Taylor Swift gave funnyman John Cleese a taste of her stern, feminist side when he poked fun at women during an appearance on Britain's Graham Norton Show on Friday night (10Oct14). The two stars were bonding over their love of cats when the Monty Python star criticised her pet, Olivia Benson, asking, "How did it have the accident?" before adding, "That's the funniest looking cat I've ever seen", when Cleese told host Norton why he preferred cats to dogs.
He said, "They're unpredictable and cussed - like women."
Swift shot him a stern look and said, "Ooh, we don't wanna do that..."
Cleese previously admitted he was looking forward to joining Swift on Norton's sofa, tweeting, "I am looking forward to discussing cats with @taylorswift13 on @TheGNShow. She has 2, I have 3."
"I am looking forward to discussing cats with @taylorswift13 on @TheGNShow. She has 2, I have 3." Funnyman John Cleese is excited about his upcoming TV encounter with fellow cat lover Taylor Swift on Britain's Graham Norton Show.
Leonardo DiCaprio, Mark Ruffalo, Susan Sarandon and Edward Norton joined thousands of eco-activists on the streets of New York City on Sunday (21Sep14) to demand more action on climate change. Joseph Gordon-Levitt, acting couple Kevin Bacon and Kyra Sedgwick, Evangeline Lilly, and rocker Sting and his producer wife Trudi Styler also took part in the Big Apple leg of the People's Climate Change march.
Sedgwick took to her Twitter.com blog during the demonstration and declared, "Today I march (for) the future. #ActOnClimate (Our) only hope is to ban (sic) together And demand change", while actor John Leguizamo revealed his teenage child had also joined in, writing, "My daughter went to protest for global warming counter programing! 14 and already an activist! So proud".
The event attracted as many as 300,000 people and was billed as the biggest march for climate change action in history.
After the march, Ruffalo tweeted, "The #PeopleClimateMarch today was undeniably a historic moment in the fight against #climatechange ignorance 310k people strong!"
Other People's Climate Change demonstrations also took place in cities including Paris, France, Melbourne, Australia and London, where campaigners included Harry Potter co-stars Emma Thompson and Bonnie Wright.
The marches were planned to raise awareness about the cause ahead of the United Nation's climate change summit in New York on Tuesday (23Sep14), where new U.N. Messenger of Peace on Climate Change DiCaprio will address attendees.
Looks like they won't be "live from New York" any longer. After a difficult, uneven season that saw an influx of new cast members, controversy and the loss of Head Writer and "Weekend Update" host Seth Meyers halfway through the year, Saturday Night Live is by cutting down its slate of featured players down to a more manageable size. Brooks Wheelan announced that he would be leaving Tuesday morning on Twitter (via a joke, natch). Later in the day, it was announced that Noël Wells and John Milhiser also wouldn't return after they failed to make an impression with audiences this year. Those announcements come about a month after Nasim Pedrad, one of the current longest-running cast members, would be leaving to work on Mulaney.
But just because they won't be on SNL any longer, that doesn't mean that it's the last we'll ever see of Wheelan, Wells, Milhiser and Pedrad. There are plenty of people who only lasted a couple of seasons on the show and then went on to become major stars: Sarah Silverman, Damon Wayans, Rob Riggle, and Iron Man himself, Robert Downey Jr., to name just a few. With that in mind, we decided to take a look back at their tenure on SNL in order to best predict what's next for Wheelan, Wells, Milhiser and Pedrad. Although if any one of them is going to wind up playing a superhero, our money's on Heshy.
Brooks Wheelan What’s Next: Wheelan doesn’t have a lot lined up at the moment, though he does have a short film titled Lose Yourself, Save Yourself, where he plays Fighter 2. His Strengths: Possibly because he comes from a standup background rather than a sketch one, Wheelan didn’t create very many memorable characters, and his most significant moments on the show were his two appearances as himself on “Weekend Update,” where he would warn audiences against the dangers of getting terrible tattoos and binge drinking. Where We See Him: Wheelan seems to embody the same kind of “goofy, wisecracking All-American” guy that actors like Jake Johnson or fellow SNL alum Jason Sudeikis trade on. We could easily see him bringing some of the energy to a sitcom where he plays the sarcastic straight guy to a group of off-the-wall characters. Still, his weirdly funny exterminator bit with Ed Norton proves he’s capable of some truly strange characters, and so we could see him playing smaller, supporting roles in films for a while as a variety of strange, obnoxious characters. And of course, there’s always his stand up career to fall back on…
Noël Wells What’s Next: Wells has the TV series Gentleman Lobsters, which is slated for a 2014 premiere. She’s also a photographer in her spare time, and her work has been showcased in exhibitions and been printed in magazines. Her Strengths: Though they were slightly hit and miss – her Nancy Grace was four minutes of eye twitches and catchphrases – Wells made the biggest impact on the show through her impressions, most notably, playing Lena Dunham in the season premiere’s parody of Girls. Where We See Her: Though her talent with impressions and slightly offbeat characters would serve her well on another sketch show, something along the lines of Inside Amy Schumer or Key and Peele, Wells most reminds us of two other early SNL departures: Jenny Slate and Casey Wilson. Like them, Wells has a quirky charm to her that would serve her well in indie films (she actually earned solid reviews for her work in last year’s Forev) and in an ensemble sitcom, where she would be free to play up her weirder side.
John Milhiser What’s Next: Like Wheelan, Milhiser has a short film on his slate, Little Horribles, and he also starred in the indie film Camp Takota, which is available online. His Strengths: Milhiser didn’t get much of a chance to make an impression on audiences, although eh did show off a pitch-perfect Jon Cryer impression during a Family Feud sketch. He did, however, have one highlight during his tenure, a sketch where he and Lady Gaga played “encouraging” stage parents helping their child through a talent show performance, which let him show off his goofier side, and his ability to execute a high kick. Where We See Him: Milhiser strikes us as a Ben Falcone or Nat Faxon-type, someone who pops up in different things all the time, playing characters with varying levels of insanity and oddity. He’s definitely shown that he can play both weird and silly characters, but since he didn’t make that much of an impression, he’ll probably be “that guy from that thing” for a while, until he manages to find the right project to help him break out.
Nasim Pedrad What’s Next: After five years on SNL, Pedrad is leaving in order to play Jane, the roommate of John Mulaney’s character on the FOX sitcom Mulaney. Her Strengths: During her time on the show, Pedrad played a wide variety of characters, including Kim Kardashian, Arianna Huffington, Bedelia, the awkward teenager whose best friend is her mother and Shallon, the world’s most dangerous fifth grader. Though she never made the kind of impression that Kristen Wiig and Kate McKinnon have, she’s become a vital part of the ensemble over the past five years, thanks to her ability to inhabit both the sanest and the oddest human beings. Where We See Her: Hopefully, her role on Mulaney will be exactly what she needs to properly break out, since she never quite managed to on SNL. From there, we could see her following a similar career path to Wiig or Tina Fey, playing both broad comedy and more serious roles in both television in movies. Alternatively, she could become more of a Michaela Watkins/Ana Gasteyer- type, and becoming the go-to actress for slightly odd, scene-stealing characters.
Actress Emily Blunt hid her pregnancy on the set of action movie Edge Of Tomorrow until her co-star Tom Cruise figured out the truth when she stopped taking part in hair-raising stunts. The two screen stars play alien-battling soldiers in the new sci-fi movie, and shooting on the film wrapped before the British actress fell pregnant with her first child.
However, after conceiving, she had to return to shoot some additional scenes, and Top Gun star Cruise suspected something was amiss when he noticed Blunt was no longer keen to perform her own stunts.
She tells U.K. talk show host Graham Norton, "For some additional photography I was pregnant but it was still early and I wasn't really telling anyone. So Tom was confused as to why I wasn't engaging with all the stunts, as I was game when we did them originally. So I told him I was growing a human. He was so cute about it and protected me - he almost went overboard on helping me. In the end I had to say, 'Tom. I'm fine, I can do stairs!'"
Blunt gave birth to daughter Hazel, her first child with her husband John Krasinski, in February (14).
Gender-bending Eurovision Song Contest winner Conchita Wurst thrilled gay fans in the U.K. on Saturday night (25May14) when the bearded drag queen took the stage at the city's top nightclub. The Austrian singer, real name Tom Neuwirth, gave a dazzling performance G-A-Y, where Kylie Minogue and Miley Cyrus have recently performed sets.
Wurst prepared for the big gig by sitting down for an interview with British TV host Graham Norton, who introduced the entertainer at G-A-Y.
During the chat, the singer revealed Sir Elton John sent a bouquet to congratulate her on her win, and she had even received a tweet from Cher, adding, "I was so excited to receive the tweet, which said, 'Darling, you deserve a lovelier name and better wig'."
Wurst also told Norton that she hopes to host the Eurovision Song Contest in Vienna, Austria next year (15).
Jersey Boys is a big glitzy musical full of show-stopping, finely tuned musical numbers, and that signature layered sound that originally shuttled Frankie Valli and the Four Seasons to the top of the music charts in the '60s. Now, Clint Eastwood is looking to shrink the live theater experience into a film adaptation.
The first trailer for the Jersey Boys film has been released, and the upcoming flick looks to stick pretty closely to the source material. The original musical tells the story of Frankie Valli and the Four Season, a couple of rough and tumble kids from Jersey that defied the odds and became pop music sensations. John Lloyd Young, the original Tony winning star of the show, is reprising his role as Valli for the film. The Jersey Boys film looks to carry over stage show's beguiling narration where each member of the Four Seasons tells a different, skewed version of the group's collective story. Breaking the fourth wall is a device used by many television shows and films, and while it remains to be seen whether Jersey Boys uses the device well, some works have used it better than others.
Warner Bros. UK Trailers/YouTube
Wolf of Wall Street Does it work: Yes. Scorsese's ode to excess uses the fourth wall device sparingly, having the crass Jordan Belfort unload his unholy sermons on the almighty dollar in only a few doses. It only happens a handful of times throughout the film so the technique never overstays it's welcome.
House of CardsDoes it work: It's a mixed bag. While it's sometimes fun to hear Frank Underwood deliver a vicious tongue lashing in that deep-throated southern drawl, many of the fourth wall breaking asides in House of Cards only serve as the delivery mechanism for mind numbing exposition. It's almost as if the show doesn't trust us to follow along with its political punches without Frank directly telling us what is happening.
Fight ClubDoes it work: Yes. Fight Club is often a call to action as much as it is a riotously loopy thriller. Both Brad Pitt and Edward Norton speak right to the audience while denouncing the shackling nature of our consumerist, image-obsessed culture.
Malcolm in the MiddleDoes it work: Yes, the episodes near-constant shattering of the narrative/audience barrier is in deeply coded into the DNA of the show. Malcolm in the Middle simply wouldn't be Malcolm in the Middle without Frankie Muniz's exacerbated asides to the camera. If you had a family like that, you'd probably start talking to an imaginary audience as well.
Ferris Bueller's Day OffDoes it work: An emphatic yes. Ferris' one day sabbatical from high school isn't just a solo adventure. You and everyone else in the audience is along for the ride. Part of the reason Ferris Bueller has endured over the years is because of Bueller's ability to seemingly warp and shape reality around him and ensure that everyone is having a good time. It's the ultimate teenage power fantasy, and you have you're own personal demigod tour guide.
Irish TV personality Graham Norton has slammed the country's national public service broadcaster after company bosses handed thousands of dollars to opponents of gay marriage. Chiefs at broadcaster RTE agreed earlier this month (Feb14) to pay $111,800 (£69,880) to two journalists and four members of the Iona Institute, a right-wing Catholic group which opposes gay marriage, after being threatened with legal action for branding them homophobes.
Howver, talk show host Norton has slammed the decision to settle the case as "absolutely moronic", telling Irish magazine Hot Press, "I'm not registered to vote in Ireland but I do pay the licence fee there and I'm f**king furious that some of my money has gone to these idiots. RTE settling wasn't gutless, it was absolutely moronic."
Irish drag queen Panti Bliss called four members of the Iona Institute and journalists John Waters and Breda O'Brien "horrible and mean about gays" during an episode of the Saturday Night Show, leading to the six individuals threatening legal action for defamation.
Hollywood hardman Sylvester Stallone has quit his tough keep-fit regime after a lifetime of gruelling workouts. The musclebound movie star shot to fame in the 1970s with his role as down-on-his-luck boxer Rocky Balboa, and he went on to feature in a string of action roles including Vietnam veteran John Rambo in the First Blood franchise and a gutsy mercenary in The Expendables.
He has spent most of his career sticking to a rigorous fitness regimen to stay in shape for his signature roles, but now the 67-year-old has turned his back on the gym and is happy to grow old gracefully.
Stallone tells U.K. talk show host Graham Norton, "I'm trying to avoid going to the gym. I ended up doing a lot of action films and you have to be in shape. I swear I was in the gym so often that if I'd had another daughter I would have called her Barbella! I figure at a certain age you get clogged arteries and you drop dead happy."
Lions Gate via Everett Collection
When we last left our heroes, they had conquered all opponents in the 74th Annual Hunger Games, returned home to their newly refurbished living quarters in District 12, and fallen haplessly to the cannibalism of PTSD. And now we're back! Hitching our wagons once again to laconic Katniss Everdeen and her sweet-natured, just-for-the-camera boyfriend Peeta Mellark as they gear up for a second go at the Capitol's killing fields.
But hold your horses — there's a good hour and a half before we step back into the arena. However, the time spent with Katniss and Peeta before the announcement that they'll be competing again for the ceremonial Quarter Quell does not drag. In fact, it's got some of the film franchise's most interesting commentary about celebrity, reality television, and the media so far, well outweighing the merit of The Hunger Games' satire on the subject matter by having Katniss struggle with her responsibilities as Panem's idol. Does she abide by the command of status quo, delighting in the public's applause for her and keeping them complacently saturated with her smiles and curtsies? Or does Katniss hold three fingers high in opposition to the machine into which she has been thrown? It's a quarrel that the real Jennifer Lawrence would handle with a castigation of the media and a joke about sandwiches, or something... but her stakes are, admittedly, much lower. Harvey Weinstein isn't threatening to kill her secret boyfriend.
Through this chapter, Katniss also grapples with a more personal warfare: her devotion to Gale (despite her inability to commit to the idea of love) and her family, her complicated, moralistic affection for Peeta, her remorse over losing Rue, and her agonizing desire to flee the eye of the public and the Capitol. Oftentimes, Katniss' depression and guilty conscience transcends the bounds of sappy. Her soap opera scenes with a soot-covered Gale really push the limits, saved if only by the undeniable grace and charisma of star Lawrence at every step along the way of this film. So it's sappy, but never too sappy.
In fact, Catching Fire is a masterpiece of pushing limits as far as they'll extend before the point of diminishing returns. Director Francis Lawrence maintains an ambiance that lends to emotional investment but never imposes too much realism as to drip into territories of grit. All of Catching Fire lives in a dreamlike state, a stark contrast to Hunger Games' guttural, grimacing quality that robbed it of the life force Suzanne Collins pumped into her first novel.
Once we get to the thunderdome, our engines are effectively revved for the "fun part." Katniss, Peeta, and their array of allies and enemies traverse a nightmare course that seems perfectly suited for a videogame spin-off. At this point, we've spent just enough time with the secondary characters to grow a bit fond of them — deliberately obnoxious Finnick, jarringly provocative Johanna, offbeat geeks Beedee and Wiress — but not quite enough to dissolve the mystery surrounding any of them or their true intentions (which become more and more enigmatic as the film progresses). We only need adhere to Katniss and Peeta once tossed in the pit of doom that is the 75th Hunger Games arena, but finding real characters in the other tributes makes for a far more fun round of extreme manhunt.
But Catching Fire doesn't vie for anything particularly grand. It entertains and engages, having fun with and anchoring weight to its characters and circumstances, but stays within the expected confines of what a Hunger Games movie can be. It's a good one, but without shooting for succinctly interesting or surprising work with Katniss and her relationships or taking a stab at anything but the obvious in terms of sending up the militant tyrannical autocracy, it never even closes in on the possibility of being a great one.
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