Robert California he is not, but James Spader's newest role on NBC looks to be one manipulative motherf**ker. How else could a bad guy trapped in a Hannibal Lecter-in-2013 glass box have so much power over the FBI? Well, in this first trailer for new series The Blacklist, we see just how criminal the man can be.
The clip, unvieled Sunday, focuses on Spader's Raymond Reddington, one of the FBI's most wanted criminals. Reddington, mysteriously turns himself in without notice or reason, bringing with him the names of every bad guy he's ever worked with. The catch? He'll only work with a brand-new FBI Agent Rosen — a person he seems to have no connection to (at least from the outside). The crime drama comes from the upcoming film the call writer Jon Bokenkamp and Alias' John Eisendrath, who is also set to be the series' showrunner.
Check out the clip below. Are you intruiged by The Blacklist? Let us know in the comments.
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The new fall pilots haven't even premiered yet, but already the networks are looking forward to their next big task: finding the right pilots and scripts to order for the 2013-2014 season. Development season is well underway and has been for the past few weeks — although this season is marked by a declaration from some networks (namely ABC and NBC) that the typically order-happy suits would not be as quick to bulk up their pilot orders this year. In other words, less is more.
Most of the majors have already made their first-round choices for specific projects, and the trends that have emerged seem to be all about big-name attachments (e.g. Vince Vaughn, Jodie Foster, Ryan Reynolds), period dramas (e.g. Aztec empire, Cold War America, 1890s Europe), international transplants (from Israel, England and Scandinavia) and — in an interestingly-revived yet well-worn trend — book adaptations (including Dracula and two Sleepy Hollow reboots).
Here's what ABC, CBS, The CW, FOX, NBC and more have coming down the '13-'14 pipeline so far:
— Dumb F*ck: Single-camera comedy about an average Joe and his brilliant wife who move in with her intelligent yet emotionally stunted family of geniuses; written by Hank Nelken (Saving Silverman), executive produced by Vin Di Bona, Bruce Gersh, Susan Levison and Shaleen Desai.
— Burns & Cooley: Medical procedural about two New York neurosurgeons who compete as they strive to be the top in all aspects of their lives; written by Meredith Philpott (Awkward), exec produced by Matt Gross (Body Of Proof).
— Founding Fathers: Drama about a war veteran whose Texas hometown is in the hands of a militia group led by his older brother; written by Rich D'Ovidio (Thir13en Ghosts), produced by Lorenzo Di Bonaventura and Dan McDermott.
— Untitled McG Project: Retelling of Romeo and Juliet, revolving around two rival families fighting for control over Venice, California; written by Byron Balasco (Detroit 1-8-7), produced by McG (The OC, Supernatural, Nikita).
— Untitled Kurtzman/Orci Project: Drama about a mysterious game; written by Noah Hawley (The Unusuals), produced by Heather Kadin, Alex Kurtzman and Bob Orci.
— Dracula: 1890s-set period piece about the iconic vampire; written by Cole Haddon, produced by Tony Krantz and Colin Callender; starring Jonathan Rhys Meyers (The Tudors).
— The Blacklist: Drama about an international criminal who surrenders himself and helps the government hunt down his former cohorts; written by Jon Bokenkamp, exec produced by John Davis, John Fox and John Eisendrath.
— Hench: Based on the comic about a man who becomes a temp for super villains; written by Alexandra Cunningham (Desperate Housewives), exec produced by Peter Berg and Sarah Aubrey (Prime Suspect).
— Cleopatra: Period drama about the Egyptian queen Cleopatra; written by Michael Seitzman (Americana), exec produced by Lorenzo Di Bonaventura and Dan McDermott.
— Pariah: Drama inspired by Freakonomics about a rogue academic who uses economic theory to police San Diego; written by Kevin Fox (The Negotiator), exec produced by Kelsey Grammer, Stella Stolper and Brian Sher.
— After Hours/The Last Stand: Medical drama about Army doctors who work the night shift at a San Antonio hospital; revisited from last season; written by Gabe Sachs and Jeff Judah.
— Untitled Parkes/MacDonald Project: Drama about an interpreter at the United Nations who works with diplomats and politicians from around the world; written by Tom Brady (Hell on Wheels), produced by Walter Parkes, Laurie MacDonald and Ted Gold.
— Untitled Charmelo/Snyder Project: New Orleans-set drama, described as a "sexy Southern Gothic thriller"; created by Eric Charmelo and Nicole Snyder (Ringer), exec produced by Peter Traugott and Rachel Kaplan.
— Untitled Rand Ravich Project: Drama-thriller following a secret service agent at the center of an international crisis in Washington, DC; created by Rand Ravich (Life), produced by Far Shariat.
— Island Practice: Based on the book Island Practice: Cobblestone Rash, Underground Tom, and Other Adventures Of A Nantucket Doctor, about an eccentric doctor with a controversial medical practice on an island off the coast of Washington; written by Amy Holden Jones (Mystic Pizza, Beethoven), produced by Brian Grazer, Francie Calfo and Oly Obst.
— The Brady Bunch: Reboot of the series, about a divorced Bobby Brady who re-marries a woman with children of her own; written by Mike Mariano (Raising Hope), co-developed and exec produced by Vince Vaughn (Sullivan & Son).
— A Welcome Grave: Based on the book series about a private investigator who comes under suspicion when a rival turns up dead.
— Backstrom: Based on the book series about a House-like detective who tries to change his self-destructive nature; written by Hart Hanson (Bones), produced by Leif G.W. Persson (novel) and Niclas Salomonsson.
— Ex-Men: Single-camera comedy about a young guy who moves into a short-term rental complex and befriends the other men who live there after being kicked out by their wives; written and directed by Rob Greenberg; starring Chris Smith and Kal Penn.
— Sleepy Hollow: Contemporary reinterpretation of the Sleepy Hollow short story; written by Patrick Macmanus and Grant Scharbo, produced by Scharbo and Gina Matthews.
— Gun Machine: Based on an upcoming novel (of the same name) about a New York detective whose chance discovery of a stash of guns leads back to a variety of unsolved murders; written by Dario Scardapane (Trauma), produced by Warren Ellis (book author), Scardapane, Peter Chernin and Katherine Pope.
— Sleepy Hollow: Modern-day thriller based on the Sleepy Hollow short story, following Ichabod Crane and a female sheriff who solve supernatural mysteries; written by Alex Kurtzman and Roberto Orci (Fringe, Hawaii Five-0) and Phillip Iscove, produced by Heather Kadin and Len Wiseman.
— The Beach: Based on the 1996 novel and 2000 movie about a group of youths who try to start society over on a remote paradise; written by Andrew Miller (The Secret Circle).
— Hard Up: Single-camera comedy based on Israeli series about four twentysomething guys who are strapped for cash; written by Etan Frankel (Shameless), produced by John Wells.
— Lowe Rollers: Animated comedy about a struggling Titanic-themed casino in Las Vegas; written by Mark Torgove and Paul Kaplan (Outsourced) and Ash Brannon, produced by Ryan Reynolds, Jonathon Komack Martin, Steven Pearl and Allan Loeb.
— Untitled Chris Levinson Project: Cop drama about a detective who puts his life under surveillance when he begins to lose his memory; written by Chris Levinson (Touch), produced by Peter Chernin and Katherine Pope.
— Untitled Friend/Lerner Project: Drama set on an aircraft carrier following young naval officers and a female fighter pilot who tries to solve an onboard murder; written and produced by Russel Friend and Garrett Lerner (House).
— Untitled Ryan Reynolds Project: Half-hour comedy about a disgraced hotelier forced to manage a rundown airport hotel; written by Matt Manfredi and Phil Hay (Clash of the Titans), produced by Ryan Reynolds, Allan Loeb, Jonathon Komack Martin and Steven Pearl.
— Untitled Jason Katims Project: Romantic comedy about a single female attorney; written by Jason Katims (Parenthood, Friday Night Lights) and Sarah Watson.
— Getting On: U.S. adaptation of a British comedy about a group of nurses and doctors working in a women's geriatric wing of a run-down hospital; Big Love creators Mark V. Olsen and Will Scheffer to exec produce with Jane Tranter, Julie Gardner and Geoff Atkinson.
— Buda Bridge: Belgian-set crime drama about a woman who is found dead on a famous bridge in Brussels; written and directed by Michael R. Roskam (Bullhead), produced by Michael Mann (Luck) and Mark Johnson (Breaking Bad).
— Hello Ladies: Comedy about an oddball Englishman who chases women in Los Angeles; written, directed by and starring Stephen Merchant (The Office), produced by Lee Eisenberg and Gene Stupnitsky (The Office).
— Angie's Body: Drama about a powerful woman at the head of a crime family; written by Rob Fresco (Heroes, Jericho), directed and executive produced by Jodie Foster, Fresco and Russ Krasnoff.
— Conquest: Period drama about Spanish conquistador Hernan Cortes, who clashes with the Aztec ruler Moctezuma II; written by Jose Rivera (The Motorcycle Diaries), produced by Ron Howard, Brian Grazer and Francie Calfo.
— Low Winter Sun: Based on 2006 British miniseries about the aftermath that follows the murder of a cop by a fellow detective; written by Chris Mundy; James Ransone, Ruben Santiago Hudson and Athena Karkanis to star.
— Those Who Kill: Based on Danish series about a detective and forensics scientist who track down serial killers; written by Glen Morgan, produced by Brian Grazer, Francie Calfo, Peter Bose and Jonas Allen, directed by Joe Carnahan.
— Untitled LaGravenese/Goldwyn Project: Legal thriller about an attorney who discovers new evidence that re-opens a sensational murder case; written by Richard LaGravenese, directed by Tony Goldwyn, exec produced by David Manson; Marin Ireland to star as female lead.
— The Americans: Period drama about two KGB spies posing as Americans in Washington, DC; created by Joe Weisberg, exec produced by Weisberg, Graham Yost, Darryl Frank and Justin Falvey; directed by Gavin O'Connor; Keri Russell, Matthew Rhys and Noah Emmerich to star.
— The Bridge: Based on the Scandinavian series, about a murder investigation opened up after a dead body is discovered on a bridge connecting the United States and Mexico; written by Meredith Stiehm and Elwood Reid (Cold Case), produced by Carolyn Bernstein, Lars Blomgren and Jane Featherstone.
— Untitled Dr. Dre Project: One-hour drama about music and crime in Los Angeles; written by Sidney Quashie, exec produced by Dr. Dre.
Follow Marc on Twitter @MarcSnetiker
[Photo Credit: ABC, CBS, Fox, NBC, The CW]
Don’t talk to New York tabloid reporter Rowena Price (Halle Berry) about ethics. Anything goes when it comes to making the front page especially if it means exposing an influential politician’s hypocritical stand on gay marriage. Even when that story is spiked and she quits her job in protest Price doesn’t think twice about going undercover to track down the killer of a childhood friend. See Price’s deceased gal pal was ready to reveal all about her bedroom antics with the very married and the very unfaithful advertising hotshot Harrison Hill (Bruce Willis). Even a lowly editorial assistant would point a finger at Hill as the likely culprit--but forget going to the cops. Price and fellow muckraker Miles Hailey (Giovanni Ribisi) set out to get the dirt on Hill by any means necessary. Pretending to be a temp in Hill’s office our intrepid reporter and her partially unbuttoned blouse catch her horny new boss’s eye quicker than you can say “Take a letter Miss Price.” If seducing Hill means bringing him to justice Price is prepared to lie back and think of the Pulitzer Prize she’s so desperate to win. Oh doesn’t this have all the makings of a guilty pleasure? If only. Perfect Stranger harks back to the bad old pre-Oscar days of Swordfish when Berry reportedly received a $500 000 bonus to doff her top. Director James Foley obviously didn’t have that kind of money to pay Berry to show more skin than she does in Perfect Stranger. But she does spend much of her time sashaying through Perfect Stranger like a Pussycat Doll posing as an office temp. Then again the 40-year-old Berry could go undercover as Ugly Betty and still get her boss all hot under his collar. Unfortunately Berry seems more concerned with turning heads than making us feel connected to Price or concerned for her safety. For a woman who purportedly is dedicated to seeking out the truth Price is a nasty piece of work whose ambition and methods will only confirm the public’s suspicions that journalists have no scruples. No wonder the equally slimy Hill drools all over her. But save for one late-night rendezvous that’s admittedly fraught with sexual tension Bruce Willis just doesn’t seem all that into Berry. Check that man’s pulse stat! Then again Willis barely has any fun with the scenery-chewing role of the power-hungry white-collar womanizer that’s usually reserved for Michael Douglas. The same can’t be said for Giovanni Ribisi who’s downright manic but thoroughly entertaining as the computer geek with a stalker-like crush on Price. Shifting easily from funny to creepy in the blink of an eye Ribisi is the only reason Perfect Stranger is marginally better than the usual commingling of blood and bodily fluids found on Cinemax after midnight. Most of the enjoyment derived from sitting through such a sordid affair as Perfect Stranger comes from playing armchair detective. But director James Foley—working from a grubby and foulmouthed script by Todd Komarnicki and Jon Bokenkamp that pilfers the best and the worst of Basic Instinct et al.—shamelessly and regretfully deprives us of that pleasure. He simply refuses to provide any clues as to the killer’s identity. While all roads lead to Hill the evidence is circumstantial at best. So when Perfect Stranger slowly and uneventfully reaches its ludicrously orchestrated and highly implausible climatic confrontation with the killer you feel cheated that you had absolutely no chance of being able to distinguish the guilty party from the many red herrings. If that’s not enough Perfect Stranger is all talk and no action. There’s the promise of plenty of hot and sweaty sex including some girl-on-girl action with Hill’s overprotective personal assistant that would have allowed Price to snuggle up closer to her quarry. But when all is said and done Perfect Stranger turns out to be perfectly prudish when it comes to doing the dirty deed. And there’s less flesh than an episode of your favorite daytime soap opera. Unfortunately that leaves you stuck listening to a lot of filthy chatter that is never as crudely inventive or unintentionally hilarious as the tête-à-têtes between Michael Douglas and Sharon Stone in Basic Instinct. If only Stone’s Catherine Tramell had taken an ice pick to this Perfect Stranger.
Does the world really need rival films chronicling the life, agony and artistry of legendary Mexican painter Frida Kahlo?
Jennifer Lopez clearly does not think so. The actress-turned-singer-turned-fashion-statement has decided against portraying Kahlo in a Francis Ford Coppola-produced biography, opting instead to negotiate a $10 million paycheck for the crime drama, Taking Lives, according to Variety.
Lopez's decision means she will not square off against Selma Hayek, who will portray Kahlo in another version of the artist's life-this one from director Julie Taymor. Alfred Molina, Edward Norton, Ashley Judd and Geoffrey Rush will costar in Taymor's production, which Miramax recently greenlit.
If Lopez signs on for Taking Lives, she will play an FBI profiler assigned to track down a serial killer known for assuming his victims' identities. Production is scheduled to start in the fall or following the threatened actors' strike, once it is averted or settled. Jon Bokenkamp adapted the screenplay from a novel by Michael Pye.
The future of Coppola's Kahlo biography, a United Artists' production that has Luis Valdez attached to direct, remains unclear. Lopez was in discussions to star in the film but had not signed a deal, according to a Coppola spokeswoman, who did not know the film's status.
A United Artists spokesman did not return calls for comment.
Kahlo overcame polio and a serious car crash to become one of Mexico's most famous artists. She married Mexican muralist Diego Rivera, but boasted of many affairs with both men and women, including Communist leader Leon Trotsky. In 1953, she fell into a deep depression and became suicidal after she had her right leg amputated below the knee due to a gangrene infection. She died in 1954 of unknown causes.
This past year, Lopez has established her box-office appeal while enjoying front-page status because of her relationship with onetime beau, rap mogul Sean "Puffy" Combs, and the flesh-baring gowns she wears to award ceremonies. Combs--who was recently acquitted on gun and bribery charges--announced in February that he and Lopez had ended their two-year relationship.
Despite drawing lackluster reviews, The Cell and The Wedding Planner each earned approximately $60 million at the U.S. box office. Lopez made history in January when The Wedding Planner opened at No. 1 during the same week that her second album, J.Lo, landed in the top spot on the Billboard charts. Her next film, Angel Eyes, will open May 18. She plays a Chicago police officer who must deal with past secrets when she falls in love.
Julia Roberts is no stranger to Joe Roth’s Revolution Studios. Already pegged to star in Revolution's "Project 3" and "American Sweethearts," Roberts might apparently also star in the studio’s upcoming "Perfect Strangers," Daily Variety reports.
The script will be written by Jon Bokenkamp, whose credits include "Blair Witch 2: Book of Shadows."
'FIRE' IT UP: "American Psycho" star Christian Bale is in talks to star in "Reign of Fire," an apocalyptic tale about an England overrun by fire-breathing dragons, The Hollywood Reporter says. Bale will play the leader of the surviving earthlings.
SPIDEY SINGS A NEW TUNE: Don't expect that catchy TV theme song for the "Spider-Man" flick. Cinescape.com reports today that Danny Elfman, the composer who also gave the "Batman" franchise a new sound, will score the new Sam Raimi adaptation.
'FEAR' NOT: "Field of Dreams" director Phil Alden Robinson is set to helm "The Sum of All Fears," an adaptation of the 1992 Tom Clancy novel, Variety says. The project will star Ben Affleck as CIA analyst Jack Ryan.
Rumors no more ... "The Mask of Zorro" star Antonio Banderas is definitely the odds-on finalist to don the disguise in a new film version of "The Phantom of the Opera" ... and, yes, Mike Myers will earn his first $20 million paycheck for Universal/Imagine's "Sprocket," based on the German movie critic and talk-show host character Dieter from the old "Saturday Night Live" sketches.
Both names had been attached to the projects, but their involvement is now close to a done deal. Reuters reports that "Phantom" director Shekhar Kapur is currently on the prowl to find a "stunning girl" to play opposite Banderas. The Hollywood Reporter reports that the "Sprockets" script by Myers and Michael McCullers begins shooting this summer.
No start date has been set for "Phantom," and a director has yet to be named for "Sprockets." Imagine's Brian Grazer will produce the latter, which is set for release in early 2001.
THE INCREDIBLE 'SHRINKING' EDDIE: "Dr. Doolittle." "The Nutty Professor." And now "The Incredible Shrinking Man." Eddie Murphy is quickly becoming Hollywood's go-to guy when it comes to remaking family-friendly fare. (And to think he shot to fame as a potty mouth in "48 Hours" and "Beverly Hills Cop")
Universal/Imagine's liked his '90s makeover in "Life," "Bowfinger" and the upcoming sequel "Nutty 2: The Klumps." They'll hope to continue the streak with the new version of "Shrinking." Murphy's committed to the project, in which he'll play a guy who shrinks after being exposed to a weird mist.
The project's set to begin after the comedian finishes Castle Rock's "Pluto Nash," which starts shooting next month.
BLANCHETT 'LIVES' FOR ACTION-THRILLER: Maybe it just wasn't the right FBI agent role (or maybe it was the whole cannibal thing) ... whatever the reasons, actress Cate Blanchett is in negotiations to play a character that sounds awfully familiar. In director Tony Scott's "Taking Lives," set to start shooting this summer, she's a female FBI profiler tracking down a serial killer who assumes the identities of his victims.
That assignment comes after the Oscar nominee passed on picking up where Jodie Foster left off in the upcoming "Hannibal," the sequel to "The Silence of the Lambs."
Blanchett's not the only A-lister who expressed interest in the "Lives" script, written by Jon Bokenkamp and based on a book by Brit Michael Pye. Oscar winner Gwyneth Paltrow is also a potential lead.