The genesis of Universal's 47 Ronin is almost as tragic as the actual history that the movie is culling from. As the story goes, Universal saw the sprigs of talent sprouting from fresh faced director Carl Rinsch, whose previous experience was limited to just a couple of commercials and a nifty short film. The studio decided to ease the new director into feature filmmaking by cutting him what amounts to virtually a blank check, and giving him charge over a multi-national samurai fantasy epic. Almost impossibly, the film isn't a complete disaster. It's just a minor one.
47 Ronin follows the classic story of the titular team of warriors, a group of disgraced samurai who band together to seek revenge against a merciless warlord that betrayed and killed their master. But this isn't your grandfather's version of the story. 47 Ronin is an international affair, and it's covered with a veneer of Japanese mysticism and a thick coating of Hollywood lacquer, but east meets west rather uncomfortably, and it's mostly due to Keanu Reeves. Reeves' character is clearly crowbarred into the story that has no room for him, and it's plainly obvious where the seams of the story were stretched in order to patch him into the narrative. Reeves plays Kai, a half Japanese, half English orphan who is adopted by the samurai clan. His character serves no real purpose beyond being white, slicing things until they die, and playing the male lead of the most superfluous love story of the year. Rinsch simply can't make the inclusion of the character feel organic in any way, and "Kai" ends up feeling like a calculated studio move. It's a shame that the film spends so much time on Reeves when the real star is clearly Hiroyuki Sanada, who plays off the stoic samurai most believably among the rest of the cast.
It's also shame that with all the mysticism pumped into the story, there's no magic in the actual center of the film, the ronin themselves. The only personality trait a samurai is allowed to possess seems to be unerring stoicism, and between all 47 ronin, there are probably only three distinct samurai with any discernible character traits beyond an intense need to brood, and you'll probably only remember those three by the time the credits roll, only to promptly forget about them only a few hours later. Thankfully, Rinko Kikuchi's slinky and treacherous witch adds some much needed camp and personality to the mostly forgettable human characters.
And that's the issue with 47 Ronin. It's largely forgettable. When your film takes on a historical legend like the tale of the 47 ronin, a story that has been told and told again ad nauseum over the years, you really need to justify your own version. There are reels and reels of film dedicated to this story, and 47 Ronin doesn't manage to add anything significant to the canon. It promises to weld myth and history together, but does so clumsily, and while some of the action scenes are exciting, especially a particularly inspired set piece that involves the ronin noiselessly breaking into a heavily guarded fortress, the film is a bore when it's not clanking swords together.
The best player in the World for movie trailers, Hollywood interviews and movie clips.
47 Ronin is a film with many stories. As much as it is a tale about the revenge of four dozen masterless samurai, it's also the tale of an inexperienced filmmaker swallowed up by the enormity of blockbuster filmmaking. Most of all though, It's proof that you shouldn't cram Keanu Reeves into a movie that doesn't really need Keanu Reeves. What you're left with is a dull and bloated samurai epic that has its moments, but feels largely unnecessary.
While recent animated blockbusters have aimed to viewers of all ages starting with fantastical concepts and breathtaking visuals but tackling complex emotional issues along the way Ice Age: Continental Drift is crafted especially for the wee ones — and it works. Venturing back to prehistoric times once again the fourth Ice Age film paints broad strokes on the theme of familial relationships throwing in plenty of physical comedy along the way. The movie isn't that far off from one of the many Land Before Time direct-to-video sequels: not particularly innovative or necessary but harmless thrilling fun for anyone with a sense of humor. Unless they have a particular distaste for wooly mammoths the kids will love it.
Ice Age: Continental Drift continues to snowball its cartoon roster bringing back the original film's trio (Ray Romano as Manny the Mammoth Denis Leary as Diego the Sabertooth Tiger and John Leguizamo as Sid the Sloth) new faces acquired over the course of the franchise (Queen Latifah as Manny's wife Ellie) and a handful of new characters to spice things up everyone from Nicki Minaj as Manny's daughter Steffie to Wanda Sykes as Sid's wily grandma. The whole gang is living a pleasant existence as a herd with Manny's biggest problem being playing overbearing dad to the rebellious daughter. Teen mammoths they always want to go out and play by the waterfall! Whippersnappers.
The main thrust of the film comes when Scratch the Rat (whose silent comedy routines in the vein of Tex Avery/WB cartoons continue to be the series highlight) accidentally cracks the singular continent Pangea into the world we know today. Manny Diego and Sid find themselves stranded on an iceberg once again forced on a road trip journey of survival. The rest of the herd embarks to meet them giving Steffie time to realize the true meaning of friendship with help from her mole pal Louis (Josh Gad).
The ham-handed lessons may drag for those who've passed Kindergarten but Ice Age: Continental Drift is a lot of fun when the main gang crosses paths with a group of villainous pirates. (Back then monkeys rabbits and seals were hitting the high seas together pillaging via boat-shaped icebergs. Obviously.) Quickly Ice Age becomes an old school pirate adventure complete with maritime navigation buried treasure and sword fights. Gut (Peter Dinklage) an evil ape with a deadly... fingernail leads the evil-doers who pose an entertaining threat for the familiar bunch. Jennifer Lopez pops by as Gut's second-in-command Shira the White Tiger and the film's two cats have a chase scene that should rouse even the most apathetic adults. Hearing Dinklage (of Game of Thrones fame) belt out a pirate shanty may be worth the price of admission alone.
With solid action (that doesn't need the 3D addition) cartoony animation and gags out the wazoo Ice Age: Continental Drift is entertainment to enjoy with the whole family. Revelatory? Not quite. Until we get a feature length silent film of Scratch's acorn pursuit we may never see a "classic" Ice Age film but Continental Drift keeps it together long enough to tell a simple story with delightful flare that should hold attention spans of any length. Massive amounts of sugar not even required.
[Photo Credit: 20th Century Fox]
Emily Blunt Rosemary DeWitt and Mark Duplass carry this intimate indie with aplomb. Your Sister's Sister starts with a strange premise that could be the basis of a manic romcom but is kept grounded by an excellent cast and script.
Jack (Duplass) has spent a year mourning his dead brother. He's a total mess but his best friend Iris (Blunt) also the ex-girlfriend of Jack's dead brother steps in with some tough love and directs him to take a sabbatical at her family's home on an island off the coast of Seattle. Unfortunately her older sister Hannah (DeWitt) is also there in search of solace after breaking up with her long-term girlfriend. Hannah and Jack mourn their lost loves over a large bottle of tequila and wake up with monster hangovers…and a surprise visit from Iris.
Your Sister's Sister a messy funny and sometimes sad love story about family. Who do you choose to be in your family? What exactly can you forgive when people you love go too far? Writer/director Lynn Shelton starts with an odd farcical proposition similar to her debut Humpday wherein two buddies decide they have to prove their friendship their open-mindedness and their heterosexuality by making a porn movie together. Shelton takes similar risks with ideas about the fluidity of sexuality and love but pushes it forward in Your Sister's Sister. Its emotional risks are more real. The bond between Iris and Hannah is tangible and complicated. Iris worships her older sister she climbs into bed with her and whispers secrets to her in the dark but she is also a grown woman who is abruptly forced to face Hannah's all-too-human flaws. Jack is he weakest character but Duplass plays him as the likeable but screwed-up shaggy dog type he's known for in the indie world. DeWitt and Blunt are perfectly matched although one would be hard-pressed to otherwise cast them as siblings albeit half-sisters. They play off each other perfectly and the best example of this is a joke Hannah lobs at Iris during dinner that DeWitt ad-libbed.
Like its characters and writing the cinematography feels wider in scope and more breathable in Your Sister's Sister. Cinematographer Benjamin Kasulke captures both the intimacy of three people trying to keep secrets from each other in a small house as well as sweeping views of the woods and water surrounding them. The direction is more sure-footed and less dependent on the intense close-ups that dominated Humpday. The end result is a fleshy delicious love story. It's savory and joyous and leaves the viewer with some hope for love — all types of love.
It was a great big morning for the Great White Way: The nominations for the 66th Annual Tony Awards were announced on Tuesday with the adapted musical Once leading the pack with 11 nominations. Broadway vets Kristin Chenoweth and Jim Parsons read the names of the nominees, which included some of their fellow Hollywood elite like Philip Seymour Hoffman and Andrew Garfield, who earned nominations for their work in the harrowing play Arthur Miller's Death of a Salesman. (Cynthia Nixon, James Earl Jones, John Lithgow, Frank Langella, Stockard Channing, and Mike Nichols are among the other notable nominees this year.)
Though Once, the stage interpretation of the beloved 2007 indie breakout, is out in front with 11 nominations (including Best Musical, Best Book of a Musical, Best Choreography, and nods for its two leads Steve Kazee and Cristin Milioti) The Gershwins’ Porgy and Bess and Nice Work If You Can Get It follow closely with 10 each.
While it was no surprised that surefire things like the hit musicals Newsies and Follies earned Tony nods (8 each, to be exact) there were a few snubs and shockers. Most notable was the lack of a nomination for Evita star Ricky Martin in the Best Performance by an Actor in a Leading Role in a Musical (the show itself surprisingly only earned three nods total) and Samuel L. Jackson for his turn as Martin Luther King Jr. in the play The Mountaintop. But, perhaps the biggest surprise of the morning was that the troubled-from-the-start production Spider-Man: Turn Off The Dark received two Tony nominations.
Here's the full list of nominees and recipients, including Hugh Jackman, who will be given the Special Tony Award:
Leap of Faith
Nice Work If You Can Get It
Other Desert Cities
Peter and the Starcatcher
Venus in Fur
Best Revival of a Play
Arthur Miller’s Death of a Salesman
Gore Vidal’s The Best Man
Best Revival of a Musical
The Gershwins’ Porgy and Bess
Jesus Christ Superstar
Best Performance by an Actor in a Leading Role in a Play
James Corden - One Man, Two Guvnors
Philip Seymour Hoffman - Arthur Miller’s Death of a Salesman
James Earl Jones - Gore Vidal’s The Best Man
Frank Langella - Man and Boy
John Lithgow - The Columnist
Best Performance by an Actress in a Leading Role in a Play
Nina Arianda - Venus in Fur
Tracie Bennett - End of the Rainbow
Stockard Channing - Other Desert Cities
Linda Lavin - The Lyons
Cynthia Nixon - Wit
Best Performance by an Actor in a Leading Role in a Musical
Danny Burstein - Follies
Jeremy Jordan - Newsies
Steve Kazee - Once
Norm Lewis - The Gershwins’ Porgy and Bess
Ron Raines - Follies
Best Performance by an Actress in a Leading Role in a Musical
Jan Maxwell - Follies
Audra McDonald - The Gershwins’ Porgy and Bess
Cristin Milioti - Once
Kelli O’Hara - Nice Work If You Can Get It
Laura Osnes - Bonnie & Clyde
Best Performance by an Actor in a Featured Role in a Play
Christian Borle, Peter and the Starcatcher
Michael Cumpsty, End of the Rainbow
Tom Edden, One Man, Two Guvnors
Andrew Garfield, Death of a Salesman
Jeremy Shamos, Clybourne Park
Best Performance by an Actress in a Featured Role in a Play
Linda Emond, Death of a Salesman
Spencer Kayden, Don’t Dress for Dinner
Cella Keenan-Bolger, Peter and the Starcatcher
Judith Light, Other Desert Cities
Condola Rashad, Stick Fly
Best Performance by an Actor in a Featured Role in a Musical
Phillip Boykin, The Gershwins’ Porgy and Bess
Michael Cerveris, Evita
David Allen Grier, The Gershwins’ Porgy and Bess
Michael McGrath, Nice Work If You Can Get It
Josh Young, Jesus Christ Superstar
Best Performance by an Actress in a Featured Role in a Musical
Elizabeth A. Davis, Once
Jayne Houdyshell, Follies
Judy Kaye, Nice Work If You Can Get It
Jesse Mueller, On a Clear Day You Can See Forever
Da’Vine Joy Randolph, Ghost
Best Direction of a Play
Nicholas Hytner, One Man, Two Guvnors
Pam MacKinnon, Clybourne Park
Mike Nichols, Death of a Salesman
Roger Rees and Alex Timbers, Peter and the Starcatcher
Best Direction of a Musical
Jeff Calhoun, Newsies
Kathleen Marshall, Nice Work If You Can Get It
Diane Paulus, The Gershwins’ Porgy and Bess
John Tiffany, Once
Best Book of a Musical
Nice Work If You Can Get It
Best Original Score (Music and/or Lyrics) Written for the Theatre
Bonnie & Clyde
One Man, Two Guvnors
Peter and the Starcatcher
Rob Ashford, Evita
Christopher Gattelli, Newsies
Steven Hoggett, Once
Kathleen Marshall, Nice Work If You Can Get It
Best Scenic Design of a Play
John Lee Beatty, Other Desert Cities
Daniel Ostling, Clybourne Park
Mark Thompson, One Man, Two Guvnors
Donyale Werle, Peter and the Starcatcher
Best Scenic Design of a Musical
Bob Crowley, Once
Rob Howell and Jon Driscoll, Ghost the Musical
Tobin Ost and Sven Ortel, Newsies
George Tsypin, Spider-Man Turn Off The Dark
Best Costume Design of a Play
William Ivey Long, Don’t Dress for Dinner
Paul Tazewell, A Streetcar Named Desire
Mark Thompson, One Man, Two Guvnors
Paloma Young, Peter and the Starcatcher
Best Costume Design of a Musical
Gregg Barnes, Follies
ESosa, The Gershwins’ Porgy and Bess
Eiko Ishioka, Spider-Man Turn Off The Dark
Martin Pakledinaz, Nice Work If You Can Get It
Best Lighting Design of a Play
Jeff Croiter, Peter and the Starcatcher
Peter Kaczorowski, The Road to Mecca
Brian MacDevitt, Arthur Miller’s Death of a Salesman
Kenneth Posner, Other Desert Cities
Best Lighting Design of a Musical
Christopher Akerlind, The Gershwins’ Porgy and Bess
Natasha Katz, Follies
Natasha Katz, Once
Hugh Vanstone, Ghost the Musical
Best Sound Design of a Play
Paul Arditti, One Man, Two Guvnors
Scott Lehrer, Arthur Miller’s Death of a Salesman
Gareth Owen, End of the Rainbow
Darron L. West, Peter and the Starcatcher
Best Sound Design of a Musical
Acme Sound Partners, The Gershwins’ Porgy and Bess
Clive Goodwin, Once
Kai Harada, Follies
Brian Ronan, Nice Work If You Can Get It
William David Brohn and Christopher Jahnke, The Gershwins’ Porgy and Bess
Bill Elliott, Nice Work If You Can Get It
Martin Lowe, Once
Danny Troob, Newsies
Isabelle Stevenson Award
Special Tony Award
Actors’ Equity Association
Neil Patrick Harris who tweeted, "Tony nominations. The biggest day in the world for a very small faction of people" will host the show for the third time in his career. The 66th Annual Tony Awards will air live from the Beacon Theater in New York City on CBS on June 10 at 8 PM ET. Which shows and stars were you glad to see get Tony nominations? Who got snubbed? Sound off in the comments section below, Broadway babies!
Neil Patrick Harris To Host The 2012 Tony Awards
Hugh Jackman To Receive Honorary Tony Award
Once the Musical: Can an Indie Hit Become a Broadway Smash?
Fela!, about the life of revered African world music star Fela Kuti, will go up against Green Day's American Idiot, Memphis, and Million Dollar Quartet in the coveted Best Musical category at the 64th annual prizegiving, which honours the best on Broadway.
Meanwhile, Grammer and Hodge, who star as a camp gay couple in La Cage, will compete against Sean Hayes (Promises, Promises), Chad Kimball (Memphis) and Sahr Ngaujah (Fela!) for Best Performance by a Leading Actor in a Musical.
The evening is sure to be a star-studded event, with Hollywood actors Jude Law (Hamlet), Alfred Molina (Red), Liev Schreiber (A View from the Bridge), Christopher Walken (A Behanding in Spokane) and Denzel Washington (Fences) pitted against each other for the Best Performance by a Leading Actor in a Play award.
Washington's co-star Viola Davis will battle it out in the category for Best Performance by a Leading Actress in a Play, against Valerie Harper (Looped), Linda Lavin (Collected Stories), Laura Linney (Time Stands Still) and Jan Maxwell (The Royal Family).
Catherine Zeta-Jones (A Little Night Music), Kate Baldwin (Finian's Rainbow), Sherie Rene Scott (Everyday Rapture), Montego Glover (Memphis) and Christiane Noll (Ragtime) received nods for Best Performance by a Leading Actress in a Musical, and Scarlett Johansson's Broadway debut in A View from the Bridge has earned her a nomination for Best Performance by a Featured Actress in a Play.
Nominations for Best Play include In the Next Room (or The Vibrator Play), Next Fall, Red and Time Stands Still.
The winners will be announced on 13 June (10) at Radio City Music Hall in New York City.
The main list of nominees is as follows:
In the Next Room (or The Vibrator Play)
Time Stands Still
Million Dollar Quartet
Best Book of a Musical:
Everyday Rapture - Dick Scanlan and Sherie Rene Scott
Fela! - Jim Lewis & Bill T. Jones
Memphis - Joe DiPietro
Million Dollar Quartet - Colin Escott and Floyd Mutrux
Best Original Score (Music and/or Lyrics) Written for the Theatre:
The Addams Family - Music & Lyrics: Andrew Lippa
Enron - Music: Adam Cork, Lyrics: Lucy Prebble
Fences - Music: Branford Marsalis
Memphis - Music: David Bryan, Lyrics: Joe DiPietro, David Bryan
Best Revival of a Play:
Lend Me a Tenor
The Royal Family
A View from the Bridge
Best Revival of a Musical:
La Cage aux Folles
A Little Night Music
Best Performance by a Leading Actor in a Play:
Jude Law - Hamlet
Alfred Molina - Red
Liev Schreiber - A View from the Bridge
Christopher Walken - A Behanding in Spokane
Denzel Washington - Fences
Best Performance by a Leading Actress in a Play:
Viola Davis - Fences
Valerie Harper - Looped
Linda Lavin - Collected Stories
Laura Linney - Time Stands Still
Jan Maxwell - The Royal Family
Best Performance by a Leading Actor in a Musical:
Kelsey Grammer - La Cage aux Folles
Sean Hayes - Promises, Promises
Douglas Hodge - La Cage aux Folles
Chad Kimball - Memphis
Sahr Ngaujah - Fela!
Best Performance by a Leading Actress in a Musical:
Kate Baldwin - Finian's Rainbow
Sherie Rene Scott - Everyday Rapture
Montego Glover - Memphis
Christiane Noll - Ragtime
Catherine Zeta-Jones - A Little Night Music
Best Performance by a Featured Actor in a Play:
David Alan Grier - Race
Stephen McKinley Henderson - Fences
Jon Michael Hill - Superior Donuts
Stephen Kunken - Enron
Eddie Redmayne - Red
Best Performance by a Featured Actress in a Play:
Maria Dizzia - In the Next Room (or The Vibrator Play)
Rosemary Harris - The Royal Family
Jessica Hecht - A View from the Bridge
Scarlett Johansson - A View from the Bridge
Jan Maxwell - Lend Me a Tenor
Best Performance by a Featured Actor in a Musical:
Kevin Chamberlin - The Addams Family
Robin De Jesus - La Cage aux Folles
Christopher Fitzgerald - Finian's Rainbow
Levi Kreis - Million Dollar Quartet
Bobby Steggert - Ragtime
Best Performance by a Featured Actress in a Musical:
Barbara Cook - Sondheim on Sondheim
Katie Finneran - Promises, Promises
Angela Lansbury - A Little Night Music
Karine Plantadit - Come Fly Away
Lillias White - Fela!
Best Direction of a Play:
Michael Grandage - Red
Sheryl Kaller - Next Fall
Kenny Leon - Fences
Gregory Mosher - A View from the Bridge
Best Direction of a Musical:
Christopher Ashley - Memphis
Marcia Milgrom Dodge - Ragtime
Terry Johnson - La Cage aux Folles
Bill T. Jones - Fela!
Rob Ashford - Promises, Promises
Bill T. Jones - Fela!
Lynne Page - La Cage aux Folles
Twyla Tharp - Come Fly Away
Jason Carr - La Cage aux Folles
Aaron Johnson - Fela!
Jonathan Tunick - Promises, Promises
Daryl Waters & David Bryan - Memphis
Best Scenic Design of a Play
John Lee Beatty - The Royal Family
Alexander Dodge - Present Laughter
Santo Loquasto - Fences
Christopher Oram - Red
Best Scenic Design of a Musical:
Marina Draghici - Fela!
Christine Jones - American Idiot
Derek McLane - Ragtime
Tim Shortall - La Cage aux Folles
Best Costume Design of a Play:
Martin Pakledinaz - Lend Me a Tenor
Constanza Romero - Fences
David Zinn - In the Next Room (or The Vibrator Play)
Catherine Zuber - The Royal Family
Best Costume Design of a Musical:
Marina Draghici - Fela!
Santo Loquasto - Ragtime
Paul Tazewell - Memphis
Matthew Wright - La Cage aux Folles
Best Lighting Design of a Play:
Neil Austin - Hamlet
Neil Austin - Red
Mark Henderson - Enron
Brian MacDevitt - Fences
Best Lighting Design of a Musical:
Kevin Adams - American Idiot
Donald Holder - Ragtime
Nick Richings - La Cage aux Folles
Robert Wierzel - Fela!
Best Sound Design of a Play:
Acme Sound Partners - Fences
Adam Cork - Enron
Adam Cork - Red
Scott Lehrer - A View from the Bridge
Best Sound Design of a Musical:
Jonathan Deans - La Cage aux Folles
Robert Kaplowitz - Fela!
Dan Moses Schreier and Gareth Owen - A Little Night Music
Dan Moses Schreier - Sondheim on Sondheim
Special Tony Award for Lifetime Achievement in the Theatre:
Regional Theatre Tony Award:
The Eugene O'Neill Theater Center, Waterford, Connecticut
Isabelle Stevenson Award:
David Hyde Pierce
Tony Honors for Excellence in the Theatre:
Alliance of Resident Theatres/New York