Pretty woman Julia Roberts is certainly no stranger to revolution -- or shall we say Joe Roth's Revolution Studios.
According to The Hollywood Reporter, the $20 million per pic starlet will lend her star power to the preliminarily titled "Project 3" for the titular studio. The project will reteam Roberts with "The Mexican" helmer Gore Verbinski, who became available after Leonardo DiCaprio dropped out of DreamWorks' "Catch Me If You Can," which he was set to direct.
Reminiscent of George Cukor's 1994 classic "Gaslight," "Project 3" is described as a story wherein a man tries to convince his wife that she is going crazy.
Besides this film, Roberts is also committed to other Revolution projects such as "American Sweethearts" and "Replay."
GOLDEN BOYS UNITE AGAIN: The Reporter also says that Ben Affleck and Matt Damon are in talks to join Jason Lee, Brian O'Halloran and Jeff Anderson in director Kevin Smith's "Jay and Silent Bob Strike Back." If the casting news sounds vaguely familiar, like you heard it earlier this week or something, it could be because the project was once titled "View Askew 5."
MYERS CONFESSES: Mike Myers and "X-Men" director Bryan Singer are in talks to join the project "Confessions of a Dangerous Mind," trade papers say. A fictitious reworking of the life of "The Gong Show" host and rumored CIA hit man Chuck Barris, the script is written by Charlie Kaufman, who penned last year's "Being John Malkovich."
Put Wally Cleaver, Bud Anderson and that kid from "Lost in Space" together in a movie and what do you get? Apparently not what you'd think.
Says Billy Mumy (aka that kid from "Lost in Space"): "When you look at this group of baby boomers' dream cast ... you think, 'Oh, it's going to be 'The Love Boat.' Or it's 'Lost in Space' or it's something kind of cute -- 'Love American Style'-ish. But it's very dark and it's pretty hard-hitting in its tone and non-compromising."
What it is is "Overload," an in-the-works indie sci-fi flick that aims to shoot several former child stars into the nether reaches of the galaxy, including Tony Dow (Wally Cleaver of "Leave It to Beaver" fame), Billy Gray (Bud Anderson of "Father Knows Best") and Billy Mumy, who, if we must be detailed about it, played astroboy Will Robinson on TV's "Lost in Space."
Also on board: Angela Cartwright (Linda Williams on "Make Room for Daddy" and Mumy's TV sibling Penny on "Lost in Space"), Johnny ("The Rifleman") Crawford, Don Grady (middle son Robbie on "My Three Sons"), who'll also handle scoring duties, and -- for good measure -- Melissa ("Little House on the Prairie") Gilbert. Er, make that the voice of Melissa ("Little House on the Prairie") Gilbert. (She's the computer.)
Add up all the names and you've got quite an assemblage of ex-TV kids from the 1950s and 1960s. But given the tabloid rep of said ex-TV kids, you (or some other wise acre) might ask is it lawfully safe for them all to work together on one project at the same time?
Don't worry about it.
Billy Mumy "None of these people have been living depressing, compromised lives," Mumy tells Hollywood.com. "They're all happy pursuing the lives they've pursued."
So, bosh the former child star "curse." "Overload" was not borne of a work-release program or a probation condition. It was borne of a ping-pong game.
The way Mumy, now 46, tells it, the saga began on the set of "Babylon 5," the 1994-98 sci-fi TV series. On "Babylon 5," Mumy, who grew up to be a musician ("Fish Heads"), writer ("Space Cases") and sometime actor, played a latex-covered alien while Dow, now 55, played the director. (Actually, Dow was the director -- one of them anyway. Other helmer credits include "Coach" and "Star Trek: Deep Space Nine.")
Anyway, Mumy started bugging Dow (and the other powers that be on the show) to cast Billy Gray. Now, Mumy didn't know Gray. Had never worked with him. He just thought he was cool.
"When I was a teenager, I used to watch reruns of 'Father Knows Best,' and I used to think Bud Anderson was the coolest," Mumy says. "'Cause he was human, you know. He was just so great. The way he listened, his comedic timing, just the reality within him. ... And [then] he disappeared [from the screen]. No one's seen him for 20 years. I [thought] it'd be so cool. And, of course, they never listened to me and never tried to bring him in [for 'Babylon 5']."
But Mumy didn't give up on Billy Gray. So Dow, a friend of Gray, finally brought the two together. And they all played ping pong.
During the course of a tournament at Dow's house, Mumy asked Gray, whose once-promising film career ("The Day the Earth Stood Still," "On Moonlight Bay," etc.) was stunted by his TV success and whose TV success was stunted by his show's 1960 cancellation and a subsequent headline-making bust for pot possession ("a handful of seeds and stems") in 1962, if he wanted to act again.
Gray, now 62, has gone on to a comfortable existence racing motorcycles and inventing gadgets since bidding his screen career farewell after bits in the likes of "Porklips Now" and "The Vampire Wars." Did he still possess the desire to perform?
Says Gray: "I've always wanted to act. It's just that I never figured out a way to [get] any work. ... If acting was the only thing I enjoyed doing, I suppose I could have, but I've done a little bit of theater and it's not all that fun."
But Mumy's idea sounded fun, and "Overload" -- about seven space explorers in the near future (circa 2069) trapped on a dying vessel (dare we say, lost in space?) -- was hatched.
Mumy and writing partner Peter David cranked out a script for what was then to be a 30-40 minute short, with Mumy as executive producer, Dow as director and Gray as a cast member in good standing.
Along the way, Crawford, Grady, Cartwright and Gilbert joined the project, with "Star Trek" Lt. Sulu George Takei and "Babylon 5"'s Claudia Christian lending added sci-fi cred. Also along the way, "Overload" morphed from a self-financed short to a feature for Galaxy Pictures (www.galaxyonline.com).
If you think "Overload" got attention (and money) because of the former child star angle, the "Overload" team would agree -- to a point.
"What we wanted to do was use it [the former child star thing] as a sort of hook and then turn it around and say, 'Well, wait a second, this is not exactly what we would expect,'" Dow says. "'Cause it isn't an exploitive kind of thing."
Gray agrees "Overload" will be no one-trick pony: "I think that notwithstanding a bunch of kid actors getting together, just that subject matter is something that hasn't been tackled very often."
By way of the Cliffs Notes summary, Mumy describes "Overload" as "'Steambath' [an Off-Broadway play turned 1972 TV movie about a godly towel attendant] meets 'Lifeboat' in 'The Twilight Zone.'" (Translation: Expect a lot of meaning of life stuff mixed in with your special effects.)
After shooting demo footage in the spring, Galaxy says cameras should roll on the entire flick in the fall. Dow, Gray, Mumy and the others will be ready. And this time, Mumy promises, the erst while Will Robinson will have more to do than "lurching left and right and watching out for explosions."
Agent Clarice Starling could be back on the case in the big-screen version of "Hannibal." After Jodie Foster dropped out to direct "Flora Plum," the project looked to be filed away -- or at least returned to producer Dino DeLaurentiis.
Now it appears that "Magnolia" star Julianne Moore could be ready for her FBI badge and power suit. Daily Variety reports that the busy actress (she appeared in five movies in 1999) is in strong contention for active duty. Although Universal tells Hollywood.com that the actress hasn't committed yet, the studio may very well put her on the front line.
Variety says the role Moore is looking at is indeed that of Clarice Starling -- and not an all-new FBI agent character, as had been rumored when Foster bailed on the project.
Moore is a wild card in a "Hannibal" derby where Cate Blanchett, Hilary Swank, Gillian Anderson and Ashley Judd have all been touted as plucky replacements for the gun-toting heroine.
The casting of the role is key to the "Hannibal" puzzle, since Hannibal Lecter doesn't appear in Steve Zailian's script until one-quarter of the way into the movie. Whoever gets the call to action is also important in a fiscal sense. Anthony Hopkins, who won an Oscar for his turn as Hannibal the Cannibal, is likely to take a big bite out of the budget, with a deal worth more than $10 million, plus likely gross points.
Gross, not gore, is also the anatomically correct term for the horror drama's behind-the-scenes players. Before production even begins, DeLarurentiis, director Ridley Scott and "Silence of the Lambs" / "Hannibal" writer Thomas Harris have managed to gobble up a very scary 26 percent of the gross, according to reports.
DOUBLE DUTY: "Pretty Woman" Julia Roberts will definitely head south of the border with Brad Pitt in DreamWorks' "The Mexican," today's Hollywood Reporter says.
And for good measure, the actress also has reportedly said okay to a Vegas side trip with George Clooney in Warner Bros.' "Ocean's Eleven" remake.
According to the Reporter, the $20 million-a-pic mega-star won't receive that kind of spectacular payday for either film. Instead, she settled for a small advance against a significant part of the backend. (Translation: Don't worry about her bank account.)
"The Mexican," co-starring James Gandolfini ("The Sopranos"), is an action comedy about a con (Pitt) contending with an ancient gun -- believed to be cursed -- and an impatient girlfriend (Roberts). "Ocean's Eleven" is a new version of the 1960 Rat Pack film about a bunch of guys who rob Las Vegas casinos.
SHE SAYS, HE SAYS . . . NO: Catherine Zeta-Jones had her reasons for dropping out of Oliver Stone's "Beyond Borders." Now Kevin Costner has his excuse. Zeta-Jones is pregnant. Costner can't fit it into his schedule. Daily Variety reports that Stone, ever the optimistic Hollywood mogul, will press on to meet his scheduled May 1 start date with a new cast.
WEIRD 'NATURE': No one will ever accuse Charlie Kaufman of being a regular guy. The screenwriter of the offbeat "Being John Malkovich" keeps things a bit on the oddball side with his latest script, "Human Nature."
Variety reports that the dark comedy starring Patricia Arquette, Paul Giamatti and Miranda Otto begins shooting in May with music video maker Michel Gondry in the director's seat. The premise (believe it or not) is this: A woman (Arquette) suffers a hormonal abnormality that leaves her covered with body hair. Somehow, she becomes connected to a scientist who wants to save the world by teaching table manners to mice. The woman and the scientist, along with an assistant (Otto), have plans for a man (Rhys Ifans) raised in the wild as an ape.
Said Gondry to Variety: "The characters in 'Human Nature' may seem a bit extreme." Really?
STALLONE REVS UP: Sylvester Stallone, missing in action since 1997's "Copland," will try to switch to a higher gear by making a film about Championship Auto Racing Teams (CART). According to Variety, Stallone's polishing the script, which will be produced by Franchise Pictures.
Variety also notes that the actor was quoted as saying he was "in total limbo" after being shunned by Hollywood.