Produced by Judd Apatow and co-written by Apatow’s BFF Seth Rogen Drillbit is a little bit My Bodyguard a little bit Freaks and Geeks. The story focuses on three geeky high school freshman--Ryan (Troy Gentile) Wade (Nate Hartley) and Emmet (David Dorfman)--who become primary target practice for the campus bully Filkins (Alex Frost). Enter Drillbit Taylor (Wilson) a homeless Army deserter who answers the boys’ ad for a bodyguard mainly because he wants to rip them off. During the course of the movie however Drillbit teaches the boys how to stick up for themselves and grows to care about them especially after he pretends to be a substitute teacher at their school--you know to “watch” over them. It’s a cool gig for the drifter since he gets free coffee a new girlfriend (Leslie Mann as a horny English teacher) and newfound respect. Eventually everything goes to hell in a hand basket as they are wont to do but at least everyone walks away learning some valuable life lessons. We should say “Awww ” but thankfully the script keeps the gag reflex to a minimum. While Wilson may be phoning it in a little as Drillbit--a likeable rascal who’s a cross between a Dupree and a Wedding Crasher--his certain charismatic style is undeniable on screen. You can’t help but like him in whatever he does even if the film he is in pales by comparison. Not to say the rest of Drillbit’s cast isn’t supporting Wilson as best they can. The unlucky geek squad is full of fresh faces with newcomers Gentile and Hartley capturing their inner nerd with a passion. Many will also recognize Dorfman as the spooky kid from the Ring series now a pipsqueak-y teen. Frost (Elephant) has the crazy eyes of a psychotic teenager bent on humiliation and destruction of those who stand in his way. Realistic? Perhaps not but he makes a decent villain. Mann is handed the smallest part possible but makes her presence known. Her mini-seduction scene with Wilson in the teacher’s lounge is definitely one of the film’s better moments. Still this is Wilson’s movie and frankly he can do better. Seth Rogen must have had a hell of a time in high school--he can’t quit writing about it. On Judd Apatow’s first effort TV’s Freaks and Geeks Rogen played a high school freak while last summer’s Superbad which he co-wrote with former high school bud Evan Goldberg took high school geekdom to a whole new level. Now he and Apatow team up on another I’m-a-geek-in-high-school-but-stay-true-to-myself effort hiring director Steven Brill to helm the proceedings who brings his own level of expertise having directed such comedy favorites as Without a Paddle and Little Nicky. Drillbit does have its hilarious moments--a montage of hiring a bodyguard stands out (including the cameo from the original My Bodyguard Adam Baldwin)--but overall it just isn’t as fresh and different as other Apatow/Rogen collaborations. They seem to have forgotten how not to rehash past experiences--or past movies. There's also the fact that Drillbit is PG; by surpressing the colorful language it may have hindered their creativity. Either way the current comedy kings miss the mark this time around.
In the tradition of Batman Begins and Casino Royale the clock is rolled back on the legendary icons the D—the self-proclaimed greatest band in the world—as the curtain is pulled back on their secret origins and the demons that drive them are unveiled… OK so it’s not really that deep. Though the heavy metal/comedy combo of Jack/JB/”Jabeles” (Jack Black) and Kyle/KB/”Kage” (Kyle Gass) have long played hip clubs cut an album starred in their own short-lived HBO series and amassed a devoted cult of fans their first feature film reveals how the pudgy duo first meet form the band meet their first fan (Jason Reed as TV holdover Lee) go questing the fabled Pick of Destiny—a shard of Satan’s tooth turned into a guitar pick passed among rock’s most accomplished shredders—and ultimately smack down with the devil himself. Believe it or not it’s a love story. Thanks to their long professional partnership Black and Gass comprise two perfectly crafted sides of a very polished comedy coin: Black is the wild-eyed uncontrolled id Gass is the low-energy manipulative slacker and they meet in the middle with an equal amount of unchecked delusion about their musical ability and potential. They both deftly pull off the trickiest types of comedy: smart jokes in the guise of dumb characters and it’s nice to see Black—obviously the bigger film star of the two—share the funniest bits equally with Gass. Of course all of this hinges on the audience’s tolerance for the ambitiously clueless ego-cases (and moviegoers who only love Black for his tamer version of the same persona in School of Rock should be warned—this is the cruder ruder and more profane incarnation) but we admit we’ve long had a taste for the D. They boys carry they movie squarely on their shoulders though longtime D supporters Tim Robbins and Ben Stiller stand out in cameos—the first Stiller cameo in ages that’s both amusing and non-gratuitous! Also appearing in small bits: SNL’s Fred Armisen and Amy Poehler Oscar-nominee Amy Adams Colin Hanks hard rock hero Ronnie James Dio Foo Fighter Dave Grohl as Satan and an uncredited John C. Reilly though you’ll never ever recognize him when he’s onscreen. And kudos to whoever had the inspired notion to cast Meat Loaf as JB’s pious father and Troy Gentile as the young rockin’ JB (Gentile also played a junior version of Black in Nacho Libre). Helmer Liam Lynch who also collaborated on the screenplay with Black and Gass and directed their music video “Tribute ” understands the absurd world of the D completely and demonstrates a clever assured sense of straight-faced silliness. Indeed the first ten minutes of the film alone—a mini-rock opera in itself—announce him as a comedy director to watch. Although we’re sure the bandmates themselves would take full credit for the film’s success. After all they may not have made the greatest movie in the world but in D-speak they came up with a pretty rockin’ tribute version.
In adapting a rather flimsy children’s book into a full-fledged feature film one has to take some liberties. We first meet the lovable little monkey in the wild where his curious habits wreck havoc. Meanwhile in the big city Ted (voiced by Will Ferrell)--aka The Man with the Yellow Hat--is a highly enthusiastic guide at the soon-to-be-closed Bloomsberry Museum. In order to save the museum (here’s where they pad it) he is sent on a mission to Africa to retrieve a lost shrine. But when he gets there the only thing he finds is a miniature version of it--and George of course. The lonely monkey decides to follow Ted all the way back to the city where his mischievous tendencies get him into even more trouble. George nearly ruins everything for Ted but somehow the little feller eventually grows on him. How could he not? If I can borrow a line from Madagascar little George is so cute I just like to dunk him in my coffee. When you’re reading Curious George out loud to your kids you don’t get the impression The Man with the Yellow Hat is a good-natured but geeky fellow gangly clumsy and clueless about women. Thank goodness the film has Will Ferrell to clear it up for us! You basically know what you’re in for once you recognize his voice and his natural comic timing shines through lending for some funnier moments (“OK I’m looking directly into the sun. Staring right at it. I’ve got to be honest with you it stings…”). The other voices in the film also do a fine job including Drew Barrymore as a schoolteacher who has a crush on Ted; Eugene Levy as the mad museum scientist; Dick Van Dyke as the museum’s old-time curator; and David Cross as his weasly greedy son. Based on the books and illustrations by Margret and H.A. Rey Curious George embraces the essence of the timeless stories created 65 years ago. The film apparently took awhile to find its voice. Producer Ron Howard originally conceived it as live-action film but quickly realized they could never get a real monkey as cute and fuzzy as George. Then CGI was considered but ultimately the filmmakers kept returning to the source: the late H.A. Rey’s original painstakingly beautiful illustrations. Thankfully they stuck with that idea. Curious George is lush and vibrant with all of Rey’s best efforts fully realized in Technicolor. And much like what the Piglet’s Big Movie did with Carly Simon and The Wild Thornberrys with Paul Simon Curious George is also sprinkled with original songs by hot pop singer Jack Johnson to give it a modern feel. So what if the story gets a little overblown in parts it will still introduce one of literature’s most enduring icons to the young-un’s--while allowing the adults to reminisce.
It's graduation day for Scotty (Scott Mechlowicz) but the celebration comes to an abrupt end when his girlfriend Fiona (Kristin Kreuk) dumps him by blatantly announcing she has been unfaithful to him--over and over again. At a graduation party that night Fiona makes her point by jumping on stage during rockers Lustra's performance of "Scotty Doesn't Know " which goes something like this: "Scotty doesn't know that Fiona and me do it in my van every Sunday..." Dumbfounded Scotty gets drunk and goes home to confide in his Berlin-based computer pen pal Mieke (Jessica Boerhs) who suggests coming to America for a "rendezvous." Scott rudely rebuffs him (and that's putting it mildly) not aware that Mieke is not a guy but actually a really hot high school girl. He tries to make amends but Mieke won't read his e-mails so his pal Cooper (Jacob Pitts) convinces him to go to Berlin and meet her face-to-face. Short on cash they take a cheap courier flight to London where they meet up with twin pals Jenny (Michelle Trachtenberg) and Jamie (Travis Wester) before hopscotching to Amsterdam Bratislava Rome Vatican City and finally Berlin. Of course the chase is always better than the kill and Eurotrip is no different: Whether Scotty gets Mieke is beside the point; the amusement is all in the journey there. Who knew for example that you could spend the night in a five star hotel and partake in a night of clubbing in Eastern Europe on $1.87 U.S.-and still have 27 cents left over when it's all over?
Newcomer Mechlowicz is perfectly cast as the lead here playing a character that is simple-minded daring sympathetic and charming. But it's Mechlowicz's personal spin--his bewildered expressions--that really nails the role for him whether he is witnessing the twins accidentally making out on the dance floor in a drunken stupor or waking up to find a strange passenger cozying up to him on a train. As his buddy Cooper Pitts (K-19: The Widowmaker) plays the wisecracker of the bunch and although he doesn't go over the top with the crassness there is a little too much David Spade influence in his delivery (and the similar haircuts don't help the matter either). Like the rest of the cast Wester is careful not to typecast his character Jamie a meticulous planner who can't travel without Frommer's by loosening him up slightly. Jamie for example knows when it's time do drop the book and experiment even if it means nude sunbathing. Trachtenberg (Buffy: The Vampire Slayer) also infuses her twin character Jenny with the perfect blend of sexuality and innocence. The result is a cast of mishmash characters that are just so darn likeable. Look for a surprise cameo from Matt Damon as well as small but hilarious performances from Vinnie Jones as Mad Maynard a Manchester United soccer hooligan; Lucy Lawless as S&M mistress Madame Vandersexxx; and Saturday Night Live's Fred Armisen credited as "the creepy Italian guy."
Jeff Schaffer makes his directorial debut here from a screenplay co-written with his longtime partners scribes Alec Berg and David Mandel. And ads touting it as a comedy "from producers of Road Trip and Old School " may be exactly what Eurotrip a comedy starring relative unknowns needs to draw the coveted teen crowd. After all Ivan Reitman the producer responsible for catapulting low budget comedies into box-office gold territory has secured quite a following--and fans won't be let down with this latest offering. Unlike its predecessors Eurotrip isn't afraid to be crass and while the characters are sweet the storyline is anything but. In this Euro-centric tale writing trio Schaffer Berg and Mandel proudly embrace every stereotype imaginable but do so at the expense of the inexperienced foursome which makes the material funny rather than offensive. Nude beaches the young Americans discover aren't necessarily packed with hot gorgeous women and Amsterdam's sex industry isn't exactly the stuff young male fantasies are made of. With one hilarious gag after another as well as funky map graphics with dotted lines that transport viewers from city to city the film maintains its fast-moving pace throughout. Surprisingly the film was shot entirely on location in the Czech Republic with Prague doubling as London Paris Berlin Amsterdam Rome Vatican City Bratislava--and even Hudson Ohio with landmarks such as the Eiffel Tower the Coliseum and Big Ben added using CGI. Accompanied by an awesome soundtrack featuring Lutsra's "Scotty Doesn't Know " Chapeaumelon's "My Generation" and The Salads "Get Loose " this film succeeds on all levels.
From the creators of the TNT miniseries Gettysburg including executive producer Ted Turner and writer/director Ronald F. Maxwell Gods chronicles the Civil War from its beginnings when the South rises up. Confederate General Robert E. Lee (Robert Duvall) a distinguished military man but also a loyal native Virginian chooses to fight for his home rather than his country while Thomas "Stonewall" Jackson (Stephen Lang) a devoutly religious man becomes Lee's most trusted lieutenant. On the other side we have Colonel Joshua Chamberlain (Jeff Daniels) a professor from Maine who ends up one of the Union's finest military leaders. In between there are glimpses of the wives and families left behind. Stories of this magnitude with their dramatic bloody battles and tragic endings usually leave you numb or crying for those lives lost and destroyed. Instead Gods and Generals holds no resonance whatsoever meticulously plotting out the details and making this decisive moment in American history interminable at three and a half hours. It's like wading through a textbook--or worse watching Civil War fanatics carefully reenact the famous battle scenes on the very ground they were fought over and over again--while the players stand around quoting long-winded verse from the Bible or Shakespeare's Julius Caesar. Blech.
The actors in Gods and Generals must have honestly thought they were making something important when they signed up. Main players Lang (who played Major Gen. George Pickett in Gettysburg) and Daniels (who reprises his Gettysburg role as Chamberlain) have their moments but after hearing them recite one speech after another especially Lang's Jackson who says more prayers to God than anything else you start to wonder if they ever realized they made a mistake. (Or have we for sitting through it?) One of the more superfluous scenes is when Jackson and his black cook Jim played by Frankie Faison are standing outside in the freezing cold night for about 15 minutes both looking up at the stars and praying to God. It seems like the actors are trying to make such sermonizing poignant meaningful but all this pontification simply drags the movie further down. These speeches aren't just Lang's and Daniels' territory--Mira Sorvino as Chamberlain's wife and Kali Rocha as Jackson's wife get their own personal moments in the sun too. If you count the cast of thousands each with their own things to say well you get the point. Thankfully Duvall who is the only good thing about the movie gets to keep the talking to a minimum.
If you want to see a Civil War melodrama at its best where watching the heroes race through a sacked city makes you hold your breath and witnessing horrific hospital scenes makes you squirm then watch Gone With the Wind. If you want gut-wrenching Civil War battles or more understanding of how slaves truly felt then watch Glory. If you want a heartening history lesson about the Civil War that not only teaches you about the era's political machinations but also shares the insights and thoughts of the men and women who experienced it then watch Ken Burns' documentary series The Civil War. Gods and Generals offers none of that in its dry textbook version of the Civil War which uses the same shots are used over and over again (how many times does the camera pan up to the night sky or show the panoramic view of Fredericksburg Virginia? I lost count) features more actors waxing prophetic than real drama and actually makes you yawn during what should be intense battle scenes.