In this latest doomsday pic Earth's inner core has stopped rotating a situation that will eventually cause the planet's electromagnetic fields to collapse. If it isn't fixed pronto static charges will create "super storms" that will generate hundreds of lightening strikes per square mile and cause microwave radiation to ultimately cook the planet. Government and military officials conjure up a team of scientists led by geophysicist Josh Keyes (Aaron Eckhart) to travel to the planet's core and get it spinning again. Accompanying them are geophysicist Dr. Zimsky (Stanley Tucci) atomic weapons expert Dr. Levesque (Tchéky Karyo) "terranauts" Major Childs (Hilary Swank) and Commander Iverson (Bruce Greenwood) and Dr. Brazzelton (Delroy Lindo)--the renegade scientist who built the subterranean vessel. Their mission is to travel to the center of the earth to detonate a nuclear device that will hopefully jump-start the core and save the world. Like the "terranauts" grinding their way through Earth's layers to get to the planet's core The Core laboriously plods through the storyline to get to its climax--and both are equally uneventful.
Despite a really corny scene in which he demonstrates what will happen to the planet by torching some sort of fruit on a fork Eckhart (Possession) is believable as the sensible Keyes. Co-star Swank (Insomnia) meanwhile brings intensity to the role of fledgling astronaut Childs. It is Tucci (Big Trouble) however who creates the film's most interesting character the arrogant Dr. Zimsky. The diva-esque geophysicist heads to the center of the earth in style with his Louis Vuitton monogrammed canvas bag and an endless supply of cigarettes--making him politically--and refreshingly--incorrect. You'll love how he pompously records the mission's progress in a Carl Sagan-style narration. Back at mission control D.J. Qualls' computer-hacking character Rat mirrors a recent report describing the characteristics of computer virus writers: Male. Obsessed with computers. Lacking a girlfriend. Aged 14 to 34. Capable of sowing chaos worldwide. Qualls (The New Guy) couldn't be more suited for this digital graffiti artist role.
Director Jon Amiel helps define the film's main characters by weaving vignettes of their everyday lives throughout the first half of the film but so much effort is devoted to exploring their individual backgrounds that relationships among the team members are never established. The minor characters are like extras in a Star Trek episode--they're just onscreen to die. The Core also fizzles as a believable disaster movie because of its flimsy scientific reasoning even if you try to suspend your disbelief for the sake of cinematic "escapism." While I can make myself believe for example that a government-created weapon of mass destruction is to blame for the planet's imminent annihilation I cannot buy into the notion that this high-tech vessel was built by a renegade scientist in his backyard and is able to withstand the rough trip to the center of the earth. Although the film's original November release date was delayed because more time was needed to complete the special effects don't expect to be visually dazzled by the voyage. Most of what we see is what the "terranauts" see on their screen: spotty black-and-white renditions of sharp jagged rock. Scenes of the Roman Coliseum getting zapped by lightening and San Francisco's Golden Gate Bridge melting aren't convincing either.
What story? For all the technological breakthroughs the plot is pure Disney formula (wisecracking comic relief obligatory romance) set in the Cretaceous period. Visually captivating but thin in plot "Dinosaur" tells the tale of a spunky Iguanadon (voiced by D.B. Sweeney) who joins a quirky band of dinos on a quest for self-discovery and a new land.
The competent voice cast includes Samuel E. Wright (Sebastian the Crab from "The Little Mermaid") as the crusty dinosaur leader and Julianna Margulies (TV's "ER") as the lizard that steals our hero's heart. But the real credit belongs to the animators who obviously went to great lengths to create expressive faces on our dino friends. It's a shame that Disney who refrained from the routine singsongs and cheesy ballads couldn't have exercised more restraint and kept these dinosaurs silent. It would've been far more thrilling to see these beasts interact as they may have done millions of years ago rather than spouting forgettable quips. James Newton Howard's score provides all the audio needed.
It took five years to create this film and it shows. Directors Ralph Zondag and Eric Leighton (supervising animator on "A Nightmare Before Christmas") deserve high praise for their innovative blend of filmed settings and CGI wizardry. Last year's "Toy Story 2" was a party for the peepers but "Dinosaur" sets a new standard in the "How'd they do that?" department. Parents take note: The film's violent dino battles are scarier than the dino Happy Meal you bought to get the dino toys.