At the height of his writing fame Truman Capote (Philip Seymour Hoffman) becomes captivated by a small story in the New York Times about a family of four murdered in their Kansas farmhouse by a shotgun at close range. The diminutive bespectacled author known up to this point for Breakfast at Tiffanys and writing about the New York social scene heads out to Kansas for The New Yorker magazine with his assistant Harper Lee (Catherine Keener) who would later write To Kill a Mockingbird. Lee helps Capote fit into the small town that is rocked by the murders and introduces Capote to the townsfolk including the investigator Alvin Dewey (Chris Cooper) who is hot on the trail of the killers Perry Smith (Clifton Collins Jr.) and Dick Hickock (Mark Pellegrino). Lee keeps Capote in check as does his editor William Shawn (Bob Balaban) and longtime partner Jack Dunphy (Bruce Greenwood). But Capote is transfixed by Smith and ends up spending a lot of time with him in jail after the trial. Inevitably the small Kansas town tragedy leads Capote to his definitive work In Cold Blood becoming an obsession for the self-indulgent author. Capote seemingly wants to help get Smith and Hickock an appeal after they are convicted to hang for the murders of the Clutter family. But truly he is more concerned with himself. He lies cajoles and fools himself as he toils over the book. He tells people rather callously that he hopes their appeals will end so he could have an ending to the book. And when they do hang Capote is there. But he never completes another book ever again.
After critics saw Hoffman's performance at the Toronto International Film Festival one of the prevailing thoughts is that he's this year's Jamie Foxx. He's the man to beat for the Best Actor Oscar for his spot-on portrayal of the irritatingly gifted writer who could get anyone to talk about anything. Hoffman is known for getting into his roles rather deeply but he can go overboard and has been known to milk his parts to the point of stealing attention away from everything else in the movie (think Cold Mountain or Red Dragon). But for Capote he's expected to be over the top. Not only will Hoffman most assuredly get a nomination but the movie could be a Best Picture contender as well as nominations for Keener Collins and Dan Futterman for the screenplay. Another nearly hidden but precious role is handled nicely by Amy Ryan as Marie Dewey the Kansas housewife who coos over Capote's visit to their community and ends up giving him the credibility to gain access to the mindset of the town.
Taking this true story to the big screen is certainly a challenge when you have the classic film In Cold Blood out there but Capote fills in a lot of the gaps that the previous film--and the book--leave out. And it is also telling that there are two films being been made about Capote during the time he wrote In Cold Blood. Have You Heard? starring Brit Toby Jones as the diminutive writer and Sandra Bullock as Harper Lee is due to be released in 2006. But Capote won the race--and could very well dampen the other's chances. Director Bennett Miller is old school chums with writer/actor Futterman and Hoffman--and Capote is obviously a labor of love between them. Futterman may get too wordy in a few of the scenes especially between Capote and Smith but under Miller's guidance they are tense moments nonetheless confined to a jail cell. Futterman had access to the actual letters between Capote and Smith and used them word for word in the script. Without comment Miller offers ugly sides to all the major characters and shows all of their duplicity in a stark and frank way. The film has a documentary feel to it sticking to the facts and avoiding any preachiness. It offers a window into the world of New Journalism and the poetic license seen in creative non-fiction and fictional biographies so prevalent today.
A Guy Thing's premise is standard and remarkably uneventful. Paul (Jason Lee) thinks marrying the sweet and perfect Karen (Selma Blair) and working for his tough soon-to-be father-in-law Ken (James Brolin) is the best thing he's got. Until he meets Becky (Julia Stiles) the girl he wakes up with after his wild bachelor party. Paul can't remember what happened but assumes the worst and tells Karen a little lie to cover it up. His friends tell him it's fine it's "a guy thing" and he shouldn't feel guilty but in the week before his nuptials he watches the whole thing blow up in his face. See Becky is Karen's free-spirited cousin a girl who lives life to the fullest. Even if Paul wanted to forget Becky and the apparent incident he can't especially when he realizes he is beginning to have feelings for Becky and that maybe Karen isn't the right girl for him. Oh boy he's got some s'plaining to do. This is life folks--these are the tough choices you've got to make. Or so that's what the film wants us to remember when we walk out of the theater with our sides splitting from laughing so hard. Right.
After last year's stinker Stealing Harvard one would have hoped Jason Lee learned his lesson--but apparently not. The thing is the guy is talented. He's shown great comedic flair alongside director Kevin Smith (Chasing Amy) but it's obvious his judgment has been impaired somewhere along the way. Lee looks like he is sleepwalking through most of the film as Paul does nothing more than react to all the craziness around him typically coming to his senses just in the nick of time. Blair (Legally Blonde) once again plays the country-club princess to a tee but someone please give this actress something meaty for a change. She can handle it. Yet it's Stiles who surprises you in A Guy Thing. Venturing into a balls-out comedy for the first time she just seems so out of place in the romantic comedy milieu. You think it isn't going to work but then suddenly you realize she's grown on you and Becky's gangly klutzy style becomes the only refreshing thing in this tired genre movie. Larry Miller also makes a hilarious appearance as Paul's minister neighbor who has seen the whole "guy thing" transpire. Funny stuff.
Someone really needs to tell why these vacuous romantic comedies keep getting made. A Guy Thing portends to be different claiming the comedy comes from real-life choices rather than from outlandish unbelievable situations. OK then it makes sense Paul would climb out his future in-laws' bathroom window to escape seeing Becky only to get hung up on a tree limb then get shot at by big bad daddy Ken and then have to climb back in the bathroom and wind up squirting a shampoo bottle into the toilet to make it seem like he was having gastric problems to those listening outside the bathroom door. Sure that happens all the time. Comedy works best when it's a tad outrageous and don't think A Guy Thing is anything but although it fails most of the time. Still under the guidance of director Chris Koch (Snow Day) the film has a few laugh-out-loud moments including the rehearsal dinner scene where a pharmacy technician caters the meal (don't ask) and spikes the gravy with marijuana resulting in priceless reactions from some veteran actors such as Diana Scarwid and Julie Hagerty playing the two mothers. The actual meaning of "a guy thing " which can ultimately be defined as a guy's inclination to back his buddies up also gets explained in a few hilarious ways. Overall though it's just one formulaic moment after another.