A kids’ movie without the cheeky jokes for adults is like a big juicy BLT without the B… or the T. Madagascar 3: Europe’s Most Wanted may have a title that sounds like it was made up in a cartoon sequel laboratory but when it comes to serving up laughs just think of the film as a BLT with enough extra bacon to satisfy even the wildest of animals — or even a parent with a gaggle of tots in tow. Yes even with that whole "Afro Circus" nonsense.
It’s not often that we find exhaustively franchised films like the Madagascar set that still work after almost seven years. Despite being spun off into TV shows and Christmas specials in addition to its big screen adventures the series has not only maintained its momentum it has maintained the part we were pleasantly surprised by the first time around: great jokes.
In this third installment of the series – the trilogy-maker if you will – directing duo Eric Darnell and Tom McGrath add Conrad Vernon (director Monsters Vs. Aliens) to the helm as our trusty gang swings back into action. Alex the lion (Ben Stiller) Marty the zebra (Chris Rock) Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stuck in Africa after the hullaballoo of Madagascar 2 and they’ll do anything to get back to their beloved New York. Just a hop skip and a jump away in Monte Carlo the penguins are doing their usual greedy schtick but the zoo animals catch up with them just in time to catch the eye of the sinister animal control stickler Captain Dubois (Frances McDormand). And just like that the practically super human captain is chasing them through Monte Carlo and the rest of Europe in hopes of planting Alex’s perfectly coifed lion head on her wall of prized animals.
Luckily for pint-sized viewers Dubois’ terrifying presence is balanced out by her sheer inhuman strength uncanny guiles and Stretch Armstrong flexibility (ah the wonder of cartoons) as well as Alex’s escape plan: the New Yorkers run away with the European circus. While Dubois’ terrifying Doberman-like presence looms over the entire film a sense of levity (which is a word the kiddies might learn from Stiller’s eloquent lion) comes from the plan for salvation in which the circus animals and the zoo animals band together to revamp the circus and catch the eye of a big-time American agent. Sure the pacing throughout the first act is practically nonexistent running like a stampede through the jungle but by the time we're palling around under the big top the film finds its footing.
The visual splendor of the film (and man is there a champion size serving of it) the magnificent danger and suspense is enhanced to great effect by the addition of 3D technology – and not once is there a gratuitous beverage or desperate Crocodile Dundee knife waved in our faces to prove its worth. The caveat is that the soundtrack employs a certain infectious Katy Perry ditty at the height of the 3D spectacular so parents get ready to hear that on repeat until the leaves turn yellow.
But visual delights and adventurous zoo animals aside Madagascar 3’s real strength is in its script. With the addition of Noah Baumbach (Greenberg The Squid and the Whale) to the screenwriting team the script is infused with a heightened level of almost sarcastic gravitas – a welcome addition to the characteristically adult-friendly reference-heavy humor of the other Madagascar films. To bring the script to life Paramount enlisted three more than able actors: Vitaly the Siberian tiger (Bryan Cranston) Gia the Leopard (Jessica Chastain) and Stefano the Italian Sealion (Martin Short). With all three actors draped in European accents it might take viewers a minute to realize that the cantankerous tiger is one and the same as the man who plays an Albuquerque drug lord on Breaking Bad but that makes it that much sweeter to hear him utter slant-curse words like “Bolshevik” with his usual gusto.
Between the laughs the terror of McDormand’s Captain Dubois and the breathtaking virtual European tour the Zoosters’ accidental vacation is one worth taking. Madagascar 3 is by no means an insta-classic but it’s a perfectly suited for your Summer-at-the-movies oasis.
Pedro Almodovar's Volver picked up five honors at the Goya Awards in Madrid last night, including Best Picture, Best Director and Best Actress for Penelope Cruz.
The movie, which had received 14 nominations, also won Best Original Soundtrack for Alberto Iglesias.
On collecting her Best Actress award, Cruz said, "This award is very important, very special for me. I am going to try not to cry because I'm a disaster, and these 30 seconds are not going to be enough."
Pan's Labyrinth, which is nominated for the Best Foreign Language Film at next month's Oscars, collected the most awards--seven in total, including Best Original Screenplay for Mexican writer/director Guillermo Del Toro.
Del Toro said, "My relationship with Spain as a filmmaker is one of profound admiration and respect... that began with the hand of Pedro (Almodovar)."
Elsewhere, Juan Diego won Best Actor for Vete de Mi, while Stephen Frears’ The Queen won Best European film.
The full list of winners is:
Best Actress--Penelope Cruz, Volver
Best Actor--Juan Diego, Vete de Mi
Best Director--Pedro Almodovar, Volver
Best Original Screenplay--Guillermo Del Toro, Pan's Labyrinth
Best Adapted Screenplay--Lluis Arcarazo, Salvador
Best First-Time Director--Daniel Sanchez Arevalo, DarkBlueAlmostBlack
Best European Film--The Queen
Best Foreign Spanish-Language Film--Las Manos, by Alejandro Doria(Argentina)
Best Supporting Actress--Carmen Maura, Volver
Best Supporting Actor--Antonio De La Torre, DarkBlueAlmostBlack
Best Breakthrough Performance, Actor--Quim Gutierrez, DarkBlueAlmostBlack
Best Breakthrough Performance, Actress--Ivana Baquero, Pan's Labyrinth
Best Animated Feature--The Hairy Tooth Fairy, by Juan Pablo Buscarini
Best Art Direction--Benjamin Fernandez, Alatriste
Best Cinematography--Guillermo Navarro, Pan's Labyrinth
Best Line Production--Cristina Zumarraga, Alatriste
Best Documentary Short--Castanuela 70, El Teatro Prohibido, by Manuel Calvo and Olga Margallo
Best Animated Short Film--El Viaje De Said, by Coke Rioboo
Best Live-Action Short Film--A Ciegas, by Salvador Gomez Cuenca
Best Visual Effects--David Marti, Montse Ribe, Reyes Abades, Everett Burrell, Edward Irastorza and Emilio Ruiz, Pan's Labyrinth
Best Costume Design--Francesca Sartori, Alatriste
Best Documentary Feature--Cineastas en Accion, by Carlos Benpar
Best Film Editing--Bernat Vilaplana, Pan's Labyrinth
Best Sound--Miguel Polo and Martin Hernandez, Pan's Labyrinth
Best Original Score--Alberto Iglesias, Volver
Best Original Song--“Tiempo Pequeno,” Bebe and Lucio Godoy, from The Education of a Fairy
Best Make-Up and Hair Design--Jose Quetglas and Blanca Sanchez, Pan's Labyrinth
Lifetime Achievement Award--Teddy Villalba
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