Based on James Bradley’s bestselling book of the same name Flags of Our Fathers is Saving Private Ryan meets Stand By Me. Buried in the collective national conscious the Associated Press photo of six American soldiers raising a flag of victory over Iwo Jima is the basis of the film. Bradley’s father Doc Bradley (played by Ryan Phillippe in the film) who was one of the flag-raising soldiers never fully shared the details of the experience with his son but Flags meditates on some of those unanswered questions. The Iwo Jima conflict fortified by crags of Japanese snipers lays siege to thousands of messy casualties and the tattered flag--immediately seized by U.S. government officials to rallying and recruit soldiers--emerges as a symbol for American pride while the five Marines and one corpsman who raised it are basically forgotten. Heavy dramatics are saved for Adam Beach (Windtalkers) as Ira Hayes the Native American Marine who degenerates into madness. He represents the bittersweet languor of lost ambition and broken spirits. Director Clint Eastwood is actually the film’s best actor even though he isn’t in the movie. We can see his simmering restraint in the Flags’ acting ensemble as he guides his actors into finely tuned performances. From Beach to Phillippe to Paul Walker (2 Fast 2 Furious) Eastwood gets the most out of his young cast by playing them down. Similar to real-life soldiers allegiance to the team is the actors’ goal creating authenticity. Intense stress requires the actors to have genuine instincts. But by intentionally constructing a more lived-in feel there is consequently no flashy or Oscar-worthy stand-outs. To his credit Walker who usually goes for the brain-dead million dollar paychecks tries something different here while in his pivotal role Beach plays the juicy role as best as he can. Still Beach’s breakdown scene is quite honestly one-dimensional and doesn’t have the same dramatic impact as say Born on the Fourth of July’s Tom Cruise. Of Flags’ likely award recognitions the acting seems to have the least chance of reaching the winner’s circle. Vintage Eastwood is a lion in winter directing as though there’s no tomorrow. With Flags he interweaves numerous themes to create a war movie which despite its cliché-filled genre is constantly real in tone. The film is historically credible from the American perspective only but Eastwood has also directed a companion piece Letters from Iwo Jima about the Japanese side which hits theaters next year. Complex themes of celebrity worship also give the film a post-modern jaded Iraq War-era vision. Then there are the visuals. Eastwood incorporates breathtaking CGI shots of the fleet of warships reminiscent of Troy on top of an old-style photographic framing black and white and green all washed-out. It’s like looking at a scrapbook of old photos on a high-definition CD-ROM. Naturalistic scenes--sprawling in their panoramic framing with cactuses and hills of black sand--remind us we’re watching one of America’s cinematic icons at work. Flags could be Eastwood’s third Best Director Oscar--and will likely net him $100 million-plus at the box office.
Randolph Smiley (Robin Williams) is on top of his game--he's the eponymous star of the highest rated kid's TV show Rainbow Randolph has his own Times Square billboard and makes lots of money. Until that is he gets caught taking bribes from stage parents. Suddenly he becomes the social pariah of the millennium and of course gets canned. Losing Rainbow Randolph however leaves the network in a bind. Now they have to find a squeaky-clean replacement pronto. Enter Sheldon Mopes (Edward Norton) and his alter-ego Smoochy an abnormally large fuschia rhino who sings children's songs about kicking drug habits and stepdads who aren't mean but simply adjusting. With his naivete unwavering ethics and unflagging ambition to make the world a better place he becomes the new number one show. Sheldon soon learns however how cutthroat children's entertainment can be as the powers that be try to corrupt his ideals. Meanwhile a homeless Randolph makes it his number-one priority to destroy the bastard who stole his life. Who's going to get Smoochy first the corrupt businessmen or crazy Rainbow Randy? Stay tuned...
When you hear the Smoochy cast list--Williams Danny DeVito Jon Stewart Catherine Keener--you automatically think mondo laughs. Added to the list is Norton who may not be known for his comedic talents but certainly adds credibility to the movie especially given that he rarely picks bad scripts. Luckily no one disappoints. Norton plays the straight guy with aplomb and shines brilliantly when singing his sappy yet lesson-filled songs. Keener whom we haven't seen since her Oscar-nominated turn in Being John Malkovich is also a standout as the jaded development VP who falls for Sheldon's sweet manner. She has an uncanny way of delivering lines that bite to the bone. And then there's Williams--as always he has extraordinary moments of sheer hilarity in the film. This isn't one of those films where the comedian has to attempt to act or simply be reined in by the director (as some have done) to give a good performance. Director DeVito (who also plays the greedy agent) is wise enough to simply turn the camera on the comedian and let him go. Just wish we could have seen more of him.
Ever wonder what it would be like to kill Barney? We're betting DeVito thought about it quite often--and things never turn out good for that purple dinosaur. The premise of Smoochy is one of the funnier ones in recent memory and seems to follow the dark comedic path DeVito has chosen in his other directorial efforts including War of the Roses and Throw Momma From the Train. Unfortunately Smoochy doesn't quite hold up to its hype (or its trailers) because basically it focuses on the wrong character. It's got some great moments granted especially when Smoochy is on his show. But instead of being about Randy's obsession to do away with his replacement the film chooses to follow Mopes and deal with the dirty business of making a kid's show which appears to involve the Mob (whatever). Smoochy would have been a lot funnier if Randolph could have finally succeeded in his quest instead of getting all sappy.