Lions Gate via Everett Collection
When we last left our heroes, they had conquered all opponents in the 74th Annual Hunger Games, returned home to their newly refurbished living quarters in District 12, and fallen haplessly to the cannibalism of PTSD. And now we're back! Hitching our wagons once again to laconic Katniss Everdeen and her sweet-natured, just-for-the-camera boyfriend Peeta Mellark as they gear up for a second go at the Capitol's killing fields.
But hold your horses — there's a good hour and a half before we step back into the arena. However, the time spent with Katniss and Peeta before the announcement that they'll be competing again for the ceremonial Quarter Quell does not drag. In fact, it's got some of the film franchise's most interesting commentary about celebrity, reality television, and the media so far, well outweighing the merit of The Hunger Games' satire on the subject matter by having Katniss struggle with her responsibilities as Panem's idol. Does she abide by the command of status quo, delighting in the public's applause for her and keeping them complacently saturated with her smiles and curtsies? Or does Katniss hold three fingers high in opposition to the machine into which she has been thrown? It's a quarrel that the real Jennifer Lawrence would handle with a castigation of the media and a joke about sandwiches, or something... but her stakes are, admittedly, much lower. Harvey Weinstein isn't threatening to kill her secret boyfriend.
Through this chapter, Katniss also grapples with a more personal warfare: her devotion to Gale (despite her inability to commit to the idea of love) and her family, her complicated, moralistic affection for Peeta, her remorse over losing Rue, and her agonizing desire to flee the eye of the public and the Capitol. Oftentimes, Katniss' depression and guilty conscience transcends the bounds of sappy. Her soap opera scenes with a soot-covered Gale really push the limits, saved if only by the undeniable grace and charisma of star Lawrence at every step along the way of this film. So it's sappy, but never too sappy.
In fact, Catching Fire is a masterpiece of pushing limits as far as they'll extend before the point of diminishing returns. Director Francis Lawrence maintains an ambiance that lends to emotional investment but never imposes too much realism as to drip into territories of grit. All of Catching Fire lives in a dreamlike state, a stark contrast to Hunger Games' guttural, grimacing quality that robbed it of the life force Suzanne Collins pumped into her first novel.
Once we get to the thunderdome, our engines are effectively revved for the "fun part." Katniss, Peeta, and their array of allies and enemies traverse a nightmare course that seems perfectly suited for a videogame spin-off. At this point, we've spent just enough time with the secondary characters to grow a bit fond of them — deliberately obnoxious Finnick, jarringly provocative Johanna, offbeat geeks Beedee and Wiress — but not quite enough to dissolve the mystery surrounding any of them or their true intentions (which become more and more enigmatic as the film progresses). We only need adhere to Katniss and Peeta once tossed in the pit of doom that is the 75th Hunger Games arena, but finding real characters in the other tributes makes for a far more fun round of extreme manhunt.
But Catching Fire doesn't vie for anything particularly grand. It entertains and engages, having fun with and anchoring weight to its characters and circumstances, but stays within the expected confines of what a Hunger Games movie can be. It's a good one, but without shooting for succinctly interesting or surprising work with Katniss and her relationships or taking a stab at anything but the obvious in terms of sending up the militant tyrannical autocracy, it never even closes in on the possibility of being a great one.
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In the realm of cinema, especially in the major awards circuit, there is one category that often gets shafted to the background: animation. With the assigned stigma that an animated movie is necessarily childlike and uncomplicated, animated pictures rarely get the respect they deserve come Oscar season. But thankfully, there is the Annie Awards, an institution that turns 40 this year.
The International Animated Film Association's award enterprise has announced its nominations for achievements in the year 2012. Recognized above all are the far-reaching greats of the year: Pixar's majestic adventure Brave, the video game celebration of Wreck-It Ralph, and the respective claymation love-letters to horror cinema of the 1950s and early 1980s: Tim Burton's Frankenweenie and ParaNorman. Check out the complete list of nominees below. Best Animated Feature Brave Frankenweenie Hotel Transylvania ParaNorman Rise of the Guardians The Pirates! Band of Misfits The Rabbi’s Cat Wreck-It Ralph Annie Award for Best Animated Special Production Batman: The Dark Knight Returns, Part 1 Before Orel – Trust Despicable Me: Minion Mayhem Disney Tron: Uprising – Beck’s Beginning Dragons: Gift of the Night Fury Justice League: Doom Best Animated Short Subject Brad and Gary Bydlo Eyes on the Stars Goodnight Mr. Foot Kali the Little Vampire Maggie Simpson in ‘The Longest Daycare’ Paperman The Simpsons Best General Audience Animated TV Production For Preschool Children Bubble Guppies - ‘A Tooth on the Looth’ Chuggington - ‘Magnetic Wilson’ Jake & The Never Land Pirates - ‘Peter Pan Returns’ Doc McStuffins - ‘The Right Stuff’ Justin Time - ‘Marcello’s Meatballs' Best Animated Television Production For Children Adventure Time- ‘Princess Cookie’ Dragons: Riders of Berk- ‘How to Pick Your Dragon’ LEGO Star Wars- ‘The Empire Strikes Out’ Penguins of Madagascar -‘Action Reaction’ SpongeBob SquarePants -‘It’s a SpongeBob Christmas!’ The Amazing World of Gumball -‘The Job’. The Fairly OddParents- ‘Farm Pit’ The Legend of Korra- ‘Welcome to Republic City’/’A Leaf in the Wind’ Best General Audience Animated Television Production Archer - ‘Space Race, Part 1’ Bob’s Burgers- ‘Earsy Rider’ Motorcity- ‘Blond Thunder’ MAD - ‘FrankenWinnie/ParaMorgan’ Robot Chicken- ‘DC Comics Special’ South Park -‘Raising the Bar’ Animated Video Game Borderlands 2 Family Guy – Back to the Mutiverse Journey Skullgirls Best Student Film Can We Be Happy Now– Tahnee Gehm Defective Detective– Avner Geller & Steve Lewis Head Over Heels– Timothy Reckart I Am Tom Moody– Ainslie Henderson Ladies Knight– Joseph Rothenberg Origin– Jessica Poon The Ballad of Poisonberry Pete– Karen Sullivan Tule Lake– Michelle Ikemoto Animated Effects in an Animated Production Andrew Nawrot, Joe Gorski, Grant Laker - ParaNorman Andrew Schneider - Ice Age: Continental Drift Andy Hayes, Carl Hooper, David Lipton - Rise of the Guardians Bill Watral, Chris Chapman, Dave Hale, Keith Klohn, Michael K. O’Brien - Brave Brett Albert - Wreck-It Ralph Jihyun Yoon - Madagascar 3: Europe’s Most Wanted Joel Aron - Star Wars: The Clone Wars Animated Effects in a Live Action Production Jerome Platteaux, John Sigurdson, Ryan Hopkins, Raul Essig, Mark Chataway - The Avengers Stephen Marshall, Joseph Pepper, Dustin Wicke - The Amazing Spider-Man Sue Rowe, Simon Stanley-Clamp, Artemis Oikonomopoulou, Holger Voss, Nikki Makar, Catherine Elvidge - John Carter Willi Geiger, Rick Hankins, Florent Andorra, Florian Witzel, Aron Bonar - Battleship Character Animation in an Animated Television/Broadcast Production Dan Driscoll - SpongeBob SquarePants: It’s a SpongeBob Christmas! Jennifer Dickie - Justin Time: Yodel Odel Day Keith Kellogg - Star Wars: The Clone Wars: Revenge Forrest Savelen - SpongeBob SquarePants: It’s a SpongeBob Christmas! Shi Zimu - Dragons: Riders of Berk Sihanouk Marinona - Before Orel: Trust Teri Yam - Dragons: Riders of Berk Yan Jiazhuang - Dragons: Riders of Berk Character Animation in a Feature Production Dan Nguyen - Brave David Pate - Rise of the Guardians Jaime Landes - Brave Phillppe LeBrun - Rise of the Guardians Pierre Perifel - Rise of the Guardians Travis Hathaway - Brave Travis Knight - ParaNorman Will Becher - The Pirates! Band of Misfits Character Animation in a Live Action Production Erik de Boer, Amanda Dague, Matt Brown, Mary Lynn Machado, Aaron Grey - Life of Pi (Orangutan) Erik de Boer, Matt Shumway, Brian Wells, Vinayak Pawar, Michael Holzl - Life of Pi (Tiger) Jakub Pistecky, Maia Kayser, Scott Benzu, Steve King, Kiran Bhat - The Avengers Mike Beaulieu, Roger Vizard, Atushi Sato, Jackie Kochler, Derek Esparza, Richard Smith, Mac Tyrie - The Amazing Spider-Man Character Design in an Animated Television/Broadcast Production Andy Bialk - Dragons: Riders of Berk: Alvin and the Outcasts Andy Suriano - DC Nation-Plastic Man: The Many and the Fowl Bryan Konietzko, Joaquim Dos Santos, Ryu Ki-Hyun, Kim Il Kwang, Kim Jin Sun - The Legend of Korra: Welcome to Republic City “C” Raggio IV - Kick Buttowski: Petrified Derrick Wyatt, Chap Yaep, Steven Choi - Ben 10: Omniverse: The More Things Change, Pt. 2 Gordon Hammond - T.U.F.F. Puppy: Dudley Do-Wrong Robert Valley - Disney Tron: Uprising: The Renegade, Part I Thaddeus Paul Cauldron - Secret Mountain Fort Awesome: Secret Mountain Uncle Grandpa Character Design in an Animated Feature Production Bill Schwab, Lorelay Bove, Cory Loftis, Minkyu Lee - Wreck-It Ralph Carlos Grangel - Hotel Transylvania Carter Goodrich - Hotel Transylvania Craig Kellman - Madagascar 3: Europe's Most Wanted Heidi Smith - ParaNorman Yarrow Cheney, Eric Guillon, Colin Stimpson - Dr. Seuss' The Lorax Directing in an Animated Television/Broadcast Production Howie Parkins - Jake and The Never Land Pirates: Peter Pan Returns! John Eng - Dragons: Riders of Berk: Animal House Mark Cabalero, Seamus Walsh - SpongeBob SquarePants: Its a Spongebob Christmas Mic Graves - The Amazing World of Gumball: The Job Michael Chang - Teenage Mutant Ninja Turtles: Never Say Xever Zack Keller - Dick Figures: Kung Fu Winners Directing in an Animated Feature Production Genndy Tartakovsky - Hotel Transylvania Johan Sfar, Antoine Delesvaux - The Rabbi's Cat Remi Bezancon, Jean-Christophe Lie - Zarafa Rick Moore - Wreck-It Ralph Sam Fell, Chris Butler - ParaNorman Music in an Animated Television/Broadcast Production Adam Berry - Penquins of Madagascar: Private and the Winky Factory Alf Clausen - The Simpsons: Treehouse of Horror XXIII Frederik Wiedmann - Green Lantern The Animated Series: Into the Abyss Guy Moon - T.U.F.F. Puppy: Really Big Mission John Paesano - Dragons: Riders of Berk: How to Pick Your Dragon Michael Rubin - Bubble Guppies: Bubble Puppy's Fin-tastic Fairytale! Music in an Animated Feature Production Alexandre Desplat - Rise of the Guardians Bruce Retief - Adventures in Zambezia Henry Jackman - Wreck-It Ralph Joel McNeely, Brendan Milburn, Valerie Vigoda - Secret of the Wings John Powell, Adam Schlesinger, Ester Dean - Ice Age: Continental Drift John Powell, Cinco Paul - Dr. Seuss' The Lorax Mark Mothersbaugh - Hotel Transylvania Patrick Doyle, Mark Andrews, Alex Mandel - Brave Production Design in an Animated Television/Broadcast Production Alberto Mielgo - Tron: Uprising: The Stranger Ian Worrel - Gravity Falls – Tourist Trapped Lynna Blankenship, Sean Coons, Hugh Macdonald, Debbie Peterson, Charles Ragins, Lance Wilder, Darrel Bowen, John Krause, Kevin Moore, Brent M. Bowen, Brice Mallier, Steven Fahey, Dima Malanitchev, Karen Bauer, Eli Balser, Anne Legge - The Simpsons: Moe Goes From Rags to Riches Nick Jennings, Martin Ansolebehere, Sandra Calleros, Ron Russell, Santino Lascano, Derek Hunter, Catherine E. Simmonds - Adventure Time – The Hard Easy Peter Martin, Chris Grine, Ira Baker, Ramon Olivera, Scott Brown - hoops & yo yo's Haunted Halloween Scott Brandon James, Lee Keith - Justin Time: The Rubbery Dumplings Production Design in an Animated Feature Production Kendal Cronkhite-Shaindlin, Shannon Jeffries, Lindsey Olivares, Kenard Pak - Madagascar 3: Europe's Most Wanted Marcello Vignali - Hotel Transylvania Nash Dunnigan, Arden Chen, Jon Townley, Kyle McNaughton - Ice Age: Continental Drift Nelson Lowry, Ross Stewart, Pete Oswald, Ean McNamara, Trevor Dalmer - ParaNorman Norman Garwood, Matt Berry - The Pirates! Band of Misfits Patrick Hanenberger, Max Boas, Jayee Borcar, Woonyoung Jung, Perry Maple, Peter Maynez, Stan Seo, Felix Yoon - Rise of the Guardians Rick Heintzich - Frankenweenie Steve Pilcher - Brave Storyboarding in an Animated Television/Broadcast Production Andy Kelly - Doc McStuffins: Righty-On-Lefty Cole Sanchez, Rebecca Sugar - Adventure Time: Lady & Peebles Doug Lovelace - Dragons: Riders of Berk: Portrait of Hiccup as a Buff Man Holly Forsyth - Sofia the First: Once Upon a Princess Irineo Marramba, Ciro Nieli - Teenage Mutant Ninja Turtles: I Think His Name is Baxter Stockman Robert Valley, Kalvin Lee - Tron: Uprising: The Reward Ryan Kramer, Paul Linsley, Kenji Ono, Le Tang, Alice Herring, Mike Mullen, Aaron Hammersley - Kung Fu Panda: Legends of Awesomeness: Enter the Dragon Tom Herpich, Skyler Page - Adventure Time: Goliad Storyboarding in an Animated Feature Production Emmanuela Cozzi - ParaNorman– Focus Features Johanne Matte - Rise of the Guardians– DreamWorks Animation Leo Matsuda - Wreck-It Ralph– Walt Disney Animation Studios Lissa Treiman - Wreck-It Ralph– Walt Disney Animation Studios Rob Koo - Madagascar 3: Europes Most Wanted – DreamWorks Animation Voice Acting in an Animated Television/Broadcast Production James Patrick Stuart as Private - Penguins of Madagascar: High Moltage– Nickelodeon Animation Studios Jeff Bennett as Keswick - T.U.F.F. Puppy: Pup Daddy– Nickelodeon Animation Studios Jessica Walter as Malory Archer - Archer: Lo Scandolo– Weissman Markovitz Communications for FX Network Kevin Michael Richardson as Willem Viceroy - Randy Cunningham:9th Grade Ninja: Gossip Boy– Disney TV Animation Kristen Schaal as Mabel Pines - Gravity Falls: Tourist Trapped– Disney TV Animation Mae Whitman as April ONeil – - Teenage Mutant Ninja Turtles: Rise of the Turtles– Nickelodeon Animation Studios Sam Witwer as Darth Maul - Star Wars: The Clone Wars: Revenge– Lucasfilm Animation Ltd. Tom McGrath as Skipper - Penguins of Madagascar: The Otter Woman– Nickelodeon Animation Studios Voice Acting in an Animated Feature Production Adam Sandler as Dracula - Hotel Transylvania– Sony Pictures Animation Alan Tudyk as King Candy - Wreck-It Ralph– Walt Disney Animation Studios Atticus Shaffer as “E”Gore - Frankenweenie– The Walt Disney Studios Catherine OHara as Weird Girl - Frankenweenie– The Walt Disney Studios Imelda Staunton as Queen Victoria - The Pirates! Band of Misfits– Aardman Animations Jim Cummings as Budzo - Adventures in Zambezia– Saltzman Communications Jude Law as Pitch - Rise of the Guardians– DreamWorks Animation Kelly MacDonald as Merida - Brave– Pixar Animation Studios Writing in an Animated Television/Broadcast Production Doug Langdale – Kung Fu Panda: Legends of Awesomeness: Kung Fu Day Care – Nickelodeon Animation Studios Eric Horsted – Futurama: The Bots and the Bees – Gracie Films in Association with 20th Century Fox TV Gabe Garza – - Penguins of Madagascar: Endangerous Species- Nickelodeon Animation Studios Ian Maxtone-Graham, Billy Kimball - The Simpsons: How I Wet Your Mother– Gracie Films in Association with 20th Century Fox TV Kacey Arnold – - Robot and Monster: The Blimp– Nickelodeon Animation Studios Mike Teverbaugh, Linda Teverbaugh – Dragons: Riders of Berk: Animal House – DreamWorks Animation Stephanie Gillis - The Simpsons: A Tree Grows in Springfield– Gracie Films in Association with 20th Century Fox TV Trey Parker – - South Park: Jewpacabra– Central Productions Writing in an Animated Feature Production Chris Butler – ParaNorman – Focus Features Gideon Defoe – The Pirates! Band of Misfits – Aardman Animations Hayao Miyazaki, Keiko Niwa, Karey Kirkpatrick – From Up on Poppy Hill – GKIDS John August – Frankenweenie – The Walt Disney Studios Mark Andrews, Steve Purcell, Brenda Chapman, Irene Mecchi - Brave – Pixar Animation Studios Phil Johnston, Jennifer Lee – Wreck-It Ralph – Walt Disney Animation Studios Editorial in an Animated Television Production Bret Marnell - Puss in Boots: Three Diablos– DreamWorks Animation Chris Hink - Robot and Monster: Cheer Up Mr. Wheelie– Nickelodeon Animation Studios Hugo Morales, Adam Arnold, Davrik Waeden, Otto Ferraye - Kung Fu Panda: Monkey in the Middle– Nickelodeon Animation Studios Hugo Morales, Adam Arnold, Davrik Waeden, Otto Ferraye - Kung Fu Panda: Enter the Dragon– Nickelodeon Animation Studios Jason Tucker - Star Wars: The Clone Wars: Revival– Lucasfilm Animation Ltd. Lynn Hobson - Dragons: Riders of Berk: Animal House– DreamWorks Animation Pieter Kaufman - Sofia the First: Once Upon a Princess– Disney TV Animation Steffie Lucchesi, Matt Steinauer, May Blaisdell - Dan Vs Monster Under The Bed– Film Roman Editorial in an Animated Feature Production Catherine Apple - Hotel Transylvania– Sony Pictures Animation Joyce Arrastia - Rise of the Guardians– DreamWorks Animation Mark Rosenbaum - Secret of the Wings– DisneyToon Studios Nicholas A. Smith, ACE, Robert Graham Jones, ACE, David Suther - Brave– Pixar Animation Studios Tim Mertens - Wreck-It Ralph– Walt Disney Animation Studios JURIED AWARDS Winsor McCay Award– Oscar Grillo, Terry Gilliam, Mark Henn June Foray– Howard Green Ub Iwerks– Toon Boom Animation Pipeline [Photo Credit: Walt Disney Pictures] More: 'Moonrise Kingdom' Takes Top Prize at Gotham Awards Seth MacFarlane Says Non-TV-Friendly 'Family Guy' Movie is (Probably) Happening 'The Hobbit': The Dragon Attacks, Bilbo Fights Fire with Shire — VIDEO
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A kids’ movie without the cheeky jokes for adults is like a big juicy BLT without the B… or the T. Madagascar 3: Europe’s Most Wanted may have a title that sounds like it was made up in a cartoon sequel laboratory but when it comes to serving up laughs just think of the film as a BLT with enough extra bacon to satisfy even the wildest of animals — or even a parent with a gaggle of tots in tow. Yes even with that whole "Afro Circus" nonsense.
It’s not often that we find exhaustively franchised films like the Madagascar set that still work after almost seven years. Despite being spun off into TV shows and Christmas specials in addition to its big screen adventures the series has not only maintained its momentum it has maintained the part we were pleasantly surprised by the first time around: great jokes.
In this third installment of the series – the trilogy-maker if you will – directing duo Eric Darnell and Tom McGrath add Conrad Vernon (director Monsters Vs. Aliens) to the helm as our trusty gang swings back into action. Alex the lion (Ben Stiller) Marty the zebra (Chris Rock) Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stuck in Africa after the hullaballoo of Madagascar 2 and they’ll do anything to get back to their beloved New York. Just a hop skip and a jump away in Monte Carlo the penguins are doing their usual greedy schtick but the zoo animals catch up with them just in time to catch the eye of the sinister animal control stickler Captain Dubois (Frances McDormand). And just like that the practically super human captain is chasing them through Monte Carlo and the rest of Europe in hopes of planting Alex’s perfectly coifed lion head on her wall of prized animals.
Luckily for pint-sized viewers Dubois’ terrifying presence is balanced out by her sheer inhuman strength uncanny guiles and Stretch Armstrong flexibility (ah the wonder of cartoons) as well as Alex’s escape plan: the New Yorkers run away with the European circus. While Dubois’ terrifying Doberman-like presence looms over the entire film a sense of levity (which is a word the kiddies might learn from Stiller’s eloquent lion) comes from the plan for salvation in which the circus animals and the zoo animals band together to revamp the circus and catch the eye of a big-time American agent. Sure the pacing throughout the first act is practically nonexistent running like a stampede through the jungle but by the time we're palling around under the big top the film finds its footing.
The visual splendor of the film (and man is there a champion size serving of it) the magnificent danger and suspense is enhanced to great effect by the addition of 3D technology – and not once is there a gratuitous beverage or desperate Crocodile Dundee knife waved in our faces to prove its worth. The caveat is that the soundtrack employs a certain infectious Katy Perry ditty at the height of the 3D spectacular so parents get ready to hear that on repeat until the leaves turn yellow.
But visual delights and adventurous zoo animals aside Madagascar 3’s real strength is in its script. With the addition of Noah Baumbach (Greenberg The Squid and the Whale) to the screenwriting team the script is infused with a heightened level of almost sarcastic gravitas – a welcome addition to the characteristically adult-friendly reference-heavy humor of the other Madagascar films. To bring the script to life Paramount enlisted three more than able actors: Vitaly the Siberian tiger (Bryan Cranston) Gia the Leopard (Jessica Chastain) and Stefano the Italian Sealion (Martin Short). With all three actors draped in European accents it might take viewers a minute to realize that the cantankerous tiger is one and the same as the man who plays an Albuquerque drug lord on Breaking Bad but that makes it that much sweeter to hear him utter slant-curse words like “Bolshevik” with his usual gusto.
Between the laughs the terror of McDormand’s Captain Dubois and the breathtaking virtual European tour the Zoosters’ accidental vacation is one worth taking. Madagascar 3 is by no means an insta-classic but it’s a perfectly suited for your Summer-at-the-movies oasis.
A decade-long gap between sequels could leave a franchise stale but in the case of Men in Black 3 it's the launch pad for an unexpectedly great blockbuster. The kooky antics of Agent J (Will Smith) and Agent K (Tommy Lee Jones) don't stray far from their 1997 and 2002 adventures but without a bombardment of follow-ups to keep the series in mind the wonderfully weird sensibilities of Men in Black feel fresh Smith's natural charisma once again on full display. Barry Sonnenfeld returns for the threequel another space alien romp with a time travel twist — which turns out to be Pandora's Box for the director's deranged imagination.
As time passed in the real world so did it for the timeline in the world of Men in Black. Picking up ten years after MIB 2 J and K are continuing to protect the Earth from alien threats and enforce the law on those who live incognito. While dealing with their own personal issues — K is at his all-time crabbiest for seemingly no reason — the suited duo encounter an old enemy Boris the Animal (Jemaine Clement) a prickly assassin seeking revenge on K who blew his arm off back in the '60s. Their street fight is more of a warning; Boris' real plan is to head back in time to save his arm and kill off K. He's successful prompting J to take his own leap through the time-space continuum — and team up with a younger K (Josh Brolin) to put an end to Boris plans for world domination.
Men in Black 3 is the Will Smith show. Splitting his time between the brick personalities of Jones and Brolin's K Smith struts his stuff with all the fast-talking comedic style that made him a star in yesteryears. In present day he's still the laid back normal guy in a world of oddities — J raises an eyebrow as new head honcho O (Emma Thompson) delivers a eulogy in a screeching alien tongue but coming up with real world explanations for flying saucer crashes comes a little easier. But back in 1969 he's an even bigger fish out water. Surprisingly director Barry Sonnenfeld and writer Etan Cohen dabble in the inherent issues that would spring up if a black gentlemen decked out in a slick suit paraded around New York in the late '60s. A star of Smith's caliber may stray away from that type of racy humor but the hook of Men in Black 3 is the actor's readiness for anything. He turns J's jokey anachronisms into genuine laughs and doesn't mind letting the special effect artists stretch him into an unrecognizable Twizzler for the movie's epic time jump sequence.
Unlike other summer blockbusters Men in Black 3 is light on the action Sonnenfeld utilizing his effects budget and dazzling creature work (by the legendary Rick Baker) to push the comedy forward. J's fight with an oversized extraterrestrial fish won't keep you on the edge of your seat but his slapstick escape and the marine animal's eventual demise are genuinely amusing. Sonnenfeld carries over the twisted sensibilities he displayed in small screen work like Pushing Daisies favoring bizarre banter and elaborating on the kookiness of the alien underworld than battle scenes. MIB3's chase scene is passable but the movie in its prime when Smith is sparring with Brolin and newcomer Michael Stuhlbarg who steals the show as a being capable of seeing the future. His twitchy character keeps Smith and the audience on their toes.
Men in Black 3 digs up nostalgia I wasn't aware I had. Smith's the golden boy of summer and even with modern ingenuity keeping it fresh — Sonnenfeld uses the mandatory 3D to full and fun effect — there's an element to the film that feels plucked from another era. The movie is economical and slight with plenty of lapses in logic that will provoke head scratching on the walk out of the theater but it's also perfectly executed. After ten years of cinematic neutralizing the folks behind Men in Black haven't forgotten what made the first movie work so well. After al these years Smith continues to make the goofy plot wild spectacle and crazed alien antics look good.