Lions Gate via Everett Collection
When we last left our heroes, they had conquered all opponents in the 74th Annual Hunger Games, returned home to their newly refurbished living quarters in District 12, and fallen haplessly to the cannibalism of PTSD. And now we're back! Hitching our wagons once again to laconic Katniss Everdeen and her sweet-natured, just-for-the-camera boyfriend Peeta Mellark as they gear up for a second go at the Capitol's killing fields.
But hold your horses — there's a good hour and a half before we step back into the arena. However, the time spent with Katniss and Peeta before the announcement that they'll be competing again for the ceremonial Quarter Quell does not drag. In fact, it's got some of the film franchise's most interesting commentary about celebrity, reality television, and the media so far, well outweighing the merit of The Hunger Games' satire on the subject matter by having Katniss struggle with her responsibilities as Panem's idol. Does she abide by the command of status quo, delighting in the public's applause for her and keeping them complacently saturated with her smiles and curtsies? Or does Katniss hold three fingers high in opposition to the machine into which she has been thrown? It's a quarrel that the real Jennifer Lawrence would handle with a castigation of the media and a joke about sandwiches, or something... but her stakes are, admittedly, much lower. Harvey Weinstein isn't threatening to kill her secret boyfriend.
Through this chapter, Katniss also grapples with a more personal warfare: her devotion to Gale (despite her inability to commit to the idea of love) and her family, her complicated, moralistic affection for Peeta, her remorse over losing Rue, and her agonizing desire to flee the eye of the public and the Capitol. Oftentimes, Katniss' depression and guilty conscience transcends the bounds of sappy. Her soap opera scenes with a soot-covered Gale really push the limits, saved if only by the undeniable grace and charisma of star Lawrence at every step along the way of this film. So it's sappy, but never too sappy.
In fact, Catching Fire is a masterpiece of pushing limits as far as they'll extend before the point of diminishing returns. Director Francis Lawrence maintains an ambiance that lends to emotional investment but never imposes too much realism as to drip into territories of grit. All of Catching Fire lives in a dreamlike state, a stark contrast to Hunger Games' guttural, grimacing quality that robbed it of the life force Suzanne Collins pumped into her first novel.
Once we get to the thunderdome, our engines are effectively revved for the "fun part." Katniss, Peeta, and their array of allies and enemies traverse a nightmare course that seems perfectly suited for a videogame spin-off. At this point, we've spent just enough time with the secondary characters to grow a bit fond of them — deliberately obnoxious Finnick, jarringly provocative Johanna, offbeat geeks Beedee and Wiress — but not quite enough to dissolve the mystery surrounding any of them or their true intentions (which become more and more enigmatic as the film progresses). We only need adhere to Katniss and Peeta once tossed in the pit of doom that is the 75th Hunger Games arena, but finding real characters in the other tributes makes for a far more fun round of extreme manhunt.
But Catching Fire doesn't vie for anything particularly grand. It entertains and engages, having fun with and anchoring weight to its characters and circumstances, but stays within the expected confines of what a Hunger Games movie can be. It's a good one, but without shooting for succinctly interesting or surprising work with Katniss and her relationships or taking a stab at anything but the obvious in terms of sending up the militant tyrannical autocracy, it never even closes in on the possibility of being a great one.
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In This Means War – a stylish action/rom-com hybrid from director McG – Tom Hardy (The Dark Knight Rises) and Chris Pine (Star Trek) star as CIA operatives whose close friendship is strained by the fires of romantic rivalry. Best pals FDR (Pine) and Tuck (Hardy) are equally accomplished at the spy game but their fortunes diverge dramatically in the dating realm: FDR (so nicknamed for his obvious resemblance to our 32nd president) is a smooth-talking player with an endless string of conquests while Tuck is a straight-laced introvert whose love life has stalled since his divorce. Enter Lauren (Reese Witherspoon) a pretty plucky consumer-products evaluator who piques both their interests in separate unrelated encounters. Tuck meets her via an online-dating site FDR at a video-rental store. (That Lauren is tech-savvy enough to date online but still rents movies in video stores is either a testament to her fascinating mix of contradictions or more likely an example of lazy screenwriting.)
When Tuck and FDR realize they’re pursuing the same girl it sparks their respective competitive natures and they decide to make a friendly game of it. But what begins as a good-natured rivalry swiftly devolves into romantic bloodsport with both men using the vast array of espionage tools at their disposal – from digital surveillance to poison darts – to gain an edge in the battle for Lauren’s affections. If her constitutional rights happen to be violated repeatedly in the process then so be it.
Lauren for her part remains oblivious to the clandestine machinations of her dueling suitors and happily basks in the sudden attention from two gorgeous men. Herein we find the Reese Witherspoon Dilemma: While certainly desirable Lauren is far from the irresistible Helen of Troy type that would inspire the likes of Tuck and FDR to risk their friendship their careers and potential incarceration for. At several points in This Means War I found myself wondering if there were no other peppy blondes in Los Angeles (where the film is primarily set) for these men to pursue. Then again this is a film that wishes us to believe that Tom Hardy would have trouble finding a date so perhaps plausibility is not its strong point.
When Lauren needs advice she looks to her boozy foul-mouthed best friend Trish (Chelsea Handler). Essentially an extension of Handler’s talk-show persona – an acquired taste if there ever was one – Trish’s dialogue consists almost exclusively of filthy one-liners delivered in rapid-fire succession. Handler does have some choice lines – indeed they’re practically the centerpiece of This Means War’s ad campaign – but the film derives the bulk of its humor from the outrageous lengths Tuck and FDR go to sabotage each others’ efforts a raucous game of spy-versus-spy that carries the film long after Handler’s shtick has grown stale.
Business occasionally intrudes upon matters in the guise of Heinrich (Til Schweiger) a Teutonic arms dealer bent on revenge for the death of his brother. The subplot is largely an afterthought existing primarily as a means to provide third-act fireworks – and to allow McGenius an outlet for his ADD-inspired aesthetic proclivities. The film’s action scenes are edited in such a manic quick-cut fashion that they become almost laughably incoherent. In fairness to McG he does stage a rather marvelous sequence in the middle of the film in which Tuck and FDR surreptitiously skulk about Lauren's apartment unaware of each other's presence carefully avoiding detection by Lauren who grooves absentmindedly to Montel Jordan's "This Is How We Do It." The whole scene unfolds in one continuous take – or is at least craftily constructed to appear as such – captured by one very agile steadicam operator.
Whatever his flaws as a director McG is at least smart enough to know how much a witty script and appealing leads can compensate for a film’s structural and logical deficiencies. He proved as much with Charlie’s Angels a film that enjoys a permanent spot on many a critic’s Guilty Pleasures list and does so again with This Means War. The film coasts on the chemistry of its three co-stars and only runs into trouble when the time comes to resolve its romantic competition which by the end has driven its male protagonists to engage in all manner of underhanded and duplicitous activities. This Means War being a commercial film – and likely an expensive one at that – Witherspoon's heroine is mandated to make a choice and McG all but sidesteps the whole thorny matter of Tuck and FDR’s unwavering dishonesty not to mention their craven disregard for her privacy. (They regularly eavesdrop on her activities.) For all their obvious charms the truth is that neither deserves Lauren – or anything other than a lengthy jail sentence for that matter.
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Enigmatic and deliberate Tinker Tailor Soldier Spy makes no reservations while unraveling its heady spy story for better or worse. The film based on the bestselling novel by John Le Carre is purposefully perplexing effectively mirroring the central character George Smiley's (Gary Oldman) own mind-bending investigation of the British MI6's mole problem. But the slow burn pacing clinical shooting style and air of intrigue only go so far—Tinker Tailor Soldier Spy sports an incredible cast that can't dramatically translate the movie's impenetrable narrative. Almost from the get go the movie collapses under its own weight.
After a botched mission in Hungary that saw his colleague Jim (Mark Strong) gunned down in the streets Smiley and his boss Control (John Hurt) are released from the "Circus" (codename for England's Secret Intelligence Service). But soon after Smiley is brought back on board as an impartial observer tasked to uncover the possible infiltration of the organization. The former agent already dealing with the crippling of his own marriage attempts to sift through the history and current goings on of the Circus narrowing his hunt down to four colleagues: Percy aka "Tinker" (Toby Jones) Bill aka "Tailor" (Colin Firth) Roy aka "Soldier" (Ciaran Hinds) and Toy aka "Poor Man" (David Dencik). Working with Peter (Benedict Cumberbatch) a conflicted younger member of the service and Ricki (Tom Hardy) a rogue agent who has information of his own Smiley slowly uncovers the muddled truth—occasionally breaking in to his own work place and crossing his own friends to do so.
Describing Tinker Tailor Soldier Spy as dense doesn't seem complicated enough. The first hour of the monster mystery moves at a sloth's pace trickling out information like the tedious drips of a leaky faucet. The talent on display is undeniable but the characters Smiley included are so cold that a connection can never be made. TTSS sporadically jumps around from past to present timelines without any indication: a tactic that proves especially confusing when scenes play out in reoccurring locations. It's not until halfway through that the movie decides to kick into high gear Smiley's search for a culprit finally becoming clear enough to thrill. A film that takes its time is one thing but Tinker Tailor Soldier Spy does so without any edge or hook.
What the movie lacks in coherency it makes up for in style and thespian gravitas. Director Tomas Alfredson has assembled some of the finest British performers working today and they turn the script's inaccessible spy jargon into poetry. Firth stands out as the group's suave slimeball a departure from his usual nice guy roles. Hardy assures us he's the next big thing once again as the agency's resident moppet a lover who breaks down after a romantic fling uncovers horrifying truth. Oldman is given the most difficult task of the bunch turning the reserved contemplative Smiley into a real human. He half succeeds—his observational slant in the beginning feels like an extension of the movie's bigger problems but once gets going in the second half of the film he's quite a bit of fun.
Alfredson constructs Tinker Tailor Soldier Spy like a cinematic architect each frame dripping with perfectly kitschy '70s production design and camera angles that make the spine tingle. He creates paranoia through framing similar to the Coppola's terrifying The Conversation but unlike that film TTSS doesn't have the characters or story to match. The movie strives to withhold information and succeeds—too much so. Tinker Tailor Soldier Spy wants us to solve a mystery with George Smiley but it never clues us in to exactly why we should want to.
Oscars Shmoscars. The Annie Awards are where the real glory is.
In all seriousness, animation is an unappreciated medium, so the 2011 Annie Awards is a phenomenon that really deserves our attention. The nominations are in for this year's awards ceremony, celebrating the art, production, writing, directing and acting in animated projects.
As you check out the nominees below, begin to realize that you're not nearly as happy as you could be. Then, watch all of the movies listed. Problem solved.
BEST ANIMATED FEATURE
A Cat in Paris – Folimage
Arrugas (Wrinkles) – Perro Verde Films, S.L.
Arthur Christmas – Sony Pictures Animation, Aardman Animations
Cars 2 – Pixar Animation Studios
Chico & Rita – Chico & Rita Distribution Limited
Kung Fu Panda 2 – DreamWorks Animation
Puss In Boots – DreamWorks Animation
Rango – Paramount Pictures and Nickelodeon Movies present A Blind Wink/GK Films Production
Rio – Blue Sky Studios
Tintin – Amblin Entertainment, Wingnut Films and Kennedy/Marshall
BEST ANIMATED SPECIAL PRODUCTION
Adventure Time: Thank You – Cartoon Network Studios
Batman: Year One – Warner Bros. Animation
Ice Age: A Mammoth Christmas – Blue Sky Studios
Kung Fu Panda – Secrets of the Masters – DreamWorks Animation
Prey 2 –Blur Studio
Star Tours – Industrial Light & Magic
BEST ANIMATED SHORT SUBJECT
Adam and Dog – Lodge Films
I Tawt I Taw A Puddy Tat – Warner Bros. Animation
La Luna – Pixar Animation Studios
(Notes on) Biology – Ornana Films
Paths of Hate – Platige Image
Sunday – National Film Board of Canada
The Ballad of Nessie –Walt Disney Animation Studios
The Girl and the Fox – Base14
Wild Life – National Film Board of Canada and Studio GDS
BEST ANIMATED TELEVISION COMMERCIAL
Audi “Hummingbird” – The Mill
Geico “Foghorn” – Renegade Animation
McDonald’s “Apple Tree” – Duck Studios/Kompost
McDonald’s “Suzi Van Zoom” – Duck Studios/Kompost
Norton “Stuff”– Psyop
O2 “Niggles & Narks” – The Mill
Statoil “Good Night” – Studio AKA
“The Pirate” – Meindbender
Twinings “Sea” – Psyop
BEST GENERAL AUDIENCE ANIMATED TV PRODUCTION
Archer – FX Productions
Green Lantern: The Animated Series – Warner Bros. Animation
Hoops & YoYo Ruin Christmas - Hallmark
MAD – Warner Bros. Animation
Mary Shelley’s Frankenhole Season 2 – Starburns Industries, Inc.
Prep & Landing: Naughty vs. Nice – Walt Disney Animation Studios
Star Wars: The Clone Wars – Lucasfilm Animation, Ltd.
The Simpsons – Gracie Films
BEST ANIMATED TELEVISION PRODUCTION - PRESCHOOL
Chuggington – Ludorum Pictures
Disney's Jake and the Never Land Pirates – Disney Television Animation
Disney's Mickey Mouse Clubhouse – Disney Television Animation
The WotWots Season 2 – Pukeko Pictures
BEST ANIMATED TELEVISION PRODUCTION - CHILDREN
Fanboy and Chum Chum – Nickelodeon and Frederator
Kung Fu Panda – DreamWorks Animation
Penguins of Madagascar – DreamWorks Animation
The Amazing World of Gumball – Cartoon Network in Association with Dandelion Studios, Boulder Media & Studio Soi
BEST ANIMATED VIDEO GAME
Bumpy Road – Simogo
Catherine – Atlus
Gears of War 3 – Epic Games
Gesundheit – Konami Digital Entertainment
Ghost Trick: “Phantom Detective” – Capcom
Insanely Twisted Shadow Planet – Shadow Planet Productions, Gagne/Fuelcell
Ratchet and Clark: All 4 One – Insomniac
Rayman Origins – Ubisoft Montpellier
Unchartered 3: Drake’s Deception – Naughty Dog
ANIMATED EFFECTS IN AN ANIMATED PRODUCTION
Can Yuksel “Puss In Boots” DreamWorks Animation
Chase Cooper “Rango” Industrial Light & Magic
Dan Lund “Winnie The Pooh” Walt Disney Animation Studios
Dave Tidgewell “Kung Fu Panda 2” DreamWorks Animation
Eric Froemling “Cars 2” Pixar Animation Studios
Jason Mayer “Kung Fu Panda 2” DreamWorks Animation
Joel Aron “Star Wars: The Clone Wars” Lucasfilm Animation, Ltd.
Jon Reisch “Cars 2” Pixar Animation Studios
Kevin Romond “Tintin” Amblin Entertainment, Wingnut Films and Kennedy/Marshall
Willi Geiger “Rango” Industrial Light & Magic
ANIMATED EFFECTS IN A LIVE ACTION PRODUCTION
Branko Grujcic “Pirates of the Caribbean: On Stranger Tides” Industrial Light & Magic
Florent Andarra “Transformers: Dark of the Moon” Industrial Light & Magic
Gary Wu “Cowboys & Aliens” Industrial Light & Magic
Lee Uren “Cowboys & Aliens” Industrial Light & Magic
CHARACTER ANIMATION IN A TELEVISION PRODUCTION
Chad Sellers “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Michael Franceschi “Kung Fu Panda” Nickelodeon
Rebecca Wilson Bresee “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Sihanouk Mariona “Mary Shelley’s Frankenhole Season 2” Starburns Industries, Inc.
Tony Smeed “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
CHARACTER ANIMATION IN A FEATURE PRODUCTION
Andreas Deja “Winnie The Pooh” Walt Disney Animation Studios
Dan Wagner “Kung Fu Panda 2” DreamWorks Animation
Jeff Gabor “Rio” Blue Sky Studios
Mark Henn “Winnie The Pooh” Walt Disney Animation Studios
Olivier Staphylas “Puss In Boots” DreamWorks Animation
Patrik Puhala “Rio” Blue Sky Studios
Pierre Perifel “Kung Fu Panda 2” DreamWorks Animation
CHARACTER ANIMATION IN A LIVE ACTION PRODUCTION
Andy Arnett “HOP” Rhythm & Hues, Illumination Entertainment
David Lowry “Paul” Double Negative Visual Effects for Universal
Productions/Relativity Media/Working Title Films/Big Talk Productions
Eric Reynolds “Rise of the Planet of the Apes” 20th Century Fox
Mike Hull “Paul” Double Negative Visual Effects for Universal
Productions/Relativity Media/Working Title Films/Big Talk Productions
CHARACTER DESIGN IN A TELEVISION PRODUCTION
Bill Schwab “Prep & Landing” Walt Disney Animation Studios
Carl Raggio “Disney Kick Buttowski” Disney Television Animation
Chad Hurd “Archer” FX Productions
Chris Battle “Dan Vs.” Starz Film Roman
Eric Robles “Fanboy and Chum Chum” Nickelodeon & Frederator
Gordon Hammond “TUFF Puppy” Nickelodeon
Mike Dougherty “TUFF Puppy” Nickelodeon
Robert Ryan Cory “Secret Mountain Fort Awesome” Cartoon Network Studios
CHARACTER DESIGN IN A FEATURE PRODUCTION
Jay Shuster “Cars 2” Pixar Animation Studios
Mark “Crash” McCreery “Rango” Paramount Pictures and
Nickelodeon Movies present A Blind Wink/GK Films Productions
Patrick Mate “Puss In Boots” DreamWorks Animation
Peter de Seve “Arthur Christmas” Sony Pictures Animation, Aardman Animations
Sergio Pablos “Rio” Blue Sky Studios
DIRECTING IN A TELEVISION PRODUCTION
Brian Sheesley “Dan Vs.” Starz Film Roman
Chris Savino & Clay Morrow “ Disney Kick Buttowski” Disney Television Animation
Dan Riba “Ben 10 Ultimate Alien” Cartoon Network Studios
Duke Johnson “Community” 23 D Films, Inc.
Gabe Swarr “Kung Fu Panda” Nickelodeon
Ken Bruce “TUFF Puppy” Nickelodeon
Kevin Deters & Stevie Wermers-Skelton “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Matthew Nastuk “The Simpsons” Gracie Films
Mic Graves & Ben Bocquelet “The Amazing World of Gumball”
Cartoon Network Europe in association with Dandelion Studios, Boulder Media & Studio Soi
Peter Hausner “Ninjago: Masters of Spinjitzu” Wil Film
Steve Loter, Christo Stamboliev, Shaun Cashman, David Knott “Penguins of Madagascar” Nickelodeon and Technicolor
Tony Craig “Hoops & YoYo Ruin Christmas” Hallmark
DIRECTING IN A FEATURE PRODUCTION
Carlos Saldahna “Rio” Blue Sky Studios
Chris Miller “Puss In Boots” DreamWorks Animation
Don Hall & Stephen Anderson “Winnie The Pooh” Walt Disney Animation Studios
Gore Verbinski “Rango” Paramount Pictures and Nickelodeon Movies present a Blind Wink/GK Films Productions
Jennifer Yuh Nelson “Kung Fu Panda 2” DreamWorks Animation
Kelly Asbury “Gnomeo & Juliet” Touchstone Pictures
MUSIC IN A TELEVISION PRODUCTION
Adam Berry, Bob Schooley, Mark McCorkle “Penguins of Madagascar” Nickelodeon and Technicolor
Ben Locket “The Amazing World of Gumball” Cartoon Network Europe in association with Dandelion Studios, Boulder Media & Studio Soi
Frederik Wiedmann “Green Lantern The Animated Series” Warner Bros. Animation
Grace Potter, Michael Giacchino “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Joel McNeely, Brendan Milburn and Valerie Vigoda “Pixie Hollow Games” DisneyToon Studios
Kevin Kliesch “Thundercats” Warner Bros. Animation and Cartoon Network
Shawn Patterson, Zeb Wells “Robot Chicken” ShadowMachine and Stoopid Monkey in association with Adult Swim
MUSIC IN A FEATURE PRODUCTION
Henry Jackman “Puss In Boots” DreamWorks Animation
John Williams “Tintin” Amblin Entertainment, Wingnut Films and Kennedy/Marshall
Mikael Mutti, Siedah Garrett, Carlinhos Brown, Sergio Mendes, John Powell, “Rio” Blue Sky Studios
Zooey Deschannel, Kristen Anderson-Lopez, Henry Jackman, Robert Lopez “Winnie The Pooh” Walt Disney Animation Studios
PRODUCTION DESIGN IN A TELEVISION PRODUCTION
Mark Bodner, Chris Tsirgiotis, Sue Mondt and Daniel Elson “Secret Mountain Fort Awesome” Cartoon Network Studios
Peter Martin “Hoops & YoYo Ruin Christmas” Hallmark
PRODUCTION DESIGN IN A FEATURE PRODUCTION
Harley Jessup “Cars 2” Pixar Animation Studios
Paul Felix “Winnie The Pooh” Walt Disney Animation Studios
Raymond Zilbach “Kung Fu Panda 2” DreamWorks Animation
Tom Cardone, Kyle MacNaughton & Peter Chan “Rio” Blue Sky Studios
STORYBOARDING IN A TELEVISION PRODUCTION
Barry W. Johnson “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Benton Connor “Regular Show” Cartoon Network Studios
Brian Kesinger “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Dave Thomas “TUFF Puppy” Nickelodeon
Fred Gonzalez “TUFF Puppy” Nickelodeon
Joe Mateo “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
Justin Nichols “Fanboy & Chum Chum” Nickelodeon & Frederator
Katie Rice “Fanboy & Chum Chum” Nickelodeon & Frederator
Rebecca Sugar “Adventure Time” Cartoon Network Studios
STORYBOARDING IN A FEATURE PRODUCTION
Bob Logan “Puss In Boots” DreamWorks Animation
David Gosman “Rango” Paramount Pictures & Nickelodeon Movies present A Blind Wink/GK Films Production
Gary Graham “Kung Fu Panda 2” DreamWorks Animation
Jeremy Spears “Winnie The Pooh” Walt Disney Animation Studios
Josh Hayes “Rango” Paramount Pictures & Nickelodeon Movies present A Blind Wink/GK Films Production
Kris Pearn “Arthur Christmas” Sony Pictures Animation, Aardman Animations
Nelson Yokota “Gnomeo and Juliet” Touchstone Pictures
Philip Craven “Kung Fu Panda 2” DreamWorks Animation
Scott Morse “Cars 2” Pixar Animation Studios
VOICE ACTING IN A TELEVISION PRODUCTION
Carlos Alazraqui as Denzel Crocker “Fairly OddParents” Nickelodeon
Dan Harmon as Jekyll “Mary Shelley’s Frankenhole Season 2” Starburns Industries, Inc.
Daran Norris as Cosmo “Fairly OddParents” Nickelodeon
Dee Bradley Baker as Obi-Wan “Star Wars: The Clone Wars” Lucasfilm Animation, Ltd.
Diedrich Bader as Batman “Batman: The Brave and the Bold” Warner Bros. Animation
H. Jon Benjamin as Sterling Archer “Archer” FX Productions
Jeff Bennett as Kowalski “Penguins of Madagascar” Nickelodeon and Technicolor
Jeff B. Davis as Victor Frankenstein “Mary Shelley’s Frankenhole Season 2” Starburns Industries, Inc.
Jessica Walter as Malory Archer “Archer” FX Productions
Judy Greer as Cheryl Tunt “Archer” FX Productions
Logan Grove as Gumball “The Amazing World of Gumball” Cartoon Network Europe in association with Dandelion Studios, Boulder Media & Studio Soi
Nika Futterman as Asajj Ventress “Star Wars: The Clone Wars” Lucasfilm Animation, Ltd.
Scott Adsit as the Creature “Mary Shelley’s Frankenhole Season 2” Starburns Industries, Inc.
Tara Strong as Timmy Turner “Fairly OddParents – Operation Dingleberg” Nickelodeon
VOICE ACTING IN A FEATURE PRODUCTION
Ashley Jensen as Bryony “Arthur Christmas” Sony Pictures Animation, Aardman Animations
Bill Nighy as Grandsanta “Arthur Christmas” Sony Pictures Animation, Aardman Animations
Gary Oldman as Shen “Kung Fu Panda 2” DreamWorks Animation
James Hong as Mr. Ping “Kung Fu Panda 2” DreamWorks Animation
Jemaine Clement as Nigel “Rio” Blue Sky Studios
Jim Cummings as Featherstone “Gnomeo and Juliet” Touchstone Pictures
Zach Galifianakis as Humpty Alexander Dumpty “Puss In Boots” DreamWorks Animation
WRITING IN A TELEVISION PRODUCTION
Blake Lemons, William Reiss, C.H. Greenblatt, Derek Evanick, Diana Lafyatis, Neil Graf “Disney Fish Hooks – Fish School Musical”
Disney Television AnimationCarolyn Omine “The Simpsons -Treehouse of Horror XXII” – Gracie Films
Dani MIchaeli, Sean Charmatz, Nate Cash, Luke Brookshier, Paul
Tibbitt “SpongeBob SquarePants - Patrick’s Staycation” Nickelodeon
Josh Weinstein “Futurama - All The President’s Heads” The Curiosity Company in association with 20th Century Fox Television
Kevin Sullivan, Will Schifrin, Ray DeLaurentis “TUFF Puppy Thunder Dog” Nickelodeon
Matt Maiellaro, Dave Willis “Agua Unit Patrol Squad 1 – The Creditor” Williams Street Studios, Adult Swim
Ray DeLaurentis, Will Schifrin “Fairly OddParents “Invasion of the Dads” Nickelodeon
Steve Wermers-Skelton, Kevin Deters “Prep & Landing: Naughty vs. Nice” Walt Disney Animation Studios
WRITING IN A FEATURE PRODUCTION
Andy Riley, Kevin Cecil, Mark Burton, Kathy Greenburg, Emily Cook, Rob Sprackling, John R. Smith, Kelly Asbury, Steve Hamilton “Gnomeo & Juliet” Touchstone Pictures
Brian Kesinger, Kendelle Hoyer, Don Dougherty, Clio Chang, Don Hall, Stephen Anderson “Winnie The Pooh” Walt Disney Animation Studios
John Logan, Gore Verbinski and James Byrkit “Rango” Paramount Pictures and Nickelodeon Movies present A Blind Wink/GK Films Productions
Sarah Smith, Peter Baynham “Arthur Christmas” Sony Pictures Animation, Aardman AnimationsSteve Moffat, Edgar Wright, Joe Cronish “Tintin” Amblin
Entertainment, Wingnut Films and Kennedy/Marshall
EDITING IN TELEVISION PRODUCTION
Garret Elkins “Mary Shelley’s Frankenhole Season 2” Starburn Industries, Inc.
Hugo Morales “Kung Fu Panda” Nickelodeon Jason W.A. Tucker “Star Wars: The Clone Wars” Lucasfilm Animation, Ltd.
Paul D. Calder “Futurama” The Curiosity Company in association with 20th Century Fox Television
Ted Machold, Jeff Adams, Doug Tiano, Bob Tomlin “Penguins of Madagascar” Nickelodeon and Technicolor
EDITING IN A FEATURE PRODUCTION
Clare Knight, A.C.E. “Kung Fu Panda 2” DreamWorks Animation
Craig Wood, A.C.E. “Rango” Paramount Pictures and Nickelodeon
Movies present A Blind Wink/GK Films Productions
Eric Dapkewicz “Puss In Boots” DreamWorks Animation
Michael Kahn “Tintin” Amblin Entertainment, Wingnut Films and Kennedy/Marshall
Stephen Schaffer, A.C.E. “Cars 2” Pixar Animation Studios
Winsor McCay Award – Walt Peregoy, Borge Ring, Robert Searle
June Foray – Art Leonardi
Special Achievement – Depth Analysis