At 38 Will (Hugh Grant) has made an art out of avoiding any responsibility in his life--no marriage no kids and definitely no job. Living off royalty checks from a popular Christmas song his father wrote he's the star of the Will show and that's the way he likes it. What Will doesn't realize is that he is about to grow up (and the movie is going to jump-start). After deciding that the best place to meet women is pretending to be a single parent and going to support groups called S.P.A.T.--Single Parents Alone Together--Will inadvertently meets Marcus (Nicholas Hoult) a 12-year-old with a suicidal single mother Fiona (Toni Collette). The kid is an odd duck. He doesn't seem to fit in at school and latches onto the reluctant Will for guidance especially in trying to make his mother happy. At first Will tries to dissuade the young man but gradually becomes Marcus' friend teaching him how to be a cool kid and actually beginning to care about him. On the flip side Marcus helps Will finally grow up fall in love and possibly even commit to a real adult relationship with a lovely single mother Rachel (Rachel Weisz).
Grant has played it smart with his career. Since starring in Four Weddings and a Funeral (which put this decidedly charming British actor on the radar) Grant has had more successes than failures especially in the romantic comedy arena. In About a Boy the actor sticks with familiar territory but has actually matured right before our eyes (and cut his hair into a short spiky 'do) and sheds those charming mannerisms to expose another side of himself in a way he has never done before. Will is selfish cowardly and pretty shallow most of the time but he is never unlikable and that's Grant's true gift. Newcomer Hoult is also a revelation a genuine find. It takes some time getting used to this boy's very distinctive face which is a cross between a Vulcan (it's the eyebrows) and a cherub but once you do Hoult wins your heart--perhaps because he isn't the cookie-cutter "cute kid" we are used to he's more real. Ironically his character Marcus makes a reference about trying "to be more like Haley Joel Osment" but how he fails miserably in "drama." Collette does a nice job as the wacky mother trying to cope (a familiar role for her) and Weisz's small but pivotal role as the woman Will falls for is memorable.
Coming from the directors of American Pie one might be a tad apprehensive about seeing a definitively British comedy done by two guys whose claim to fame is a bawdy teen sex comedy. Yet co-directors co-writers and brothers Paul and Chris Weitz deftly handle the material and find an hysterical but poignant way of telling the story. Based on a best-selling novel by Nick Hornby the story about a shallow bachelor taking an odd 12-year-old boy under his wing seems like it could easily fall into the after-school special arena--but thankfully it doesn't. Although the film starts off a little shaky with voice-overs and heavy exposition (not always a good sign) it quickly redeems itself with clever witty dialogue and somewhat unpredictable plot points. The brothers also manage to throw in some intriguing camera angles going above and beyond the usual shots. Yet the most surprising element to the film is that it really isn't a romantic comedy. It's more a buddy picture and the buddies in question do a heck of a job bonding with us on screen.
After catching her live-in boyfriend in a compromising position Amanda sets out to find a new place to live. She ends up rooming with four supermodels (Shalom Harlow Ivana Milicevic Sarah O'Hare and Tomiko Fraser) whose apartment has a great view -- especially of Jim the "perfect guy" across the way. When Amanda in a "Rear Window"- type scenario witnesses Jim committing what she thinks is a murder she sets out to prove that he did it. However to her surprise she ends up falling head over heels (literally a lot of the time) for him instead.
The chemistry between Prinze and Potter is near perfect. Potter does a great job of playing a klutzy girl who can't seem to stay on her feet long enough to have a conversation with Jim. But then again who could? Prinze exudes his usual charm and winning smile while at the same time showing great comic timing. The more pivotal moments with the four models who are "struggling " as they like to say are well done and surprisingly hysterical. Who needs a drama when you can have four models who are actually funny?
Director Mark S. Waters and Prinze Jr. are together again after their 1997 film "The House of Yes." "Head Over Heels" is a cross between "Fatal Attraction " "An Officer and a Gentleman" and "There's Something About Mary " which means it's a bit muddled in its direction. Waters tries a little too hard for the shock value while at the same time trying to convey romantic comedy elements almost overshadowing the performances of the actors. But hey then again we get to see supermodels covered in poop. Priceless. Still the fairly clever and darker script plus the winning chemistry between the lead actors makes it worthwhile.