If you have ever been embarrassed by your big loud family then you will certainly relate to Toula (played by Nia Vardalos) the narrator and main character in My Big Fat Greek Wedding. After all her suburban home is modeled after the Parthenon and her father (played by Michael Constantine) believes a squirt of Windex can cure anything--including bursitis--and that every word in the English language derives from a Greek root. At 30 Toula is still living at home and kowtowing to her strict father--who believes that every Greek woman's ambition should be to marry a Greek man have Greek children and feed everyone until she dies. Suffice it to say he is less than happy when Toula becomes engaged to Ian (played by John Corbett)--a non-Greek. What ensues is a hilarious tale of what happens when two families--one loud Greek Orthodox the other conservative Episcopalian--must reconcile their differences for the sake of their children's happiness. Vardalos' narration of the events that are occurring--and how she feels about them--helps draw the viewer into Toula's world.
Vardalos is great as Toula and presents her character's traits and peculiarities fittingly well like her low self-esteem and the way she slouches. More importantly Vardalos made Toula's character believable. When Toula begins taking classes at a local college her confidence improves she puts on a little makeup combs her hair and voila! She's transformed into a beautiful person oozing happiness. It's quite charming. Corbett is well cast as the sweet and accepting fiancé but he comes across as a little bland. That really dated haircut certainly doesn't win him any points either. Constantine as Toula's strict father is chauvinistic and thick-headed but he plays his cards just right so you can never really hate the character straight out even though he treats his wife and kids like a Neanderthal would. As Aunt Voula Andrea Martin is by far the most hilarious of the bunch and she delivers each line with zany conviction. For all you 'N Sync fans Joey Fatone has a small role as Toula's cousin and has maybe three lines in the film.
My Big Fat Greek Wedding is based on comedy writer Vardalos' one-woman show. Tom Hanks and his wife Rita Wilson saw the show and apparently liked it so much they decided to produce it through their Playtone studio. Directed by Joel Zwick the film is not the first to deal with big weddings and what happens when too many family members get involved. Ang Lee did it better with the 1993 romantic comedy The Wedding Banquet about a gay Taiwanese-American man who marries a young Chinese woman to satisfy his parents as did Mira Nair with last year's Monsoon Wedding about an arranged Indian marriage. But Zwick who has directed a slew of TV shows from Happy Days to The Wayans Brothers keeps things fresh and funny despite the tired storyline. Set in Chicago but filmed in Toronto the film feels authentic especially the scenes in the family's diner Dancing Zorbas their house and their neighborhood. But the movie could have done without the cartoonish old-world granny with anti-Turkish sentiment.
After 20 years with the LAPD Det. Mitch Preston (Robert De Niro) just wants to catch the crooks finish the paperwork and retreat to his mundane life at home where he eats TV dinners and pursues his hobby of making bad pottery. Patrolman Trey Sellars (Eddie Murphy) really wants to be an actor--he's only a cop because he made a lousy waiter. When Sellars bungles Preston's undercover case and media hounds catch it all on tape the irate Preston shoots up a news camera that gets in his face. Over-caffeinated network exec Chase Renzi (Rene Russo) upon seeing the damning evidence that could have killed her cameraman is captivated by Preston's complete lack of charm and convinces her superior she can save his crappy network by pairing Preston and Sellars up on a reality show. As expected Preston is reluctant--and even more so when he's forced to take the mugging Sellars as his partner. The two take impromptu acting lessons from iconic actor/director William Shatner (playing himself) and set off to attract an audience boost the ratings become celebrities and get the bad guys in a televised reality christened Showtime. Meanwhile the evil Cesar Vargas (Pedro Damian)--whom we know is evil 'cause he hides in the shadows he's flashy and well groomed and he mumbles in an unfathomable Third World/ European accent--is stockpiling guns powerful enough to knock down houses and blow the doors off a Brinks truck.
The movie offers a few good yuks--a coke-sniffing dog an unprecedented cameo by jive-rhyming lawyer Johnnie Cochran and William Shatner satirizing William Shatner (who does this better than anybody else satirizing William Shatner). Unfortunately we've seen a lot of his funniest stuff like the scene in which he demonstrates how to roll over a car hood cop-style in the previews. Rene Russo gives an effective souped-up Lethal Weapon-type performance with her hyper pushy fast-talking network exec desperate to make her name in the industry. De Niro's straight-man comedy is in his facial expressions--or lack thereof--and Murphy is…well Murphy. It's their first outing together and they play off each other like a foul-mouthed version of Abbott and Costello (guess who plays who?). We've seen De Niro play grumpy (Midnight Run) and Murphy play obnoxious (almost everything) before. But as you may suspect it's their grade-A chemistry that holds this badly stitched predictable though occasionally funny flick together--especially in regards to the jokes on Hollywood and the current bounty of reality TV.
You can smell the gags and The Odd Couple-versus-Goldfinger plot unfolding a million miles away. You just know Preston is hiding a gun inside that Big Gulp when he goes undercover to investigate a pawn shop and you know Vargas will make bad-guy errors in judgment like staging a robbery in downtown L.A. the day after he's confronted by our star cops in a populated disco. But that may lead you to wonder why the police--who are likewise not presented as being particularly bright in this movie--weren't trailing him as Vargas is the prime suspect in the gun-trafficking subplot. Some of the comedy borders on satire but isn't played up enough for you to tell if it was meant that way or not. The action scenes are so badly edited it's hard to tell who's chasing whom until the camera cuts back to Murphy's toothy grin and a cement-faced De Niro shooting out his car window. And speaking of commercial-laden reality TV the product placement in this movie is shameless--we get a full-length commercial for Apple Computers played not once but twice.