble that paid off, as the film's release date was pushed back several times, it received largely negative reviews and it failed to break even at the box office. Hopefully Paramount won't find themselves in the same situation with Star Trek.
Rupert Sanders, Snow White and the Huntsman - $170 millionUniversal Pictures via Everett Collection
Prior to Snow White and the Hunstman, Sanders had primarily directed commercials, although that didn't stop Universal from trusting him with this fantasy epic. The resulting film did well at the box office even though it received mostly mixed reviews, and was rumored to be getting a sequel, with Sanders taking the helm once again. However, both films were overshadowed by the tabloid frenzy that resulted from Sanders' affair with his leading lady, Kristen Stewart, so it doesn't look like that will be happening any time soon.
Joseph Kosinski, Tron: Legacy - $170 million Walt Disney Studios via Everett Collection
When Disney decided to make a sequel to Tron almost thirty years after the first film was released, they turned to Kosinski, who had become known for his work with computer generated effects in the commercials he directed. Though Tron: Legacy received mixed reviews, choosing Kosinski turned out to be a smart choice in the long run, as the film grossed over $400 million during its run in theaters.
Rich Moore, Wreck-It Ralph - $165 million Walt Disney Studios via Everett Collection
Before taking on Wreck-It Ralph, Moore made his name directing episodes of The Simpsons and Futurama, which made him a perfect fit for the goofy, self-referential film. It was a major hit for Disney, grossing over $400 million at the box office, winning the Annie Award for Best Animated Feature and earning an Oscar nomination for Best Animated Picture. Unfortunately, it lost the award to Brave, because nobody loves a Pixar movie more than the Academy.
If thinking about NBC's lackluster coverage of the last two Olympics fills you with a deep churning rage, you might as well get used to it because things aren't going to change for a long long while. The network just inked a deal with the International Olympic Committee for coverage of the game through, get this, 2032.
2032! That's a crazy future date! By 2032, Facebook will become self aware, San Francisco will lose its long-standing battle with the San Andreas fault, and the ghost of Steve Jobs will unveil the iPod 47S, which is only marginally better than the iPod 47. In general, things will be very different, which is why it's so surprising that NBC will still be providing their wildly incompetent coverage of the Olympics 18 years from now. Who knows if TV will still be a thing in 2032? NBC will probably be beaming curling and old episodes of Law and Order: SVU right into our brain folds by then.
So when can we actually expect a competently presented Olympics not presented by NBC, one that isn't full of tape delayed events, truncated closing ceremonies, and chatty presenters taking pot shots at other countries? Well, all these things have to happen first.
2015: Marty McFly travels back to the future in Back to the Future Part II. So we're definitely getting those Nikes and hoverboards next year, right?
2016: The world is supposed to end on February 16th of this year according to that one crazy lady in Ghostbusters.
2018: Forget soccer! Rollerball becomes the world's most popular sport.
2019: Richard Deckard battles replicants in Blade Runner.
2020: Christian Bale and a bald Matthew McConaughey fight for humanity in the middle of a dragon apocalypse in Reign of Fire.
2022: We turn poor people into yummy bite-size crackers in Soylent Green.
2025: Humanity uses giant Jaegers to fight against Kaiju in Pacific Rim.
2029: The T-1000 is sent into the past to kill Sarah Connor in Terminator.
2030: Ted tells his kids how he me their mother. The story takes a while.
2032: Sgt. John Spartan ponders the mystery of the three sea shells in Demolition Man.
Looks like all that experience flying the TARDIS is about to pay off for Matt Smith: he’s just joined the cast of the upcoming Terminator: Genesis in an unspecified-but-important role. Deadline reports that the former Doctor will play a character with a strong connection to John Connor (Jason Clarke), who will also play a major role in the film’s sequels. Smith is the latest nerd-friendly addition to a cast that includes Game of Thrones’ Emilia Clarke, Divergent villain Jai Courtney, and Dayo Okeniyi from The Hunger Games. And of course, Arnold Schwarzenegger will be back to step back into his signature cyborg armor.
The franchise is a good fit for Smith, who already has plenty of experience jumping from time period to time period and planet to planet on Doctor Who. In fact, Smith is so good at handling rifts in time and space that we could see him fitting in, no matter when or where in time you dropped him. To prove this theory, we’ve crafted a timeline of Smith’s possible time travel adventures, using the most iconic time travel-based movies and TV shows. We start, of course, with the first major civilization…
- 410 BC: Smith’s first trip goes back to Ancient Greece, where he hopes to sit in on one of Socrates’ lectures, only to find out from one of the other students that “So-Crates” had hopped into a time machine and set off for the future to help two slackers in their intellectual pursuits. (Bill and Ted’s Excellent Adventure)- 528 AD: Smith finds himself in Camelot, where he convinces the King to make things right with his people before Merlin and Morgan Le Fay manage ursurp him. But first, there’s a little matter of jazzing up all that boring old chamber music… (A Connecticut Yankee in King Arthur’s Court)- 1400s: Climbing through a hole in the fabric of time, Smith arrives in Sherwood Forest, where he is recruited by Robin Hood his Merry Men, and a band of dwarves to help give to the poor. Well, he intends to, but once he finds out how insane Robin Hood is, he decides it might be better to head elsewhere and avoid getting killed. (Time Bandits)- 1621: Smith arrives in colonial America to find two talking turkeys scrambling around in an attempt to escape some hunters and put a stop to the first Thanksgiving. He decides to help them, thinking it will be funny, but discovers they’re just dumb and so he leaves it up to them to figure it out. How much trouble can two turkeys with a time machine cause, after all? (Free Birds)- 1920s: After he accidentally gets into the wrong car, Smith finds himself transported to 1920s Paris, where he hops from party to party with the Fitzgeralds and a fellow time traveler who wanted writing advice. He doesn’t remember much but he’s pretty sure someone actually had a lampshade on their head at one point. (Midnight in Paris)- 1955: There’s another mix up with cars, and Smith ends up crashing the Pine Valley prom, where he discovers that his best friend is actually his son. It takes a while to process, but his future wife is really pretty, even if there’s some weird tension there with their son. (Back to the Future)- 1959: Smith hops forward a few years, where he meets the smartest dog of all time and not-so-bright boy, and helps them work on a time machine of their own called the WABAC. They invite him to join in on an adventure, but Sherman accidentally hits the wrong button, and Smith is sent forward in time by himself… (Mr. Peabody)- 1981: To the early ‘80s, where he meets Alex Drake, who is determined to figure out how she ended up in the past (although if you ask Smith, he thinks she should be more concerned with the clown that’s following her around.) Luckily, he remembers a few things about Sam Tyler that should help nudge her investigation along, even if she probably won’t like what she discovers. (Ashes to Ashes)- 1984: Smith hops forward a few years, only to find himself caught in the crossfire of a murderous cyborg with an Austrain accent, and a human soldier who is trying to keep the cyborg from killing an innocent woman. Once he realizes that he will soon get to act out this scenario on a safe, closed, set, he hightails it out of there. (Terminator)- 1993: Somehow, Smith manages to jump to an alternate universe, and finds himself at Hogwarts castle, so he immediately searches out Harry, Ron and Hermione, and helps them save Buckbeak, then rides the hippogriff off into the sunset. It all goes smoothly, although Harry is confused as to why Smith keeps calling him “Dan.” (Harry Potter and the Prisoner of Azkaban)- 1994: The time turner can only turn so far, and Smith ends up a year in the future, where he agrees to help Max Walker investigate a crooked politician. He doesn't really care about the plot, he really just wanted the chance to hang out with Jean Claude Van Damme. (Time Cop)- 2004: After Smith and Walker arrive in 2004, he heads to a charming lake house to get in some R&R, only to find a guy staring forlornly at a mailbox, waiting for the flag to raise. It’s a little too sappy and maudlin for him, so he tells the guy to go chase after his love, or at the very least, to find a red pill that would put him in a more exciting sci-fi universe. (The Lake House)- 3000: Smith rockets forward to the end of the millennium, where he stumbles across a cargo-delivery company run by the most dysfunctional group of people he has ever met. Still, he lets himself get roped into drinking with the robot and his friends, and it’s the most fun he has on his whole trip. Too bad the accident-prone intern cut the party short by accidentally sending him forward in time. (Futurama)- 3978: Smith washes up on the beach of a weirdly familiar-looking planet, only to find that the natives – all of whom appear to be apes – aren’t thrilled with his presence. He manages to escape his capture and follows the shoreline in order to find a way home, only to discover, to his horror, the ruins of the Statue of Liberty. (Planet of the Apes)
British actor Matt Smith has landed a major new role in the Terminator reboot. The former Doctor Who star will play a man with a strong connection to Jason Clarke's lead character John Connor and his story arc is expected to grow over the trilogy, according to Deadline.com.
Smith will join Game Of Thrones actress Emilia Clarke as Sarah Connor, Jai Courtney as Kyle Reese, and Arnold Schwarzenegger, who will reprise his Cyborg role, in Terminator: Genesis, which will be directed by Thor: The Dark World filmmaker Alan Taylor.
The movie is due to hit theatres in July, 2015.