Actor Shia LaBeouf has reportedly been arrested in Hollywood for driving under the influence (DUI) after he was involved in a car accident.
The Transformers star, 21, is alleged to have collided with another vehicle at around 3 a.m. on Sunday at the junction of La Brea and Fountain.
According to TMZ.com, when police attended to the incident, LaBeouf was reportedly arrested on suspicion of felony DUI after showing "outward signs" of intoxication.
Paramedics were called to the scene and the actor was taken to a local hospital.
LaBeouf is no stranger to the law--in November, he was accused of drunken trespassing after refusing to leave a Chicago convenience store at 4 a.m., but the misdemeanor charges were subsequently dropped.
Then in February, he was charged with smoking in a prohibited area in California--to which he pleaded guilty and was forced to pay a $500 fine for the offense.
His latest legal woe comes just three months after he vowed never to get arrested again--because he didn't want to hamper his promising film career.
In May, he said, "There's nothing cool about getting arrested for stupid stuff at my age. But it keeps happening to me. I could pretend that I find it all highly amusing, but I'd be lying.
"It's deeply embarrassing. I decided a long time ago to stop doing stupid things, so clearly I've still got some work to do on myself. I'm not anonymous any more.
"Now, I light up a cigarette in the wrong place and overnight I'm the Al Capone of misdemeanors. What I've got in terms of acting is too important for me to jeopardize."
COPYRIGHT 2008 WORLD ENTERTAINMENT NEWS NETWORK LTD. All Global Rights Reserved.
Actor Nicolas Cage has signed up to star as Al Capone in filmmaker Brian De Palma's prequel to The Untouchables.
Cage, reuniting with his Snake Eyes director, will play the real-life crime boss in The Untouchables: Capone Rising, which is set to start shooting in October.
Robert De Niro played Capone in the original 1987 movie, also directed by De Palma.
COPYRIGHT 2007 WORLD ENTERTAINMENT NEWS NETWORK LTD. All Global Rights Reserved.
David Callaway (Robert De Niro) is having a tough time dealing with the apparent suicide of his wife (Amy Irving). His young daughter Emily (Dakota Fanning) also has taken her mother's death very hard retreating into her own little world. As a psychologist David decides the only way to help Emily is to move from the big city to a house in the country. Sure that kind of thing usually works like a charm. Emily does perk up a bit when she finds a new "friend " Charlie who likes to have fun and play hide and seek with her. Of course we can't actually see this new friend but that's beside the point. The imaginary Charlie is still a powerful force in Emily's life instructing her not to talk about him much and hating pretty much everyone else in her life including her dad. In short order bad things start happening--yes the family pet gets whacked--which Emily blames on Charlie. This leaves David wondering how his little girl could have turned so psychotic. But wait. Maybe Charlie isn't imaginary after all but actually a flesh-and-blood malevolent presence. Oh god do you think so?
Why you may ask would an acting icon like Robert De Niro star of such classic movies as Raging Bull and Goodfellas choose such a cheesy film as Hide and Seek? Very good question. Maybe he was drawn into the project based on the premise like the rest of us without realizing how derivative the story would get as things progressed. Of course De Niro plays the confused father--dealing with what could possibly be a demonic child--with a fair amount of finesse. But he's a pro that's what he does. Fanning (I Am Sam) too does the best she can as the sunken-eyed pasty-faced Emily. She sulks around rarely smiles and draws scary pictures of people dying horrible deaths which has now become a prerequisite for any child in a scary movie. In the supporting roles Elisabeth Shue Famke Janssen and Dylan Baker are all pretty much wasted. Shue who hasn't acted in anything major since 2000's Hollow Man makes a brief appearance as a potential paramour for David. Janssen (X-Men) playing David's colleague and Emily's confidante thinks living in isolation is a bad idea (and she's right!). Veteran character actor Baker (Kinsey) takes on the predictable role of the hapless town sheriff who never quite gets he's about to be in a world of hurt.
It is always disappointing when the promise of something potentially creepy turns out to possess the same old tired plot points and scare tactics seen countless times before. Director John Polson--best known for helming Swimfan another predictable stalker-gone-mad thriller--and novice screenwriter Ari Schlossberg don't have the necessary skills to take Hide and Seek above and beyond its conventional trappings. To its small credit the film does build a bit of tension in the beginning as David and Emily skirt around each other trying to grasp onto some kind of normalcy. Then when Emily introduces Charlie you continue to hold out hope that somehow the filmmakers will channel some of M. Night Shyamalan's aura and start really scaring the bejesus out of you. But alas it isn't meant to be. Instead you're sitting there pretty much guessing every move the film is going to make before it happens. When the twist finally comes around--you knew there was a twist right?--it doesn't really surprise you whether you've guess it or not.
Media and political analysts are expressing skepticism that Connie Chung's interview with Congressman Gary Condit, set for ABC's PrimeTime Thursday this week, will produce anything more substantial than what Geraldo Rivera turned up when he opened Al Capone's safe. Most agreed, however, that Chung has a lot riding on it. Alex Jones, director of the Shorenstein Center on the Press, Politics and Public Policy at Harvard University, told today's (Wednesday) New York Daily News. "She'll either distinguish herself or embarrass herself with this prime-time opportunity." Today's Boston Globe, in a report about the interview, observed: "For Chung, the coup she pulled off in winning the derby to interrogate the elusive Condit may resurrect a flagging career that never recovered from her removal as Dan Rather's coanchor on the CBS Evening News in 1995." The Globe article quoted media analyst Ellen Hume as saying, "I would be shocked if this interview produced anything." But Jon Keller, the longtime host of a local political talk show on Boston's WLVI, a WB affiliate, had this advice for Condit: "Blubber and beg forgiveness. ... And save something for Oprah. Don't give it all to Connie Chung."
"Just because we are Italian, it doesn't mean you have to be a Mafioso."
So said Manny Alfano, anti-violence chairman of UNICO National Inc., an Italian-American service organization, on Friday.
He shares a common concern with some Italian-Americans who say they believe that Hollywood has exploited and misrepresented their culture for years.
The worst offender, at present: The Sopranos.
The American Italian Defense Association filed a lawsuit on Thursday in Chicago against the makers of the HBO television series, alleging that the program wrongly portrays most Italian-Americans as mobsters.
The series "suggests that criminality is in the blood or in the genes of Italian-Americans and that Italians as early immigrants to this country had little opportunity other than to turn to crime," the association said in a statement.
Time Warner Entertainment said it is "very proud" of its critically acclaimed show.
"We are hardly alone in our assessment that the show is an extraordinary artistic achievement," according to a Time Warner Entertainment statement said.
Alfano's group is working with the American Italian Defense Association to combat stereotypes that they consider an affront to their community. He said the film and television industry began its misguided portrayal of the Italian-American community in the early 1960s, when the series The Untouchables first aired.
The series depicted the U.S. government's war against mobster Al Capone, who was born in Brooklyn, N.Y, to an immigrant Italian family.
When The Untouchables first began airing, Italian-American organizations worked independently of each other, but now they are coming together and speak as one united voice, Alfano said.
The Italian-American group is not looking to gain any profit from this lawsuit, but hope to gain back their "individual dignity" under Illinois law, the clause in which Time Warner Entertainment Co. is being sued under.
The group wants a moral victory by having a jury declare that the series offends the dignity of Italian-Americans, attorney Enrico Mirabelli told Reuters on Friday.
"There is so much emphasis placed on The Sopranos because of its stands," Alfano said. "We are for the First Amendment and against censorship. I don't expect the series to be taken off the air."
If a jury finds for the plaintiff, the group said it hopes that Hollywood will begin to look for positive traits in their community.
"We can dilute that image if the media has more positive programming and roles," Alfano said. "But that is someone no one wants to address because that's what sells."
He sees the portrayal of Italian-Americans in the media as offensive. The Sopranos, he said, is a "soap opera at its worst," where most of the characters act violently and cheat on their spouses.
"It goes beyond The Sopranos," he said. He cited Matt LeBlanc's character, Joey, on Friends and the Barone family from Everyone Loves Raymond as terrible Italian-American stereotypes.
"The image we see is that we are buffoons, Mafioso and bimbos, which we are not," he said.
We don't know what's stranger: Adam Sandler doing a P.T. Anderson-type movie, or P.T. Anderson doing an Adam Sandler-type film.
Either way, the synergy might just happen. Daily Variety says today that the "Little Nicky" supercomic is fielding opportunities for his next project, and one of them is a script which "Magnolia" helmer Anderson specifically wrote with Sandler and actress Emily Watson in mind.
But competing for Sandler's attention right now is another comedy penned by his writing partner, Tim Herlihy. And the funnyman's involvement with either project is likely contingent upon the anticipated actors and writers strike next summer.
But in the meantime, Sandler's latest comedy, "Little Nicky," opens this Friday.
BACK TO 'BASIC': Maybe he is just trying desperately to expand his oeuvre, but sci-fi director David Cronenberg, who has brought us head-scratching tales such as "Naked Lunch," "Videodrome" and "eXistenZ," is apparently eyeing to direct "Basic Instinct 2," Variety reports. Most known for the interrogation scene wherein actress Sharon Stone crosses her legs, the first "Basic Instinct" was directed by Paul Verhoeven in 1992. And as reported earlier in the year, Stone will reprise her role as ice pick killer Catherine Trammell in the sequel.
SIZING UP: Smells like high testosterone. The Hollywood Reporter says that Tom Sizemore might star in "Black Hawk Down" to be directed by Ridley Scott and produced by Jerry Bruckheimer. Variety says that the war flick is about a group of U.S. soldiers dispatched to Somalia for a mission.
MORE SIZEMORE: Variety also says that Sizemore is concurrently in talks to play gangster Al Capone in "The Road to Perdition" for Oscar-winning director Sam Mendes ("American Beauty").
PLAYING WITH THE BIG KIDS: "Roseanne" alum Johnny Galecki will join big guns Tom Cruise, Cameron Diaz, Penelope Cruz and Jason Lee in the thriller "Vanilla Sky," Variety says. The film will be helmer Cameron Crowe's follow-up to his critically fave "Almost Famous."
X MAN: Denzel Washington did it once for Spike Lee, and now Mario Van Peebles will do it again for Michael Mann. According to Variety, Van Peebles will come on board the "Ali" biopic as black leader Malcolm X.
Coming into the home stretch of the final week of the final sweeps period before summer, we've got tearful farewells, wacky guest stars, tantalizing cliffhangers and best of all … sexy stories about Florence Henderson!
ABC's "Spin City" (9 p.m. EDT/PDT Wednesday) will be back next season with Charlie Sheen as its new star. But the bigger news is that Michael J. Fox will make his network TV farewell (hopefully only temporarily) in the series' hourlong season finale. Fox will be taking a break from acting to use his considerable charm and energy to help the fight against Parkinson's disease. Michael Gross, who played Fox's TV dad in "Family Ties," the series that made him a star so long ago, makes a guest appearance in this episode. Expect lots of hugs all around.
The season finale of "3rd Rock from the Sun" (8 p.m. EDT/PDT Tuesday, NBC) is a special one-hour episode featuring William Shatner and giant babe/WWF superstar Chyna in return guest appearances. Last year, the two were used in separate ratings stunts that were only moderately successful. Currently, Shatner's hilariously self-deprecating series of ads for Priceline.com is causing a resurgence in the former Captain's popularity. And Chyna, for whatever it's worth, can kick your ass. Add in the shocking revelation that Dick (John Lithgow) is really the son of the Big Giant Head (Shatner), and this might be an interesting hour.
Also on Tuesday, Fox promises "the greatest find since King Tut," as Hugh Downs hosts "Opening the Tombs of the Golden Mummies: Live!" (8 p.m. EDT/PDT). We don't want to pick on the decision-makers at Fox, who are still trying to live down "Who Wants to Marry a Multi-Millionaire?" and perhaps don't have the time to look more deeply into the genre of "opening things," but shouldn't Downs know better than this? After all, he used to work with Geraldo Rivera on "20/20" just before Geraldo decided it would be a good idea to open Al Capone's "vault" on live TV.
Sunday night, meanwhile, (sort-of) brought us the goods on two famous couples: Greg and Marcia Brady, and Paul and Linda McCartney. So, just what really went on between Greg and Marcia? NBC's "Growing Up Brady" dug up the dirt you wanted on the famed "Brady Bunch" duo. Barry Williams, who played Greg on the 1969-74 sitcom, executive-produced this TV movie (based on his autobiographical book of the same name) which promised "the affairs, the secrets and the scandals!" Cool! How does Florence Henderson fit into all of this? (Barely a peck.)
CBS, meanwhile, served up a much more sanitized brand of nostalgia in its biopic "The Linda McCartney Story," about the 30-year romance between Paul McCartney (Gary Bakewell) (that rare, one-woman rock star) and photographer/activist Linda (Elizabeth Mitchell), who died in 1997 of cancer. If you are a fan of Paul, or the Beatles, this movie played sweet and sad, entertaining without offending. But it was also pretty bland.